Found 247 collections related to American Music Collection

Betty Comden, lyricist and part of the creative team of Comden and Green, wrote lyrics for many Broadway shows from 1940 until 1990. The collections consists of vocal scores, parts and sketches for musicals of which Comden and Green were part of the creative team. less

Susannah McCorkle (1946-2001) was an important American jazz / pop singer as well as a talented writer. Her papers consist of her writings, correspondence, business and personal papers, scores, concert programs, clippings, publicity material, photographs and books. less

Teresa Sterne, a pioneering producer of classical music recordings, was director of Nonesuch Records from 1965 to 1979. The Papers include material related to Sterne's tenure in charge of Nonesuch Records, as well as her childhood career as a performing pianist. The bulk of the material dates from 1969-1979, and includes production files, clippings, photographs, scrapbooks and scores. less

The Rosa Ponselle Papers document the career of one of the most noted 20th century American soprano opera singers, and covers her beginnings in vaudeville, her Metropolitan Opera career (1918-1937), her teaching activities, her adminstrative involvement with musical life in Baltimore, and her retirement. Also included is material concerning her sister Carmela Ponselle (1892-1977). less

The American composer Ross Lee Finney enjoyed a long, prolific and illustrious career. His papers document his life and career and consist of correspondence, professional writings and lectures, press clippings, concert programs, photographs, and published and unpublished music scores and manuscripts. less

This collection contains manuscripts, manuscript copies, printed scores, and parts belonging to choreographer, director, dancer, and composer Richard Barstow, whose varied career included directing for Ringling Brothers Barnum and Bailey Circus, industrial shows, and for stage, screen, and television. less

Rick Besoyan was a California-born librettist, composer, director and lyricist. He is best known for his musicals Little Mary Sunshine, (1959), The Student Gypsy or “The Prince of Liederkranz”, (1963), and Babes in the Woods, (1964). The Rick Besoyan Papers include correspondence, scripts, scores, photographs, newspaper clippings, programs and posters. less

The Robert Hines Papers contain the materials from his book The Composer’s Point of View; Essays on Twentieth-Century Choral Music by Those Who Wrote It (Norman, University of Oklahoma Press, 1963) and include correspondence with the composers. less

This bulk of the collection consists of NBC Symphony Orchestra and Baltimore Symphony Orchestra programs, bulletins of Foundation Eugene Ysaye, letters to Remo Bolognini, among them from Arturo Toscanini, Pablo Casals, Laszlo Halasz and the Ysaye family less

Renzo Viola, born Lorenzo Viola in Sicily in 1889, was a piano teacher and composer in New York City and in Lindenhurst, Long Island. He composed music for the silent movie, The Trifling Woman ; invented an educational toy piano named Alice in Musicland ; founded the Long Island Harmony Band and the L.I. Drum Corps ; and wrote songs for the Rotary Club. Manuscript scores of Renzo Viola's compositions (including more than 25 songs for which he wrote both words and music, and more than 35 piano pieces), arrangements, sketches, and exercises ; 2 published scores ; brochures, clippings, biographical sketch by Viola V. Joy. less

In advance of Perspectives of New Music's forum on problems and discrepancies in conventional notation practice, American violinist and composer Paul Zukofsky sent a questionnaire using the organization's letterhead to 70 composers. He received 25 replies, but based his presentation on only 8 of them. The collection consists of the blank questionnaire; responses from the 8 composers used in the presentation: Martin Boykan, Elliott Carter, George Crumb, David Lewin, Seymour Shifrin, Claudio Spies, Kurt Stone, and Richard G. Swift ; handwritten and typescript drafts of Zukofsky's compilation and presentation; and additional responses from: Harvey [Sollberger?], Vincent Persichetti, Otto Luening, Josef Marx, Don Martino, Turetsky [Bertram Turetzky?], [Lejaren?] Hiller, Harold Farberman, Robert Moevs, Michael Colgrass, Eric [?] Berglund [?], J. Glick, and Ross Lee Finney. Zukofsky's article apparently did not appear in a Perspectives of New Music publication. less

"Jabbo" Smith, born Cladys Smith in 1908 in Pembroke, Georgia, was an African-American jazz trumpeter, trombonist and singer. He died in St. Louis in 1991. The collection consists of autobiographical material; correspondence with Lorraine Gordon and others (1957-1991); financial receipts; medical records; contracts and agreements; passports and other official documents; performance files, news articles, press releases and programs (1930-1991), including information on One Mo' Time, Chicago Kool Jazz Festival, and Jazz Fest Berlin; scrapbooks and photographs of Smith, Wynton Marsalis, Louis Armstrong, and others (1982-1991); and an account book (1969-1973) with aphorisms. less

The Jacob Druckman Collection documents the life and career of Jacob Druckman (1928-1996), a Pulitzer-prize winning composer, educator, and organizer of the New York Philharmonic's Horizons series of new music concerts. The collection, assembled by Druckman over the course of his lifetime, with additional material inserted posthumously by his family, includes musical scores, correspondence, clippings, programs, and iconography; the collection's sound recordings are housed in the Rodgers and Hammerstein Archive of Recorded Sound and have been cataloged as a separate component. The New York Public Library acquired the Jacob Druckman Collection in December 1999. The music, papers, and iconography in the Jacob Druckman Collection represent the professional and personal interests of their namesake. The collection accrued naturally through Druckman's activities as composer, conductor, teacher, and concert organizer, and it is augmented by documents related to the organizations that he served as a board member, officer, or adjudicator. There is also a small amount of material concerning the work of Druckman's wife, the dance scholar Muriel Topaz. The bulk of the collection falls between 1949 and 1996, the period from Druckman's college graduation to his death. less