Found 226 collections related to Scripts

David Garfield is a New York City-based actor, author, and professor who has been a member of the Actors Studio since 1970, and who wrote a history of the Studio called The Actors Studio: A Player's Place. The Actors Studio is a theater workshop for professional actors founded in New York City in 1947. This collection contains material that reflect Garfield's dual role as both researcher and participant and contains material generated by the Actors Studio, the Group Theater, and material collected by Garfield through his research. less

Gustav Blum (d. 1963) was an American theater director, producer, actor, and teacher. In 1916, he founded the East-West Players, a group that performed one-act plays, including English translations of Yiddish plays. The East-West Players won the Belasco Cup at the first Little Theater Tournament in 1923. Blum also produced and staged Broadway plays and worked as a drama teacher in high schools from 1909 until his retirement in 1958. The Gustav Blum papers (1912-1988, bulk 1915-1953) contain a scrapbook, contracts, scripts, photographs, clippings, correspondence, and other papers documenting Blum's career. The scrapbook dates from 1916 to 1923 and contains clippings and programs of the East-West Players. There are scripts for four plays that Blum produced: The Shame Woman (1923), Gertie (1926), My Son (1924), and Walk Hard (1946). The script for Walk Hard is a heavily annotated prompt copy; the other scripts have minimal or no annotation. There are also three scripts written or co-written by Blum: Against the Current, Eden, and A Sleepless Night. Contracts date from 1927 to 1946. The collection includes a statement of receipts and disbursements for Walk Hard and an estimated budget for Laughter in the Courtyard. Photographs consist of images of Blum, an unidentified production photograph, and signed photographs of Bertha Kalich and David Belasco. The collection also contains biographical information, clippings, and copyright records related to Blum's career, dating from 1912 to 1988. less

Richard John Hughes, Jr. (1924-1996) was a stage manager, director, set designer, and actor in regional theatre, touring companies, and off-Broadway productions. The Richard Hughes collection dates from 1942 to 1993 and documents his training at the University of Texas, his participation in regional theatre and off-Broadway productions, and his work as production stage manager for the national tours of Man of La Mancha, Lovely Ladies-Kind Gentlemen, Irene, and Pippin. less

Philburn (Phil) Friedman (1921-1988) was an American stage manager. Friedman managed numerous Broadway and West Coast theater productions, many of them musicals, including Kismet (1953), How to Succeed in Business Without Really Trying (1961), Pippin (1972), Chicago (1975), and Dancin' (1978). He worked with director, writer, and choreographer Bob Fosse for nearly 15 years, and played the part of the stage manager in Fosse's 1979 autobiographical film, All That Jazz. He also worked extensively with directors Cy Feuer and Abe Burrows. The Phil Friedman papers (1805-1979) document Friedman's general interest in theater and to some extent, his work as a stage manager. The collection holds programs, telegrams, photographs, biographical material, and scrapbooks containing images of stage actors from the early 1900s. less

Harry Stone, also known as Israel Breakstone (born circa 1900), was an entertainer who worked on the vaudeville circuit in New York and Pennsylvania for about 15 years in the 1920s and 1930s. The Harry Stone papers, dating from 1915 to 1977, hold source material for his comedic skits, photographs, scrapbooks, and an address book. less

John Effrat (1908-1965) was a stage and production manager for Broadway, Off-Broadway and special events. The scripts, dated 1950s to 1960s, are from his theatrical and other stage productions. The remaining material relates to the Broadway Show League. less

Lucie Lancaster (1907-1998) was an American actor who appeared in theater, television, and film. Her papers include photographs, programs, clippings, scripts, sheet music, notes, and other papers documenting her career from the 1930s to 1983. Most of the papers pertain to theatrical productions, including The Music Man (1958 national tour), The Girl Who Came to Supper (1963), and Pippin (1972). The collection also contains two costume design sketches, including one drawing for Bajour (1964) by designer Freddy Wittop. The collection includes sides and excerpts of scripts for Lancaster's various theatrical roles, as well as full scripts for The Girl Who Came to Supper and "The Old Lady Shows Her Medals," an episode of The United States Steel Hour. Scripts and sides have some handwritten changes, and sometimes contain production papers such as rehearsal or filming schedules. The collection also includes sheet music from The Girl Who Came to Supper, Bajour, and How Now Dow Jones (1967). There are headshots and publicity photographs of Lancaster from throughout her career. The earliest item in the collection is a notebook, dating to about the 1920s, labeled "Lucy Ruby, Grand Theatre Luton." The notebook contains handwritten transcripts of dialogue from plays. less

The Little Hut, written by André Roussin and adapted by Nancy Mitford, was first produced in London in 1950. The play was produced in Boston and then on Broadway in 1953 by producer John C. Wilson. The Little Hut production materials date from 1950 to 1955 and primarily document the 1953 American productions. The collection contains correspondence and contracts with investors; financial information about the production; multiple versions of the script, including a stage manager's copy; and programs from the Boston production at the Plymouth Theatre and the Broadway production at the Coronet Theatre. The collection also contains copies of telegrams that John C. Wilson sent on the play's opening nights in England and Scotland. less

Marilyn Cooper (1934-2009) was a Tony Award winning American actress working primarily in theatre and television from the mid-1950s to the late 1990s. The Marilyn Cooper papers document Cooper's professional life with scripts, photographs, programs, publicity materials, correspondence, sheet music, and other production materials; and her personal life with photographs, correspondence, and elementary school, high school, and college yearbooks, photographs, and scrapbooks. less

Parker Fennelly (1891-1988) was an actor and playwright who performed on stage, radio, film, and television. The Parker Fennelly papers, dating from 1911 to 1997, document his career through project files, photographs, letters, programs, clippings, and scrapbooks. less

Dorothy Morey and Harry Eaton were variety performers who had a singing, talking, and dancing act that they performed in vaudeville theaters across the United States. The pair, who were married, performed as Murray and Fayne (or Fane) in the 1920s and 1930s, and began performing as Morey and Eaton in the 1940s. The Morey and Eaton papers contain scripts, scores, notes, clippings, correspondence, ephemera, and photographs dating from 1926 to 1953. The collection contains scripts, notes, and scenarios for sketches written by Eaton and Morey; several sketches by Jack "Snooze" Kinneard; and sketches by unidentified authors. There are two proposals for television game shows, written by Eaton, dating to the early 1950s. Scores include songs by Eaton such as "I Wish I Could Afford to Live the Life I'm Livin'"; songs by Eaton and Anne Barry including "You Helped Me to Forget" and "How Can I Ever Tell Him"; "I Want to Be an Iceman" by Dorothy Murray; and songs by Anita La Pierre. Clippings contain reviews and advertisements for Morey and Eaton from the 1930s and 1940s. The collection includes a small amount of correspondence and ephemera, mostly pertaining to Eaton, including contracts and letters regarding bookings. There is a pedigree for one of Morey and Eaton's pet Chihuahuas; their Chihuahuas sometimes appeared in their act. The collection also contains three promotional photographs and a printing plate depicting Morey and Eaton. less

George Furth (1932-2008) was an American playwright, librettist and actor, most famous for writing the books for two Stephen Sondheim musicals, Company and Merrily We Roll Along. The George Furth papers contain professional and personal papers, created or collected by Furth as a playwright and actor. less

Dora Weissman (d. 1974) was an actor in American Yiddish theater and English-language theater, radio, television, and film. The Dora Weissman papers document her acting career; her work as a talent agent and as an acting coach; her relationships with friends, family, and colleagues; and her activities in the Jewish theatrical community. The collection dates from the 1880s to 1973, with the bulk of material dating from the 1930s to the 1960s. Materials include photographs, scripts, correspondence, event and theater programs, scrapbooks, and Weissman's notes. Materials are chiefly in English but also in Yiddish. The collection holds scripts by Weissman's father, Yiddish playwright and translator Reuben Weissman, dating between the 1880s and 1912. less

Henry Myers (1893-1975) was an American writer and lyricist who wrote in many genres of fiction including plays, musicals, motion pictures, revues, and novels. Before becoming a writer, Myers was a composer and classical pianist. The Henry Myers papers (1894-1975) document his long and prolific career as a professional dramatist, lyricist, and novelist, as well as his earlier career as a pianist. The collection consists of writings, production files, scrapbooks, and a small amount of personal material. To a lesser extent, his work as a screenwriter is represented. less

Edward Mabley (1906-1984) was an American writer for theater, radio, and television, and author of the book Dramatic Construction: An Outline of Basic Principles. The Edward Mabley papers (1920s-1985) document his writing career through scripts, scores, book manuscripts, correspondence, clippings, promotional materials, and notes. The papers also hold material related to the Tatterman Marionettes, a company that Mabley co-founded. less

C.K. Alexander (1923-1980) was an Egyptian actor, director, and composer. The C.K. Alexander papers date from 1943 to 1980 and document Alexander's acting career in the United States, and to some extent, his work as a director. The collection holds photograph albums and scrapbooks, scripts, and professional files. less

Lajos Egri (1889-1967) was a Hungarian-American playwright and author of The Art of Dramatic Writing. The Lajos Egri papers date from 1895 to 1983 and document his work as a writer and teacher of writing with correspondence; scrapbooks; and manuscripts of plays, short stories, poetry, essays, and book chapters. less

The Harry Mountford and Lottie Briscoe papers (1871-1950) document the careers and personal lives of performer, writer, and labor rights advocate Harry Mountford and his wife Lottie Briscoe, an early film and stage actress. The bulk of the collection concerns Mountford’s union activity with the White Rats, Variety Artistes’ Federation, and Associated Actors and Artistes of America. The collection contains meeting minutes, union publications and handouts, press clippings, scripts, booking contracts, personal correspondence and keepsakes, theater ephemera, and photographic materials. less

Sumner Arthur Long (1921-1993) was a writer for television, theater, and film. His papers document his career from 1950 to 1989. The bulk of the collection consists of theater and television scripts from plays such as Never Too Late and Angela and television series such as Lassie. In addition to scripts, the collection contains correspondence, contracts, and other material related to Long's theatrical works, notably Never Too Late, which was produced on Broadway in 1962. less

Aaron Hoffman (1880-1924) was a playwright, best known as a writer for vaudeville. The Aaron Hoffman papers (1900s-1926) contain scripts, synopses, notes, and background material for Hoffman's plays, vaudeville acts, and films. The papers also hold a small number of scripts written by other authors. less

John Mangano was a stage director, actor, writer, stage manager and theater administrator. The John Mangano papers, dating from around the 1940s to 1988, document Mangano's life and career through scripts, photographs, correspondence, art, writings, and programs. less

Viveca Lindfors was a Swedish-American theater and film actor. The Viveca Lindfors papers date from 1945 to 1990 and contain scripts, writings, correspondence, programs, promotional material, clippings, and other materials documenting Lindfors' career and personal life. The collection includes material related to her one-woman show, I Am a Woman, which toured in the 1970s. less

Julius Withers Monk was a producer and director of satirical revues and founder of the New York City nightclubs the Downstairs Room, Upstairs at the Downstairs, and Plaza 9-, where his revues were staged. The Julius Monk papers (1906-1991, bulk 1935-1979) document Monk's career though scripts, scores, clippings, programs, promotional material, and photographs. less

Abe Feder (1909-1997) was an American lighting designer for theater, interior spaces, urban environments, and architecture. The Springer Opera House collection of Abe Feder lighting designs date from 1932 to 2004 and focus on the theatrical portion of Feder's career. less