Heys, John Edward, 1948-
Billy Rose Theatre Division | *T-Mss 1998-045
8.34 linear feet (8 boxes)
John Edward Heys is an actor/filmmaker/director/writer who performed with numerous performance groups including the Angels of Light and Charles Ludlam's Ridiculous Theatrical Company. He worked with numerous artists including Charles Ludlam, Ethyl...
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John Edward Heys is an actor/filmmaker/director/writer who performed with numerous performance groups including the Angels of Light and Charles Ludlam's Ridiculous Theatrical Company. He worked with numerous artists including Charles Ludlam, Ethyl Eichelberger, Jackie Curtis, Cookie Mueller, Bill Vehr, Tomata du Plenty, and Gary Indiana. Heys also created several one man shows including his portrayal of Diana Vreeland and
La Mamounia; directed Alba Clemente in Rene Ricard's translation of Jean Cocteau's
A Human Voice; and created a documentary about Charlotte von Mahlsdorf. The collection contains materials related to the people and personalities whom Heys knew and the performances that Heys was involved in or attended. A significant portion of the collection concerns performances Heys created. Materials also concern Charles Ludlam, the Ridiculous Theatrical Company, Jackie Curtis, and Cookie Mueller. Materials include correspondence, photographs, clippings, publicity, and advertising posters.
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Garfield, David
Billy Rose Theatre Division | *T-Mss 2003-001
6.96 linear feet (15 boxes)
David Garfield is a New York City-based actor, author, and professor who has been a member of the Actors Studio since 1970, and who wrote a history of the Studio called
The Actors Studio: A Player's Place. The Actors...
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David Garfield is a New York City-based actor, author, and professor who has been a member of the Actors Studio since 1970, and who wrote a history of the Studio called
The Actors Studio: A Player's Place. The Actors Studio is a theater workshop for professional actors founded in New York City in 1947. This collection contains material that reflect Garfield's dual role as both researcher and participant and contains material generated by the Actors Studio, the Group Theater, and material collected by Garfield through his research.
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American Place Theatre (Organization)
Billy Rose Theatre Division | *T-Mss 2002-025
124.55 linear feet (305 boxes)
The American Place Theatre is a not-for-profit theater founded in 1963 in New York City to aid in the advancement of learning in all aspects of the dramatic arts, including the development and advancement in writing, direction, and production of...
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The American Place Theatre is a not-for-profit theater founded in 1963 in New York City to aid in the advancement of learning in all aspects of the dramatic arts, including the development and advancement in writing, direction, and production of plays. The American Place Theatre Company records document almost five decades of theatrical work produced by the American Place Theatre and the administrative activities of the theater. The bulk of the collection consists of production files that span from 1963 until the 2008-2009 season. The records also contain administrative files that represent the day-to-day operations of the American Place Theatre, minutes of the board of trustees, extensive correspondence of Director Wynn Handman, scripts, and posters.
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Blum, Gustav
Billy Rose Theatre Division | *T-Mss 1996-047
Gustav Blum (d. 1963) was an American theater director, producer, actor, and teacher. In 1916, he founded the East-West Players, a group that performed one-act plays, including English translations of Yiddish plays. The East-West Players won the...
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Gustav Blum (d. 1963) was an American theater director, producer, actor, and teacher. In 1916, he founded the East-West Players, a group that performed one-act plays, including English translations of Yiddish plays. The East-West Players won the Belasco Cup at the first Little Theater Tournament in 1923. Blum also produced and staged Broadway plays and worked as a drama teacher in high schools from 1909 until his retirement in 1958. The Gustav Blum papers (1912-1988, bulk 1915-1953) contain a scrapbook, contracts, scripts, photographs, clippings, correspondence, and other papers documenting Blum's career. The scrapbook dates from 1916 to 1923 and contains clippings and programs of the East-West Players. There are scripts for four plays that Blum produced:
The Shame Woman (1923),
Gertie (1926),
My Son (1924), and
Walk Hard (1946). The script for
Walk Hard is a heavily annotated prompt copy; the other scripts have minimal or no annotation. There are also three scripts written or co-written by Blum:
Against the Current,
Eden, and
A Sleepless Night. Contracts date from 1927 to 1946. The collection includes a statement of receipts and disbursements for Walk Hard and an estimated budget for Laughter in the Courtyard. Photographs consist of images of Blum, an unidentified production photograph, and signed photographs of Bertha Kalich and David Belasco. The collection also contains biographical information, clippings, and copyright records related to Blum's career, dating from 1912 to 1988.
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Hughes, Richard J., 1924-1996
Billy Rose Theatre Division | *T-Mss 2000-032
7.05 linear feet (18 boxes)
Richard John Hughes, Jr. (1924-1996) was a stage manager, director, set designer, and actor in regional theatre, touring companies, and off-Broadway productions. The Richard Hughes collection dates from 1942 to 1993 and documents his training at...
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Richard John Hughes, Jr. (1924-1996) was a stage manager, director, set designer, and actor in regional theatre, touring companies, and off-Broadway productions. The Richard Hughes collection dates from 1942 to 1993 and documents his training at the University of Texas, his participation in regional theatre and off-Broadway productions, and his work as production stage manager for the national tours of Man of La Mancha, Lovely Ladies-Kind Gentlemen, Irene, and Pippin.
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Friedman, Phil, 1921-1988
Billy Rose Theatre Division | *T-Mss-2004-019
.67 linear feet (2 boxes)
Philburn (Phil) Friedman (1921-1988) was an American stage manager. Friedman managed numerous Broadway and West Coast theater productions, many of them musicals, including Kismet (1953), How to Succeed in Business Without Really Trying (1961),...
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Philburn (Phil) Friedman (1921-1988) was an American stage manager. Friedman managed numerous Broadway and West Coast theater productions, many of them musicals, including Kismet (1953), How to Succeed in Business Without Really Trying (1961), Pippin (1972), Chicago (1975), and Dancin' (1978). He worked with director, writer, and choreographer Bob Fosse for nearly 15 years, and played the part of the stage manager in Fosse's 1979 autobiographical film, All That Jazz. He also worked extensively with directors Cy Feuer and Abe Burrows. The Phil Friedman papers (1805-1979) document Friedman's general interest in theater and to some extent, his work as a stage manager. The collection holds programs, telegrams, photographs, biographical material, and scrapbooks containing images of stage actors from the early 1900s.
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Horovitz, Israel
Billy Rose Theatre Division | *T-Mss 1976-001
17.05 linear feet (41 boxes)
Israel Horovitz (b. 1939) is a playwright, screenwriter, and director. Horovitz is the author of more than 70 plays, including The Indian Wants the Bronx and Line, as well as 4 films and 1 novel. The Israel Horovitz papers date from 1962 to 1989...
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Israel Horovitz (b. 1939) is a playwright, screenwriter, and director. Horovitz is the author of more than 70 plays, including The Indian Wants the Bronx and Line, as well as 4 films and 1 novel. The Israel Horovitz papers date from 1962 to 1989 and contain manuscript and revised versions of scripts, essays, and other writing, as well as clippings, reviews, programs, posters, and correspondence.
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Debuskey, Merle
Billy Rose Theatre Division | *T-Mss 1996-026
34.63 linear feet (80 boxes)
Merle Debuskey (b. 1923) is an American theater press representative. From 1948 until his retirement in 1996, he publicized over 500 theatrical productions. He was the first and longest-lasting press agent for Joseph Papp and the Public Theater,...
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Merle Debuskey (b. 1923) is an American theater press representative. From 1948 until his retirement in 1996, he publicized over 500 theatrical productions. He was the first and longest-lasting press agent for Joseph Papp and the Public Theater, from its inception in the 1950s until 1985. The Merle Debuskey papers date from 1952 to 1996 and document Debuskey’s work as a press representative for Broadway and Off-Broadway theater productions, and his work with The Association of Theatrical Press Agents and Managers (ATPAM). The collection holds publicity files for theater productions and actors; correspondence and press-related material relating to Joseph Papp and the Public Theater; administrative files relating to the Tony Awards and ATPAM; and scripts.
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Stone, Harry, 1928-
Billy Rose Theatre Division | *T-Mss 1994-004
.84 linear feet (2 boxes, 1 volume)
Harry Stone, also known as Israel Breakstone (born circa 1900), was an entertainer who worked on the vaudeville circuit in New York and Pennsylvania for about 15 years in the 1920s and 1930s. The Harry Stone papers, dating from 1915 to 1977, hold...
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Harry Stone, also known as Israel Breakstone (born circa 1900), was an entertainer who worked on the vaudeville circuit in New York and Pennsylvania for about 15 years in the 1920s and 1930s. The Harry Stone papers, dating from 1915 to 1977, hold source material for his comedic skits, photographs, scrapbooks, and an address book.
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Jones, Elinor, 1930-
Billy Rose Theatre Division | *T-Mss 2007-024
1.68 linear feet (4 boxes)
Elinor Jones (1930-2007) was a writer of plays and short stories, best known for her play Colette. The Elinor Jones papers, dating from 1967 to 2007, document her work through writings, correspondence, photographs, clippings, publicity material,...
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Elinor Jones (1930-2007) was a writer of plays and short stories, best known for her play Colette. The Elinor Jones papers, dating from 1967 to 2007, document her work through writings, correspondence, photographs, clippings, publicity material, and programs. The most significant content in the collection pertains to the plays Colette and A Voice of My Own.
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Effrat, John, approximately 1908-1965
Billy Rose Theatre Division | *T-Mss 2013-124
2.94 linear feet (7 boxes)
John Effrat (1908-1965) was a stage and production manager for Broadway, Off-Broadway and special events. The scripts, dated 1950s to 1960s, are from his theatrical and other stage productions. The remaining material relates to the Broadway Show...
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John Effrat (1908-1965) was a stage and production manager for Broadway, Off-Broadway and special events. The scripts, dated 1950s to 1960s, are from his theatrical and other stage productions. The remaining material relates to the Broadway Show League.
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Henderson, Heather Anne
Billy Rose Theatre Division | *T-Mss 2010-006
.42 linear feet (1 box)
Heather Henderson worked as a dramaturg at the Yale Repertory Theatre. She attended the Yale School of Drama from 1984 to 1988, where she earned her M.F.A. and D.F.A. in Dramaturgy and Dramatic Criticism. Her papers contain study guides she...
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Heather Henderson worked as a dramaturg at the Yale Repertory Theatre. She attended the Yale School of Drama from 1984 to 1988, where she earned her M.F.A. and D.F.A. in Dramaturgy and Dramatic Criticism. Her papers contain study guides she created for Yale Repertory Theatre productions of George Bernard Shaw's
Heartbreak House (1986) and August Wilson's
Fences (the 1985 world premiere), and scripts for
Fences and
Ma Rainey's Black Bottom (1984). There are also programs for various non-Yale theater productions, some of which Henderson worked on.
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Lancaster, Lucie
Billy Rose Theatre Division | *T-Mss 1991-029
.67 linear feet (2 boxes)
Lucie Lancaster (1907-1998) was an American actor who appeared in theater, television, and film. Her papers include photographs, programs, clippings, scripts, sheet music, notes, and other papers documenting her career from the 1930s to 1983. Most...
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Lucie Lancaster (1907-1998) was an American actor who appeared in theater, television, and film. Her papers include photographs, programs, clippings, scripts, sheet music, notes, and other papers documenting her career from the 1930s to 1983. Most of the papers pertain to theatrical productions, including
The Music Man (1958 national tour),
The Girl Who Came to Supper (1963), and
Pippin (1972). The collection also contains two costume design sketches, including one drawing for
Bajour (1964) by designer Freddy Wittop. The collection includes sides and excerpts of scripts for Lancaster's various theatrical roles, as well as full scripts for
The Girl Who Came to Supper and "The Old Lady Shows Her Medals," an episode of
The United States Steel Hour. Scripts and sides have some handwritten changes, and sometimes contain production papers such as rehearsal or filming schedules. The collection also includes sheet music from
The Girl Who Came to Supper,
Bajour, and
How Now Dow Jones (1967). There are headshots and publicity photographs of Lancaster from throughout her career. The earliest item in the collection is a notebook, dating to about the 1920s, labeled "Lucy Ruby, Grand Theatre Luton." The notebook contains handwritten transcripts of dialogue from plays.
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Billy Rose Theatre Division | *T-Mss 2008-014
.42 linear feet (1 box)
The Little Hut, written by André Roussin and adapted by Nancy Mitford, was first produced in London in 1950. The play was produced in Boston and then on Broadway in 1953 by producer John C. Wilson. more
The Little Hut, written by André Roussin and adapted by Nancy Mitford, was first produced in London in 1950. The play was produced in Boston and then on Broadway in 1953 by producer John C. Wilson.
The Little Hut production materials date from 1950 to 1955 and primarily document the 1953 American productions. The collection contains correspondence and contracts with investors; financial information about the production; multiple versions of the script, including a stage manager's copy; and programs from the Boston production at the Plymouth Theatre and the Broadway production at the Coronet Theatre. The collection also contains copies of telegrams that John C. Wilson sent on the play's opening nights in England and Scotland.
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Cooper, Marilyn
Billy Rose Theatre Division | *T-Mss 2008-013
7.3 linear feet (19 boxes)
Marilyn Cooper (1934-2009) was a Tony Award winning American actress working primarily in theatre and television from the mid-1950s to the late 1990s. The Marilyn Cooper papers document Cooper's professional life with scripts, photographs,...
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Marilyn Cooper (1934-2009) was a Tony Award winning American actress working primarily in theatre and television from the mid-1950s to the late 1990s. The Marilyn Cooper papers document Cooper's professional life with scripts, photographs, programs, publicity materials, correspondence, sheet music, and other production materials; and her personal life with photographs, correspondence, and elementary school, high school, and college yearbooks, photographs, and scrapbooks.
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Stahl, Irwin
Billy Rose Theatre Division | *T-Mss 1990-017
10.71 linear feet (16 boxes, 6 volumes, 1 oversized folder)
Irwin Stahl was a theatrical director, playwright, actor, and educator. The Irwin Stahl theater files date from 1893 to 1988 and contain scripts, sheet music, programs, clippings, sketches, notes, photographs, and scrapbooks.
Mathews, Carmen
Billy Rose Theatre Division | *T-Mss 2002-026
1.96 linear feet (5 boxes, 2 oversized folders)
Carmen Mathews (1911-1995) was an American actress in theater, film, and television. The collection (1921-1995) documents her stage career through scripts, scores, correspondence, photographs, programs, articles, and posters.
Fawcett, George, 1860-1939
Billy Rose Theatre Division | *T-Mss 2012-055
6.27 linear feet (16 boxes, 1 volume)
The collection dates from 1857 to 1939 and contains photographs, scrapbooks, programs, articles, correspondence, writings, and other materials pertaining to American actors George Fawcett and Percy Haswell Fawcett.
Markey, Enid, 1890-1981
Billy Rose Theatre Division | *T-Mss 1973-001
4.51 linear feet (11 boxes, 1 volume, 1 oversized folder)
Enid Markey (1890-1981) was an American actress in film, theater, and television. The Enid Markey papers date from 1895 to 1971 and contain correspondence, photographs, scrapbooks, scripts, and articles.
Montresor, Beni
Billy Rose Theatre Division | *T-Mss 2004-011
2.52 linear feet (6 boxes)
Beni Montresor (1926-2001) was an Italian-born artist, designer, writer, and director who worked in opera, dance, theatre, and film. The Beni Montresor papers date from 1953 to 1999 (bulk dates: 1970-1989) and contain correspondence, photographs,...
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Beni Montresor (1926-2001) was an Italian-born artist, designer, writer, and director who worked in opera, dance, theatre, and film. The Beni Montresor papers date from 1953 to 1999 (bulk dates: 1970-1989) and contain correspondence, photographs, screenplays, scripts, programs, articles, and designs that document Montresor's multifaceted artistic career.
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Hammerman, Dan
Billy Rose Theatre Division | *T-Mss 1984-011
2.52 linear feet (6 boxes)
Dan Hammerman was an American travel writer and playwright. The collection (1936-1980) contains scripts, articles, essays, short stories, correspondence, and other materials.
Fennelly, Parker
Billy Rose Theatre Division | *T-Mss 1992-011
6.2 linear feet (13 boxes, 6 volumes)
Parker Fennelly (1891-1988) was an actor and playwright who performed on stage, radio, film, and television. The Parker Fennelly papers, dating from 1911 to 1997, document his career through project files, photographs, letters, programs,...
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Parker Fennelly (1891-1988) was an actor and playwright who performed on stage, radio, film, and television. The Parker Fennelly papers, dating from 1911 to 1997, document his career through project files, photographs, letters, programs, clippings, and scrapbooks.
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Morey and Eaton
Billy Rose Theatre Division | *T-Mss 1993-037
.67 linear feet (2 boxes)
Dorothy Morey and Harry Eaton were variety performers who had a singing, talking, and dancing act that they performed in vaudeville theaters across the United States. The pair, who were married, performed as Murray and Fayne (or Fane) in the 1920s...
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Dorothy Morey and Harry Eaton were variety performers who had a singing, talking, and dancing act that they performed in vaudeville theaters across the United States. The pair, who were married, performed as Murray and Fayne (or Fane) in the 1920s and 1930s, and began performing as Morey and Eaton in the 1940s. The Morey and Eaton papers contain scripts, scores, notes, clippings, correspondence, ephemera, and photographs dating from 1926 to 1953. The collection contains scripts, notes, and scenarios for sketches written by Eaton and Morey; several sketches by Jack "Snooze" Kinneard; and sketches by unidentified authors. There are two proposals for television game shows, written by Eaton, dating to the early 1950s. Scores include songs by Eaton such as "I Wish I Could Afford to Live the Life I'm Livin'"; songs by Eaton and Anne Barry including "You Helped Me to Forget" and "How Can I Ever Tell Him"; "I Want to Be an Iceman" by Dorothy Murray; and songs by Anita La Pierre. Clippings contain reviews and advertisements for Morey and Eaton from the 1930s and 1940s. The collection includes a small amount of correspondence and ephemera, mostly pertaining to Eaton, including contracts and letters regarding bookings. There is a pedigree for one of Morey and Eaton's pet Chihuahuas; their Chihuahuas sometimes appeared in their act. The collection also contains three promotional photographs and a printing plate depicting Morey and Eaton.
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Plays for Living (Organization)
Billy Rose Theatre Division | *T-Mss 1997-008
.84 linear feet (2 boxes)
Plays for Living is a non-profit organization that develops and produces scripts for theatrical productions, with the goal of fostering community discussion and social change. From 1959 to 1985, Plays for Living was a division of the Family...
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Plays for Living is a non-profit organization that develops and produces scripts for theatrical productions, with the goal of fostering community discussion and social change. From 1959 to 1985, Plays for Living was a division of the Family Service Association of America. The Plays for Living scripts, synopses, and brochures contains scripts that were published by Plays for Living from 1962 to 1995, a book of synopses of the scripts that were available for purchase from the organization in 1996, and various promotional brochures for the organization. Social issues addressed in the scripts include AIDS, alcoholism, family life and parenting, workplace harassment, and suicide prevention. Many of the scripts were written by Elizabeth Blake.
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Furth, George, 1932-2008
Billy Rose Theatre Division | *T-Mss 2001-005
23.17 linear feet (58 boxes); 384 Kilobytes (3 computer files)
George Furth (1932-2008) was an American playwright, librettist and actor, most famous for writing the books for two Stephen Sondheim musicals, Company and Merrily We Roll Along. The George Furth papers contain professional and personal papers,...
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George Furth (1932-2008) was an American playwright, librettist and actor, most famous for writing the books for two Stephen Sondheim musicals, Company and Merrily We Roll Along. The George Furth papers contain professional and personal papers, created or collected by Furth as a playwright and actor.
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Shapiro, Leonardo
Billy Rose Theatre Division
9.48 linear feet (23 boxes)
Leonardo Shapiro (1946-1997) was a theater director, writer, production designer, and founder of the Shaliko Company, an experimental theater group based in New York City. The Leonardo Shapiro papers date from 1959 to 1996 and document Shapiro's...
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Leonardo Shapiro (1946-1997) was a theater director, writer, production designer, and founder of the Shaliko Company, an experimental theater group based in New York City. The Leonardo Shapiro papers date from 1959 to 1996 and document Shapiro's work as a student at New York University (1966-1969); as the creator of the Appleseed Circus, a guerilla theater group (1969-1971); as artistic director of the Shaliko Company (1972-1992); as director of the Trinity College/La MaMa Performing Arts Program (1986-1992); and as an independent director and writer. The collection contains scripts, production notes, programs, fliers, posters, clippings and articles, photographs, correspondence, financial and administrative records, and video and sound recordings.
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Weissman, Dora, -1974
Billy Rose Theatre Division
14.48 linear feet (36 boxes)
Dora Weissman (d. 1974) was an actor in American Yiddish theater and English-language theater, radio, television, and film. The Dora Weissman papers document her acting career; her work as a talent agent and as an acting coach; her relationships...
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Dora Weissman (d. 1974) was an actor in American Yiddish theater and English-language theater, radio, television, and film. The Dora Weissman papers document her acting career; her work as a talent agent and as an acting coach; her relationships with friends, family, and colleagues; and her activities in the Jewish theatrical community. The collection dates from the 1880s to 1973, with the bulk of material dating from the 1930s to the 1960s. Materials include photographs, scripts, correspondence, event and theater programs, scrapbooks, and Weissman's notes. Materials are chiefly in English but also in Yiddish. The collection holds scripts by Weissman's father, Yiddish playwright and translator Reuben Weissman, dating between the 1880s and 1912.
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Myers, Henry, 1893-1975
Billy Rose Theatre Division | *T-MSS 2012-016
9.56 linear feet (26 boxes)
Henry Myers (1893-1975) was an American writer and lyricist who wrote in many genres of fiction including plays, musicals, motion pictures, revues, and novels. Before becoming a writer, Myers was a composer and classical pianist. The Henry Myers...
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Henry Myers (1893-1975) was an American writer and lyricist who wrote in many genres of fiction including plays, musicals, motion pictures, revues, and novels. Before becoming a writer, Myers was a composer and classical pianist. The Henry Myers papers (1894-1975) document his long and prolific career as a professional dramatist, lyricist, and novelist, as well as his earlier career as a pianist. The collection consists of writings, production files, scrapbooks, and a small amount of personal material. To a lesser extent, his work as a screenwriter is represented.
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Jeffrey Richards Associates
Billy Rose Theatre Division | *T-Mss 1995-011
11.76 linear feet (28 boxes)
Jeffrey Richards Associates is a New York City-based theatrical press agency and production office founded in 1977 by press agent and producer Jeffrey Richards. The records contain press materials for the Broadway and Off-Broadway shows that the...
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Jeffrey Richards Associates is a New York City-based theatrical press agency and production office founded in 1977 by press agent and producer Jeffrey Richards. The records contain press materials for the Broadway and Off-Broadway shows that the agency represented from 1976 to 1994 and, to a lesser degree, the agency's shifted focus from publicity to production in the mid-1990s.
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Mabley, Edward, 1906-
Billy Rose Theatre Division | *T-Mss 1986-009
9.82 linear feet (21 boxes, 1 volume)
Edward Mabley (1906-1984) was an American writer for theater, radio, and television, and author of the book Dramatic Construction: An Outline of Basic Principles. The Edward Mabley papers (1920s-1985) document his writing career through scripts,...
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Edward Mabley (1906-1984) was an American writer for theater, radio, and television, and author of the book Dramatic Construction: An Outline of Basic Principles. The Edward Mabley papers (1920s-1985) document his writing career through scripts, scores, book manuscripts, correspondence, clippings, promotional materials, and notes. The papers also hold material related to the Tatterman Marionettes, a company that Mabley co-founded.
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