Found 25 collections related to Actors

Eleonora von Mendelssohn was a German stage actress who emigrated to America at the time of Hitler's rise to power. She was actively involved in aiding other emigres and had much contact with the German acting community in Hollywood and New York. The collection includes personal and business papers and memorabilia of Eleonora von Mendelssohn and family members dating from 1880-1949. Papers reveal aspects of Mendelssohn's life, as well as problems, concerns and political tenor of the German emigre community in the United States during this period. less

Ted Bloecher (1929- ) is a retired actor and member of the New York City Gay Men's Chorus. His papers (1950-2000) consist of correspondence, personal journals, a memoir and other writing, theatre memorabilia, and his New York City Gay Men's Chorus files. The papers document daily life of a struggling actor and singer in New York City, gay life before and after Stonewall, and thirty years of UFO research. less

Jane Cowl (1884-1950) was an actress, playwright and theatrical producer. She appeared in her most famous acting roles in the 1920s and 1930s and co-authored several plays during this period with Jane Murfin. During World War II she was co-director of the Stage Door Canteen, an entertainment center for U.S. servicemen and women in New York City. She also hosted a radio program in the 1940s. Collection consists of correspondence, financial papers, diary, and biographical materials collected by Cowl. Correspondence, 1923-1948, is with noted playwrights, directors, actors, and theater managers; other correspondence, 1943-1946, concerns her charitable work with disabled veterans and underprivileged children. Also, diary written during Cowl's first trip to Europe in 1907 in which she described the European stage; materials she collected for a planned autobiography; and personal financial accounts. less

Lillie Langtry (1853-1929), an English actress, organized her own company and toured in Europe and the U.S. Collection consists of letters from Lillie Langtry to Clement Scott, drama critic, from London, Paris, the provinces of France, and America, asking for advice on various theatrical ventures, discussing plays in which she appeared and intended to appear, and mentioning such actors and actresses as the Bancrofts, Sarah Bernhardt, Arthur Bouchier, and Ellen Terry. less

John Malone (d. 1906) was an American actor. Collection consists of correspondence, writings and legal and family papers. Includes letters of theatrical people, mostly American, collected by Malone, together with some of Malone's personal correspondence and that of his family; Marcus Moriarty's autobiography of his theatrical career, his correspondence and a few contracts; several letters of non-theatrical contemporaries; materials on spiritualism and temperance; correspondence, 1928, of the Union Square Book Shop; and a genealogy of the Shelley family. less

Manart Kippen was an American actor. Collection consists of papers of Manart Kippen and, in part, letters and papers of author Minna C. Smith, including two letters from Edward Everett Hale. Kippen papers include correspondence, 1915-1947, consisting of letters from actors and actresses, playwrights, theatrical producers and agents; and miscellaneous documents. Correspondents include Julia Marlowe, George Arliss, Alfred Lunt, and Davis Belasco, among others. less

Legare Rogers Lytton (1867-1924) was an actor, director and architect of New York City. His real name was Oscar Legare Rogers. Collection consists of Lytton's diaries and notebooks containing architectural notes and drawings. Other topics include his work as an actor on the stage and in motion pictures, and personal matters. Also, copies of plays, his notes on stagecraft and address book. less

Edward Hugh Sothern (1859-1933) was an American actor and author who appeared on the New York and London stages; Julia Marlowe (1865-1950) was a successful actress in New York. They became co-stars in 1904, were married in 1911, and toured, mainly in Shakespeare plays, until her final retirement in 1924. Sothern devoted much of his later years to public readings, lectures and writing. Collection consists of correspondence, writings, theatre materials, financial and legal papers, and photographs. Correspondence, ca. 1860-1950, is between Sothern and Marlowe and with colleagues, family and friends; other correspondence concerns business and legal matters. Literary papers, ca. 1908-1929, contain notes, copy books, drafts, and typescripts of essays, poems, lectures, articles, and books by Sothern and Marlowe. Theatre-related materials, 1920s-1930s, include papers on Sothern's recitals, notes, prompt books, account books, box office statements, and 1926 Actors' Equity scrapbook. Financial and legal materials, 1908-1940s, pertain to theatrical finances and personal affairs. Also, photographs of Sothern and Marlowe, and their family and friends. less

Stage Women's War Relief was organized in New York City at the beginning of World War I to coordinate the efforts of volunteers among women in the theatre. They provided hospital supplies and clothing for soldiers in Europe, conducted Liberty Loan drives, arranged entertainments and stage performances for troops, and opened a canteen in 1918 for soldiers and sailors in New York City. Collection consists of correspondence and other records of the Stage Women's War Relief as well as some papers of Daisy Humphreys, National Chairman of the Press Dept. Records include correspondence, 1918-1919; music and short plays performed at bond rallies and troop centers; and printed matter. Humphreys's papers contain correspondence, 1927-1938; and programs, 1890s, and magazines, 1914, concerning her acting career and interest in the French stage. less

Collection contains correspondence, manuscripts, financial papers, production records, photographs, and printed matter. Correspondence consists of requests for work or placement in a particular show, either at the New York Hippodrome or another of the theaters with which Burnside was affiliated, as well as correspondence referring to the logistics of productions, publicity and financial arrangements, club memberships, and professional organizations such as ASCAP. Other correspondence refers to his endeavors in the film industry, as a director with Paramount in New York City, 1923-1925, and in Hollywood, 1935-1938. Correspondence also concerns the Philadelphia Sesquicentennial Celebration of 1926. Financial papers consist of theater accounts, box office and royalty statements, and securities and insurance records. Production notes include cast lists, property lists, program outlines, stage directions, reports, scripts, synopses, and light plots. Publicity photographs are accompanied by letters seeking auditions or parts in Burnside productions. Printed matter includes sheet music, promotional materials, newsclippings of reviews, and articles referring to Burnside, performers, shows, and productions he staged. less

Alice Fischer (1869-1947) was an American actress. Collection contains correspondence, telegrams, clippings, and other papers relating to Fischer's career and that of her husband, William Harcourt King. Also, letters, four pocket diaries and other papers of comedian Frank Mayo. less

Whitford Kane (1882-1956) was an English-American actor. Collection consists of correspondence with prominent American, English and Irish theater and literary figures, and theater agreements and contracts. Correspondents include Padraic Colum, St. John Ervine, Katharine Hepburn, Rutherford Mayne, Sean O'Casey, and Carl Van Vechten. less

Dion Boucicault (1820-1890) was one of the most popular playwrights of his day. Although born in Ireland, he spent many years in the U.S. (from 1853 to 1869 and from 1870 to 1890). He also was a well-known actor and theatrical manager and a key figure in the fight for passage of a copyright law. Agnes Boucicault (1883-1916), his wife, was an actress who played in the U.S. and England. Their son Aubrey Boucicault (1869-1913) was an actor. Collection consists of correspondence of members of the Boucicault family, some family papers, manuscript copy of Dion Boucicault's play Led Astray, and notes and fragments of his writngs. less

Dudley Digges (1879-1947), an Irish-American actor, was one of the original members of the Abbey Players. He appeared on the stage and in more than fifty films. Collection consists of correspondence with prominent theatre people concerning subjects such as Digges's open-air theater in Patchin Place in New York City, his Theatre Guild work, and Ireland's push for independence, ca. 1920-1926. Correspondents include George Arliss, St. John Ervine, Sean O'Casey, Eugene O'Neill, Lady Augusta Gregory, Walter Hartwig, Polly and Sidney Howard, Helen Hayes, John Quinn, and Alexander Woollcott. Also, Digges family correspondence, 1921-1923, and miscellaneous fan mail, notes and photograph of Digges. less

Fran Lee (née Frances Lederman, 1910-2010) was an actress, model, consumer advocate, and television personality who appeared on early television programs as "Mrs. Fix-It." The collection dates from 1925 to 1994 and contains correspondence, professional files, video tapes, and films. less

Philip Loeb (1894-1955) was an American stage and television actor. He worked at a number of theaters in New York as an actor, stage manager and casting director. He also taught at the Americ.an Academy of Dramatic Arts. In the 1930s he joined the Actors' Equity Association and was a member of its Executive Committee. He was accused of being a communist supporter and was blacklisted after being summoned by the House Committee on Un-American Activities in 1951. Collection consists of correspondence, Loeb's personal papers and printed matter. Correspondence, 1937-1955, includes letters concerning his alleged communist activities. Personal papers contain materials relating to his involvement with Actors' Equity, 1940-1954; House Committee on Un-American Activities, 1951; American Academy of Dramatic Arts, 1953; legal documents, 1913-1948; and financial records, 1932-1955. Also, file of newspaper clippings, 1947-1950. less

Minnie Maddern Fiske (1865-1932), an American actress known onstage as Mrs. Fiske (born Marie Augusta Davey), appeared in dramas, comedies, and musical comedies. Collection consists of letters from Fiske to Lawrence Eyre chiefly relating to productions and proposed productions of Eyre's plays by Fiske and her husband, Harrison Grey Fiske; and an introductory explanation of Eyre's relationship with the Fiskes. less

Collection consists of correspondence, stage managers'reports, receipt books, roster and salary records, and some personal papers of Dillingham. Correspondence, 1903-1927, of Dillingham and his associates Bruce Edwards and Fred G. Latham with theatrical people relates mainly to the casting and production of shows at the Globe Theatre and at the Hippodrome. Some of the correspondence concerns the management of the road shows on tour in the United States. Records include stage managers' reports, 1910-1911 and 1926- 1927; receipt books, 1906-1907, 1913-1914 and 1920-1928, recording box office receipts for shows at the Globe Theatre; and roster and salary records, 1908-1909. Also, personal and miscellaneous papers, some of which were removed from the R.H. Burnside Papers, containing Dillingham's memoirs of his life in the theater, last will and testament, notebook, and research notes. less

Clifford Smyth was a literary critic and editor of the New York Times Book Review. The nature of Smyth's relationship to American actress, dramatist, and poet Anna Cora Ogden Mowatt Ritchie is unknown. Smyth's papers consist of letters from William Dean Howells, Percy MacKaye, Richard Le Gallienne, and Upton Sinclair dating between 1914-1931. The papers also include a collection of commonplace books, prompt books, scripts, and other material belonging to Anna Cora Ogden Mowatt Ritchie dating from the 1820s through the 1860s. less

Philip Ben Greet (1857-1936) was an English actor and theater manager. Collection consists of papers reflecting Greet's career in the theater. Includes correspondence, 1881-1936, concerning his American productions of Shakespeare's plays; notes on Shakespeare and on Greet's lectures and stage productions; forewords by A.J. Lofvgren to various Shakespearean plays; a synopsis by Elma Dangerfield of a film version of Julius Caesar; records of the Shakespeare Film Society in London; accounts, tour lists and cue sheets; and other papers. less