Found 109 collections related to Clippings

Susannah McCorkle (1946-2001) was an important American jazz / pop singer as well as a talented writer. Her papers consist of her writings, correspondence, business and personal papers, scores, concert programs, clippings, publicity material, photographs and books. less

Teresa Sterne, a pioneering producer of classical music recordings, was director of Nonesuch Records from 1965 to 1979. The Papers include material related to Sterne's tenure in charge of Nonesuch Records, as well as her childhood career as a performing pianist. The bulk of the material dates from 1969-1979, and includes production files, clippings, photographs, scrapbooks and scores. less

The Rosa Ponselle Papers document the career of one of the most noted 20th century American soprano opera singers, and covers her beginnings in vaudeville, her Metropolitan Opera career (1918-1937), her teaching activities, her adminstrative involvement with musical life in Baltimore, and her retirement. Also included is material concerning her sister Carmela Ponselle (1892-1977). less

The American composer Ross Lee Finney enjoyed a long, prolific and illustrious career. His papers document his life and career and consist of correspondence, professional writings and lectures, press clippings, concert programs, photographs, and published and unpublished music scores and manuscripts. less

Rick Besoyan was a California-born librettist, composer, director and lyricist. He is best known for his musicals Little Mary Sunshine, (1959), The Student Gypsy or “The Prince of Liederkranz”, (1963), and Babes in the Woods, (1964). The Rick Besoyan Papers include correspondence, scripts, scores, photographs, newspaper clippings, programs and posters. less

The Robert Hines Papers contain the materials from his book The Composer’s Point of View; Essays on Twentieth-Century Choral Music by Those Who Wrote It (Norman, University of Oklahoma Press, 1963) and include correspondence with the composers. less

Soulima Stravinsky is a pianist, teacher, and composer, son of Russian composer Igor Stravinsky. Correspondence and other material relating to Soulima Stravinsky as pianist, lecturer, and teacher; notebooks and other material about Mozart's piano concertos and other course material; clippings and other material about Igor Stravinsky; published scores associated with or inscribed to Igor Stravinsky; Sketchbook by Igor Stravinsky (1917?). Inscriptions are by Georges Auric, Serge Diaghilev, Darius Milhaud, Francis Poulenc, and Serge Prokofiev. Correspondents include Nadia Boulanger, Alexander Tcherepnin, Ernest Ansermet, Nikolai Lopatnikoff, Ruth Slenczynska, Murray Adaskin, Alexander Uninsky, and Malcolm Bilson. Several letters are from Igor Stravinsky, and there is one leaf in Igor Stravinsky's hand concerning Haydn's and Mozart's works among the published scores. The film of a rehearsal with Igor Stravinsky conducting has been separated from the collection and sent to NYPL Rodgers and Hammerstein Archives of Recorded Sound. less

This bulk of the collection consists of NBC Symphony Orchestra and Baltimore Symphony Orchestra programs, bulletins of Foundation Eugene Ysaye, letters to Remo Bolognini, among them from Arturo Toscanini, Pablo Casals, Laszlo Halasz and the Ysaye family less

Renzo Viola, born Lorenzo Viola in Sicily in 1889, was a piano teacher and composer in New York City and in Lindenhurst, Long Island. He composed music for the silent movie, The Trifling Woman ; invented an educational toy piano named Alice in Musicland ; founded the Long Island Harmony Band and the L.I. Drum Corps ; and wrote songs for the Rotary Club. Manuscript scores of Renzo Viola's compositions (including more than 25 songs for which he wrote both words and music, and more than 35 piano pieces), arrangements, sketches, and exercises ; 2 published scores ; brochures, clippings, biographical sketch by Viola V. Joy. less

"Jabbo" Smith, born Cladys Smith in 1908 in Pembroke, Georgia, was an African-American jazz trumpeter, trombonist and singer. He died in St. Louis in 1991. The collection consists of autobiographical material; correspondence with Lorraine Gordon and others (1957-1991); financial receipts; medical records; contracts and agreements; passports and other official documents; performance files, news articles, press releases and programs (1930-1991), including information on One Mo' Time, Chicago Kool Jazz Festival, and Jazz Fest Berlin; scrapbooks and photographs of Smith, Wynton Marsalis, Louis Armstrong, and others (1982-1991); and an account book (1969-1973) with aphorisms. less

The British composer, organist and writer Horace Wadham Nicholl, a devotee of Wagner and Liszt, was well known and respected during his lifetime. His papers consist of scrapbooks, press clippings, concert programs, promotional material, articles he wrote, and scores. less

Heddy Baum's late husband Morton Baum (1905-1968) was a performing arts administrator involved with New York's City Center for Music and Drama from its beginnings in 1943 until his death. Her friend Hans Werner Henze (b. 1926) is a German composer. The first installment consists of 2 distinct collections: papers concerning Morton Baum, and papers concerning Hans Werner Henze. The Morton Baum materials include a typescript history of City Center from 1945-1956, including inserted clippings and letters to Morton Baum from Leonard Bernstein, William Grant Still, Jose Ferrer, and others; clippings about City Center, 1965 and about Morton Baum's selection as board chairman for City Center, 1966; program and clippings about a memorial concert for Morton Baum, 1969; and a letter to Heddy Baum from Lincoln Kirstein, 1973. The Hans Werner Henze materials include 82 items of correspondence (chiefly ALS) from Henze to Heddy Baum, 1973-1990; 3 ALS from Henze to Gert and Hilde von Gontard, 1974-1975, with an enclosed copy of a letter from Henze to Mr. Oppenheimer, 1975; pencil holograph of Henze's Piano sonata; and a portfolio published by the Frankfurt Feste '86 containing 5 portraits of Henze by his friend Renzo Vespignani, an essay on Vespignani by Henze, and 5 facsimiles of sketches of Henze's compositions. These last 2 items have also been cataloged in the RLIN Scores file. A portrait by Fritz Wolff of Polish violinist Bronislaw Huberman has been separated from the collections and transferred to the Music Division's iconography collection: PhD 2546. less

Henry Hadley was an American composer and conductor, founder of the National Association for American Composers and Conductors. Correspondence, contracts and royalty statements, libretti and programs, clippings (reviews), scrapbooks, financial records (receipts, checks, loan papers), diaries, motion picture films, and photographs relating to Hadley's life and career; musical scores by various composers (chiefly reproductions of manuscripts); and records of the National Association for American Composers and Conductors. less

The Gertrude Ribla Papers document the performing and teaching career of the American-born and trained opera singer through clippings, photographs, programs, publicity materials, and scrapbooks. Ribla, who entered the field of international opera in an unlikely manner, ultimately enjoyed a varied and distinguished career as a soprano. She performed with Arturo Toscanini, Eugene Ormandy, and the Metropolitan Opera before becoming a music teacher later in life. less

The collection includes some memorabilia of Artur Bodanzky: 2 batons, portrait drawings by Emil Orlik and Albert Sterner, a tiny photograph of Bodanzky swimming with the child Linda Muschenheim, 2 commemorative items including a poem by Brenda Putnam illustrated with photographs of sculptures of Bodanzky conducting, and 1 drawing inscribed to the Bodanzkys by Hendrik Willem Van Loon. The bulk of the collection consists of portrait photographs of musicians inscribed to one or both of the Muschenheims. Some of these are also postcards with handwritten messages. Musicians represented include: Adolf Busch, Kirsten Flagstad, Sigrid Onégin, Arturo Toscanini, and others. Other correspondence consists of 4 postcards with views, 1 letter and 1 telegram. There are also several clippings and a list of donors in "Mrs. Muschenheim's group" to the Philharmonic-Symphony Society of New York. less

Fritz Mahler was a Austrian-American conductor, composer, music teacher and radio personality . The collection contains memorabilia related to his work, including clippings, recital programs, correspondence, photographs, writings (articles and radio notes) and scrapbooks. less

A Russian-American violoncellist and music teacher, Evsei Beloussoff came to the United States in 1923, made a transcontinental tour, and appeared in New York as a soloist and in sonata recitals with Ossip Gabrilowitsch, Wanda Landowska, and Rubin Goldmark. In later years he taught at the Juilliard Institute of Musical Arts and at the Y.M.H.A. Music School. The collection includes autobiographical writings, official documents, clippings, business correspondence, programs, and cartoons. 2 musical scores have been cataloged in the Scores file (JPB 90-3 and JPB 90-4). 15 scrapbooks of programs of concerts in Beloussoff's home in New York and 5 scrapbooks of programs of other concerts have been microfilmed. less

Ellis Kohs was a composer of classical music. He is well known for his opera Amerika based upon the Franz Kafka novel by the same name. Kohs began his teaching career in 1946 with posts at the Kansas City Conservatory, the College of the Pacific and Stanford University. In 1950 he joined the faculty of the University of Southern California, teaching there for 38 years. Kohs was the author of several music theory textbooks. less

This bulk of the collection consist of manuscript copies, printed scores, parts, writings and correspondence belonging to the composer Erich Itor Kahn and his late wife Frida Kahn, who was a music teacher and a translator. Erich Itor Kahn was known for his use of difficult techniques of counterpoint and harmony less

Eleanor Spencer was an American concert pianist. A student of Theodor Leschetizky, she was most active in Europe and America from 1910 to 1938. She gradually went deaf in her 40s and retrained herself, resuming performances in 1947 after an extended break. The Spencer Papers consist of correspondence, writings, promotional material, clippings, concert programs, music manuscripts, diaries and photos. less

An American composer and theorist, George Perle received his Ph.D. degree in 1956 from N.Y. Univ. with the dissertation Serial Composition and Atonality (publ. 1962; 4th ed. 1977). He also wrote Twelve-tone Tonality (1977); The Operas of Alban Berg (v. 1, Wozzeck, v. 2, Lulu; 1980-1985); The Listening Composer (1990); and numerous articles on Berg, Schoenberg, and Webern. He is co-founder and director of the International Alban Berg Society. Manuscripts of books, articles, reviews, and student term papers (the last under the name Perlman); correspondence (about publications; about theory, chiefly with Paul Lansky; and about the Society); bibliography of books and articles by and about Perle; income tax records; programs; flyers; clippings; and musical scores of compositions (page proofs and photocopies of holographs, with emendations in the hand of the composer). Musical scores have classmark JPB 89-3 and will be cataloged separately in the Scores file. less

The Don Gohman Papers primarily consist of scores, mostly for the Broadway musical Ambassador (1972), but also for 19 other stage, television and film productions, some never produced. The collection also contains correspondence, business papers and clippings. less

Frank Damrosch was born Franz Heino Damrosch in Breslau, the son of Leopold Damrosch. A choral conductor, composer, and educator, he founded the Musical Art Society of New York and the Institute of Musical Art which became affiliated with the Juilliard School of Music. Drafts of autobiographical and other writings and lectures; published articles by and about Frank Damrosch; letters received; programs; clippings; scrapbooks; minutes of meetings of the Musical Art Society; material from the People's Choral Union; copies of The Baton, a publication of the Institute of Musical Art and The Juilliard School; and published scores of 10 choral works composed or arranged by Frank Damrosch and of 3 songs composed by Frank Damrosch. less