Found 22 collections related to Business records

Victor Samrock (1907-1995) was an American theatrical business manager, active in New York theatre from the mid-1930s to the mid-1980s. From 1938 to 1960 he was the general manager of the Playwrights' Company. The Victor Samrock professional files contain business files pertaining to productions managed by Samrock, the records of the Playwrights' Company, and a small amount of personal correspondence. less

Jean Rosenthal (1912-1969) was a stage lighting designer whose work included productions of the Martha Graham Dance Company, the Metropolitan Opera, the Dallas Civic Opera, the American Ballet Theatre, and Broadway shows such as A Funny Thing Happened on the Way to the Forum (1962) and I Do! I Do! (1966). She founded a theatrical supply business, Theatre Production Service, in 1940. The Jean Rosenthal professional files date from 1954 to 1970 (bulk 1961 to 1969). The collection contains business records; clippings about Rosenthal and productions she worked on; programs from her productions; articles by Rosenthal, including drafts with handwritten corrections; and resumes and promotional photographs of Rosenthal. Business records pertain to Rosenthal's work as a designer, especially for the Martha Graham Company; her work as a theater consultant; and the Theater Production Service. The business records contain documents such as contracts, expense reports, production schedules, job applications, and related correspondence. Martha Graham Dance Company files contain memoranda and reports from the company's board of directors, in addition to materials directly concerning Rosenthal's employment. The business records include a file on a lighting design class that Rosenthal taught at the Lester Polakov Studio of Stage Design. The collection also contains design documents for the Martha Graham Dance Company at the American Dance Festival in 1967, consisting of two light plots, a dimmer schedule, and a lighting instrument schedule. less

Éva Gauthier (1885-1958) was a Canadian-American vocalist best known for her performances of contemporary music and her associations with George Gershwin, Igor Stravinsky, and other composers. The Éva Gauthier papers, dating from 1899 to 1960, document the singer's life and career through correspondence; photographs; writings; programs and publicity material; business and legal records; and clippings. less

Irving Teibel (1938-2010) was a sound engineer and photographer, best known for his field recordings of natural sounds which he released as the Environments series of long-playing records on his own Syntonic Research Inc. label. Teibel's papers, dating from the 1950s to 2011, document his work as a sound engineer, business owner, and photographer/designer. They consist of audio recordings, the files of Syntonic Research Inc., and Teibel's photography and designs. less

The Urban Arts Corps records consists of the production records for plays produced by UAC from 1967-1983 (bulk dates 1972-1979), and a separate body of material relating to Vinnette Carroll. The material has been divided into two series: Production Files and Vinnette Carroll. The Production Files contain an assortment of material; however, there is not every kind of material for each production. A sample of the file contents include cast lists, contracts, correspondence, director's notes, new releases, programs, reviews, and scripts. The second series documents Carroll's professional activities in the theater prior to her becoming the founding director of the Urban Arts Corp. Included are materials regarding her career as an actor and a director. less

Dorle Jarmel Soria (1900-2002) was a publicist, record company impresario, and journalist in the classical music world of the mid-twentieth century, best known for her founding of the Angel Records label with her husband, Dario Soria. Her papers include business records, publicity materials, photographs, and correspondence with some of the most notable figures in twentieth-century classical music. less

Julius Ochs Adler was nephew to Adolph Ochs, the publisher of the New York Times. Adler worked in various capacities at the New York Times, including general manager, vice president, and was an original executor and trustee of the company. In addition he also served as president and publisher of the Chattanooga Times. He was a retired officer in the Army, having served in both World Wars. The collection contains correspondence, memoranda, newspaper clippings, photographs, and legal documents. Approximately one-third of the material deals with the Ochs Estate. Most of the remainder concerns Adler's military service, along with some family and personal material: there are relatively few documents pertaining to the operation of the New York Times. less

Robert Weiner (circa 1935-1989) was a theatrical, film, and television producer, as well as a theatrical funder. The Robert Weiner papers, dating from 1951 to 1975, consist of his files for theatrical, film, and television projects. They contain correspondence, production records, financial records, programs, publicity materials, and photographs. less

Robert C. Rothafel was the managing director of the movie palace the Roxy Theatre from 1955 until 1958, when he became president of the theater's newly-established operating company, Roxy Enterprises. The Robert C. Rothafel Roxy Theatre records date from 1955 to 1960 and contain financial and other administrative records. The collection includes financial analyses of operations and attendance, records of merchandise sold, scenery and costume inventories, and internal memoranda, among other records. Most of the materials concern the years 1956 to 1959. The collection was previously cataloged with the call number MFL + n.c. 1834. less

Bramwell Fletcher (1904-1988) was a British stage, film, and television actor best known for his work in plays by George Bernard Shaw, and for his one-man show, The Bernard Shaw Story. The Bramwell Fletcher papers (1934-1981) document his career in theater and television through photographs; annotated scripts and readings; and business papers. less

Geoffrey C. Shlaes is an American stage director and theater manager who founded the American Directors Institute in 1985. The collection (1983-1992) contains American Directors Institute files, correspondence, and materials relating to Shlaes' other professional endeavors. less

Philip Dunning (1890-1968) was a playwright and a theatrical producer and director. The Philip Dunning papers, dating from 1912 to 1968, document Dunning's life and career through production files, scrapbooks, and letters. Half of the collection relates to the play Broadway. less

The Community Council of Greater New York was a city-wide voluntary organization of public and private agencies that provided social services to New York City residents. The collection holds clippings, correspondence, memorandums, minutes, photographs, reports and printed matter. less

Stephen Draper (circa 1906-1985) was a theatrical agent best known for his long-term representation of Geraldine Page and Richard Kiley. The Stephen Draper papers (1948-1985) document Draper's work on behalf of his clients, mainly Page. They hold Client Files and Office Files containing correspondence, contracts, programs, photographs, actor biographies, press releases, clippings, and financial records. less

Eric Siday (1905-1976) was a British-American composer, arranger, producer, and violinist who pioneered the creative use of new technology and recording techniques in advertising and brand identification. One of the first composers to routinely employ the Moog synthesizer, his advertising jingles and broadcast identification sounds became widely known in the 1960s and early 1970s. The Eric Siday papers, dating from 1919 to 1996, reveal his career through audio and moving image recordings, scores, correspondence, contracts, technical notes, financial records, photographs, manuscripts, publicity files, and autobiographical essays. less

Theodore Walter "Sonny" Rollins (born September 7th, 1930) is an American jazz tenor saxophonist. His papers, dating from the 1910s to 2015 (the bulk dates from the 1950s onward), document the musical, personal, and career development of one of the most important musicians and artists of the 20th and early 21st centuries. This development can be most clearly observed in his music manuscripts and practice material; personal writings; letters; and professional business records. Rollins's career is also illustrated by an extensive set of photographs and a large collection of unique sound and video recordings. less