{"audience"=>"internal", "value"=>"<p>Track 1 (side 1 of tape): The bulk of the side consists of George Avakian's brother, Aram Avakian, taking photos of Louis in his den, asking him to hold scissors, stand by his tape recorders and pose various ways. While taking the photos, Louis talks about carrying a mirror in his pocket, lip salve, Ansatz Cream, Louis Armstrong Lip Salve, Franz Schuritz, strong lips, playing high notes, playing trumpet is being like \"a fighter,\" everyone learns the same scales (\"do-re-mi\"), Old Man Moret, looking in a certain direction when he hits certain high notes (\"every time I look at that light, I hit D\"), the high note at end of \"Blueberry Hill,\" using slang on stage, embouchure, bad habits, used to puff out his cheeks, playing with Fate Marable, Bisma Rex, Sunset Cafe, Joe Glaser, Carroll Dickerson, Earl Hines, a fan in Philadelphia calling marijuana a \"Mezz\" in front of Mezz Mezzrow, \"Laughin' Louie,\" the \"beautiful part\" of that record being a theme he used to play with Erskine Tate (he can't remember the name of it, but it's \"Love Song\" by Minnie T. Wright), Carroll Dickersons, bandleaders with batons, Oscar \"Papa\" Celestin, Fate Marable, Streckfus steamboats, the Steamer Sidney, Davenport, Bix Beiderbecke and more. Track 2: A recording session for Frosty the Snowman (performed by a trio of women, not Armstrong).</p>"}
altformavail
{"value"=>"<p>The Louis Armstrong House Museum holds a slightly shorter copy of this recording.</p>"}