Found 64 collections related to Clippings (information artifacts)

The Rhoda Levine Papers document the career of the opera director, mainly through files on each of the many stage and opera productions on which she worked as dancer, choreographer or director. The papers contain annotated scores and libretti; costume, stage and set designs; choreographic, rehearsal and performance notes; programs; clippings; photographs; and audio/visual recordings. less

Joel Feigin (1951- ) is an American composer who studied with Roger Sessions and Nadia Boulanger. The Joel Feigin papers, dating from 1958 to 2010, document his career and education. They hold scores, professional and professional files, and education files. less

The Carol Baron research papers on Stefan Wolpe document Baron's research toward a never-completed biography of the composer. The papers hold correspondence from Wolpe, interview transcripts, notes, photographs, score and lecture manuscripts, clippings, and concert programs. less

Walter Trampler (1915-1997) was an American violist of German origin. One of the defining figures of his instrument, he performed with the Beaux Arts Trio; the Budapest, Juilliard, and Guarneri String Quartets; and was a founding member of the New Music String Quartet. He was also a renowned teacher. His papers document his life and career, mainly from the early 1950s to the mid-1990s. They contain correspondence, photographs, concert programs, scrapbooks, subject files, clippings, promotional material, a file on Trampler's memorial service, and Trampler's annotated and autographed scores. less

George Hamlin (1868-1923) was an American tenor. His daughter, Anna (1900-1988), was a soprano and voice instructor. The George and Anna Hamlin papers, dating from 1868 to 1983, document the careers of both vocalists through clippings, diaries, autograph books, programs, publicity materials, scores, photographs, and correspondence. less

Robert Kurka (1921-1957) was a composer best known for The Good Soldier Schweik (1956-1958), an orchestral suite which he expanded into an opera. He also wrote works for instrumental soloists, chamber groups, chorus, and orchestra. The Robert Kurka papers, dating from 1941 to 1982, hold scores, professional correspondence, clippings, books, and a professional journal. less

The Charles Thruston Johnson papers document the violinist's career as an orchestral, solo, and chamber musician; as a teacher and conductor; and as the director of the International Festival Series of chamber music concerts. The collection consists of correspondence, programs, photographs, scrapbooks, clippings, promotional material, student and teaching records, awards and honors, and military records. less

Arthur Cohn (1910-1998) was an American composer, conductor, and critical and historical writer on music. The Arthur Cohn collection, dating from 1923 to 1941, mainly holds notes, drafts, illustrations, and research clippings for an unpublished book titled The Art and Science of Orchestration. It also contains scores for nine of Cohn's compositions. less

Albert Stoessel (1894-1943) was an American violinist, conductor, composer, and pedagogue. The Albert Stoessel papers, Additions, primarily hold lecture texts and course materials, and also contain small portions of biographical papers, photographs, and correspondence. less

Jack Diether (1919-1987) was a journalist and musicologist best known for his expertise in and promotion of the music of Gustav Mahler and Anton Bruckner. The Jack Diether papers, dating from 1941 to 2006, hold correspondence, research files, and writings. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less

Ned Lehac (née Ned Levin, 1900-1999) was a composer who contributed to several Broadway revues between 1930 and 1942. The Ned Lehac papers, dating from 1920 to 1997, document Lehac’s music career through scores, correspondence, performance programs, clippings, and a historical essay. less

Glenn Pressler (1915-1990), a bass-baritone vocalist, performed as a soloist or in choruses in New York City in the 1940s and early 1950s. In the 1970s and 1980s, he worked at Herbert Barrett Management, where he managed the careers of the vocalists Eileen Farrell and Morley Meredith. The Glenn Pressler papers, dating from 1897 to 1988, document Pressler’s careers in vocal performance and artist management. They hold correspondence, concert programs, photographs, clippings, and memorabilia. less

Edward Maisel (b. 1917) was the author of Charles T. Griffes: The Life of an American Composer. The Edward Maisel research files on Charles T. Griffes, dating from 1904 to 1985, primarily hold correspondence between Maisel and individuals who knew or worked with Griffes. They also hold copies or transcriptions of letters from Griffes, book notes, diaries, and photographs. less

The Sidney Rose collection of Gilbert and Sullivan memorabilia dates from 1865 to 1950. It contains clippings, posters, programs, photographs, and color souvenir cards pertaining to performances of Gilbert and Sullivan operas on the east coast of the United States; a scrapbook of clippings from the British magazine Punch; newsletters and flyers produced by the Gilbert and Sullivan Society; letters to the theatrical producer Rudolph Aronson regarding performances; and essays by Sidney Rose on Gilbert and Sullivan. less

The American Society of Composers, Authors and Publishers (ASCAP) is an organization of more than 420,000 artists that protects the copyrights of its members. The ASCAP records represent a portion of the artists who joined the society from the 1930s to the mid-1980s. Many notable recording artists are represented from vaudeville to rock music. The files hold articles, biographical data sheets, broadsides, film strips, memorandum, obituary notices, photographs and photograph negatives,performance brochures, publicity and sheet music. less

William Mayer (1925-2017) was an American composer and former trustee of the Composers Recordings, Inc. record label. The William Mayer papers date from 1956 to 2016 and contain scores composed by Mayer, correspondence and meeting minutes documenting his involvement with Composers Recordings, Inc., and clippings. less

The Eddie Condon papers document the multi-faceted career and life of the guitarist, bandleader, and impresario through photographs, letters, writings, professional files, and art. Dating from the late 1800s to 2010, the collection mainly documents Condon's life from 1935 to 1973. Papers dating from after Condon's death were compiled by Phyllis and Maggie Condon. less

The Bohemians (New York Musicians' Club) is an organization made up of distinguished New York City musicians and music lovers that organizes dinners and chamber concerts for its members, supports young artists, and honors notable musicians. The collection consists of bylaws, membership lists, letters, financial records, meeting minutes, photographs, programs, and menus for the club spanning 1907 to 2008. Also present are some items documenting the Musicians Foundation Inc., an affiliated tax-exempt charitable organization that provides support to professional musicians in need. less

Jane Jarvis (1915-2010) was a jazz pianist, also known for her work as the organist for the New York Mets, and as a programming executive for Muzak. The Jane Jarvis papers (1896-2004) contain correspondence, scores, photographs, contracts, notes, scrapbooks, and personal materials that document Jarvis's career as a performer and composer. less

The Ethel Burns papers document the music, arts and children's programs Burns produced and directed at radio/television station WNYE and television station WCBS in New York City. The files include scripts, correspondence, production information, press releases, reviews and photographs. Among other programs, the collection contains information on the series American Musical Theatre and Dial M For Music. less

The League of Composers / International Society for Contemporary Music records contain the papers of the League's co-founder and first Executive Director, Claire Raphael Reis; the records of both the League of Composers and the United States section of the ISCM before their 1954 merger; and the post-1954 records of the combined League/ISCM. less

The Cyma Rubin papers document the producer's two Broadway productions: a revival of No, No, Nanette (1971), and an original musical, Doctor Jazz (1975). They contain scores, correspondence, production files, business records, publicity material, and photographs. less

Tom Scott was a folk-singer and arranger, and a composer of symphonic and chamber works, as well as music for live television and film. His papers contain scores, correspondence, photographs, biographical and publicity files, a scrapbook, and project and subject files. less

Harold Vincent Milligan (1888-1951) was an American organist, composer, and writer on music. The longtime organist for Riverside Church in Manhattan, his papers hold correspondence, scores, clippings, concert programs, diaries, writings, financial records, awards and citations, and a photograph. less

The Stefan Auber papers hold concert programs, images, scrapbooks, clippings, scores, promotional material, touring files, posters, and correspondence. The collection primarily documents the cellist's life and career from 1920 until the mid-1960s. Concert programs and images make up the largest portions of the papers. less

Dorle Jarmel Soria (1900-2002) was a publicist, record company impresario, and journalist in the classical music world of the mid-twentieth century, best known for her founding of the Angel Records label with her husband, Dario Soria. Her papers include business records, publicity materials, photographs, and correspondence with some of the most notable figures in twentieth-century classical music. less