Edw. F. Caldwell & Co.
Manuscripts and Archives Division | MssCol 902
46 linear feet (52 boxes, 47 v.)
Edward F. Caldwell & Co. of New York City, founded in 1894, designed and manufactured lighting fixtures and ornamental bronze and ironworks. In 1957 the company re-emerged after tax liquidation as the E.T. Caldwell Lighting Company. The president...
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Edward F. Caldwell & Co. of New York City, founded in 1894, designed and manufactured lighting fixtures and ornamental bronze and ironworks. In 1957 the company re-emerged after tax liquidation as the E.T. Caldwell Lighting Company. The president was Edward T. Caldwell. Collection consists mainly of sketches, with correspondence, financial documents, design records, invoice books, ledgers and photographs from the Caldwell firm and additional business records of the Plastic Illuminating Company. Personal correspondence, 1958-1959, contains letters to Edward T. Caldwell from his friends and acquaintances. Business correspondence, 1956-1959, is with customers after the re-organization of the company. Financial documents, 1938-1957, include logs of transactions, bank statements and income tax returns. Draughtman's sketches of lighting fixtures are done in pen and ink. Group schedule of designs, 1930-1949, are sketches of multiple lighting fixtures required for specific jobs. Design records, 1900-1941, contain information and sketches of lighting fixtures. Invoice books, 1943-1946, include descriptions of materials shipped with prices and information about customers. Also, records of material received, 1955-1956; ledgers, 1953-1956; shipment records, 1951-1954; employees' salary records, 1953-1956; index to customers; and records, 1947-1957, of the Plastic Illuminating Company (probably a subsidiary of the Caldwell Company) including order books, receipts and disbursements, and checkbooks. Leo Spier's letters, in German, to his mother, who was E.T. Caldwell's housekeeper, are restricted.
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Lawrence, A. F. R., 1922-1972
Rodgers and Hammerstein Archives of Recorded Sound | *L (Special) 16-01
10.46 linear feet (23 boxes, 1 volume, 5 oversized folders)
Alton Forrest Raymond Lawrence (1922-1972) was a sound recording archivist, lawyer, and professional historian who established and organized the record library and company archive of Columbia Records, Inc. beginning in the early 1960s. The...
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Alton Forrest Raymond Lawrence (1922-1972) was a sound recording archivist, lawyer, and professional historian who established and organized the record library and company archive of Columbia Records, Inc. beginning in the early 1960s. The collection dates from 1888 to 1972 (bulk dates 1940-1964) and reflects the history, operations, business decisions, and technological developments of Columbia Records while providing some insight into the professional work and outlook of A. F. R. Lawrence.
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American Scenic and Historic Preservation Society
Manuscripts and Archives Division | MssCol 91
14 linear feet (14 cartons)
The American Scenic and Historic Preservation Society was founded in 1895 to preserve scenic and historic sites. The records contain correspondence, minutes, reports, photographs and printed material documenting the Society's work, chiefly in New...
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The American Scenic and Historic Preservation Society was founded in 1895 to preserve scenic and historic sites. The records contain correspondence, minutes, reports, photographs and printed material documenting the Society's work, chiefly in New York State.
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American Place Theatre (Organization)
Billy Rose Theatre Division | *T-Mss 2002-025
124.55 linear feet (305 boxes)
The American Place Theatre is a not-for-profit theater founded in 1963 in New York City to aid in the advancement of learning in all aspects of the dramatic arts, including the development and advancement in writing, direction, and production of...
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The American Place Theatre is a not-for-profit theater founded in 1963 in New York City to aid in the advancement of learning in all aspects of the dramatic arts, including the development and advancement in writing, direction, and production of plays. The American Place Theatre Company records document almost five decades of theatrical work produced by the American Place Theatre and the administrative activities of the theater. The bulk of the collection consists of production files that span from 1963 until the 2008-2009 season. The records also contain administrative files that represent the day-to-day operations of the American Place Theatre, minutes of the board of trustees, extensive correspondence of Director Wynn Handman, scripts, and posters.
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Rychtarik, Richard, 1894-1982
Billy Rose Theatre Division | *T-Vim 2014-119
2.4 linear feet (7 boxes)
Richard Waslav Rychtarik (1894-1982) was a costume and set designer. This collection, dating from 1925 to the 1960s, contains blueprints, drawings and photographs.
New York Times Company
Manuscripts and Archives Division | MssCol 17781
78 linear feet (137 boxes, 189 volumes, 8 oversize folders, 1 tube)
Adolph Simon Ochs was an American newspaperman and the publisher of the New York Times for almost forty years, from 1896 to 1935. Under his leadership, the paper acquired an international reputation for objective and trustworthy reporting. The...
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Adolph Simon Ochs was an American newspaperman and the publisher of the New York Times for almost forty years, from 1896 to 1935. Under his leadership, the paper acquired an international reputation for objective and trustworthy reporting. The collection contains correspondence, letterpress books, scrapbooks, financial records, blueprints, maps, land surveys, photographs, honorary degrees and awards presented to Ochs, and other material related to his life and career. The main areas of focus in the collection are the Chattanooga Times, the New York Times, the Philadelphia Public Ledger, the Philadelphia Times, Ochs' continuing interest in the city of Chattanooga, and personal and family matters.
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Artkraft Strauss Sign Corporation
Manuscripts and Archives Division | MssCol 17768
168.31 linear feet (307 boxes, 37 volumes, 18 oversized folders, 93 tubes); 11.76 gb (3613 computer files); 120 video files
The Arkraft Strauss Sign Corporation was New York City's preeminent sign designer and manufacturer in the 20th century, responsible for creating some of the great icons in American advertising. Particularly known for their "spectaculars"—giant...
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The Arkraft Strauss Sign Corporation was New York City's preeminent sign designer and manufacturer in the 20th century, responsible for creating some of the great icons in American advertising. Particularly known for their "spectaculars"—giant illuminated signs often incorporating special effects and moving parts—Artkraft Strauss' most famous works include the "smoking" Camel Cigarettes sign, the "flying" Anheuser-Busch eagle, and the Coca-Cola sign at 2 Times Square. The company was also responsible for the New Year's Eve ball drop in Times Square, a tradition they began in 1907, until 1996. The records of Artkraft Strauss document over seventy years of operations of this family-owned and family-operated business. The records date primarily from the mid-1930s through 2005; little material pertaining to its early decades is present. The collection contains executive office files; management correspondence; electrical division records; ledgers; press and promotional material; photographs; and, most notably, job files, which document the creation of many of Artkraft Strauss' projects in New York City, Atlantic City, Boston, and elsewhere, from 1936 to 2007. Work represented includes numerous projects for the Anheuser-Busch Company, such as breweries, stadium signage, and multiple Budweiser spectaculars; a British Air spectacular in Times Square involving a half-size scale model of a Concorde jet; theater marquees; and movie signage.
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Edelman, Harold, 1924-1999
Manuscripts and Archives Division | MssCol 17928
2.55 linear feet (3 boxes, 5 tubes)
Harold Edelman (1924-1999) was an architect and preservationist who worked to retain the character of sites in Greenwich Village and surrounding areas. The Harold Edelman collection on Greenwich Village (1957-1967) contain architectural drawings,...
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Harold Edelman (1924-1999) was an architect and preservationist who worked to retain the character of sites in Greenwich Village and surrounding areas. The Harold Edelman collection on Greenwich Village (1957-1967) contain architectural drawings, notes and reports from Edelman's firm relating to studies undertaken in the Greenwich Village area and the rehabilitation of Washington Square Park.
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Norton, Henry Kittredge, 1884-
Manuscripts and Archives Division | MssCol 2263
3 linear feet (4 boxes, 3 v.)
Henry Kittredge Norton (1884-1965) was an American educator, journalist, author, and businessman. He was an advocate of aerial transit as a method of urban mass transportation. His positions included trustee and president of the New York,...
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Henry Kittredge Norton (1884-1965) was an American educator, journalist, author, and businessman. He was an advocate of aerial transit as a method of urban mass transportation. His positions included trustee and president of the New York, Susquehanna & Western Railroad, director of Walter Kidde & Co., and member of the New York City Transit Authority. Collection consists of correspondence, reports, designs and plans, and scrapbooks of photographs documenting Norton's efforts toward the adoption of monorails for San Francisco and New York City. Papers include correspondence, 1947-1954; published and unpublished reports, 1948-1955, relating mostly to mass transportation in the San Francisco Bay area; and designs, blueprints and drawings of monorails, as well as related patents. Also, photographs in various formats and scrapbooks of photographs of New York, Susquehanna & Western Railroad facilities and operations.
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Colles family
Manuscripts and Archives Division | MssCol 17772
14 linear feet (33 boxes, 3 vols)
The Colles family papers contain extensive correspondence, diaries, financial records, photographs, and personal miscellany of three generations of the Colles family, 1801-1957. Over half of the collection is devoted to the papers of prominent New...
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The Colles family papers contain extensive correspondence, diaries, financial records, photographs, and personal miscellany of three generations of the Colles family, 1801-1957. Over half of the collection is devoted to the papers of prominent New York City and New Orleans merchant James Colles (1788-1883), and his granddaughter, the artist Gertrude Colles (1869-1957) of New York City and Morristown, New Jersey.
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Yellow Springs Institute for Contemporary Studies and the Arts
Billy Rose Theatre Division | *T-Mss 2004-007
21 linear feet (49 boxes)
The records consist primarily of administrative and financial papers, as well as photographs documenting the history and activities of Yellow Springs Institute, an international residency institute for artists and scholars, that was located in...
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The records consist primarily of administrative and financial papers, as well as photographs documenting the history and activities of Yellow Springs Institute, an international residency institute for artists and scholars, that was located in Chester Springs, Pennsylvania.
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Baum, Morton, 1905-1968
Jerome Robbins Dance Division | *LPA Mss 1992-001
12.7 linear feet (32 boxes)
Morton Baum was the chair of City Center’s Finance Committee from 1943 to 1968. In the 1960s he became its managing director. City Center was responsible for presenting many of the most important dance, music, opera and drama companies in New York...
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Morton Baum was the chair of City Center’s Finance Committee from 1943 to 1968. In the 1960s he became its managing director. City Center was responsible for presenting many of the most important dance, music, opera and drama companies in New York City during the middle of the 20th Century. Baum was also instrumental in bringing that same quality of the arts to the newly-formed Lincoln Center for the Performing Arts Inc. The collection consists of administrative and financial material used in the creation and running of City Center. It also includes administrative and financial material about the creation of Lincoln Center of the Performing Arts.
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St. Philip's Church (Harlem, New York, N.Y.)
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division | Sc MG 67
100.23 linear feet (220 boxes, 8 volumes, 4 oversized folders)
The St. Philip's Church records (1867-1994, bulk dates: 1957-1978) document the administrative, spiritual, and social service activities of the Harlem-based Episcopal church. The majority of the collection reflects the career of Pastor Moran...
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The St. Philip's Church records (1867-1994, bulk dates: 1957-1978) document the administrative, spiritual, and social service activities of the Harlem-based Episcopal church. The majority of the collection reflects the career of Pastor Moran Weston, who served as rector of St. Philip's Church from 1957 to 1982. Weston's board activity, sermons, writings, and professional endeavors are strongly represented, as are the church's housing properties and its Community Service Council.
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Ayers, Lemuel
Billy Rose Theatre Division | *T-Vim 2010-040
1 box (21 drawings) : col ; 53 x 86 cm. or smaller. 50 x 92 cm. or smaller, 33 blueprints (50 x 92 cm. or smaller). 15 technical drawings : pencil and ink ; 43 x 59 cm. or smaller
Award winning designer of sets and costumes and a theatrical producer, Lemuel Ayers (1915-1955) had a brief but brilliant career with extensive Broadway credits including High button shoes and Oklahoma! He was born in New York City and received a...
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Award winning designer of sets and costumes and a theatrical producer, Lemuel Ayers (1915-1955) had a brief but brilliant career with extensive Broadway credits including High button shoes and Oklahoma! He was born in New York City and received a degree in architecture from Princeton University and a degree in drama from the University of Iowa. Original set designs, working drawings and sketches, blueprints, elevations, floor plans, and sections by Lemuel Ayers for the following productions: Ariadne auf Naxos (opera; Central City Opera House, Central City, Colorado), 1954; Angel street (also titled Gaslight) by Patrick Hamilton, 1941; Bloomer girl by Sig Herzig and Fred Saidy, adapted from a play by Lilith and Dan James; music by Harold Arlen; lyrics by E.Y. Harburg, 1944; Camino real by Tennessee Williams, 1953; Cyrano de Bergerac by Edmond Rostand, adapted by Brian Hooker, 1946; Inside U.S.A. (revue, book by Arnold Auerbach, Moss Hart, Arnold B. Horwitt, Joseph Stein, and Will Glickman; music by Arthur Schwartz; lyrics by Howard Dietz), 1948; Kiss me Kate (book by Sam and Bella Spewack; music and lyrics by Cole Porter), 1948; The pajama game (book by George Abbott and Richard Bissell, based on the novel, 7 1/2 cents, by Richard Bissell; music and lyrics by Richard Adler and Jerry Ross), 1954; The pirate by S. N. Behrman, adapted from a play by Ludwig Fulda; music by Herbert Kingsley, 1942; and St. Louis woman (book by Arna Bontemps, Countee Cullen; music by Harold Arlen; lyrics by Johnny Mercer), 1946.
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Cracraft, Tom Adrian, d.1963
Billy Rose Theatre Division | *T-Vim 2010-055
3 boxes (60 drawings) : col., on paper or illustration board ; 46 x 65 cm. or smaller. 37 sketches : pencil on tracing paper ; 46 x 65 cm. or smaller. 93 x 74 cm. or smaller, 17 blueprints (93 x 74 cm. or smaller). 23 x 23 cm, 2 ceramic tiles (23 x 23 cm)
Set designer Tom Adrian Cracraft designed settings for several Broadway plays in the 1930s and 1940s, and later for Hollywood, where he also served as head of the scenic art department at Columbia Pictures. Tom Adrian Cracraft died in Los Angeles...
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Set designer Tom Adrian Cracraft designed settings for several Broadway plays in the 1930s and 1940s, and later for Hollywood, where he also served as head of the scenic art department at Columbia Pictures. Tom Adrian Cracraft died in Los Angeles in 1963 at the age of 58. His credits on Broadway include the revivals of The Petrified Forest (1943) and Goodbye Again (1943). Set designs for Broadway shows from 1932-1936, including color designs on illustration board, pencil designs, sketches, elevations and ground plans on tracing paper, and blueprints. The collection also includes 2 ceramic tiles, a cartoon by T.A. Cracraft, and a caricature of him by Betancourt.
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Living Theatre (New York, N.Y.)
Billy Rose Theatre Division | *T-Mss 1988-005
The Living Theatre was founded by Judith Malina and Julian Beck in 1947. The records consist of scripts and related performance papers. Also included are business papers, financial records, clippings, diaries, photographs and correspondence. There...
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The Living Theatre was founded by Judith Malina and Julian Beck in 1947. The records consist of scripts and related performance papers. Also included are business papers, financial records, clippings, diaries, photographs and correspondence. There is little material reflecting the personal lives of Malina and Beck.
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