Found 79 collections related to Dramatists

Martin B. Duberman, b.1930, is a historian and playwright who taught history in universities for over fifty years. He is the author of the play In White America, biographies of Charles Francis Adams, James Russell Lowell, Paul Robeson, and Lincoln Kirstein; histories of Black Mountain College and the Stonewall Rebellion; as well as numerous other books, plays, essays, and reviews. The collection contains personal and professional correspondence (1930s-2006) documenting Duberman's academic career and theatrical activities; organizational files from REDRESS, the Gay Academic Union, the National Gay Task Force, and the Center for Lesbian and Gay Studies (CLAGS); syllabi and lecture notes for courses taught at Yale, Princeton, and Lehman College; manuscripts, typescripts and published copies of his books, plays, and essays, as well as press clippings and personal, family and theatrical memorabilia, sound recordings of interviews, personal and family photographs, and films. less

Primarily documenting the career of playwright and screenwriter Paddy Chayefsky, this collection consists of correspondence, material relating to production of his works, draft and development material for unproduced works and other writings, office papers, vital records, financial and legal records, photographs, and research material. less

Paul Kester (1870-1933) was an American dramatist and author. He wrote popular novels and also plays which were produced on Broadway with well-known American and British actors. His older brother, Vaughan Kester (1869-1911) was a journalist and novelist who wrote short stories and assisted Paul with his plays. Harriet Watkins Kester was their mother and Jessie Jennings Kester was married to Vaughan Kester. Collection consists of correspondence, literary manuscripts and personal papers of Paul Kester and his brother Vaughan covering their work as dramatists and their correspondence with people in the performing arts. Harriet Watkins Kester's and Jessie Jennings Kester's personal papers are included in the collection. The bulk of Paul Kester's papers is correspondence with actors, actresses, playwrights, producers, publishers, and script writers. His personal letters, 1888-1924, are mainly to his mother, brother and sister-in-law and many of the letters refer to his daily activities as a playwright. Writings contain his working notes and drafts of some of his plays and novels. Miscellaneous papers include photographs of the Kester family and small collections of other individuals' papers. Vaughan Kester's papers contain incoming letters from colleagues; outgoing letters, 1891-1907, to his mother and to Paul Wilstach; writings; and miscellaneous papers. Papers of Harriet Watkins Kester consist of correspondence, 1874-1926, with her sons Paul and Vaughan about their careers and with her daughter-in-law Jessie; and writings, diaries and other materials. Jessie Jennings Kester's correspondence, 1899-1914, is with friends, her brother-in-law and mother-in-law, and with various members of the Kester and Watkins families. Also includes scrapbooks with press notices of Paul Kester's novels and plays. less

Ruth Goodman Goetz (1912- ) and Augustus Goetz (1889-1957) collaborated on writing plays for the theatre and movies. Her father, Philip Goodman (1885-1940), was a producer of Broadway plays and musicals. Collection consists of correspondence, literary manuscripts and miscellaneous materials concerning the work of Ruth and Augustus Goetz. Includes papers relating to Ruth Goetz's father and mother, Philip Goodman and Lily Cartun Goodman; correspondence, 1932-1942, with Henry L. Mencken; and manuscripts of The Hidden River by Ruth and Augustus Goetz, Here's Looking at Them by Philip Goodman, and According to the Text in Shylock by Jules E. Goodman. less

The S. N. Behrman Papers document the literary career and personal life of the playwright and essayist. The date span of the papers is 1912-1987. They include personal and professional correspondence; diaries; notebooks, manuscripts, typescripts, galley proofs and publication tearsheets of Behrman's writings; news clippings; scrapbooks; photographs; and a few items of ephemera. The S. N. Behrman Papers are an important resource for the study of the American theatre, the Hollywood film industry, popular magazine literature and New York intellectual culture. Prominent correspondents include: Maxwell Anderson, Brooks Atkinson, Bernard Berenson, Isaiah Berlin, Edna Ferber, Felix Frankfurter, Ira Gershwin, F. Tennyson Jesse, George S. Kaufman, Joshua Logan, Sonya Levien, W. Somerset Maugham, St. Clair McKelway, Kenyon Nicholson, Cole Porter, Joseph Verner Reed, Gottfried Reinhardt, Harold Ross, Siegfried Sassoon, William Shawn, Robert E. Sherwood, Salka Viertel, Rebecca West, Katharine White, Edmund Wilson and Alexander Woollcott. less

Rick Besoyan was a California-born librettist, composer, director and lyricist. He is best known for his musicals Little Mary Sunshine, (1959), The Student Gypsy or “The Prince of Liederkranz”, (1963), and Babes in the Woods, (1964). The Rick Besoyan Papers include correspondence, scripts, scores, photographs, newspaper clippings, programs and posters. less

Robert Patrick was a founding father of the off-off Broadway scene; it's most produced and most prolific playwright. He was also a contributor to the growth of gay theater. Patrick is now best known for his play Kennedy's Children . The Robert Patrick Papers include production materials, photographs, scripts and other writings. less

Collection contains correspondence, manuscripts, financial papers, production records, photographs, and printed matter. Correspondence consists of requests for work or placement in a particular show, either at the New York Hippodrome or another of the theaters with which Burnside was affiliated, as well as correspondence referring to the logistics of productions, publicity and financial arrangements, club memberships, and professional organizations such as ASCAP. Other correspondence refers to his endeavors in the film industry, as a director with Paramount in New York City, 1923-1925, and in Hollywood, 1935-1938. Correspondence also concerns the Philadelphia Sesquicentennial Celebration of 1926. Financial papers consist of theater accounts, box office and royalty statements, and securities and insurance records. Production notes include cast lists, property lists, program outlines, stage directions, reports, scripts, synopses, and light plots. Publicity photographs are accompanied by letters seeking auditions or parts in Burnside productions. Printed matter includes sheet music, promotional materials, newsclippings of reviews, and articles referring to Burnside, performers, shows, and productions he staged. less

Sidney Easton (1886-1971) was an actor, playwright and songwriter. Collection contains personal and professional papers including letters, writings by Easton, legal documents regarding his suit against 20th Century-Fox Corporation, and research notes. less

The Albert Ellsworth Thomas papers date from 1901 to 1943. The collection contains letters to Thomas from prominent individuals in theatre, including Henry Miller, Walter Hampden, Daniel Frohman, Ruth Chatterton, and Patricia Collinge. These letters primarily relate to the production of Thomas's plays. Also held in the collection are original manuscripts of the plays No More Ladies, Her Husband's Wife, Just Suppose, and an unidentified play less

As a literary agent, Bertha Case worked with a variety of authors, playwrights, and performers, including María Irene Fornés, Anthony Quinn, and Ira Wallach. Case also served as the literary representative of the estates of German playwright Bertolt Brecht and composer Kurt Weill. This collection primarily documents Case's career through correspondence with clients, publishers, and producers; the collection also contains contracts, press clippings, performance programs, and photographs. less

This collection documents the creation of the film The Ten Year Lunch. Slesin acquired significant materials from numerous sources about the core group of the Round Table including Marc Connelly, Dorothy Parker, Alexander Woollcott, Harold Ross, Robert Benchley, Ruth Gordon, and Edna Ferber, as well as satellite figures. Types of materials in this collection include photographs (both originals and copies), personal correspondence and ephemera, telegrams, sound recordings, a script, theatre programs, posters, and bound volumes. Includes the work of notable photographers such as James Abbe, Alfred Eisenstaedt, Nickolas Muray, and Carl Van Vechten. Slesin's production notebook includes a descriptive listing of 702 items that she consulted during her research, most of which are in this final collection. The final script for the film is accompanied by a promotional poster illustrated with a drawing by Al Hirschfeld of the Round Table members. less

Dion Boucicault (1820-1890) was one of the most popular playwrights of his day. Although born in Ireland, he spent many years in the U.S. (from 1853 to 1869 and from 1870 to 1890). He also was a well-known actor and theatrical manager and a key figure in the fight for passage of a copyright law. Agnes Boucicault (1883-1916), his wife, was an actress who played in the U.S. and England. Their son Aubrey Boucicault (1869-1913) was an actor. Collection consists of correspondence of members of the Boucicault family, some family papers, manuscript copy of Dion Boucicault's play Led Astray, and notes and fragments of his writngs. less

Playwright Christine Darmor (pen name for Faunchette Weir), was born in France but came to the United States as the wife of World War I pilot, John B. Weir, and lived and wrote in New York City. Collection consists of four letters to Darmor and one clipping, all concerning her play, PEACE EVERYONE. The letters document the work of her agents at the Leland Hayward, Inc. agency. less

Jacob (Jack) Charash (ca. 1880-1949) was a press agent, theatrical manager, dramatist, and translator of plays from Yiddish and German. He was co-founder and co-director of the Anglo-Jewish Theatre, a unit of the WPA Federal Theatre Project. Collection contains correspondence, contracts and agreements, and theatrical papers of Charash. Bulk of the correspondence, 1921-1949, consists of letters from various producers, actors and playwrights. Contracts and agreements are related to Charash's work as a press agent and literary collaborator. Theatrical papers include memoranda and clippings. less

Harold Richard Atteridge (1886-1938) was a playwright who wrote musical shows for the theatre in New York City. Collection consists of correspondence, accounts and other papers, 1909-1939, relating to Atteridge's career and business dealings. Subjects include royalties, copyright, and requests for Atteridge to write lyrics and scenes for new plays. less

Harriet Ford (1868-1949) was an American playwright in New York City. Collection consists of letters to Ford from people prominent in the theatre and in literature, letters by Ford to others, autographs, poems, Christmas cards, a play entitled "Cupid and Psyche," and clippings. Correspondents include Winthrop Ames, David Belasco, Mary Johnston, Elisabeth Marbury, Sinclair Lewis, Chauncey Olcott, Otis Skinner, Laurette Taylor, and Walker Whiteside. less

Microfilm copy of the papers of Pulitzer Prize-winning playwright-director, George S. Kaufman, consisting primarily of correspondence, scripts, and biographical scrapbooks. The correspondence contains letters from Fred Allen, Winthrop Ames, George Arliss, Eleanor Belmont, Walter Damrosch, Joseph E. Davies, Robert H. Davis, Theodore Dreiser, James A. Farley, Arthur Hopkins, Otto Kahn, Groucho and Harpo Marx, Adolphe Menjou, William Saroyan, Alfred E. Smith, Henry L. Stimson, John Steinbeck, Booth Tarkington, Oswald Garrison Villard, William Allen White, Alexander Woollcott, and others. There are scripts (some annotated) for seventeen produced and unproduced titles for stage, screen, and television including THE BUTTER AND EGG MAN (1925), THE LATE GEORGE APLEY (1944), THE MAN WHO CAME TO DINNER (1939), and several other plays on which Kaufman collaborated with Marc Connelly, Ruth Goodman Goetz, Leueen MacGrath, Morrie Ryskind, Howard Teichmann, and other playwrights. less

Jane Cowl (1884-1950) was an actress, playwright and theatrical producer. She appeared in her most famous acting roles in the 1920s and 1930s and co-authored several plays during this period with Jane Murfin. During World War II she was co-director of the Stage Door Canteen, an entertainment center for U.S. servicemen and women in New York City. She also hosted a radio program in the 1940s. Collection consists of correspondence, financial papers, diary, and biographical materials collected by Cowl. Correspondence, 1923-1948, is with noted playwrights, directors, actors, and theater managers; other correspondence, 1943-1946, concerns her charitable work with disabled veterans and underprivileged children. Also, diary written during Cowl's first trip to Europe in 1907 in which she described the European stage; materials she collected for a planned autobiography; and personal financial accounts. less

Collection consists of drama critic and novelist Gilbert Gabriel's writings, correspondence, photographs, and printed matter. Writings include annotated typescripts of his novels; synopses of plays; reviews; drafts of articles, short stories, novels, and plays; lectures; and literary notes. Also, some correspondence, photographs of Gabriel and others, and newsclippings. less

Langdon Elwyn Mitchell (1862-1935), American poet and playwright, used the pseudonym John Philip Varley. His best-known plays were Becky Sharp (1899) and The New York Idea (1906). He taught playwriting at the University of Pennsylvania from 1928 to 1930. His father was S. Weir Mitchell, neurologist and author. Collection consists primarily of manuscripts and typescripts of poems written by Mitchell from 1884 to 1915. Also, manuscript notes for his writings and some personal correspondence, 1888-1933. less