Scope and arrangement
The Philip Dunning papers, dating from 1912 to 1968, document Dunning's life and career through production files, scrapbooks, and letters.
Production files are composed of annotated scripts, account ledgers, programs, clippings, letters, and photographs. Most of the files document plays written or co-written by Dunning, and also include scripts produced or considered for production by Dunning and various partners, including George Abbott. Some scripts contain notes from Dunning offering details about the play's production, or stating why it was not produced.
Half of the production files relate to the play Broadway. Scripts contain various versions of the play, including drafts, a prompt script, and a revision that was to be used for a 1940 revival. The latter script also includes letters and production notes. Account ledgers, dating from 1925 to 1930, record the financial performance of the New York, Boston, Chicago, and London productions, as well as for regional touring companies in the southern and western United States. One folder of production information holds wardrobe, prop, and electrical requirements.
The production files hold other scripts written or co-written by Dunning, including Lilly Turner, Remember the Day, Anything for a Laugh, Big City Feller, The Dead Level, Face Value, Happy Hour, Home Sweet Home, Knee Deep in Diamonds, and a script with the provisional title of A New Play. Also present are scripts for Ladies' Money, a play by George Abbott; the plays Twentieth Century and The Drums Begin (both produced by Dunning); and The Last Song, a musical with a book by Dunning and Jack McGowan and music and lyrics by Richard Rodgers and Lorenz Hart. Also among the scripts is Great Scenes from Great Plays, a collection compiled by Dunning. Two scripts hold photographs. One of them, a publicity photograph for Remember the Day, is a signed portrait of Claudette Colbert. There are two folders of untitled manuscripts.
Two scrapbooks, dating from 1912 to the 1960s, hold photographs of Dunning, his family, friends, and colleagues. The single folder of letters mainly has condolences sent to Dunning's widow, Frances Fox Dunning.
Arrangement
The papers are arranged by format.