Tracy, Arthur, 1899-1997
Music Division | LPA Mss 2005-002
35.03 linear feet (24 boxes)
This collection contains materials related to Arthur Tracy’s radio, stage, and film career as the Street Singer. Materials include correspondence, manuscript and sheet music, photographs, and posters. There is little personal material.
Sembrich, Marcella, 1858-1935
Music Division | JPB 91-94
75 linear feet
Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued...
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Marcella Sembrich was a Polish born coloratura soprano who sang leading roles in European and American opera during her highly successful career. From 1898 to 1909 she was a regular member of the Metropolitan Opera Company, New York. She continued performing as a concert singer after her retirement from the operatic stage. Sembrich also became an instructor of singing at the Curtis Institute of Music and the Juilliard School of Music, becoming mentor to many pupils who later became famous in their own right. The correspondence, papers, posters, and programs in this collection represent the career and activities of Marcella Sembrich and her family from 1851 to 1988. The collection consists of an extensive amount of correspondence with the leading musical figures of the day; posters, concert advertisements and programs from Sembrich (and other) performances throughout her career; and memorabilia including an autograph album with signatures and drawings of famous musicians and others. Series IX "Photographs" also includes some 15-20 original graphic art works among its 2284 items. Subjects include Sembrich, places she lived, places she performed, and people with whom she performed. The sheet music and musical scores (Series X) are currently being processed.
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Toscanini, Arturo, 1867-1957
Music Division | JPB 90-1
330 linear feet
Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II...
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Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures.
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Toscanini, Arturo, 1867-1957
Music Division | JPB 90-1
330 linear feet
Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II...
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Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures.
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Amram, David
Music Division | JPB 14-29
74.92 linear feet (114 boxes, 33 volumes, 3 oversized folders, 2 tubes)
David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the...
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David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures.
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Rose, Sidney
Music Division | JOB 14-02
.75 linear feet (3 boxes)
The Sidney Rose collection of Gilbert and Sullivan memorabilia dates from 1865 to 1950. It contains clippings, posters, programs, photographs, and color souvenir cards pertaining to performances of Gilbert and Sullivan operas on the east coast of...
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The Sidney Rose collection of Gilbert and Sullivan memorabilia dates from 1865 to 1950. It contains clippings, posters, programs, photographs, and color souvenir cards pertaining to performances of Gilbert and Sullivan operas on the east coast of the United States; a scrapbook of clippings from the British magazine Punch; newsletters and flyers produced by the Gilbert and Sullivan Society; letters to the theatrical producer Rudolph Aronson regarding performances; and essays by Sidney Rose on Gilbert and Sullivan.
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Cowell, Henry, 1897-1965
Music Division | JPB 00-03 [Text]
82.3 linear feet (203 boxes)
The Henry Cowell Papers document the composer’s life in great detail. They include scores, writings, correspondence, business and financial papers, promotional material, clippings and articles, concert programs, teaching material, photographs,...
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The Henry Cowell Papers document the composer’s life in great detail. They include scores, writings, correspondence, business and financial papers, promotional material, clippings and articles, concert programs, teaching material, photographs, awards and scrapbooks.
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Monk, Meredith
Music Division | LPA Mss 2006-001
130 linear feet (300 boxes)
The Meredith Monk Archive documents the art of Meredith Monk and the history of The House Foundation For The Arts, Monk’s management and production company. The Archive contains correspondence, media clippings, concert programs, publicity...
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The Meredith Monk Archive documents the art of Meredith Monk and the history of The House Foundation For The Arts, Monk’s management and production company. The Archive contains correspondence, media clippings, concert programs, publicity material, writings, piece and project files, scores, business and financial papers, photographs and drawings, posters, and books.
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Kohs, Ellis B., 1916-2000
Music Division | JPB 04-25
18 linear feet. (45 boxes)
Ellis Kohs was a composer of classical music. He is well known for his opera
Amerika based upon the Franz Kafka novel by the same name. Kohs began his teaching career in 1946 with posts at the Kansas City Conservatory,...
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Ellis Kohs was a composer of classical music. He is well known for his opera
Amerika based upon the Franz Kafka novel by the same name. Kohs began his teaching career in 1946 with posts at the Kansas City Conservatory, the College of the Pacific and Stanford University. In 1950 he joined the faculty of the University of Southern California, teaching there for 38 years. Kohs was the author of several music theory textbooks.
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Kahn, Erich Itor, 1905-1956
Music Division | JPB 90-26
40 linear feet (80 boxes)
This bulk of the collection consist of manuscript copies, printed scores, parts, writings and correspondence belonging to the composer Erich Itor Kahn and his late wife Frida Kahn, who was a music teacher and a translator. Erich Itor Kahn was...
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This bulk of the collection consist of manuscript copies, printed scores, parts, writings and correspondence belonging to the composer Erich Itor Kahn and his late wife Frida Kahn, who was a music teacher and a translator. Erich Itor Kahn was known for his use of difficult techniques of counterpoint and harmony
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Randolph, David
Music Division | JPB 11-16
13.35 linear feet (42 boxes, 1 tube, 1 other item)
Conductor, radio host, and music educator David Randolph (1914-2010) was an active member of the New York classical music community. He served as musical director of the Randolph Singers, the Masterwork Chorus, and The St. Cecilia Chorus and was a...
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Conductor, radio host, and music educator David Randolph (1914-2010) was an active member of the New York classical music community. He served as musical director of the Randolph Singers, the Masterwork Chorus, and The St. Cecilia Chorus and was a longtime WNYC radio host of “Music for the Connoisseur,” later called “The David Randolph Concerts.” The collection contains letters, diaries, writings, concert programs, photographs, and annotated scores, documenting Randolph’s career.
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Warren, Leonard, 1911-1960
Music Division | JPB 06-75
8.92 linear feet (8 boxes)
The Leonard Warren Papers document the professional career of the American baritone. Warren was a leading performer with the Metropolitan Opera for over twenty years, whose significant accomplishments have been overshadowed by his dramatic death...
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The Leonard Warren Papers document the professional career of the American baritone. Warren was a leading performer with the Metropolitan Opera for over twenty years, whose significant accomplishments have been overshadowed by his dramatic death onstage during a performance. Much of the collection is comprised of clippings and scrapbooks, as well as some promotional materials, such as broadsides and posters. It also contains numerous condolence cards, letters, and telegrams sent in the wake of the singer's untimely death.
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Fryer, Katharine Homer, 1907-
Music Division | JPB 09-3
58.3 linear feet (84 boxes)
The Louise Homer Collection extensively documents the lives and careers of Louise and Sidney Homer, as well as the history of their extended family. It was assembled by Katharine Homer Fryer, one of the Homers' twin daughters. The collection...
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The Louise Homer Collection extensively documents the lives and careers of Louise and Sidney Homer, as well as the history of their extended family. It was assembled by Katharine Homer Fryer, one of the Homers' twin daughters. The collection contains correspondence, family papers, music scores, publicity materials, clippings, concert programs, scrapbooks, photographs and posters.
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Becker, John J.
Music Division | JPB 04-27
24.25 linear feet (61 boxes)
John J. Becker was the only Midwestern member of a group of ultramodernist American composers known as the “American Five”. He was known for his use of difficult techniques of counterpoint and harmony. Becker’s most important works include
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John J. Becker was the only Midwestern member of a group of ultramodernist American composers known as the “American Five”. He was known for his use of difficult techniques of counterpoint and harmony. Becker’s most important works include
Symphonia Brevis (1930-1931),
A Marriage with Space (1935), and
Privilege and Privation (1939). The bulk of the collection consists of scores, correspondence, and papers relating to his professional life as a composer, conductor, and educator.
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Turner, Charles
Music Division | JPB 12-05
8.46 linear feet (25 boxes)
The papers of the composer Charles Turner, one of Samuel Barber's few students, contain scores, sketches and notes, libretti, correspondence, diaries, photographs, programs, scrapbooks, yearbooks, clippings, and audio recordings documenting his...
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The papers of the composer Charles Turner, one of Samuel Barber's few students, contain scores, sketches and notes, libretti, correspondence, diaries, photographs, programs, scrapbooks, yearbooks, clippings, and audio recordings documenting his life and career as a violinist, composer and pedagogue.
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Schuman, William, 1910-1992
Music Division | JPB 87-33
50 linear feet (195 boxes)
Correspondence; memoranda; reports; minutes of meetings; press releases; drafts and final copies of articles, speeches, and statements; awards and certificates; diaries; photographs; magazines; clippings; pamphlets and papers; programs; posters;...
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Correspondence; memoranda; reports; minutes of meetings; press releases; drafts and final copies of articles, speeches, and statements; awards and certificates; diaries; photographs; magazines; clippings; pamphlets and papers; programs; posters; and scrapbooks. Correspondents include: Samuel Barber, Jacques Barzun, William Bergsma, Leonard Bernstein, Aaron Copland, Agnes DeMille, David Diamond, Antal Dorati, Morton Gould, Martha Graham, Frank Loesser, Otto Luening, Peter Mennin, Eugene Ormandy, Vincent Persichetti, Frederik Prausnitz, Andre Previn, Josef Raieff, Claire Reis, Richard Rodgers, Isaac Stern, Risë Stevens, Anthony Strilko, Roman Totenberg, Edgard Varèse, and Hugo Weisgall; representatives of organizations with which he has been associated and of other orchestras, foundations, educational institutions, and publishers.
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Brooks, Patricia, 1933-1993
Music Division | JPB 09-4
3.07 linear feet (8 boxes)
The Patricia Brooks papers (1867, 1897-2009) document the professional vocal career of the artist, focusing on her operatic performances. The papers contain professional and personal correspondence; reproductions of photographs documenting her...
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The Patricia Brooks papers (1867, 1897-2009) document the professional vocal career of the artist, focusing on her operatic performances. The papers contain professional and personal correspondence; reproductions of photographs documenting her operatic career, including photographs of Brooks with Placido Domingo and Frank Corsaro; financial records and advanced ticket sales regarding Brooks' recital in 1977; as well as correspondence, notes, ticket lists, and potential performers relating to the New York City Opera's tribute to Brooks in 2008. Annotated, published scores make up the majority of the collection.
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Pollikoff, Max
Music Division | JPB 86-1
11 boxes, 39 x 30 x 8 cm. or smaller; 11 boxes, 39 x 30 x 8 cm. or smaller
A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished...
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A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time.
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Resnik, Regina, 1922-2013
Music Division | JPB 15-65
56.13 linear feet (48 boxes, 37 volumes, 2 oversized folders, 6 tubes); 368.3 mb (267 computer files)
Regina Resnik (1922-2013) was an American soprano and mezzo-soprano vocalist, as well as an opera director. The Regina Resnik papers, dating from 1934 to 2013, document Resnik's life and career through correspondence, photographs, scrapbooks,...
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Regina Resnik (1922-2013) was an American soprano and mezzo-soprano vocalist, as well as an opera director. The Regina Resnik papers, dating from 1934 to 2013, document Resnik's life and career through correspondence, photographs, scrapbooks, programs, clippings, annotated scores, fan club magazines, awards, posters, yearbooks, school files, art, and artifacts. The collection also illustrates in part the career of Resnik's second husband, the designer Arbit Blatas, with whom she collaborated. Its strongest features are its visual documentation of Resnik and the scrapbooks and professional files illustrating the course of her career.
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