Found 58 collections related to Actresses

Marilyn Cooper (1934-2009) was a Tony Award winning American actress working primarily in theatre and television from the mid-1950s to the late 1990s. The Marilyn Cooper papers document Cooper's professional life with scripts, photographs, programs, publicity materials, correspondence, sheet music, and other production materials; and her personal life with photographs, correspondence, and elementary school, high school, and college yearbooks, photographs, and scrapbooks. less

Mary Nash (1884-1976) was an American stage and film actress most famous for playing Katharine Hepburn's mother in The Philadelphia Story (1940). Her sister Florence Nash (1888-1950) was an American actress, comedienne, and writer. The Mary and Florence Nash papers contain correspondence, photographs, writings, scripts and other production files, scrapbooks, scores, and personal ephemera. less

Viveca Lindfors was a Swedish-American theater and film actor. The Viveca Lindfors papers date from 1945 to 1990 and contain scripts, writings, correspondence, programs, promotional material, clippings, and other materials documenting Lindfors' career and personal life. The collection includes material related to her one-woman show, I Am a Woman, which toured in the 1970s. less

Robert J. Gibson collected this material on Lillian and Dorothy Russell. This is a small collection notable mainly for the unpublished biography of Lillian and her daughter Dorothy Russell and letters written by Lillian Russell to her daughter and her sister Susan Westford. less

Actress and singer, Joan Roberts, the original Laurey in OKLAHOMA (1943) was born in New York City and began her career on the stage as a child. She appeared in over 25 musicals on Broadway and on tour (1941-1950), was seen on television in the 1960s, and has recorded several albums of songs. The collection consists of a small amount of personal correspondence, biographical information, family photographs (1967-1970s), and clippings. less

American actress on stage and film, Fannie Ward was probably most famous for her apparently successful efforts to appear forever young. Born circa 1868, she made her stage debut in 1890, was in Hollywood films 1915-1919, and called the perennial flapper, played teenagers and even a child in late middle age. Her jewelry and her social life were also of note. Collection consists of five scrapbooks of clippings and photographs of Fannie Ward, arranged chronologically, and one scrapbook of typed research notes by Glendon R. Good on her career. less

Child actress, best known for playing the title roles in the original LITTLE LORD FAUNTLEROY (1888-1889) and THE PRINCE AND THE PAUPER, Elsie Leslie returned to the stage as a young adult to star in THE RIVALS (1898) and other plays. Born Elsie Leslie Lyde, she was married twice: in 1901 to actor Jefferson Winter, and in 1918 to banker Edwin J. Milliken. The collection contains letters to Elsie Leslie from friends and admirers, publicity photographs of Leslie as a child and an adult actress, and her autograph album containing letters, photographs, clippings, autographs and cards. Most of the letters concern personal matters: invitations, travels and health, though there is some discussion of possible roles and compliments on her performances. There is an extensive file of letters from playwright Louis N. Parker. Other correspondents include Poultney Bigelow, members of the Samuel Clemens family, Julie Harris, Helen Keller, Julia Marlowe, Schuyler Mathews, and Alexander Woollcott. There is a small amount of third party correspondence, primarily letters to her second husband, Edwin Milliken. less

Margaret Anglin was a Canadian-born actress, director, and producer who was considered one of the finest actresses of her day. This collection extensively covers the professional career of Anglin, who performed primarily from 1889 to 1936. Materials include correspondence both from other theatrical professionals and fans, production files, images of Margaret Anglin, and scrapbooks documenting her career. less

American character actress best known as the Wicked Witch of the West in THE WIZARD OF OZ, Margaret Hamilton played many roles on stage, film and television. Her first New York appearance was in 1932 in ANOTHER LANGUAGE. Collection contains personal correspondence, much of it from Margaret Hamilton to Helen Fay, and programs, clippings and photographs documenting Hamilton's career. Includes letters by her son Hamilton Meserve. less

: Katharine Cornell was an American actress and producer. Guthrie McClintic was an American director and producer. They both worked the New York theater from 1915-1960. This collection includes correspondence, personal files, scripts, production materials, programs, photographs, scrapbooks and oversized items. less

The Claudia & Ralph Morgan Papers contain the certificates, contracts, correspondence, scripts, telegrams and miscellaneous material relating to the acting careers on stage, in motion pictures and with professional organizations (e.g. Screen Actors Guild) for this father and daughter collection. less

Beatrice Lillie, comedienne, actress, singer and author, was born May 29, 1894 in Toronto, Ontario, Canada. The Beatrice Lillie papers consist of 37.8 linear feet spanning the 1910s to the 1990s. The collection consists of correspondence, biographical papers, skits, lyrics, music, photographs and clippings documenting her personal life and career. less

This collection comprises the papers of the Polish singer and actress Bertha Kalich who immigrated to the United States in 1895. Once in the United States, she became a celebrated star of the Yiddish theater, with active roles in theater as well as cinema, until 1928 when she succumbed to illness. One of her best known roles was the title character of the play Magda and Lilla Olrick in Jacobi's Riddle Woman. The collection consists of correspondence, personal and professional papers, and theatrical memorabilia from Bertha, her husband, Leopold Spachner, and daughter Lillian Kalich Spachner concerning her stage career and is primarily in English with some materials in German, Yiddish, and Hebrew. less

Betty Comden was an American lyricist, playwright, screenwriter and actress working on stage and screen productions from the late 1930s through the 1990s. This collection is the personal and professional papers of Betty Comden. It consists mainly of scripts and scores. less

Cornelia Otis Skinner was a distinguished writer, monologist, and actress. Skinner began her acting career in 1921 on the stage, alongside her father, Otis Skinner. Throughout her career, Skinner toured the country performing one-woman monologues, appeared on Broadway, wrote essays, and published volumes of writing compilations and memoirs. The Cornelia Otis Skinner scrapbooks contain performance announcements and reviews, book reviews, programs, and copies of Skinner's published essays, thoroughly documenting Skinner's professional career from 1921 to 1978. less

Vivian Martin, actress, was born in Michigan, 22 July 1893. She made her stage debut in 1901 in CYRANO DE BERGERAC and was then seen in PETER PAN and LITTLE LORD FAUNTLEROY. As an adult she acted in numerous Broadway shows and then turned to the cinema where she appeared in silent films for Paramount Pictures. After her marriage to Arthur W. Samuels in 1926, Miss Martin retired from the stage and screen. Vivian Martin died 16 March 1987. The Vivian Martin Papers consist of 53 items including halftones, personal papers, photographs, a programme of FATHER AND THE BOYS and a promptbook of LITTLE LORD FAUNTLEROY. less

Minda Lothar, author of RAGE OF JOY: THE DIVINE SARAH BERNHARDT (1968), a novel based on the life of actress Sarah Bernhardt, also wrote a paper analyzing what she termed the Avante-garde Woman personality type, primarily drawing upon women associated with the theater as her models for discussion. The typescript and notes for Minda Lothar's The Avante-garde Woman consist of 12 folders, each containing one section of the work. Textual evidence suggests that Lothar wrote this paper in 1957, but it appears never to have been published. The first chapter features analysis of the Avant-garde type as represented by fictional women, such as Gustave Flaubert's Madame Bovary, Henrik Ibsen's Nora Helmer and Hedda Gabler, Arthur Wing Pinero's Paula Tanqueray, and Tennessee Williams' Blanche Du Bois. In the second chapter, Lothar discusses real life actresses such as Sarah Bernhardt, Eleanora Duse, Gertrude Lawrence, and Tallulah Bankhead, as well as the French novelist George Sand. In the third and final chapter, Lothar examines the different ways these women dealt with the challenges each faced in their lives. Also included is an outline for the paper. less

Zita Johann was a stage and film actress best known for her role in the 1932 film The Mummy with Boris Karloff. Johann debuted on Broadway in 1924 and made her first film appearance in 1931. After making seven films, Johann left Hollywood and returned to the theater. Documenting Johann's life from 1924-1954, the Zita Johann papers contain business, personal, and legal correspondence; fan mail; interview transcripts; photographs and prints; press clippings; programs; scripts; and treatments. less

American actress. Notes, draft and typescript with handwritten revisions by Irene Worth are for her talk on the English actress Ellen Terry given at the Bruno Walter Auditorium of the New York Public Library for the Performing Arts in December 1997 in commemoration of the 150th anniversary year of Terry's birth. Also includes an invitation and a program. less

The collection is mostly scrapbooks of photographs and clippings documenting the acting careers of the two Shaws. The scrapbooks also contain correspondence, programs and ephemera. The collection also has Marguerite's annotated actor's side for the part of Mabel in THE PAJAMA GAME and a doll dressed in the Cecil Beaton designed costume for Marguerite's role of Nellie Burns in TENDERLOIN which is stored in the Theatre Collection's T-cabinet, shelf #4. less

John Beaufort was a theater critic for the Christian Science Monitor; he also served as a war correspondent, London bureau chief, and feature editor. His wife, Francesca Bruning, was a stage actor who was most active in the theater during the 1930s and 1940s. The John Beaufort and Francesca Bruning papers (1860s-1992) hold writings, correspondence, clippings, photographs, appointment books, and other documents related to Beaufort and Bruning's careers and personal lives. Early records consist of Bruning's parents' correspondence and other Bruning family records. less

Joan Chandler (1923-1979, née Cheeseman) was a dancer and actor who appeared in theater, film, and television in the 1940s and 1950s. She studied dance at the Bennington School of the Arts, and was a member of the Martha Graham Dance Company in the early 1940s. She first appeared on Broadway in The Late George Apley (1944), and began acting in films in the mid-1940s. The Joan Chandler papers (1923-1959) consist of photographs, clippings, programs, scrapbooks, contracts, correspondence, and other papers documenting her career, her secondary and post-secondary schooling, and her family. Chandler's upbringing and schooling in Butler, Pennsylvania are represented by yearbooks, photographs, class notes, programs, sheet music, clippings, and memorabilia, mostly from the late 1930s and 1940. Materials from the Bennington School of the Arts date from 1939 to 1941 and include class notes on the Graham technique, orientation materials, performance programs, sheet music ("Modern Dance Technique Accompaniments" by Zoe Williams), and a script (The King and the Duke by Francis Fergusson). There are several programs from Chandler's performances with Graham and with the Neighborhood Playhouse School of the Theatre, as well as two photographs of a Neighborhood Playhouse school production of Heart of a City. Photographs consist mostly of promotional images of Chandler, though there are also photographs of her as a child and photographs of her family members. Theater and film productions she appeared in are represented by clippings, production photographs, programs, contracts, and correspondence. There are photographs from the set of Alfred Hitchcock's film Rope (1948). The best-represented theater productions are My Three Angels (1953) and The Late George Apley. Materials concerning the latter production include a scrapbook. The collection contains a small number of letters and telegrams, most of which are congratulatory notes, but which also include a short 1953 letter from José Ferrer talking about his acting style and his sense of being out of place among young actors. There is a script for a 1959 Actors Studio production of Herr Biedermann and the Arsonists, a directed by Mordecai Gorelik, and a pamphlet about the Actors Studio. The collection includes an audio recording. less

Nancy Douglass (née Hasenwinkle) was a stage and radio actor. She began her career in the 1930s acting under the stage name Nancy Haswin, before changing her stage name to Douglass in 1938. She was married to Lawrence Hurdle and also performed for a time as Nancy Hurdle. Her Broadway roles included parts in The Devil of Pei-Ling (1936), Out of the Frying Pan (1941), and Bloomer Girl (1944). She was an understudy in the Theatre Guild's touring production of Ah, Wilderness! (1935) and starred in the radio program Dangerous Road in 1938. In the 1960s and early 1970s she performed in touring productions of Forty Carats and in the Windmill Dinner Theater in Texas. The Nancy Douglass papers (1933-1971) contains programs, photographs, clippings, telegrams, letters, and other materials related to Douglass' career. The collection includes a scrapbook which documents her career from 1934 to 1941. less

Vicki Cummings (1919-1969) was a stage actor who primarily performed in musicals and comedies. She appeared on Broadway in The Voice of the Turtle (1943; Cummings was a replacement in 1945), For Love or Money (1947), and Mid-Summer (1953), and was in the Los Angeles production of Anything Goes in 1935. She was married to actor William Gibberson (1919-1994); the two appeared together in Mr. Barry's Etchings (1950). They also both acted in the 1954 national tour of Who's Afraid of Virginia Woolf?, with Cummings playing Martha in the evening company and Gibberson playing George in the matinee company. The Vicki Cummings papers document her career from 1931 to 1967 through clippings, programs, photographs, and other papers. The collection contains promotional photographs of Cummings and a small number of production photographs, including images from Anything Goes. Who's Afraid of Virginia Woolf? materials include programs, clippings, and a tour itinerary. Gibberson went on to play opposite Shelley Winters in a 1965 summer stock production of the play, and the collection includes materials from that production. Gibberson's headshot and resume are also present. The collection also contains a copy of the script for Harold Pinter's A Night Out, with a note to Cummings from Robert Henderson. less

Doretta Morrow was an American actress and singer, best known for creating roles in the classic musicals The King and I and Kismet. The Doretta Morrow papers contain photographs, programs, telegrams, clippings, reviews, a diploma, and two religious documents. less