Found 86 collections.

Lou Reed was a singer, guitarist, and songwriter who co-founded the band the Velvet Underground, in addition to performing and recording as a solo artist. The Lou Reed Collection of Books and Periodicals consist of published books and periodicals from Lou Reed's personal library. Many of the books were written by Reed or relate to his career, while others were books on a range of topics in literature, the arts, and hobbies. The majority of the periodicals contain articles or artwork by or about Reed, or about the arts and literature that inspired him. less

Donna K. Anderson (1935-2018) was an American musicologist who dedicated her career to researching the life and music of Charles Tomlinson Griffes (1884-1920). The Donna K. Anderson research files on Charles Tomlinson Griffes hold scores, research files, and recordings compiled or created by Anderson in her role as executor of the Griffes estate, and in the preparation of her books, Charles T. Griffes: An Annotated Bibliography-Discography, The Works of Charles T. Griffes: A Descriptive Catalog, and Charles T. Griffes: A Life In Music. less

The Rhoda Levine Papers document the career of the opera director, mainly through files on each of the many stage and opera productions on which she worked as dancer, choreographer or director. The papers contain annotated scores and libretti; costume, stage and set designs; choreographic, rehearsal and performance notes; programs; clippings; photographs; and audio/visual recordings. less

The Jerry Bock papers primarily document the professional activities of the prime twenty years of his composing career, as well as his later works, and do not offer much, if any, insight into his personal life. Vocal scores, lead sheets, and sketches for all of his musical productions produced on Broadway, including The Apple Tree, The Body Beautiful, Fiddler on the Roof, Fiorello!, Mr. Wonderful, The Rothschilds, She Loves Me, and Tenderloin are represented in the papers. Also present are a significant number of pop songs that Bock wrote with Sheldon Harnick and Larry Holofcener in addition to many for which he supplied his own lyrics. Business correspondence can be found within the production it relates to; many productions also include documents such as notes, cast information, ticket stubs, ephemera, and photographs. The collection does not contain Bock's personal correspondence; the few personal papers here are either work or school-related. less

Alvin Lucier (born 1931) is an American composer who is best known for exploring the nature of sound and sonic environments. His papers, dating from 1939 to 2015, strongly represent his career as a composer and pedagogue over five decades. Most of the collection consists of scores, sound recordings, moving images, subject files, photographs, correspondence, and programs. Also present are datebooks, diaries, posters, notebooks, and clippings. less

The George Rochberg papers, Additions document the professional activities, theoretical writings, and personal life of the American composer. Personal material includes letters to and from family members, documents, photographs, and Rochberg's sketches of his family members. Professional records comprise letters from fellow composers and academics, writings on composition and musicology, photographs, and files relating to live performances of his compositions. less

Joel Feigin (1951- ) is an American composer who studied with Roger Sessions and Nadia Boulanger. The Joel Feigin papers, dating from 1958 to 2010, document his career and education. They hold scores, professional and professional files, and education files. less

The Carol Baron research papers on Stefan Wolpe document Baron's research toward a never-completed biography of the composer. The papers hold correspondence from Wolpe, interview transcripts, notes, photographs, score and lecture manuscripts, clippings, and concert programs. less

Walter Trampler (1915-1997) was an American violist of German origin. One of the defining figures of his instrument, he performed with the Beaux Arts Trio; the Budapest, Juilliard, and Guarneri String Quartets; and was a founding member of the New Music String Quartet. He was also a renowned teacher. His papers document his life and career, mainly from the early 1950s to the mid-1990s. They contain correspondence, photographs, concert programs, scrapbooks, subject files, clippings, promotional material, a file on Trampler's memorial service, and Trampler's annotated and autographed scores. less

The Malena Kuss files on Carleton Sprague Smith date from 1981 to 2007. They mainly document the creation of Libraries, History, Diplomacy, and the Performing Arts: Essays in Honor of Carleton Sprague Smith (1991), for which Kuss served as an associate editor. less

Jack Diether (1919-1987) was a journalist and musicologist best known for his expertise in and promotion of the music of Gustav Mahler and Anton Bruckner. The Jack Diether papers, dating from 1941 to 2006, hold correspondence, research files, and writings. less

Larry Bell (born 1952) is an American composer and pianist. The Larry Bell papers, dating from 1965 to 2013, document the composer's career through published scores, sketches, programs, clippings, correspondence, subject files, writings, and photographs. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less

Teresa Stratas (born 1938) is a Canadian-born American soprano regarded as one of the greatest and most expressive opera actresses of all time. Her papers, dating from 1938 to 2016, document her life and career through letters, photographs, annotated scores, subject files, posters, programs, clippings, datebooks, costume and set designs, awards, and art. less

The Meredith Monk Archive documents the art of Meredith Monk and the history of The House Foundation For The Arts, Monk’s management and production company. The Archive contains correspondence, media clippings, concert programs, publicity material, writings, piece and project files, scores, business and financial papers, photographs and drawings, posters, and books. less

Christian Wolff (born 1934) is an American composer and literary scholar closely associated with John Cage, Morton Feldman, David Tudor, Earle Brown, Frederic Rzewski, Alvin Lucier, Cornelius Cardew, and other mid- to late-20th century modernists. The Christian Wolff papers, dating from 1947 to 2015, document his music and professional life, primarily through scores and letters. The collection also holds programs, clippings, and writings by Wolff and others. less

Stanley Applebaum (1922-2019) was an arranger and composer who was highly active in the New York City popular and commercial music industry from the 1940s to the early 2000s. Among his clients were Skitch Henderson, the New York Pops, Ben E. King, Neil Sedaka, and the Broadway musical Raggedy Ann. Applebaum papers, which date from 1940 to 2007, are comprised primarily of scores for his arrangements, orchestrations, compositions, and commercial advertising; and sound recordings of his music for radio and television advertising. Business letters and contracts are also present. less

William Mayer (1925-2017) was an American composer and former trustee of the Composers Recordings, Inc. record label. The William Mayer papers date from 1956 to 2016 and contain scores composed by Mayer, correspondence and meeting minutes documenting his involvement with Composers Recordings, Inc., and clippings. less

The American Music Center was a non-profit organization which aimed to promote the creating, performing, and enjoying of new American music. The American Music Center was founded in 1939 by composers Aaron Copland, Otto Luening, Marion Bauer, Harrison Kerr, and Quincy Porter. The center's mandate was to make the music of its composer members available to potential performers and conductors, and to act as a clearinghouse for the dissemination of information vital to its membership. Until that time, American composers had not been able to firmly establish themselves or their music as a unique American commodity that was of both high quality and in great demand. As their music came of age, these composers began to organize themselves into a substantial power base that would not only get their music heard but also make assurances for appropriate representation, promotion and compensation. The American Music Center was one of the leading organizations in this campaign. A partnership with the New York Public Library, initiated in 1978 led to cooperative cataloging initiatives and eventually to an agreement that the center's entire collection of scores would over time be transferred to the library. The American Music Center's score library, now housed at the Music Division, numbered close to 60,000 items. While the center's physical collection of printed and recorded music was the backbone of this remarkable institution, the mandate and activities of the center were relevant not only to music scholars, but to those in other areas of research. The center's activities have been responsible for creating a vast worldwide cultural resource for the dissemination of American music. Approximately 60,000 orchestral, chamber, solo instrumental, vocal and choral scores, solo parts and libretti placed in the AMC library by their composer members. Virtually all genres of notated music are represented in the collection, including many forms of orchestral concert music (overtures, symphonies, suites, etc.), chamber music for winds, strings, keyboard, percussion, electronics, alone and in combination, vocal music, solo and choral, and staged works (opera, ballet, musicals). The collection includes many published scores. A large portion of these are self-published reproductions of composer's manuscripts. Conventionally notated scores predominate, but there are also many representatives of various forms of graphic notation. less

Russell Oberlin (1928-2016) was an American singer and teacher renowned for being the first countertenor in the United States, and one of the earliest in the world to have an international career. His papers, dating from 1930 to 2016, document his childhood and education, his performance career, his teaching, and his research into the history of the countertenor and castrato singing. less

H. Wiley Hitchcock, an American musicologist, was influential in advancing the study of American music in the United States. He was a noted scholar of Charles Ives and Henry Cowell, and the founder and longtime director of the Institute for the Studies of American Music (ISAM) at Brooklyn College, City University of New York. His papers document his research, writings and other scholarly activity, and the work done by ISAM during his tenure as director (1971-1993). less

Susannah McCorkle (1946-2001) was an important American jazz / pop singer as well as a talented writer. Her papers consist of her writings, correspondence, business and personal papers, scores, concert programs, clippings, publicity material, photographs and books. less

The Bohemians (New York Musicians' Club) is an organization made up of distinguished New York City musicians and music lovers that organizes dinners and chamber concerts for its members, supports young artists, and honors notable musicians. The collection consists of bylaws, membership lists, letters, financial records, meeting minutes, photographs, programs, and menus for the club spanning 1907 to 2008. Also present are some items documenting the Musicians Foundation Inc., an affiliated tax-exempt charitable organization that provides support to professional musicians in need. less

The Richard Maltby Sr. papers hold scores, correspondence, business papers, photographs, clippings, and scrapbooks. The vast majority of the collection consists of scores and parts for arrangements and compositions by Maltby as well as by his staff arrangers (primarily Al Muller and Red Bone), most of which are for jazz big band. less