Found 72 collections related to Clippings

Irina Baronova (1919 -2008) was a Russian born ballerina who rose to fame with the Ballet Russe de Monte Carlo and enjoyed a successful career as a dancer, movie star, educator, and writer. The Irina Baronova papers contain correspondence, programs, photographs, scrapbooks, writings and other materials from the ballerina's extensive and varied career. less

Martha Hill, a pioneer in the field of dance instruction, served as the first director of dance at The Juilliard School from 1951 until 1985. She mentored several generations of important dancers and choreographers through her teaching and work with dance festivals, government committees and nonprofit organizations devoted to promoting dance. The bulk of this collection relates to Hill’s involvement with these organizations. less

Morton Baum was the chair of City Center’s Finance Committee from 1943 to 1968. In the 1960s he became its managing director. City Center was responsible for presenting many of the most important dance, music, opera and drama companies in New York City during the middle of the 20th Century. Baum was also instrumental in bringing that same quality of the arts to the newly-formed Lincoln Center for the Performing Arts Inc. The collection consists of administrative and financial material used in the creation and running of City Center. It also includes administrative and financial material about the creation of Lincoln Center of the Performing Arts. less

Nancy Van Norman Baer, (1944-1998) was a curator of theater and dance for Moscow and San Francisco museums. The Nancy Van Norman Baer papers (1924-1998) document the research, planning, and execution of many of her dance and theater museum exhibitions. less

Paul Draper (1909-1996) was a dancer, choreographer, writer, and educator best known for his innovative combination of ballet and tap. The Paul Draper papers (1909-1991) contain correspondence, memorabilia, and clippings spanning both his youth and his 60 year career. less

Papers documenting the professional life of dancer, teacher, choreographer and arts administrator, Richard Niles Bull. Bulk dates, 1964-1998, include his work as teacher and administrator at New York University, the State University of New York at Brockport, and Wesleyan University; his creative work for his companies the New York Chamber Dance Group, Improvisational Dance Ensemble, and the Richard Bull Dance Theatre; and his work as an administrator of the Improvisational Arts Ensembles and producer of performances, classes and workshops at the Warren Street Performance Loft. Included also is a small selection of photos, slides and personal papers. less

The Sara Mildred Strauss Papers document the professional life of this twentieth-century dance instructor, choreographer, and writer. This collection contains correspondence, professional papers, drafts of her writings, drawings, clippings, scrapbooks, and photographs. The majority of the materials date from the late 1920s to the 1960s. Only a small part of the collection refers to Sara Mildred Strauss's personal life. less

The Amata B. Grassi Papers document the personal life and professional career of the early twentieth-century dancer. The collection contains correspondence and personal papers; performance notes; newspaper and magazine clippings; two of her personal diaries; and personal and professional photographs, including some negatives and slides. The focus of the collection covers her dancing years. less

The Beverly Brown Papers document the career of Beverly Brown, dancer, choreographer, teacher and writer. The material dates from 1955-2000 and includes professional correspondence, programs, scores, photographs, clippings, video logs, journals/notebooks featuring choreography notes and diary entries as well as original manuscripts. less

Hadassah was a pioneer of Israeli and Indian (Hindu) dancing in America, and a choreographer of rare taste and artistic integrity. Hadassah was also a well-admired instructor, who taught Israeli and Indian dance workshops across the United States and abroad. She was a faculty member, board member and chairwoman of the ethnic division at the New Dance Group Studio in Manhattan. less

The Helene Obolensky Papers document Obolensky's activities in the field of dance book publishing. Obolensky (born 1919), who had a varied career in fashion, marketing, public relations, and publishing, later established Helene Obolensky Enterprises, Inc. as a multiple interest corporation and was active in publishing lavish coffee table books under her own imprint during the 1970s and 1980s. less

The Leon Danielian Papers document the career of the American ballet dancer and teacher through an extensive set of photographs, as well as a more limited selection of correspondence, clippings, financial records, and teaching materials. Danielian, a native New Yorker of Armenian ancestry, enjoyed an especially varied career as a performer, but is best known for his long association with the Ballet Russe de Monte Carlo. Following his retirement from the stage, Danielian taught ballet for nearly thirty years at the American Ballet Theatre School and the University of Texas at Austin. less

The Liz Williamson Papers contain materials related to Liz Williamson's many years as a professional dancer and jazz teacher. Much of this collection pertains to her professional engagements as teacher or lecturer on jazz dance. These materials help show the spread of interest in jazz dance and jazz teaching and the importance of Liz Williamson's role in promoting jazz dance. less

The Lucy Phelps Lampkin Papers contains newspaper articles, programs, letters, journals, photographs and a scrapbook relating to her career as a teacher in Athens, Georgia, where she directed the Lucy Lampkin School of the Dance and Related Arts, and to her year as director of the Dance Department, Sullins College, Bristol, Virginia (1938-1939). This collection includes material relating to Lucile Marsh and Ruth St. Denis. less

This collection documents the life of Lydia Joel, a dancer, educator, editor, writer and producer. The collection spans the years 1906-1993 and consists of correspondence, personal papers; teaching notes, grant applications, research material, scripts, student papers and tests. There are clippings, photographs, programs and posters. less

John Butler (1918-1993) was a dancer and choreographer who combined both classical and modern dance styles in his work. After a brief period leading his own dance company, Butler became a successful freelance choreographer on television and for dance companies around the world. The John Butler Papers consist of correspondence, programs, clippings, photographs, scrapbooks and other professional records. less

Judith Scott was a founding member along with Gus Giordano of Dance Inc.-Chicago. She was also an educator, teaching Modern Dance at the University of Jamaica in the West Indies, Northwestern University and Barnard College. Scott also formed Judith Scott Dance Company and performed pieces throughout the metropolitan New York area. less

Kaja Gam was a choreographer, performance artist, filmmaker and artistic director of the Awkward Dance Company, as well as a founding member of the School of Hard Knocks. The collection consists of art, production notes, photographs, correspondence and research dealing with her dance works. less

The Katharine Wolfe Papers primarily document the work of the Seattle Public Schools dance teacher and administrator on an unpublished dance history book, The Concert Dance, begun during the summer of 1942 and completed in 1960. less

Klarna Pinska was a dancer, instructor and choreographer who studied under Ruth St. Denis and Ted Shawn at the Denishawn School in California and New York. She studied further under Charles Weidman and Doris Humphrey. Pinska was committed to teaching dance and movement and influenced a generation of young children though her instruction and productions. The Klarna Pinska Papers contain materials from most of her professional career, and focus on her time working as Ruth St. Denis’ assistant and her teachings in the 1960s and 1970s. The collection also contains correspondence and photographs providing insight into the life of 20th century modern dance. The music scores were used in Pinska’s works, teaching as well as her own career as a dancer. Some of the scores were property of the Denishawn School. less