Found 11 collections related to African American women artists

The St. James Guide to Black Artists, published in 1997, contains information on almost four hundred black artists from around the world. The St. James Guide to Black Artists collection consists of materials that were sent by the artists as resource material for their entries. less

Shirly Stark, born in New York City in 1927, was an African American artist, an art professor who specialized in sculpture, and a poet. Stark moved to Detroit, Michigan, with her second husband where she discovered her love of sculpting and began studying art at Wayne State University. Only five years later, Stark left her job at the Internal Revenue Service to study art in Italy. When Stark returned from Europe, she received a grant for a residency at MacDowell Colony in New Hampshire and a work-study grant from the Wurlitzer Foundation in New Mexico to continue her work as an artist. In 1972, Stark's experience with carving basalt helped her become assistant to Dimitri Hadzi, internationally renowned sculptor, while he worked on a project in Eugene, Oregon. Stark was later appointed as the first female Mellon Chair in Sculpture at Carnegie-Mellon University in 1975. She died in Denver, Colorado, in 2006. The Shirley Stark Papers contain very little biographical information and no documentation of her work as an artist. It contains a small amount of letters (1996-2001), poetry (1996-2006), drafts, and a publication. Most of the letters are written by Stark to poet Gale Jackson. The poems include a selection of Stark's completed works and drafts; some were written in Taos, New Mexico during a 1998 Wurlitzer writing fellowship. less

The Ida Jones collection consists of letters Jones wrote to her friend and sponsor Roberta Townsend (1931-1958) concerning her artwork, personal matters, and health. There is also correspondence following her 1959 death, between her daughter, Ida J. Williams, Roberta Townsend, and representatives from various American art museums and civic organizations concerning the sale and exhibit of Jones's paintings. less

Augusta Savage (1892-1962) was a Harlem Renaissance sculptor and the first director of the Harlem Community Art Center. Arriving in New York in 1921, Savage graduated from Cooper Union and received fellowships to study in France. Her works include The Harp which was commissioned for the 1939 World's Fair. The collection includes press clippings about her sculpting career, manuscripts from her retirement period, and some posthumous correspondence. less

Personal Papers consisting of correspondence, 1926-1946; educational and financial papers; resumes detailing Bennett's teaching and literary career; photographs; and diaries, 1925, 1936, and 1958. Bennett's Professional and Literary Activities are documented by research material consisting of newspaper and magazine articles written by or about Bennett and the Welfare Council of New York, for whom Bennett worked as a journalist; class notes and printed material from the School for Democracy, predecessor of the Jefferson School of Social Science, a Marxist adult education center, and the George Washington Carver School, two controversial schools investigated by the House Un-American Activities Committee for Communist infiltration. Also, typescripts of Bennett's poems and book reviews, 1928-1941. Frank Horne Literary Estate papers consist of typescripts of Horne's published and unpublished poems and letters, 1926-1963. Scrapbooks consist of news clippings, letters, and memorabilia and chronicles of her youth and published work, 1914-1934. less

The Guy C. McElroy Papers provide information on his college education as he worked toward his goal of becoming an art historian, in addition to documenting the various positions he held in the museum and art history fields - particularly as guest curator for the exhibition "Facing History: The Black Image in American Art, 1710-1940." Aspects of his personal life are represented in the papers as well. less

The Arthur and Elizabeth Schlesinger Library on the History of Women in America's Black Women Oral History Project documented the contributions of Black women, 70 years or older, to American life. Interviews documented the lives, professional careers, and voluntary activities of women nationwide and focused on their contributions in a wide variety of fields including medicine, law, business, the arts, social work, education, politics, and civil rights. This collections consists of 68 transcripts from the Schlesinger Library's Black Women Oral History Project. Interviews include Christia Adair, Frances Albrier, Sadie Alexander, Elizabeth Cardozo Barker, Etta Moten Barnett, May Edward Chinn, Alfreda Duster, Mae Eberhardt, Lena Edwards, Zelma George, Frances Grant, Ardie Halyard, Pleasant Harrison, Dorothy Height, Margaret Cardozo Holmes, Lois Mailou Jones, Virginia Jones, Maida Kemp, Catherine Cardozo Lewis, Audley Moore, Muriel Snowden, Rosa Parks, Olivia Stokes, Ann Tanneyhill, Constance Thomas, Era Bell Thompson, Charleszett Waddles, Dorothy West, and Deborah Wofe. less

The Helen Brown scrapbook contains programs and reviews of plays and concerts that took place in New York City between 1926 and 1941. Included are articles and reviews of musicians, singers, actors, writers, such as Langston Hughes and Zora Neale Hurston, and artists, such as Jacob Lawrence, Augusta Savage and James L. Allen. The programs represent a variety of performances, among them those by the Negro Opera Company and Hall Johnson's groups (the Hall Johnson Singers, Hall Johnson Jubilee Singers, and Hall Johnson Negro Choir). Also included are programs for Roland Hayes, Richard B. Harrison, Marian Anderson, Paul Robeson, Hazel Harrison, Abbie Mitchell, Jules Beldsoe, and the Eva Jessye Choir. The lyrics to some songs can also be found in the scrapbook.. less

Entitled: Black Women Artists was formed in 1966 in New York City to provide a support network for women visual artists of African descent in the Americas. The Entitled: Black Women Artists collection includes minutes of monthly meetings which discuss the formation and projects of the organization. less