Found 55 collections related to Shakespeare, William, 1564-1616

The Donald Oenslager Collection of Edward Gordon Craig is an artificial collection containing correspondence and artwork created by the noted theatrical designer and graphic artist, Edward Gordon Craig. Although born and raised in England, Craig moved to the continent in 1904 where he continued to work; the impact of his radical innovations in stage design were international in scope. Craig’s colleague, Donald Oenslager, an American stage designer and longtime faculty member of the Yale School of Drama, whose own work had been profoundly influenced by Craig, amassed the selection of letters and prints that form this collection. less

The Danny Apolinar Papers document the career of Danny Apolinar, lyricist, composer, pianist, nightclub entertainer and illustrator. The materials date from 1946-2000 (bulk dates 1957-1993) and include professional correspondence, legal and financial papers, production and promotional materials, scripts, photographs, scores, scrapbooks, clippings, programs, and posters designed by Danny Apolinar. There are no personal records in the collection. less

Designer, producer and writer, John Boyt (1921-1983) was born in Newark, New Jersey. From the 1940s to the early 1980s, Boyt designed costumes, sets, and occasionally lighting, for theater, dance, opera, television, and film. His credits include Broadway, off-Broadway, and regional theater productions, as well as New York City Ballet and New York City Opera. Original costume designs by John Boyt and a few pages of notes for three Broadway productions: 12 designs for J. M. Synge's The playboy of the western world (1946) with Burgess Meredith; 36 designs for William Shakespeare's Antony and Cleopatra (1947) with Katharine Cornell and Charlton Heston; and 37 designs for The lovers by Leslie Stevens (1956) with Morris Carnovsky and Joanne Woodward. A number of the sketches have notes written on the versos. less

Rosamond Gilder (1896-1986), an American author and theatre figure in New York, was founder and president of the International Theater Institute. She wrote about the theatre and edited the letters of her father, Richard Watson Gilder. Collection consists of papers concerning the life and career of Sir John Gielgud, English actor and director. Includes typescripts of Gielgud's autobiography; letters from Hallam Fordham to Gilder about the autobiography; typescript of The Hamlet Tradition by John Gielgud; text of Hamlet as used in Gielgud-McClintic productions; and various drafts of John Gielgud's Hamlet (1937) by Gilder. less

Philip Ben Greet (1857-1936) was an English actor and theater manager. Collection consists of papers reflecting Greet's career in the theater. Includes correspondence, 1881-1936, concerning his American productions of Shakespeare's plays; notes on Shakespeare and on Greet's lectures and stage productions; forewords by A.J. Lofvgren to various Shakespearean plays; a synopsis by Elma Dangerfield of a film version of Julius Caesar; records of the Shakespeare Film Society in London; accounts, tour lists and cue sheets; and other papers. less

Since its inception in 1954, the New York Shakespeare Festival/the Public Theater has been a highly acclaimed theater company, dedicated to achieving artistic excellence while developing an American theater that is accessible and relevant to all people through productions of challenging new plays, musicals and innovative stagings of the classics. The additions to the New York Shakespeare Festival Records document the Festival's activities from 1968-2010. The collection contains scripts, scores, correspondence, publicity materials and other production files from Public Theater Productions. less

The Michael Strange papers consist primarily of 218 autographed letters, many more then 2 pages in length, from her second husband John Barrymore. These span the years 1917-1925 and coincide with the end of her marriage to Leonard Thomas, as well as Barrymore's and Strange's courtship, marriage and divorce. Michael Strange was John Barrymore's second wife and the correspondence gives insight to the stormy nature of their relationship. Most of the correspondence is love letters which use personal terms of endearment and are almost always affectionate and sometimes sexually explicit. less

Caricaturist, cartoonist and illustrator, Alfred Frueh, was born in Lima, Ohio in 1880. In his early career, he worked at the St. Louis post-dispatch and the New York world. From 1908 to 1909, Frueh studied art in Europe. In 1925, Frueh joined the staff of the New Yorker magazine, which published his work until 1962. Frueh died in Sharon, Connecticut in 1968. Black and white original caricatures and color linocuts of theatrical productions and personalities. Many of the caricatures of theatrical productions appeared in the New Yorker magazine between 1925 and 1962. Productions depicted include: The children's hour by Lillian Hellman, 1934 and 1953; Porgy and Bess by George Gershwin, 1942 and 1953; Romeo and Juliet by William Shakespeare, 1923 and 1935; Twentieth century by Ben Hecht and Charles MacArthur (based on a play by Charles Bruce Milholland), 1933 and 1951; and the 1934 and 1936 editions of the Ziegfeld follies. Also included are 2 caricatures of the motion picture, City lights, 1931, with Charlie Chaplin, and 1 caricature of the Ziegfeld Theatre exterior, depicting the tower of the building as a woman's leg and foot, 1929. less

Lloyd Burlingame, designer for the theater. Consists of six designs in watercolor and ink for the following productions of the Association of Producing Artists: three signed costume designs for TWELFTH NIGHT and one unsigned set design for each of the following: PENNY FOR A SONG, SCHOOL FOR SCANDAL, and THE SEAGULL. less

Robert Edmond Jones was born in Milton, New Hampshire and attended Harvard University. Jones became an innovative force in modern set design for the American theatre. He also designed for opera and dance and was named Radio City Music Hall's first art director in 1932. Jones died at his birthplace at the age of 67. Primarily original costume designs, but also several set designs, sketches, and portrait drawings by designer, producer and writer Robert Edmond Jones for stage productions including some operas. Among the productions are: The barber of Seville (opera) by Gioacchino Rossini, 1941; Percy Mackaye's Caliban by the yellow sands, for the New York Tercentenary Celebration, 1916; Carmen (opera) music by Georges Bizet, 1932; The Cenci by Percy Bysshe Shelley, undated; The devil and Daniel Webster by Stephen Vincent Benet, 1939; The fountain by Eugene O'Neill, 1925; Die gluckliche hand (opera) by Arnold Schoenberg, n.d.; Mary of Scotland by Maxwell Anderson, 1933; The merchant of Venice by William Shakespeare, ca. 1914; A midsummer night's dream by William Shakespeare, n.d.; Night over Taos (previously titled City forgotten) by Maxwell Anderson, 1932; Orpheus (opera) by C.W. Gluck for Central City Opera House, Colorado, 1941; Othello by William Shakespeare, 1943; Susanna, don't you cry (musical with Stephen Foster songs) by Sarah Newmeyer, 1939; and the Tuskegee Choir for Radio City Music Hall, 1932. Many of the costume designs include swatches. There are 3 unidentified portrait drawings (1 for which the actor Irving Pichel was possibly the model) and 2 caricatures (1 of which is unidentified). There are worksheets attached to 2 of the 3 costume designs for a night club scene from an unidentified 1932 production (possibly for Radio City Music Hall). less

Gabriel M. Powell, artist and designer was born in 1902. His early career, in the 1930's, was in dance where he worked as a dancer and designer for the Gluck-Sandor Ballet Theatre. Among the company were such noted dancers as Klarna Pinska, Jose Limon and Jerome Robbins. By 1936, however, he was a designer of theatrical sets, and created the set for OUTWARD BOUND at the Forrest Theatre. Later productions included work on the musicals of Rodgers and Hammerstein and Irving Berlin. In his later years, Mr. Powell concentrated on his career as an easel artist. The Gabriel M. Powell Theatrical Designs consist of both costume and set designs for productions throughout his career. less

Hugo Rumbold, Percy Anderson and Viola Tree, costume designers. Costume designs in ink, watercolor and pencil, unsigned, were for the production of The Tempest which opened at the Aldwych Theatre in London on January 28, 1921 with Henry Ainley, Joyce Carey and Viola Tree. Sixteen are drawn on board. Includes cast list. less

Stage, screen and television costume designer, Dorothy Jeakins (1914-1995) was born in San Diego, California. She won a scholarship to the Otis Art Institute, worked for the WPA and Walt Disney Studios. She designed costumes for dozens of films, winning three Academy Awards for Joan of Arc, 1948, starring Ingrid Bergman and directed by Victor Fleming; Samson and Delilah, 1949, starring Victor Mature and Hedy Lamarr; and The night of the iguana, 1964, starring Richard Burton, Ava Gardner and Deborah Kerr. She died at the age of 81 at a nursing home in Santa Barbara, California. 66 original color and black and white costume designs (most with swatches) for theatrical productions, by costume designer Dorothy Jeakins, of King Lear by William Shakespeare for the Theatre Group at UCLA, 1964; Major Barbara by George Bernard Shaw at the Martin Beck Theatre, 1956; Romeo and Juliet by William Shakespeare for the American Shakespeare Festival, Stratford Connecticut, 1959; and Winesburg, Ohio by Christopher Sergel, based on Sherwood Anderson's book, at the National Theatre, 1958. There is also 1 photograph of a costume design for Mercutio from Romeo and Juliet. less

Costume and set designer David Ffolkes (1912-1966) was born in West Hagley, England and designed costumes and sets for numerous theatre productions and films. He served in the Royal Artillery during World War II and was a prisoner of war in Siam for over three years. Ffolkes received a 1947 Tony award for his set designs for King Henry VIII. He died of a heart attack in 1966. Primarily original costume designs by costume and set designer David Ffolkes for the theatrical productions All Gaul is divided by John McGiver, 1947; Hamlet by William Shakespeare, 1939; King Henry VIII by William Shakespeare, 1946; Man and superman by George Bernard Shaw, 1947; and What every woman knows by James M. Barrie, 1947. Many of the designs include swatches and samples, and several designs are for wigs. There is also 1 color backdrop design for the musical Seventeen, music by Walter Kent; lyrics by Kim Gannon; book by Sally Benson; based on the novel by Booth Tarkington; the production opened 1951; the design is dated 1950. less

Motley is the corporate name of sisters Margaret Harris (1904-2000) and Sophie Harris (1900-1966), and Elizabeth Montgomery Wilmot (1902-1993), who designed sets and costumes for theatre, opera, ballet and motion pictures from 1932 to 1976 in England and the United States. Their first designs, for London productions by John Gielgud and Michel Saint-Denis, were very successful, and in 1936 Saint-Denis founded The London Theatre Studio (1936-1939), a radical new theatre school which incorporated courses in theatre design taught by the Motleys. In 1940, Margaret Harris and Elizabeth Montgomery went to New York and remained there until the end of World War II, designing for numerous productions on Broadway. In 1946, Margaret Harris returned to London, while Elizabeth stayed, married the writer and journalist Patrick Wilmot (1904-1960), and continued to design for plays, musicals, operas, and ballets in New York until 1966. Original color costume designs on paper, tracing paper, or board, possibly created by Elizabet (Montgomery) Wilmot, one of the three women who designed under the pseudonym Motley. Includes drawings for Miss Liberty (1949); Paint your wagon (1951); The tempest (1945); and Tovarich (1963), as well as designs for Laurence Olivier (Henry II) in Becket (1961); Richard Burton (Philip the Bastard) in King John (1953); and Michael Redgrave (Warbeck) in The witch of Edmonton (1936). less

Designer, dancer and actress, Ruth A. Sobotka, was born in Vienna in 1925. She emigrated to the United States with her family when she was 14. Sobotka attended the University of Pennsylvania and Carnegie Institute of Technology. She also studied ballet at the School of American Ballet and was a dancer for Ballet Society and New York City Ballet. Sobotka designed costumes for both theater and dance. She appeared as "The girl" in Man Ray's segment of the Hans Richter avant-garde film, Dreams that money can buy (1947) and later worked on several films in various capacities. In 1955, she married film director Stanley Kubrick; they divorced in 1961. After retiring from dancing, Sobotka focused on acting and designing. She died after a brief illness at Flower and Fifth Avenue Hospital in June1967, at the age of 42. Approximately 71 original color costume and set designs (mostly costume designs) by Ruth Sobotka. Aladdin and the wonderful lamp is the only play represented in the collection that was actually produced (Unit Theatre Group, 1966); there are also index cards with notes and swatches for this show. Sobotka's costume and set designs for Bathsheba by Jacques Deval (1947), Ladies in retirement by Edward Percy and Reginald Denham (ca. 1944), The merchant of Venice by William Shakespeare (ca. 1944), Twelfth night by William Shakespeare (ca. 1944), a Passion play (ca. 1944), and a Shakespearean production (ca. 1944), were never executed, or were Carnegie Institute of Technology schoolwork. less

Consists of 8 large (24 x 20 in.) and 23 (11 x 14 in.) portraits of the following actors: Jean Louis Barrault, Richard Burton, Vittorio Gassman, Sir John Gielgud, Ben Kingsley, Sir Laurence Olivier, Maximilian Schell and Nicol Williamson, all of whom played Hamlet. Also contains smaller photographs, slides and negatives of these men and of Trevor Nunn, Mandy Patinkin, Roger Rees and Innokentiĭ Smoktunovskiĭ as well as of Hamlet memorabilia. less

The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Her affiliations with Circle in the Square, Circle Repertory Company, Goodspeed Opera House, Yale Repertory Theatre, and other companies are documented in the organization files. less