Found 108 collections related to Clippings

Arturo Toscanini was born in Parma, Italy, on March 25, 1867, and died in Riverdale, New York, on January 16, 1957. Many regard him as one of the world's greatest conductors. In addition, Toscanini's anti-Fascist stance during World War II distinguished him as a symbol of freedom and humanity. His extraordinarily long career began in 1886, when Italian orchestral conductors were still relatively few in number, and extended into the 1950s, by which time his radio and television broadcasts had transformed him into a cultural icon. The Toscanini Legacy papers form a portion of the Toscanini Legacy housed at the New York Public Library for the Performing Arts. The other major portion, of sound recordings, is housed in NYPL's Rodgers and Hammerstein Archives of Recorded Sound. The papers in the Music Division consist of music scores and orchestral parts with and without markings by Arturo Toscanini and others (including composers in some instances), correspondence, photographs, programs, clippings, books, newspapers, brochures, periodicals, scrapbooks, and medical and financial records. Subjects include the various musical organizations in Europe and the United States with which Toscanini was associated, and his anti-Fascist activities. The hundreds of correspondents include family members, composers, performers, conductors, and music critics; as well as Italian exiles, and U.S. and Italian political figures. less

The Henry Cowell Papers document the composer’s life in great detail. They include scores, writings, correspondence, business and financial papers, promotional material, clippings and articles, concert programs, teaching material, photographs, awards and scrapbooks. less

The organizational records of the New York Pro Musica, an American ensemble of singers and instrumentalists dedicated to the performance of early music, founded by Noah Greenberg in 1952. The collection includes correspondence, meeting minutes, business, financial and fundraising records, photographs, programs, and material documenting various instruments, performing ensembles and musical dramas. less

Alexander Smallens was a Russian-born American conductor. He accompanied the Anna Pavlova Ballet Company on a tour to South America (1915-1916) and worked on the staffs of the Boston Opera, Chicago Opera, Philadelphia Opera, and Philadelphia Orchestra. From 1947 to 1950 he was music director of Radio City Music Hall, New York. For many summers he conducted concerts at Lewisohn Stadium, New York. He conducted the premiere of Gershwin's Porgy and Bess in Boston in 1935 and later took it on tour in the United States and Europe. Papers relating to Smallens' career as a conductor include correspondence, programs and flyers, photographs, clippings, complete issues of Broun's Nutmeg 1939 May 27-Sept. 30, and musical scores including arrangements by Smallens and scores with performance markings. Some scores have also been cataloged separately in the Scores file. Correspondents include Marc Blitzstein, Frederick Jacobi, and Leopold Stokowski (each represented by 20 or more letters); George Antheil, Norman Bel Geddes, Alfredo Casella, Aaron Copland, Henry Cowell, Olin Downes, Ira Gershwin, Morton Gould, Werner Josten, Darius Milhaud, Serge Prokofieff, Pitts Sanborn, William Schuman, Roger Sessions, Virgil Thomson, Eugen Zador, and Maria Gay Zenatello (each represented by 5 or more letters); and many other composers and conductors; there is 1 letter from Anton Webern. Series III has been cataloged separately in the VIM file as Photographs from the Alexander Smallens papers. less

The Ivan Black Papers document Black’s work as a publicity agent on behalf of nightclubs, musicians and entertainers in New York from the 1940s to the 1970s. They include press releases, clippings, correspondence, photographs, promotional material and published music scores. less

60 items of correspondence from Arnold and Gertrud Schoenberg to Marya Freund ; 121 items of correspondence from other musicians concerning performances of Schoenberg's works ; 31 programs and brochures, all with works of Schoenberg and all including Marya Freund ; 4 reviews (including 3 clippings) of the Dec. 15, 1921, Paris performance of Pierrot Lunaire ; Marya Freund's account of her first meeting with Arnold Schoenberg ; Marya Freund's notebook about the 1927 Paris Schoenberg Festival ; 28 photographs, 14 of Schoenberg either alone or with his family and 14 of Gurrelieder performances ; 2 portaits of Marya Freund and 1 of Arnold Schoenberg on which 1 of his letters is written. A narrative description of and notes on the Schoenberg correspondence and an English paraphrase of each Schoenberg letter accompany the collection as well as an English translation of Marya Freund's account. Also included are brief notes on other correspondents by Marya Freund's son Doda Conrad. Among the correspondents are: Nadia Boulanger, Luigi Dallapiccola, Max Deutsch, Roberto Gerhard, Jascha Horenstein, Rudolf Kolisch, Rene Leibowitz, Darius Milhaud, Maria Peragallo, Pietro Scarpini, Hermann Scherchen, Erwin Stein, Edward Steuermann, Egon Wellesz, and Jean Wiéner. less

An American pianist and harpsichordist, Paul Jacobs, 1930-1983, specialized in music of the baroque and avant-garde. Correspondence, clippings, programs, personal documents and items; manuscripts and typescripts of writings by Jacob and others; and published music by various composers and books by various authors with markings by Jacobs. Personal correspondents include: Richard Rodney Bennett, William Bolcom, Pierre Boulez, Elliott and Helen Carter, Aaron Copland, David Diamond, George Rochberg, Ned Rorem, Frederic Rzewski, Bernard Saby, Karlheinz Stockhausen, and Charles Wuorinen. Published music without markings has been separated. Sound recordings have been transferred to the Rodgers and Hammerstein Archives of Recorded Sound. less

Teo Macero is a composer and music producer known primarily for his record production work for Columbia and CBS (now Sony) records from 1959 to 1975, and subsequently for his own company, M. Productions. The heart of the collection is Columbia Records office correspondence and recording studio paperwork documenting the careers and recording projects of the musicians recorded by Macero. Other materials in the collection include photographs and music scores, including many of Macero's compositions. less