Albert Butler Dance Studios
Jerome Robbins Dance Division | (S)*MGZMD 318
2.52 linear feet (6 boxes)
The Albert Butler Dance Studio, established in 1928, taught ballroom and social dancing to amateur students and provided training to dance instructors. The Albert Butler Dance Studio records contain instructional articles, promotional material,...
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The Albert Butler Dance Studio, established in 1928, taught ballroom and social dancing to amateur students and provided training to dance instructors. The Albert Butler Dance Studio records contain instructional articles, promotional material, correspondence, and photographs, as well as files relating to Albert and Josephine Butler's other social dance-related projects.
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Hamlin, George, 1869-1923
Music Division | JPB 87-34
3.86 linear feet (10 boxes)
George Hamlin (1868-1923) was an American tenor. His daughter, Anna (1900-1988), was a soprano and voice instructor. The George and Anna Hamlin papers, dating from 1868 to 1983, document the careers of both vocalists through clippings, diaries,...
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George Hamlin (1868-1923) was an American tenor. His daughter, Anna (1900-1988), was a soprano and voice instructor. The George and Anna Hamlin papers, dating from 1868 to 1983, document the careers of both vocalists through clippings, diaries, autograph books, programs, publicity materials, scores, photographs, and correspondence.
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Kuss, Malena
Music Division | JPB 13-33
.42 linear feet (1 box)
The Malena Kuss files on Carleton Sprague Smith date from 1981 to 2007. They mainly document the creation of
Libraries, History, Diplomacy, and the Performing Arts: Essays in Honor of Carleton Sprague Smith (1991), for...
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The Malena Kuss files on Carleton Sprague Smith date from 1981 to 2007. They mainly document the creation of
Libraries, History, Diplomacy, and the Performing Arts: Essays in Honor of Carleton Sprague Smith (1991), for which Kuss served as an associate editor.
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Harris, Dale, 1916-1996
Music Division | JPB 13-34
1.05 linear feet (3 boxes)
Dale Harris (1916-1996) was a writer, critic, and lecturer on dance, music, art, and literature. The Dale Harris music papers (1967-1994) hold notes for Harris's lectures on opera; writings in the form of manuscripts, typescripts, and clippings;...
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Dale Harris (1916-1996) was a writer, critic, and lecturer on dance, music, art, and literature. The Dale Harris music papers (1967-1994) hold notes for Harris's lectures on opera; writings in the form of manuscripts, typescripts, and clippings; and correspondence with editors.
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Paltsits, Victor Hugo, 1867-1952
Manuscripts and Archives Division | MssCol 4197
.2 linear feet (1 oversized folder, 1 folder)
Dr. Victor Hugo Paltsits (1867-1952) was an archivist, librarian, and New York State Historian who served as Keeper of Manuscripts for the New York Public Library from 1914 to 1941. Collection consists of correspondence of both a professional and...
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Dr. Victor Hugo Paltsits (1867-1952) was an archivist, librarian, and New York State Historian who served as Keeper of Manuscripts for the New York Public Library from 1914 to 1941. Collection consists of correspondence of both a professional and personal nature; greeting cards to and from Paltsits; a certificate from the Upper Missouri Historical Expedition; drafts of an address on public records; drafts of writings; clippings and biographical material; a typescript copy of his address, "The Beginnings of Presbyterianism in Albany," and related ephemera. The professional correspondence largely relates to his work as New York State historian, 1909 to 1911.
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Osborn, Paul, 1901-1988
Billy Rose Theatre Division | *T-Mss 1994-011
4.2 linear feet (10 boxes)
Paul Osborn (1901-1988) was an American playwright and screenwriter. In 1930, Osborn achieved early success on Broadway with The Vinegar Tree. Other writings include screen adaptations of novels. In 1980, Osborn received a Tony Award for best...
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Paul Osborn (1901-1988) was an American playwright and screenwriter. In 1930, Osborn achieved early success on Broadway with The Vinegar Tree. Other writings include screen adaptations of novels. In 1980, Osborn received a Tony Award for best revival for Morning's at Seven. The collection, dating from 1922 to 1985, contains typescripts of plays and screenplays, correspondence, contracts, writings of others, two scrapbooks of newspaper clipping reviews of The Vinegar Tree, contracts, programs of Osborn's plays and several photographs.
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Cohn, Arthur, 1910-1998
Music Division | JPB 13-21
16.67 linear feet (37 boxes)
Arthur Cohn (1910-1998) was an American composer, conductor, and critical and historical writer on music. The Arthur Cohn collection, dating from 1923 to 1941, mainly holds notes, drafts, illustrations, and research clippings for an unpublished...
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Arthur Cohn (1910-1998) was an American composer, conductor, and critical and historical writer on music. The Arthur Cohn collection, dating from 1923 to 1941, mainly holds notes, drafts, illustrations, and research clippings for an unpublished book titled The Art and Science of Orchestration. It also contains scores for nine of Cohn's compositions.
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James, Henry, 1879-1947
Manuscripts and Archives Division | MssCol 4465
.1 linear feet (1 folder)
Partial typescript draft and notes of a history of foundations, focusing on their growth and development in France, by American author and biographer Henry James. In English and French
Diether, Jack
Music Division | JPB 13-28
9.06 linear feet (23 boxes)
Jack Diether (1919-1987) was a journalist and musicologist best known for his expertise in and promotion of the music of Gustav Mahler and Anton Bruckner. The Jack Diether papers, dating from 1941 to 2006, hold correspondence, research files, and...
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Jack Diether (1919-1987) was a journalist and musicologist best known for his expertise in and promotion of the music of Gustav Mahler and Anton Bruckner. The Jack Diether papers, dating from 1941 to 2006, hold correspondence, research files, and writings.
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X, Malcolm, 1925-1965
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 951
1.37 linear feet (5 boxes)
Partial manuscript, fragments, and unpublished chapter of The Autobiography of Malcolm X.
Watson, James S. (James Sibley), 1894-1982
Henry W. and Albert A. Berg Collection of English and American Literature
While the letters and documents in this collection range from 1920 to 1972, the bulk of the material was written between 1920 and 1929. It includes 6 manuscript boxes of incoming correspondence, predominantly Dial-related or addressed to...
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While the letters and documents in this collection range from 1920 to 1972, the bulk of the material was written between 1920 and 1929. It includes 6 manuscript boxes of incoming correspondence, predominantly Dial-related or addressed to Hildegarde Watson. The most common form of the remaining 24 boxes is carbon typescript. About a quarter of the collection consists of letters and papers of Marianne Moore. The collection also includes considerable work by Kenneth Burke in the form of letters and typescripts. In addition, one box holds letters from artist Gaston Lachaise and photographs of him and his work. Another contains the correspondence of Norman Charles to Hildegarde Watson, many regarding his efforts to assist her in getting her memoir of poets and artists published.
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Donaldson, Stephen, 1946-1996
Manuscripts and Archives Division | MssCol 824
The Stephen Donaldson Papers document the varied career and tumultuous personal history of the writer and activist. The date span of the papers is 1965-1998. They include manuscripts, typescripts, and publication tearsheets of Donaldson's...
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The Stephen Donaldson Papers document the varied career and tumultuous personal history of the writer and activist. The date span of the papers is 1965-1998. They include manuscripts, typescripts, and publication tearsheets of Donaldson's writings, editorial and administrative papers for the unpublished
Concise Encyclopedia of Homosexuality, personal and professional correspondence, news clippings and printed material, photographs, audiotapes and a few items of clothing and ephemera. The Stephen Donaldson Papers are an important resource for the study of gay and bisexual activism, prisoners and prison life and counter-cultural movements from the 1960s-90s.
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Plant, Richard, 1910-
Manuscripts and Archives Division | MssCol 4374
The Richard Plant Papers document the literary activity and academic career of the author and educator best known for his book
The Pink Triangle (1986), a study of the persecution of homosexuals in Nazi Germany. The...
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The Richard Plant Papers document the literary activity and academic career of the author and educator best known for his book
The Pink Triangle (1986), a study of the persecution of homosexuals in Nazi Germany. The collection consists of correspondence, manuscripts, typescripts, research files, news clippings, personal papers, printed matter, photocopies, photographs and audio recordings. Some materials are in German.
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Avshalomov, Jacob, 1919-
Music Division | JPB 02-5
5.36 linear feet (15 boxes)
Jacob Avshalomov, composer, was born in China in 1919, but immigrated to the U.S.A. in 1937. He studied in Los Angeles with Ernst Toch, at the Eastman School of Music with Bernard Rogers, and at Tanglewood with Aaron Copland. Avshalomov spent the...
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Jacob Avshalomov, composer, was born in China in 1919, but immigrated to the U.S.A. in 1937. He studied in Los Angeles with Ernst Toch, at the Eastman School of Music with Bernard Rogers, and at Tanglewood with Aaron Copland. Avshalomov spent the majority of his career as the director of the Portland Youth Orchestra from 1954 to 1995. The Scores contains various drafts and sketches and scores composed by Jacob Avshalomov from 1928-1998. The bulk of the material dates from 1940-1998, and in addition to the scores, the collection contains correspondence, libretti and programs. The collection also includes compositions written by the composers father, Aaron Avshalomov.
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Savary, Jacques Robert, b. 1913
Manuscripts and Archives Division | MssCol 2681
7.5 linear feet (6 boxes)
Jacques Robert Savary (b. 1913) was a French writer and world federalist. His papers consist mainly of correspondence with French and European figures relating to world federalism, world peace, human rights, his opposition to the internment of...
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Jacques Robert Savary (b. 1913) was a French writer and world federalist. His papers consist mainly of correspondence with French and European figures relating to world federalism, world peace, human rights, his opposition to the internment of Algerians in France, and his newspaper, Democratie Mondiale. Correspondents include A. Rodrigues Brent, Maurice R. Cosyn, Edith Delamare, Jean Diedisheim, Mary Maverick Lloyd, Maurice Parmelee, and Henry Usborne. Correspondence from 1960-1962 is mainly in French. Also included are literary manuscripts, including typescripts of his novels Les Haut Fonds and Impasse; and ephemera on world federalism, including copies of Democratie Mondiale and Bulletin du Conseil Mondial pour L'Assemblée Constituante des Peuples
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Hertz, Emanuel, 1870-1940
Manuscripts and Archives Division | MssCol 1388
1.5 linear feet (2 boxes)
The Emanuel Hertz manuscripts on Abraham Lincoln include a typescript of his book, Abraham Lincoln, A New Portrait (Horace Liveright: New York, 1931), as well as photostat copies of original Lincoln letters used in preparation of the book....
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The Emanuel Hertz manuscripts on Abraham Lincoln include a typescript of his book, Abraham Lincoln, A New Portrait (Horace Liveright: New York, 1931), as well as photostat copies of original Lincoln letters used in preparation of the book. Chapters 28, 30-33, 35-37, and 39-42 of vol. 1 are missing The manuscripts also include a bound volume entitled "Essays on Lincoln." This contains a typewritten copy of "Herndon, Lincoln's Boswell. The vast Herndon-Weik Collection of original Lincoln material, indispensible for a definitive life of the Emancipator" (1934) with manuscript emendations, as well as a typescript of "Lincoln, the Harmonizer" (February 1933) and a typescript of "The Passing of Abraham Lincoln," an address delivered by Hertz at the Manhattan-Washington Lodge, 19, B'nai B'rith, April 13, 1933
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Kellersberger, Getulius, 1821-1900
Manuscripts and Archives Division | MssCol 4118
.1 linear feet (1 folder)
Richards, Helen
Billy Rose Theatre Division | *T-Mss 1995-033
6.51 linear feet (16 boxes)
Helen Stern Richards was a Broadway publicity agent and company manager. Documenting her professional life, the Helen Richards papers contain scripts of musicals and plays, and management files about shows, theaters and actors.
Light, James
Billy Rose Theatre Division | *T-Mss 2001-050
(1 portfolio), 28 cm; (1 portfolio), 28 cm
Director James Light (1894-1964) veteran of the Provincetown Players and its offshoot, the Experimental Theatre Company, was best known for his work with Eugene O'Neill, staging the original productions of THE EMPEROR JONES, THE GREAT GOD BROWN,...
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Director James Light (1894-1964) veteran of the Provincetown Players and its offshoot, the Experimental Theatre Company, was best known for his work with Eugene O'Neill, staging the original productions of THE EMPEROR JONES, THE GREAT GOD BROWN, and others. Born in Pittsburgh, Pennsylvania, James Light came to New York in 1917, after graduating from Ohio State University, intending to pursue additional studies at Columbia. Through a chance meeting with George Cram Cook, artistic director of the Provincetown Players, Light was cast in a small role in Susan Glaspell's play CLOSE THE BOOK. Soon he left acting behind, and by 1920 was an associate director. He staged the premiere production of Eugene O'Neill's THE EMPEROR JONES that year, and later presented O'Neill's ALL GOD's CHILLUN GOT WINGS and THE GREAT GOD BROWN. James Light also directed E. E. Cummings' HIM, Virgil Geddes' THE EARTH BETWEEN, and Paul Green's IN ABRAHAM'S BOSOM. He later served as Dean of the Drama Faculty at The New School for Social Research in New York and taught at Yale University. James Light died in New York City on Feb. 11, 1964, at the age of 69. The two James Light typescripts are titled THE PARADE OF MASKS and A NEW MARIONETTE THEATRE. In his 11 page essay THE PARADE OF MASKS, which is undated, Light writes about the the use of masks in various Provincetown Players productions of Eugene O'Neill's plays. A NEW MARIONETTE THEATRE, also undated, is unfinished, ending mid-sentence on Page 7.
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Chase, Gilbert, 1906-1992
Music Division | JPB 04-32
11.89 linear feet (28.5 boxes)
Gilbert Chase (1906-1992) was an author, critic, teacher, and musicologist. The collection includes drafts, notes, and research materials for several books, as well as correspondence relating to them. The collection also documents his numerous...
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Gilbert Chase (1906-1992) was an author, critic, teacher, and musicologist. The collection includes drafts, notes, and research materials for several books, as well as correspondence relating to them. The collection also documents his numerous articles, essays, lectures, speeches, class syllabi, radio programs, and reviews by him or about his work, as well as an unidentified manuscript on Ives, Billings, and Cage. Some of Chase's lesser-known work, including poetry and an opera outline are also included in the collection. Significant correspondents or subjects include Manual de Falla, Charles Ives, Alberto Ginastera, and Oscar Sonneck.
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Malvern, Gladys
Billy Rose Theatre Division | *T-Mss 2003-029
(1 portfolio)
Gladys Malvern was an author who wrote articles and several books about the theater, including biographies of performers Joseph Jefferson, Katharine Cornell, and Harry Lauder, as well as dancer Anna Pavlova. The majority of the Gladys Malvern...
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Gladys Malvern was an author who wrote articles and several books about the theater, including biographies of performers Joseph Jefferson, Katharine Cornell, and Harry Lauder, as well as dancer Anna Pavlova. The majority of the Gladys Malvern papers consists of an undated and untitled 87-page typescript on the history of world theater, from the Greeks and the Elizabethans to the modern era. The typescript, which is heavily emended, appears not to have been published. Internal evidence suggests that it was written in 1945. Also in the collection is a 12-page typescript of an article about actress Helen Hayes, written during the spring of 1944 and submitted to AMERICAN GIRL magazine. Malvern corresponded with Hayes' secretary prior to writing the piece, and that correspondence is included. Also present are four 2-page pieces apparently written for a radio series which featured celebrated New York restauranteur George Rector, in which Rector reminisces about famous theater people he has known such as Sarah Bernhardt and Eddie Foy. It is unclear whether the pieces were ever broadcast. Three letters written to Malvern during 1957 are also included, and concern her conversion to the Christian Science faith.
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Danielian, Leon, 1920-1997;Loring, Eugene, 1914-
Jerome Robbins Dance Division | (S) *MGZMD 178
8.09 linear feet (9 boxes)
The Leon Danielian Papers document the career of the American ballet dancer and teacher through an extensive set of photographs, as well as a more limited selection of correspondence, clippings, financial records, and teaching materials....
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The Leon Danielian Papers document the career of the American ballet dancer and teacher through an extensive set of photographs, as well as a more limited selection of correspondence, clippings, financial records, and teaching materials. Danielian, a native New Yorker of Armenian ancestry, enjoyed an especially varied career as a performer, but is best known for his long association with the Ballet Russe de Monte Carlo. Following his retirement from the stage, Danielian taught ballet for nearly thirty years at the American Ballet Theatre School and the University of Texas at Austin.
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Ames, Winthrop, 1870-1937
Manuscripts and Archives Division | MssCol 3757
.1 linear feet (1 folder)
Winthrop Ames, an American theatrical producer and theater manager, wrote this short story, "Mark XXM," under the pseudonym Martin P. Foley. Typescript, with manuscript corrections
Wotherspoon, G. (George)
Billy Rose Theatre Division | *T-Mss 2002-024
(1 portfolio)
Consists of an undated 52-page typescript by George Wotherspoon, which appears to have been written in the late 1940s. Entitled "A Lady of Many Amours," Wotherspoon's manuscript is focused primarily on actress Lillie Langtry and her extramarital...
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Consists of an undated 52-page typescript by George Wotherspoon, which appears to have been written in the late 1940s. Entitled "A Lady of Many Amours," Wotherspoon's manuscript is focused primarily on actress Lillie Langtry and her extramarital relationship with a wealthy American sportsman named Frederick Gebhard. Wotherspoon also writes of Langtry's stage career, her reputed relationship with Edward, Prince of Wales, later King Edward VII, and about the societal mores of the era. Wotherspoon also writes of Langtry's daughter Jeanne. The typescript is labelled "Part 7," which suggests that this text was part of a larger work which does not survive. Included is a pamphlet of biographical information about Lillie Langtry, written by H. T. Porter and issued by the Société Jersiaise in 1973. Also included are three photographs of Lillie Langtry, one of her father, and one of her grave.
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Wellman, Francis L. (Francis Lewis), 1854-1942
Manuscripts and Archives Division | MssCol 3281
.21 linear feet (1 volume)
Typescript carbon copy of Luck and Opportunity by Francis Lewis Wellman with corrections by the author.
Strimer, Joseph, 1881-1962
Music Division | JOB 83-11
35 folders of ms. music in 1 box, 39 x 30 x 8 cm; 35 folders of ms. music in 1 box, 39 x 30 x 8 cm
Solotaroff, Ted, 1928-2008
Manuscripts and Archives Division | MssCol 18153
9.8 linear feet (24 boxes, 1 oversize folder)
Ted Solotaroff was an American editor, literary critic, and writer. He founded the influential literary magazine New American Review (later American Review) and was an editor at more
Ted Solotaroff was an American editor, literary critic, and writer. He founded the influential literary magazine
New American Review (later
American Review) and was an editor at
Commentary,
Book Week, and a senior editor at Harper & Row (later HarperCollins). This collection contains professional and personal correspondence, drafts, manuscripts, typescripts, and galleys of Solotaroff's writings, typescripts of other authors, family correspondence and memorabilia, and photographs. The papers document Solotaroff's career from his college essays, written in the 1950s, through his later writings in the 1990s and 2000s.
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Prey, Deirdre Hurst du, 1906-
Billy Rose Theatre Division | *T-Mss 2002-012
1.5 linear feet; 3 boxes
Michael Chekhov was an actor, director, author, and teacher, whose theories on acting and directing continue to be influential. Born in St. Petersburg, Russia, on Aug. 29, 1891, Michael Chekhov was the nephew of author and playwright Anton...
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Michael Chekhov was an actor, director, author, and teacher, whose theories on acting and directing continue to be influential. Born in St. Petersburg, Russia, on Aug. 29, 1891, Michael Chekhov was the nephew of author and playwright Anton Chekhov. He showed early promise as an actor, and in 1912 he was invited by Constantin Stanislavsky to join the Moscow Art Theatre. After sixteen years with the group, during which he worked as both an actor and director, Chekhov left Russia and worked in Germany, France, Latvia, and Lithuania. In 1935 at the invitation of actress Beatrice Straight, Chekhov established the Chekhov Theatre Studio at Dartington Hall in Devonshire, England, assisted by Deirdre Hurst du Prey, an acting student who helped him learn English. In 1939 the war forced the studio to move overseas to Ridgefield, Connecticut. The group eventually disbanded in 1942, when many of its actors were drafted into the armed forces. Chekhov moved to California and continued to teach, lecture, and act in motion pictures such as Alfred Hitchcock's SPELLBOUND (1945), ABIE'S IRISH ROSE (1946), and RHAPSODY (1954). He wrote a book TO THE ACTOR: ON THE TECHNIQUE OF ACTING, later revised. Michael Chekhov died on Sep. 30, 1955, in Beverly Hills, California, at the age of 64. In 1962 MICHAEL CHEKHOV'S TO THE DIRECTOR AND PLAYWRIGHT was published, based on lecture notes. Deirdre Hurst du Prey edited two additional books based on his ideas. Consists of thirty-two folders of typescript, compiled by Deirdre Hurst du Prey from notes taken between 1936 and 1942, during the active years of the Chekhov Theatre Studio in Devonshire, England, and in Ridgefield, Connecticut. According to Deirdre Hurst du Prey, her record of Michael Chekhov's discussions of acting technique is verbatim and unabridged, and reflects the evolution of his ideas in light of the Studio's theater experiments and productions. A few emendations have been made by hand. Mrs. du Prey's notes served as the basis for Michael Chekhov's book TO THE ACTOR which he completed in 1942. This book was first published in the 1950s in a heavily edited edition, then in a more comprehensive edition in 1991. The source material was copyrighted in 1977. In the Appendices are several related items, including a photocopy of a 1948 letter of reference written by Michael Chekhov on behalf of Deirdre Hurst du Prey, a copy of a 1969 letter to Deirdre Hurst du Prey from Michael Chekhov's widow Xenia, two typescript memoirs of Michael Chekhov, each five pages, written in 1976 by Beatrice Straight and Deirdre Hurst du Prey, a 1926 essay by Chekhov entitled "The Path of the Actor" translated from the original Russian into English in 1936, the transcript of an interview with Deirdre Hurst du Prey conducted in spring 1999 when she was 93 years old, and other documents pertaining to Michael Chekhov and his studio classes.
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Cass, Eleanor Baldwin
Manuscripts and Archives Division | MssCol 488
.25 linear feet (1 box)
Typescript of The Book of Fencing by Eleanor Baldwin Cass. The book was published in 1930 by Lothrop, Lee & Shepard Co
Barstow, Richard
Music Division | JPB 04-37
5.5 linear feet (14 boxes)
This collection contains manuscripts, manuscript copies, printed scores, and parts belonging to choreographer, director, dancer, and composer Richard Barstow, whose varied career included directing for Ringling Brothers Barnum and Bailey Circus,...
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This collection contains manuscripts, manuscript copies, printed scores, and parts belonging to choreographer, director, dancer, and composer Richard Barstow, whose varied career included directing for Ringling Brothers Barnum and Bailey Circus, industrial shows, and for stage, screen, and television.
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