Found 86 collections related to Financial records

Lucille Kallen was a published author as well as a prolific writer for radio, television, and stage. In the 1950s, she was the only female writer on the staff of Sid Caesar’s Your Show of Shows . Today she is best known as the author of the C. B. Greenfield mystery novels. This collection of personal papers, correspondence, manuscripts, television and theater scripts, and production materials provides insight into her life and work.

Orvil Dryfoos (1912-1963) was a newspaper executive and the publisher of The New York Times from 1961 to 1963. The Orvil Dryfoos papers document Dryfoos's daily activities and the operations of The Times, particularly during his tenure as vice president, president, and publisher from 1954 to 1963. The collection also contains Dryfoos's private business papers and records concerning the Dryfoos family's finances, travels, and other personal matters.

Albert Selden (1922-1987) was an American theatrical investor, composer, and producer. He worked on Broadway and for regional theaters from 1948 to 1979. The Albert Selden production files contain contracts, scripts, programs, designs, publicity materials, and financial records.

Victor Samrock (1907-1995) was an American theatrical business manager, active in New York theatre from the mid-1930s to the mid-1980s. From 1938 to 1960 he was the general manager of the Playwrights' Company. The Victor Samrock professional files contain business files pertaining to productions managed by Samrock, the records of the Playwrights' Company, and a small amount of personal correspondence.

Jeffrey Richards Associates is a New York City-based theatrical press agency and production office founded in 1977 by press agent and producer Jeffrey Richards. The records contain press materials for the Broadway and Off-Broadway shows that the agency represented from 1976 to 1994 and, to a lesser degree, the agency's shifted focus from publicity to production in the mid-1990s.

Godfrey Nelson (1878-1954) was a tax lawyer, financial columnist, and New York Times executive. The Godfrey Nelson papers document much of Nelson's career at The Times, including his roles as corporate secretary, financial and legal advisor, columnist, and in various administrative roles for The Times' subsidiary companies. The collection also contains some files from Nelson's private practice advising clients on estate and tax law.

Queer Blue Light Gay Liberation Video was a nonprofit organization formed in 1971 in Brooklyn, New York, and originally affiliated with Centers for Change, which produced and distributed videotapes on issues affecting the gay community. The records consist of one folder of incoming correspondence and financial papers, including material related to their 1972 video Lesbian Mother. Also included are letters and reports from Eckart Ranke of the Gay Liberation Center in Hamburg commenting on the status of the gay liberation movement in Germany.

The Netherland Club of New York is a private social and professional organization centered on Dutch culture, history, and the fostering of Dutch-American relationships. The Netherland Club of New York records date from 1903 to 2013 and contain meeting minutes, annual reports, correspondence, financial records, newsletters, photographs, and other materials that document the Club's activities.

Lamb's Theatre Company was an Off-Broadway production company and resident theatre in New York City between 1978 and 2006. The Lamb's Theatre Company records date from 1985 to 1996 and contain scripts, contracts, photographs, correspondence, programs, and other materials that document eleven of the company's productions in the Little Lamb's Theatre.

The Danny Apolinar Papers document the career of Danny Apolinar, lyricist, composer, pianist, nightclub entertainer and illustrator. The materials date from 1946-2000 (bulk dates 1957-1993) and include professional correspondence, legal and financial papers, production and promotional materials, scripts, photographs, scores, scrapbooks, clippings, programs, and posters designed by Danny Apolinar. There are no personal records in the collection.

The Steppenwolf Theatre Company Grapes of Wrath production files contain scripts, schedules, administrative records, research material, correspondence, programs, reports, contracts, plans, notebooks, clipppings, photographs, and ephemera relating to the Chicago, San Diego, London, New York, and television productions of the play.

Teresa Sterne, a pioneering producer of classical music recordings, was director of Nonesuch Records from 1965 to 1979. The Papers include material related to Sterne's tenure in charge of Nonesuch Records, as well as her childhood career as a performing pianist. The bulk of the material dates from 1969-1979, and includes production files, clippings, photographs, scrapbooks and scores.

The Bohemians (New York Musicians' Club) is an organization made up of distinguished New York City musicians and music lovers that organizes dinners and chamber concerts for its members, supports young artists, and honors notable musicians. The collection consists of bylaws, membership lists, letters, financial records, meeting minutes, photographs, programs, and menus for the club spanning 1907 to 2008. Also present are some items documenting the Musicians Foundation Inc., an affiliated tax-exempt charitable organization that provides support to professional musicians in need.

Russell and Volkening is one of New York's oldest literary agencies, opened in 1940 by Diarmuid Russell and Henry Volkening. They represented some of the most noted writers in the history of American publishing, including Eudora Welty, Bernard Malamud, Anne Tyler, George Plimpton, Barbara Tuchman, Saul Bellow, Ann Petry, A. J. Liebling, and Nadine Gordimer. Included in the collection are business correspondence; financial material; inventories and submission records of manuscripts submitted to the agency and through the agency to publishers and others; some manuscripts; and other material regarding the business of the agency. The bulk of the collection is represented by correspondence between Diarmuid Russell, Henry Volkening, Timothy Seldes, and other agents and their clients, notably Eudora Welty, Barbara Tuchman, Mavis Gallant, May Sarton, George Plimpton, Anne Petry, Wright Morris, and many others.

The Dalrymple Papers primarily consist of correspondence with individuals and organizations (financial and theatre related agencies) connected with both proposed and produced productions at City Center venues, the Brussels World’s Fair, the New York’s World Fair and with New York City Center staff. Documents that illustrate the practical business of running a theater company such as box office reports, requisitions, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, general publicity and clippings (most in scrapbook format) can be found within this collection.

The Estate Project for Artists with AIDS formed in 1991 as a temporary project of the Alliance for the Arts and grew into a permanent organization with offices in New York City, Los Angeles, and Miami. These records document the first national organization formed to address the protection of America's cultural heritage during the AIDS crisis. The Estate Project for Artists with AIDS records contain administrative, legal, and financial records, as well as subject and project files. The materials in this collection date from 1989-1999.

: Katharine Cornell was an American actress and producer. Guthrie McClintic was an American director and producer. They both worked the New York theater from 1915-1960. This collection includes correspondence, personal files, scripts, production materials, programs, photographs, scrapbooks and oversized items.

Established in 1927 by Leopold Prince the City Symphony Orchestra of New York, a non-profit organization comprised mostly of amateur musicians, gave free concerts throughout New York. The collection contains board minutes, correspondence, financial documents, programs, and ephemera that highlight the organization and financial operations of the orchestra.

Beatrice Lillie, comedienne, actress, singer and author, was born May 29, 1894 in Toronto, Ontario, Canada. The Beatrice Lillie papers consist of 37.8 linear feet spanning the 1910s to the 1990s. The collection consists of correspondence, biographical papers, skits, lyrics, music, photographs and clippings documenting her personal life and career.

This collection comprises the papers of the Polish singer and actress Bertha Kalich who immigrated to the United States in 1895. Once in the United States, she became a celebrated star of the Yiddish theater, with active roles in theater as well as cinema, until 1928 when she succumbed to illness. One of her best known roles was the title character of the play Magda and Lilla Olrick in Jacobi's Riddle Woman. The collection consists of correspondence, personal and professional papers, and theatrical memorabilia from Bertha, her husband, Leopold Spachner, and daughter Lillian Kalich Spachner concerning her stage career and is primarily in English with some materials in German, Yiddish, and Hebrew.

The Aston Magna Foundation for Music Records consist of office files that document the first years of the Foundation, a pioneering American organization for the study and promotion of early music. Established in 1972 by Albert Fuller and Lee Elman, in Great Barrington, Massachusetts, the Foundation was created to serve as a center for the study and performance of seventeenth and eighteenth century music, and continues today to build upon its original mission.

The Conductors Guild Records document the history and activities of the Guild, a non-profit organization that advocates for the conducting profession. The collection contains board and member correspondence, financial and membership records, publication history, and information about the Guild’s annual conferences and workshops.

The Cyma Rubin papers document the producer's two Broadway productions: a revival of No, No, Nanette (1971), and an original musical, Doctor Jazz (1975). They contain scores, correspondence, production files, business records, publicity material, and photographs.

Victoria Crandall (d. 1990) was a theatrical producer who packaged numerous touring stage shows for the summer theater trade. In addition to organizing productions that toured the Northeastern United States, she also served as co-producer and musical director for the British Colonial Playhouse in Nassau, Bahamas, in the mid-1950s. In 1959 Crandall founded the Brunswick Summer Playhouse, later known as the Maine State Music Theater, which she headed as executive director and artistic director for the rest of her life. The Victoria Crandall papers consist of business letters and some personal correspondence pertaining to Victoria "Vicki" Crandall's career as a theatrical producer for summer theater productions during the 1950s. Most of the material concerns three large-scale productions Crandall organized for touring companies during this period, BRIGADOON, SONG OF NORWAY and THE GREAT WALTZ. The last production in particular is well documented, due perhaps to an alleged breach of promise by one theatrical venue which resulted in exchanges of heated correspondence and threats of legal action. Most of the other documents relate to routine matters of billing, casting, box office grosses, and the like.

Belknap, Center, Innes, and Murphy were notable names in New England as early as the 17th century. Robert Lenox Belknap, the New York businessman most prominently represented in this collection, was a direct descendant of Abraham Belknap (d. 1643), an early settler in Salem, Massachusetts; and Joseph Belknap (1630-1712) of Boston. The Center and Innes families counted author Henry Livingston and Francis Lewis, signer of the Declaration of Independence, among their ancestors. Dr. Deas Murphy, father of Serena Deas Murphy Center, served as Chief of Surgery at St. Luke's Hospital, New York, N.Y. The William Conrad Kopper and Serena Deas Murphy Center genealogical research files contain family papers and genealogical research pertaining to the Belknap, Center, Innes, Murphy, and allied families. Included in the collection are genealogical notes, pedigrees, genealogical charts, as well as original family documents such as wills, contracts, diaries, scrapbooks, and photographs.

The Alexander Scourby Papers document the professional career of the prolific actor and narrator through contracts, correspondence, photographs, scripts, and other material. Although he had a long and varied career as an actor and narrator on stage, screen, and radio, Alexander Scourby considered his most important work to be the performances he gave as a voice actor in the Talking Books recordings he made for the American Foundation for the Blind.

The Dessoff Choirs is a Manhattan-based amateur choral group founded by Margarete Dessoff. The choirs encompass both a symphonic choir and a chamber choir, and perform a broad repertory of classical music from Renaissance to contemporary compositions. This collection documents the choirs' administrative activities and performance history through administrative files, correspondence, financial records, programs, and scrapbooks.