Found 161 collections related to Posters

The Dr. Ingrid Brainard Papers contain documents from the 1890s to 2000, and cover the academic and professional career of the distinguished dance historian and author. It contains letters, writings, research and conference materials, and teaching materials, as well as personal papers relating to Brainard, her career, and education. less

Frank Wuttge, Jr. was a writer and researcher with interests in the history of New York City, Edgar Allan Poe and poetry. His father, Frank Wuttge, Sr. was a photographer active in German-American organizations. Collection consists of correspondence and other papers of Frank Wuttge, Jr. and his father. Papers of Frank Wuttge, Jr. include personal correspondence; correspondence with Ewald Vorsteher concerning European refugees; and writings about Edgar Allan Poe, Joseph Rodman Drake, German history, New York City, and Biblical Greek. Papers concerning his father include biographical information with correspondence and memorabilia. Collection also contains scrapbooks, newspaper and magazine clippings, slides, and posters. less

Benjamin Franklin (Ben) Grauer (1907-1977) was an American radio and television announcer, reporter and news commentator. In the mid 1960s he assembled a collection of mainly French historical manuscripts. Collection contains approximately 10,000 manuscript letters, documents and printed ephemera collected by Grauer. Manuscripts cover a wide span of time and subject matter and are of minor figures in French literary, cultural, social, academic, governmental, and administrative life. Also includes some English, Italian and Arabic items. Printed ephemera consists of flyers, pamphlets, reports and minutes of governing bodies during the period of the French Revolution, as well as invitations, menus, programs, posters, and engravings. less

Horace Grant Healey (1867-1938) was a practitioner of the art of penmanship. His career included teaching in New York City schools and affliation with the Penman's Art Journal and its successor, Business Journal. Collection consists of scrapbooks, notebooks and posters, all of which contain writing specimens. Scrapbooks include calling cards, letters, envelopes, flourishes, photographs, and various samples of penmanship sent to Healey. Other writing samples are penmanship exercises and assignments done by students. Also, some photographs of correspondents. less

The records document the pioneering efforts of a non-profit organization in New York City founded by people living with AIDS for the purpose of developing programs of caring and support for people with AIDS (PWAs) and for combating the atmosphere of fear, ignorance, and hostility associated with the disease. The founders maintained that people living with AIDS could lead productive and self-fulfilling lives when they practiced a philosophy of self-empowerment and self-reliance. less

Peter Wexler (b.1936-) is primarily a set and costume designer for theater, music, and television, as well as a producer, artistic director, lighting designer, photographer, and visual artist. This collection contains set designs, correspondence, and other materials related his production designs from the 1970s to the mid-1990s. Also included are materials for original projects on which he collaborated as a design consultant. less

Photographers + Friends United Against AIDS was a not-for-profit organization that fundraised through exhibitions, the sale of photographs, and events, to lend financial support to organizations providing health care to people with AIDS; to medical research; and to public education initiatives. The materials in the collection date from 1988-1996 and contain correspondence, minutes, annual reports, memoranda, office files, financial records, grant applications, project proposals, exhibition catalogs, and photographs. less

Carl Sontz (1936- ) was an electrical engineer who was active in New York City politics. He served as head of Democratic Party clubs in the Bronx and ran unsuccessfully for the Democratic nomination for the City Council in 1961 and 1970. Bulk of the collection consists of ephemera accumulated by Sontz in his work in politics and community affairs. Political items, 1958-1970, include leaflets, form letters, posters, and campaign literature. Also, some Democratic club correspondence with various officials about neighborhood problems, and reference files on local community issues and local civic and political organizations. less

Correspondence, personal papers, contracts, poems including some written about Cosme, essays, programs, newspaper and magazine clippings, scripts including radio scripts, certificates, posters, and photographs, relating mainly to Cosme's career, including her readings of Afro-Antillian verse, chiefly by Hispanic poets using black themes, as well as Afro-American poets Paul Laurence Dunbar and Langston Hughes. Also, material on Cuba. Correspondents include Felix B. Caignet. less

Fierce Pussy is a lesbian artist/activist public art collective formed in 1991 in New York City. Work of the collective focuses on issues of lesbian visibility and lesbian and gay rights. Collection consists of approximately thirty works by Fierce Pussy (with a few duplicates). Most items are 11" x 17" posters created to be "wheatpasted" in outdoor locations in New York City. Also, a few color-xeroxes and stickers. Messages on the posters and stickers pertain to lesbian and gay rights and visibility, and to AIDS. less

Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed. less

Margaret Anglin was a Canadian-born actress, director, and producer who was considered one of the finest actresses of her day. This collection extensively covers the professional career of Anglin, who performed primarily from 1889 to 1936. Materials include correspondence both from other theatrical professionals and fans, production files, images of Margaret Anglin, and scrapbooks documenting her career. less

In 1962, she helped found and then for two decades directed the Army Music and Theater Program, which The Washington Post in 1976 called "the largest producing organization of music and theater in the world." At that time, it staged more than 25,000 performances annually with a global audience of more than 2.5 million people. The collection consists primarily of photographs, clippings, and programs, as well as scrapbooks, posters, and a small amount of correspondence, documenting the plays, contests, and travelling shows of the United States Army's Entertainment Services Unit. less

Marion Andersen (1924-2002) was a modern dancer, choreographer, and instructor. The Marion Andersen papers, dated 1930 to 2002, document her choreography work; creation of dance departments and performing companies at Utah State University and the University of Washington; and founding of the Valley Dance Ensemble in Logan, UT. The collection consists of choreographic notes, scripts, photographs, programs, posters, correspondence, and research materials on May O'Donnell, a modern dance choreographer and Andersen's mentor. less

Marius Sznadjerman was born in Paris in 1926. He escaped to Spain with his parents in 1942, moving to Venezuela where he attended the School of Fine Arts in Caracas. After moving to the United States in 1949, Sznajderman studied at Columbia University with scenic designer Woodman Thompson and printmaker Hans Mueller, receiving both a B.F.A. and M.F.A. He served in the U.S. Army from 1953-1955 and has taught at several universities, including New York University, School of Visual Arts and Fairleigh Dickinson University. Sznajderman has also had numerous exhibitions of his work over several decades. Over 350 original designs, principally for sets (mostly color), floor plans, and studies created by Marius Sznajderman for Circle in the Square Theatre and the French Art Theatre in the 1950s. The collection also contains production and research notes, as well as publicity material and posters. There are also some publicity materials for Circle in the Square, programs, fliers, and postcards for individual productions, blueprints, elevations, as well as a number of black and white photographs. Also included are costume designs (possibly for The firebrand, ca. 1924), several sketches, a sketchbook with notes, ca. 1918-ca. 1924, by noted stage designer Woodman Thompson, perhaps related to Sznajderman's research for the play Ludus Coventriae. In addition to Sznajderman's set designs, studies, floor plans, and production notes for the French Art Theatre, New York City (Eve Daniel, director), there are subscription letters and 7 posters, ca. 1951-1958. less

The Meredith Monk Archive documents the art of Meredith Monk and the history of The House Foundation For The Arts, Monk’s management and production company. The Archive contains correspondence, media clippings, concert programs, publicity material, writings, piece and project files, scores, business and financial papers, photographs and drawings, posters, and books. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

Stuart Ostrow-theatre producer, director, author and teacher-was a driving force behind many successful Broadway productions from the 1960s through the 1990s. The Stuart Ostrow papers contain material that chiefly documents Ostrow's professional life. His general administrative and production files make up the bulk of this collection, and contain correspondence, scripts, scores, photographs, scrapbooks, artwork, and other materials pertaining to his work in theater. less

The Outdoor Cleanliness Association (OCA) was formed in 1930 by a group of New York City residents as a voluntary civic association to promote awareness of the refuse disposal and pollution problems becoming increasingly apparent in the city by the 1930s. The OCA helped citizens to identify and locate proper city authorities to correct health and sanitation violations and attempted to increase public awareness through poster campaigns, school programs and fundraising events. The group discontinued its activities in 1971. Collection is largely comprised of correspondence, 1934-1969, of the Outdoor Cleanliness Association with city agencies, special interest groups and civic organizations concerning educational projects, fundraising programs and social events. Also included are minutes and reports, 1931-1968, of the annual meetings of the Board of Directors; financial records, 1940-1969; correspondence files, 1963-1969, of the OCA junior committee; directories and memoranda, 1947-1966; graphic works (mainly publicity posters); photographs of OCA members and events; and newspaper clippings, 1930-1958. less

The Patricia Brooks papers (1867, 1897-2009) document the professional vocal career of the artist, focusing on her operatic performances. The papers contain professional and personal correspondence; reproductions of photographs documenting her operatic career, including photographs of Brooks with Placido Domingo and Frank Corsaro; financial records and advanced ticket sales regarding Brooks' recital in 1977; as well as correspondence, notes, ticket lists, and potential performers relating to the New York City Opera's tribute to Brooks in 2008. Annotated, published scores make up the majority of the collection. less

The Paul Cranefield Papers, 1824-2002 [bulk years 1951-2002], document medical doctor and theater enthusiast Paul Cranefield’s interest and contribution to New York City’s theatrical world, and in particular the Off-Off Broadway movement. The collection consists of administrative files created by the La Mama Experimental Theatre Club and the Circle Repertory Theatre, in which Cranefield served as a board member for several years. They include correspondence, meeting minutes, notes and agendas, legal and financial records, grant applications, leaflets and brochures, production inventories, and Cranefield’s writings on subjects related to theater and collecting. There are also scripts, photographs, clippings, and a considerable number of programs and posters from productions created by La Mama and Circle Repertory Theatre, as well as from productions of the 1800s, collected by Cranefield. less

Rose Pesotta (1896-1965) was a labor union official. Collection consists of correspondence and papers reflecting Pesotta's career as official of the International Ladies' Garment Workers' Union and as organizer of garment workers in various cities in the United States, Canada and Puerto Rico. Includes diaries, 1934-1949; family letters; photographs; and writings, including drafts of her autobiographies, Bread Upon the Waters (1944) and Days of Our Lives (1958). Also, notes, personal accounts, pamphlets, news clippings, posters, and periodicals relating to the labor movement, Spanish Civil War, the Histadrut (Israeli labor organization), and topics such as anarchism, the labor movement, racism, and the plight of displaced persons after World War II. less

Rosika Schwimmer (1877-1948) was a Hungarian-born writer and political activist who spent her life working for the causes of feminism, pacifism, and world government. She was the mastermind of the 1915 Ford Peace Expedition, and in 1937 co-founded the political lobbying organization Campaign for World Government. Her papers include correspondence, professional writings and speeches, organizational and financial records, miscellaneous personal items, printed matter, artifacts, and photographs. less

Richard Lewine was a musical theater composer, an author of works of scholarship on musical theater and a theater and television producer, working mainly from the 1930s through the 1980s. This collection includes personal files, scores, scripts, production files, programs and oversized items pertaining to Lewine's career, life and films, stage musicals and television programs written or produced by Lewine. less

Rodman Gilder (1877-1953) was an American editor and author. He was editor of Criterion and Credit Monthly and wrote on various subjects. The best known of his literary works is The Battery New York, a History (1935). He was also the archivist of Century Associates. Collection consists of notes and sources for Gilder's writings, papers relating to the history and business operations of the Century Company between 1913 and 1914, and some personal papers. Materials for Gilder's writings include correspondence, typescripts of articles, and research notes for biographies of Don Marquis and Joan of Arc. Century Company papers contain copies of memoranda and letters, circulation analyses for the Century and St. Nicholas magazines, financial records, by-laws, published histories, catalog of publications for 1913, two posters illustrated by Maxfield Parrish and Henry McCarter, and printed matter. Gilder's personal papers include some correspondence, memorabilia and photograph of his father, Richard Watson Gilder. less