Found 36 collections related to Vaudeville

Harry Stone, also known as Israel Breakstone (born circa 1900), was an entertainer who worked on the vaudeville circuit in New York and Pennsylvania for about 15 years in the 1920s and 1930s. The Harry Stone papers, dating from 1915 to 1977, hold source material for his comedic skits, photographs, scrapbooks, and an address book. less

Stanley Woolf was born in New York City and moved to Milwaukee as an older child. He returned to New York as an adolescent and became an avid theatre-goer. By the mid-1920s he was performing with the Keith-Albee Vaudeville circuit with his own comedy and dance act called "The Vest Pocket Revue," and later in an act titled "Clowning's Quite Clever." In 1932 he began working as an indedendent booking agent for the vaudeville circuit and later with the Columbia Entertainment Bureau. In 1933, Woolf was arrested and then paroled on federal charges of passing counterfeit money. He enlisted in the United States Army in 1942 and worked as an actor-director during his service. He also directed the Orpheum Players of the Orpheum Theatre in Reading, Penn., in the early 1940s. After World War II, Woolf directed the Civic Drama Guild, which toured plays and musicals, and later established the Stanley Woolf Players and the Stanley Woolf Circuit, which took theatrical performances to summer resorts in the Eastern United States. Woolf, named "the Belasco of the Borscht Belt," died in 1959. The two earliest scrapbooks document theatrical performances Woolf attended in New York City between 1912 and 1919. The three later scrapbooks document his performances as a vaudevillian, his service in the Army, and his work as an producer-director in the 1940s The scrapbooks contain primarily clippings, with some ticket stubs, programs, and promotional materials; there are three photographs in Volume 3. less

E. B. Marks (1865-1945) was an American music publisher who founded the Edward B. Marks Music Company. The E. B. Marks collection of photographs and ephemera consist of clippings, publications, photographs, programs, promotional material, and other materials. Most of the clippings and publications date from about the 1930s to the 1940s and concern television and radio broadcasting, music, and film. There are programs from the first annual conference of the Television Broadcasters Association in 1944. Clippings concern the early development of television, film advertising, and individual musicians, among other topics. There are also clippings on theater from about the 1910s to the 1920s, and one folder of clippings on the evangelist Billy Sunday, dating to the 1910s. The collection contains programs for performances and lectures, which date from 1875 to 1911 and come from American theaters. The photographs in the collection are mostly of performers. There are a large number of photographs of vaudeville minstrel Eddie Leonard, as well as caricatures of Leonard, and a photograph of his wife, Mabel Russell. The collection contains one photograph identified as E. B. Marks. The collection includes several play scenarios, script excerpts, and song lyrics, including two scenarios in French by Charles Méré. The collection also contains a booklet produced by NBC's Radio-Recording Division, called "Family Album" and showing photographs of the division's employees; brochures and posters for "Lest We Forget," an educational radio series about American history and government created by the Institute of Oral and Visual Education; and a pedigree for a Jersey bull, Gold Dust the Fourth, dated 1882. less

Leona Stephens (born circa 1885) and her husband Len D. Hollister (1884-1936) were writers and actors who worked on the Broadway stage and in vaudeville in the early 20th century. Following Hollister's death, Stephens continued performing and publishing songs through the 1940s. The Leona Stephens papers date from 1878 to 1952 and contain photographs, programs, song lyrics, and sheet music that document the entirety of Stephens's career, as well as her vaudeville act with Hollister. In addition, the collection includes an 1878 program from Edwin Booth's performance in Richelieu at the Pittsburgh Opera House. less

Dorothy Morey and Harry Eaton were variety performers who had a singing, talking, and dancing act that they performed in vaudeville theaters across the United States. The pair, who were married, performed as Murray and Fayne (or Fane) in the 1920s and 1930s, and began performing as Morey and Eaton in the 1940s. The Morey and Eaton papers contain scripts, scores, notes, clippings, correspondence, ephemera, and photographs dating from 1926 to 1953. The collection contains scripts, notes, and scenarios for sketches written by Eaton and Morey; several sketches by Jack "Snooze" Kinneard; and sketches by unidentified authors. There are two proposals for television game shows, written by Eaton, dating to the early 1950s. Scores include songs by Eaton such as "I Wish I Could Afford to Live the Life I'm Livin'"; songs by Eaton and Anne Barry including "You Helped Me to Forget" and "How Can I Ever Tell Him"; "I Want to Be an Iceman" by Dorothy Murray; and songs by Anita La Pierre. Clippings contain reviews and advertisements for Morey and Eaton from the 1930s and 1940s. The collection includes a small amount of correspondence and ephemera, mostly pertaining to Eaton, including contracts and letters regarding bookings. There is a pedigree for one of Morey and Eaton's pet Chihuahuas; their Chihuahuas sometimes appeared in their act. The collection also contains three promotional photographs and a printing plate depicting Morey and Eaton. less

Aaron Hoffman (1880-1924) was a playwright, best known as a writer for vaudeville. The Aaron Hoffman papers (1900s-1926) contain scripts, synopses, notes, and background material for Hoffman's plays, vaudeville acts, and films. The papers also hold a small number of scripts written by other authors. less

Aileen Stanley was a popular singer and vaudeville performer active from the 1900s through the 1930s. The Grayce Burian collection of Aileen Stanley materials (1898-1983) was assembled by Burian in the preparation of a biography of Stanley. The collection includes correspondence, research notes, scrapbooks, photographs, promotional materials, and other memorabilia from Stanley's career. less

Marion Morgan was a choreographer, dancer, and writer. The Marion Morgan papers (1909-1930s) contain Morgan's writings, including articles about dance and film, and scenarios and scripts for dances, films, and plays. The collection also contains a small amount of promotional material and personal records such as photographs. less

Collection consists of correspondence, clippings, awards, programs and photographs that span Goldberg's career. The correspondence is mostly incoming, on both personal and professional matters, primarily letters of thanks, bulk dated 1950-1956. Correspondents include Oscar and Dorothy Hammerstein, Leland Hayward and Louis R. Lurie. Programs are for the Plantation Revue, a vaudeville act, which he managed in 1923 and photographs include a shot of Goldberg with Moscow stagehands in 1926. The collection, though small, gives some sense of the range and variety of Goldberg's career. less

The Julia Sanderson papers consist of correspondence, ephemera and scrapbooks of clippings and photographs documenting the careers of Julia Sanderson and her husband, Frank Crumit. The papers span the years 1913-1935 and contain materials primarily from the theatrical careers. No material is included for their years in radio. less

The Kayton Sisters, Jean, Lillian (sometimes known as Babe), and occasionally a third sister, Cecyl, were dancers of the vaudeville era. They performed across the United States in the 1920s and then set up their own dancing school in the 1930s. The Kayton Sisters Studios, in Queens and the Bronx, continued into the 1950s. Collection consists of two scrapbooks of clippings, programs and a few photographs reflecting the careers of the Kayton sisters. There are also some loose programs for the annual revues at their studio and some unidentified photographs of their students that they received as gifts. less

The Carroll McComas papers span the years 1914-1962 and document aspects of her life and career from the early days of vaudeville until her death in 1962. Included is correspondence about her ANTA guest artist appearance in THE GLASS MENAGERIE. The bulk of the collection however, is photographs that represent many productions in which McComas appeared including THE JOLLY ROGER, NIGHT HAWK and the motion picture JAMAICA RUN. less

Collection consists of correspondence, stage managers'reports, receipt books, roster and salary records, and some personal papers of Dillingham. Correspondence, 1903-1927, of Dillingham and his associates Bruce Edwards and Fred G. Latham with theatrical people relates mainly to the casting and production of shows at the Globe Theatre and at the Hippodrome. Some of the correspondence concerns the management of the road shows on tour in the United States. Records include stage managers' reports, 1910-1911 and 1926- 1927; receipt books, 1906-1907, 1913-1914 and 1920-1928, recording box office receipts for shows at the Globe Theatre; and roster and salary records, 1908-1909. Also, personal and miscellaneous papers, some of which were removed from the R.H. Burnside Papers, containing Dillingham's memoirs of his life in the theater, last will and testament, notebook, and research notes. less

The Betty Bowman ephemera collection documents her life and career during the 1920's and contains photographs, clippings and a manuscript autobiography. The collection is mainly photographs of Betty Bowman, her sister Grace, her husband, bandleader Joe Smith and friends she worked with while performing in the early 1920s. Her autobiography tells of growing up out West and finally ending up in New York on the stage. less

Happy Fanny Fields (born Fanny Furman, circa 1881-1961) was an American actress, dancer, and comedian who found great success in British pantomime theater in the first decade of the twentieth century. The collection documents Fields's professional life in New York and Europe, with an emphasis on her career in Britain. The bulk of the materials are scrapbooks, writings, and photographs, with contracts, letters, programs, and posters also included. less

Frances De Grossart and Muriel Window were vaudeville singers who toured together as Muriel and Frances from 1912 to 1914. De Grossart retired from vaudeville after marrying George Ebey, manager of the Fulton Playhouse in Oakland, California. The Frances De Grossart and Muriel Window photographs, clippings, and ephemera include publicity photographs for De Grossart and Window, together and alone; a scrapbook documenting Window's performance career from 1906 to 1914 (box 3, folder 4); and a large number of photographs of De Grossart and her family. The De Grossart family photographs date from the 1870s to the 1950s; the bulk were taken between the 1910s and early 1930s in Oakland and Los Angeles. There is also a small number of letters, postcards, and loose clippings related to De Grossart's family less

Lynne Overman (1887-1943) was a comedic actor who was active in vaudeville and on Broadway between 1907 and 1933. His collection of scripts dates from about 1915 to 1933, and consist of scripts for comedic plays and sketches, many of which Overman performed in. There is also one radio script. Some of the scripts have handwritten changes or annotations. Scripts for one-act plays and sketches include "Mary's Ankle" by May Tully, "Dog Eat Dog" by Homer Mason, "Good Time Charlie" by Paul Gerard Smith, "The Highest Bidder" by Everett Ruskay, and "The Professional Fool" by Eric Blore. Ruskay's and Blore's scripts have extensive handwritten changes. Scripts for longer plays include Farewell Performance by James Ramsey Ullman; Button, Button by Maurice Clark; The Death Ray by Harry Mountford; and two different versions of Snare Drum by Louise Closser Hale (accompanied by a short note from Hale). There is one script for a proposed Canada Dry Ginger Ale radio program. less

Roland Burke Hennessy (1870-1939) was an editor, publisher, drama critic, and poet. He founded the theatrical publication the New York Star and was its editor from 1908 to 1936. He became editor of the Vaudeville News, a publication of the Keith circuit, when it merged with the New York Star. He was also publisher and editor of the periodical Radio World. The Roland Burke Hennessy papers (1858-1935, bulk 1900-1930) contain photographs of vaudeville performers, producers, and other associates of Hennessy's; letters, cards, and telegrams to Hennessy; clippings; programs; and miscellaneous other materials. The bulk of the programs are for vaudeville shows and plays in New York City theaters. Subjects of the letters include Hennessy's poems, publications, writings, and other activities. There are letters regarding his poem Liberty Aflame, which was adapted into a vaudeville spectacle in 1917. Photographs include images of E.F. Albee, Lew Dockstader, Blanche Ring, and Maude Adams as Peter Pan. Hennessy was friends with actor Louis Mann, who is represented in the collection by photographs, letters, clippings, and programs. There are also programs and clipings from the career of Hennessy's wife, Muriel McArthur, who acted with Mann in Julie Bonbon (1906). The collection includes printed copies of two poems by Hennessy. The earliest item in the collection is an 1858 program for a Philadelphia performance of An Unequal Match and Blanche of Brandywine. The collection includes some photocopies and annotations by Hennessy's daughter, Cecile Burke Barnett. less

Lola Menzeli and her husband Senia Solomonoff were ballet dancers and teachers. The Lola Menzeli and Senia Solomonoff papers (1873-1954, bulk 1910s-1940) contain scrapbooks, photographs, and other papers documenting their careers. The collection includes scrapbooks concerning Menzeli's career on the vaudeville circuit in the 1910s; Menzeli and Solomonoff's world tour in the 1920s; and the Festival of States in St. Petersburg, Florida, which Solomonoff directed from 1933 to 1935. The collection also contains materials related to Menzeli's patented invention of heeled toe shoes, and a scrapbook about Menzeli's teacher, Elizabetta Menzeli. less

Walter J. Kingsley was an American press agent and journalist. He reported for the New York Telegraph and for the London Daily Express before beginning his career as a press agent in the 1900s. From the 1910s until 1928, Kingsley was the general press representative for United Booking Offices and B.F. Keith theaters in New York. In 1928, he became press representative for Florenz Ziegfeld. The Walter J. Kingsley papers date from 1899 to 1935 and contains clippings, correspondence, and photographs and caricatures of Kingsley. Most of the material is mounted in scrapbooks, but some is loose. The first scrapbook in the collection documents Kingsley's early work as a journalist, notably his reporting on Alberto Santos-Dumont's dirigible flights in 1901. The scrapbook also documents a hoax that Kingsley orchestrated that same year, in which he convinced many American newspapers that a British syndicate had wagered $150,000 against a Pittsburgh syndicate over the outcome of a yacht race. Scrapbooks dating from the 1910s to the 1920s contain Kingsley's articles on the Keith-Albee vaudeville circuit and other entertainment topics, as well as his writings on being a publicist and his published poems (often on entertainment topics). Kingsley's name appeared frequently in newspapers, and the scrapbooks contain many articles about his activities, including theater-related anecdotes and his involvement in the Manhattan Cheese Club in the 1920s. Materials dating after Kingsley's death in 1929 include letters to his widow, Francesca Carmen, poems by his daughter Gloria Kathleen Kingsley, and a comedy sketch by his daughter from his first marriage, screenwriter Dorothy Kingsley. The collection includes a manuscript of an unpublished biography of Kingsley by Edward Morley Barrows. The biography spans Kingsley's whole career, including his time covering the Russo-Japanese War for the Daily Mail under the pen name "Stephen England," and his work as a war correspondent during the Boer War. The collection also contains poems signed by Edwin Markham, a letter sent to the Daily Express in 1900 by a representative of Markham's, and a biographical pamphlet about Markham. less