Found 10874 collections.

Theodore Tilton was an American abolitionist, newspaper editor, poet, and supporter of women's rights, who brought suit against Henry Ward Beecher in 1874 for adultery with his wife Elizabeth R. Tilton. Collection consists of miscellaneous correspondence concerning personal, business and political matters; a few writing fragments; a clipped autograph; checks and a receipt signed by Tilton; and his voting proxy for New York Tribune Association director elections. Most letters, some in draft, are written by Tilton during his editorship of The Independent newspaper. Several items from 1866 concern Independent publisher Henry C. Bowen's loss of a political appointment due to Tilton's editorial stance against President Andrew Johnson. An 1869 letter from American diplomat E.D. (Ebenezer D.) Bassett to Tilton concerns Frederick Douglass and the Haitian mission. Letters to Gordon L. Ford of the New York Tribune are also present. Personal items include an 1865 invitation to celebrate the Tilton's tin wedding anniversary; a poem dated June 20, 1869, not by Tilton, celebrating the birth of the Tiltons' son Theodore; a letter dated August 6 from Tilton to Ford advising of the birth of a son; and an undated affectionate letter from Tilton to his wife. Correspondence also includes two letters by Elizabeth R. Tilton concerning a theater engagement and the address of her husband's lecture agent, as well as two letters to the Editor of the Tribune from subscribers expressing opinions on the Beecher-Tilton trial, 1875. less

Collection consists of holograph fragments by Henry David Thoreau: from Cape Cod, Chapter V, The Wellfleet Oysterman, 2 p. on 1 leaf (removed from NYPL copy of The Writings of Henry David Thoreau, Manuscript Edition, Boston: Houghton, Mifflin, 1906); a poem, “I will obey the strictest law of love,” 2 p. on 1 leaf (recto page numbered 387 from Thoreau’s journal of 1848-1850); and an account of night sights and sounds, 2 p. on 1 leaf: “made nothing of it. It is easy to see how by yielding to such feelings…,” which closely follows his published journal entry of 1851 August 8. Also present is a brief autograph letter signed by Thoreau at Concord, 1853 (?) July 26 to William H. Sweetser at Charlestown, Massachusetts (“This is the way I write when I have a poor pen and still poorer ink.”) and an envelope, front only, addressed to C.M. Tracy at Lynn, Massachusetts. less

Collection consists of English author William Makepeace Thackeray’s preface (dated 1852 as published) to “Mr. Brown’s Letters to a young man about town; with The proser and other papers” (New York ; D. Appleton and Co., 1853), written in the hand of Eyre Crowe, Thackeray’s secretary during his visit to the U.S. in 1852-1853, with emendations; also, Thackeray’s signature on a card of introduction for S. Lawrence; facsimiles of Thackeray’s writings; illustrations of his works; and portraits of him, including a photographic image. less

The Gates and Morange Studio was founded by Frank E. Gates and Edward A. Morange and was located in New York City. Gates was born in Chicago and Morange was born in Bronxville, New York. Both men studied at the School of Fine Arts in St. Louis, Missouri. Although Gates and Morange had worked together since 1894, the partnership's first Broadway credit was Straight from the heart by Sutton Vane and Arthur Shirley (1897). The studio designed scenery for more than 50 productions over four decades, additionally painting and supplying countless others. Clients included Liebler Co., Florenz Ziegfeld and George C. Tyler. Designers included Thomas Benrimo, William E. Castle, Richard Gates (brother of Frank), Charles Graham, Alexander Grainger, Arne Lundborg, Orestes Raineiri, and Edward Morange. Edward Morange died on May 20, 1955 in Torrington, Connecticut after a long illness at the age of 90. Original set designs, curtain designs, drops, and olio designs, mostly color, produced by the Gates and Morange studio over four decades for theatrical productions and for businesses, trade shows, and several exhibitions. Although most of the designs are undated, the bulk of the collection appears to date from the 1920s. Among the more than 75 productions included are The daughter of heaven by Pierre Loti (ca. 1912); Dolce Napoli (ca. 1913); Earl Carroll vanities (1923); For valor by Martha Hedman and H.A. House (1935); Gridiron Club productions (1935); An international marriage by George Broadhurst (ca. 1909); The lady of the lamp by Earl Carroll (1920); Music in the air (musical), music by Jerome Kern, with designs by Joseph Urban (1932); Nancy Brown (musical), music by Henry K. Hadley (ca. 1903); Song of the flame (musical), music by Herbert Stothart and George Gershwin, with designs by Joseph Urban (1926), and a number of Ziegfeld productions. Of particular note is Rose-Marie (musical) by Otto Harbach and Oscar Hammerstein II (1924), which includes 3 photographs, showing the development from an initial photograph to the scenery in place on the stage (1924). There are also a few studio plans and research materials in the collection. less

Commedia dell'arte was a popular form of theater which began in Italy in the 16th century. It includes masked character types and stock scenarios. Performed outdoors on temporary stages, its performers utilized various props instead of elaborate scenery. Original color and black and white costume drawings, prints, lithographs, and mostly 19th century reproductions in French, Italian, English, Dutch, and German, of commedia dell'arte stock characters such as the Doctor, Harlequin, Pierrot, Pulcinella, and Scaramouche. There are also 24 panels of the Balli di Sfessania by Jacques Callot. Artists include Umberto Brunelleschi, Cenni, G. Gallina, Pietro Leone Ghezzi, Raphael Kirchner, Eugene Ladreyt, Andre-Edouard Marty, and Antoine Watteau. Nicolo Caccatrippa, Fanny Cerrito and Marc-Antoine Romagnesi are among the performers depicted in costume. less

Designer, technical advisor, jazz pianist, and lyricist, Carl Kent (1918-1959), was born in New York City. A graduate of the National Academy of Design, he also studied at the Art Students League. Kent served as technical advisor and supervisor on a number of Broadway and television productions, often under Harry Horner. His Broadway design credits include Tis of thee (Maxine Elliott's Theatre, 1940); Career angel (National Theatre, 1944); Peepshow (Fulton Theatre, 1944); As we forgive our debtors (Princess Theatre, 1947); Leaf and bough (Cort Theatre, 1949). Among Kent's television credits are NBC Opera Theatre (1951) and United States Steel hour (1955-1956). At the time of his death, he was living in Great Neck, New York and died at North Shore Hospital at the age of 43. Original set designs (mostly color) primarily for television, but also for theater, by Carl Kent (1918-1959). A number of set designs are for the television programs NBC Opera Theatre (1951) and United States Steel hour (1955-1956). The collection also contains blueprints for Peepshow by Ernest Pascal (Fulton Theatre, 1944), for which Kent designed lighting, as well as for the motion picture Crowded paradise (1956), on which Kent served as art director. There are also a few designs for businesses such as De Soto, Gordon's Distillers and John Strobl's Viennese Restaurant. Several set designs are untitled and unidentified. less

Collection consist of confidential letters from U.S. Secretary of State Hamilton Fish and acting Secretary John L. Cadwalader to District Attorney B.K. Phelps in New York concerning Tweed's apprehension and return from Spain, 1876, and two letters by Tweed concerning the employment of individual teachers. Also present are four checks, an invitation, and a copy of an 1868 New York State Senate Act to found a Presbyterian Hospital in the City of New York, all signed by Tweed, as well as a certified copy of the indictment filed February 20, 1873 in the case of the People of the State of New York vs. Elbert A. Woodward and William M. Tweed for forgery. less

Black and white and some color photographs, posters and prints mostly of New York City buildings and streets, including Battery Swimming Baths (Battery Park Baths), photograph by E.J. Lecocq (ca. 1900), 2 photographs of renderings of the New York Biscuit Company (ca. 1890 and 1898), 6 prints of the new Tribune Building (1873); streets depicted include Broadway, Fifth Avenue and Wall Street. Among the subjects are the New York harbor, several ships, the William Cullen Bryant memorial, and Trinity Church memorial to unknown Revolutionary War heroes, photograph by Frank E. Parshley (ca. 1900). There are also 2 prints of the Brooklyn Sanitary Fair (1864) and a house in New Utrecht, Long Island (ca. 1866), as well as a few images from other U.S. cities such as Denver and St. Paul. Portrait prints include those of Rev. Henry Ward Beecher, William Nelson Cromwell, Francis L. Hawks, Robert E. Lee, and George Washington; posters include a series of newspaper advertisements one year after Pres. John F. Kennedy's assassination. less

This collection documents the Union Library, founded in Oneida County, New York, in 1797. The first volume contains the library's Articles of Agreement signed by subscribers (December 12, 1797), incorporation documents (December 18, 1797), trustee meeting minutes (December 21, 1797-January 14, 1845), and a catalog of books belonging to the library. The remainder of the collection comprises accounta recording members' payments of dues, fines, and other expenses, miscellaneous accounts, and lists of library books (1797-1804) less

This volume is Roswell Weston's land record book, which documents land transactions in the Old Military Tract in Clinton, Franklin, and Essex Counties, New York (1811-1854). Other New York State property locations mentioned include Warren County, Paradox Tract in Schroon and Moriah, Road Patent, Schroon Tract, Perou Bay Tract in Lewis and Willsborough, West of Road Patent Tract, Lake George Tract, Township Number 49 in Totten and Crossfield's Purchase, and in Great Lot Number 20, Lot Number 55 in Hyde Township, and Queensbury, New York less

These two volumes were kept by W.B. Vernam, a Brooklyn real estate appraiser. He appraised properties in Manhattan, Queens, Brooklyn, Bronx, Staten Island, and towns in Long Island, Westchester County, and New Jersey. Listed are values of land and houses and loan amounts less

These letters are related to the Torrens Campaign Committee of New York, and legislation concerning the registration of land titles. The collection contains a volume entitled "Ledger A" kept by secretary L. Macchiaverna, a small scrap book, and loose letters addressed to Walter Fairchild and Edward Pollak less

Hannah R. Newton (1840-1905) ran an oyster house at 268 Sixth Avenue, corner of 17th Street, New York City, from approximately the late 1870s to the mid-1890s, as listed in City street directories. Her husband, Richard W. Newton (1834-1907), an oyster dealer, also farmed in Ronkonkoma, Long Island. The collection consists of a ledger recording accounts with suppliers of clams, oysters, meat and other provisions in Manhattan and on Long Island; customers' tabs for meals; and cash expenditures. Brief journal entries on the end fly-leaf note the weather, crops farmed, life events of neighbors, and news items, mostly at Ronkonkoma. The volume includes a name index with addresses. Also present are two undated albumen photographs mounted on boards, one showing the exterior of H. R. Newton's Oyster House, the other showing the front of an oyster supplier's store, each with two men standing in front. A loose letter from M. A. Metzner of Brooklyn to Richard Newton at Ronkonkoma dated November 6, 1894 asks Newton to look after some pasture land for him. less

Philip Jacob Arcularius and Andrew Merrell ran a leather-tanning business in New York City. Arcularius, a German immigrant, also held various civic positions and was appointed superintendent of the Alms House in 1805. The volume contains two sets of entries for the periods 1787-1791 and 1788-1791, recording the number and type of hides turned, laid in bark, or placed in lime. The variety of animal hides treated includes goat, calf, horse, dog, seal and porpoise skins. Several pages list the "wht of Astor hides" purchased from Henry Astor, brother of fur-trader John Jacob Astor, with his signature acknowledging amount and receipt of payment. Also listed are quantities of bark received, 1791-1792, as well as payments to Tyle and Torit for leather inspections, 1790, and to named suppliers of bark, 1789. A loose voucher dated 1791 lists the number of hides short and their value. less

Sergei Denham was a businessman and ballet enthusiast who became the director of the Ballet Russe de Monte Carlo. The collection holds a handwritten biography of Denham by Michael Subotin, as well as Denham's own writings on ballet history and records from the Ballet Russe de Monte Carlo. There is also manuscript and published sheet music with annotations from Denham's personal collection. less

Shipping receipts from Hudson River ship captains for foodstuffs and livestock forwarded and sold for R. S. Crawford, Moses Crawford, Alexander Crawford, and James Crawford, from Newburgh, New York to New York City, via steamboats and other vessels. The Crawfords were farmers in Crawford, Orange County, New York. Freight included butter, corn, and rye flour, as well as calves and hogs. Receipts are printed forms illustrated with images of sailing or steam vessels, also identifying the ship, captain, dock name, and services. less

Tamara Daykarhanova (1889-1980) was a Russian-born actress and acting teacher. She debuted with the Moscow Art Theatre (Moskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr) at age 18 and, following the Russian Revolution, went on to tour with the Chauve-Souris company (Teatr "Letuchai︠a︡ mysh´") throughout Europe. She settled in New York in 1923 where she founded the Tamara Daykarhanova School of the Stage. The Tamara Daykarhanova photographs date from 1897 to 1975 and document personal and professional activities throughout her life. Photographs include family portraits and informal family photographs in Russia, France, and the United States; headshots and production stills from her early career with Moscow Art Theatre and the Chauve-Souris company; and portraits of Russian and American actors contemporary to Daykarhanova. Some photographs are captioned in Russian with English translations. Also included is a calendar listing birthdays, anniversaries, and deaths of Daykarhanova's family members and friends. Some materials in this collection were previously cataloged under the classmarks MWEZ + n.c. 25,797 and 8-MWEZ + n.c. 25,034. less

Frank Hogan (1916-1997) was a New York City-based playwright, editor, and radio promoter. The Frank Hogan theatre papers date from 1969 to 1997 and document three of Hogan's stage and film works: Finn MacKool, That Nice Mister Grant, and Lillian Gish and the Movies. The file for Finn MacKool consists of transcribed letters from Hogan to Ethel Huffman discussing his insights and reflections after writing the play, as well as its production potential. Reviews and correspondence regarding the development of Lillian Gish and the Movies are present, and the film's script includes edits and annotations to the text less

En Garde Arts, Inc., was a New York-based theater company that specialized in "site specific" productions, staging both classics and new works in specially designated, nontraditional architectural or outdoor spaces. Founded in 1985 by former performance artist Anne Hamburger, En Garde Arts distinguished itself by setting plays in unusual public spaces such as warehouses, factories, street corners, piers, and parks. The 1989 production AT THE CHELSEA consisted of three one-act plays set at the Chelsea Hotel on West 23rd Street, each staged in a different room at the hotel itself. In 1990 the troupe presented Mac Wellman's CROWBAR in the dilapidated Victory Theatre on 42nd Street, the first play produced there in over fifty years. In 1993 En Garde Arts staged Charles L. Mee's adaptation of Euripides' ORESTES at an abandoned railroad switching station at 59th Street and 12th Avenue. In 1995 the company staged Jonathan Larson's J.P. MORGAN SAVES THE NATION at the intersection of Wall Broad streets in the heart of Lower Manhattan's financial district. En Garde Arts disbanded at the conclusion of the 1998-1999 season. The En Garde Arts ephemera consists of clippings, photocopies, reviews, programs, fliers, production photographs, press releases, financial papers, and other documents pertaining to En Garde Arts. less

The Elaine Steinbeck papers on The Grapes of Wrath (1988-1990) concern the stage adaptation of John Steinbeck's novel, written by Frank Galati and produced by the Steppenwolf Theatre Company. The collection documents the original Chicago production and productions in La Jolla (1989), London (1989), and on Broadway (1990). The collection contains clippings, programs, letters to Elaine Steinbeck, and photographs of Steinbeck at events. Letters are from Steppenwolf staff, director Frank Galati, actors performing in the production, and other friends and associates of Steinbeck. The collection also contains artwork by actors Ron Crawford and Terrance MacNamara, inspired by the play. less

A collection of six clippings, removed from the album of Byronana which also formerly housed Byron's 30 April 1814 autograph letter to Clio Rickman (B 0186), along with several other Byron-related manuscripts and printed material. Included here are: a report on Byron's last speech in the House of Lords, from The St. James's Chronicle (3 Jun 1813); a review of Thomas Moore's Letters and Journals of Lord Byron, from the St. James's Chronicle (Jan 1830); three short clippings on Mary Ann Chaworth [married name Musters], relating to her death, funeral, and surviving cousin (Miss Rudford), from unidentified sources (2 dated in manuscript Feb 1832); and "A Hitherto Unpublished Letter by Count Pietro Gamba ..." to Augusta Leigh, dated 17 Aug 1824, from New-York Daily Tribune (22 Apr 1899). less

Georgette Cohan (1900-1988) was an American actor, and daughter of George M. Cohan and musical comedy performer Ethel Levey. Her photographs and memorabilia (1895-1978) include images of Cohan, her mother, her husband J. William Souther, other family members, colleagues, and her longtime romantic partner George W. Brown. The collection includes a program from the Broadway play Diplomacy (1928) and a report card, photographs, and programs from Cohan's time as a student at the Institution de Mmes. Morel de Fos in Paris in the early 1910s. The collection contains a small number of notes and cards to Cohan, some in French. There is an original design of a dress for Jane Cowl as Juliet, drawn by Rollo Peters; the drawing was given to Cohan by Peters. Material concerning Ethel Levey includes a flier for a 1922 vaudeville performance and certificates of membership for Catholic associations. There are clippings about George Cohan, primarily from the 100th anniversary of his birth in 1978. A certificate conferred on George Brown by "l'Ordre des Noctambules" is also present. less

Small duodecimo notebook containing thirty-seven pen and ink lace patterns, one unfinished pattern in pencil, and one partial pencil sketch of a shirt. Buff boards stamped "1807" on spine; marbled endpapers. Watermark date of "1803." With an early inked price of "1 s. 6 d." on front free endpaper verso. less

The Century Lighting, Inc. designs consist of technical drawings of stage lighting control systems produced by the New York-based company. Designs include a portable switchboard for My Fair Lady (1957), a cue control system (labeled "Semi-automatic Punch") for the Arena Stage in Washington (1961), and various designs for the Delacorte Theater (1963), the Fort Worth Center for the Performing Arts (1965), and the 1964 New York World's Fair. The World's Fair designs are for the Chrysler exhibit, the General Electric exhibit, and the Spanish Pavilion. less

Established in New York City in 1874, the Lambs Club is the oldest professional theater club in the United States. The Lambs Club scores consists of the organization's library of published and manuscript music, representing a range of popular music, both vocal and instrumental, from the late 19th century up to about the 1960's. There are many pieces by prominent former members of the Lambs such as John Philip Sousa, George Gershwin, and Irving Berlin, as well as much original music composed for Lambs Gambols and other events by members like Fred Hillebrand, Adam Carroll, Sam Stept, James Caruso, and Eddie Weber, just to name a few. There are orchestra arrangements for the Lambs celebration for Ed Sullivan, scores of incidental music for Lambs TV, and in general, a representative cross-section of popular music and its creators particularly from the early 20th century. less

This collection contains council minutes from the Indian Congress at Albany that took place in June and July of 1754. In addition to the minutes are copies of documents from 1684 to 1754 concerning previous treaties and propositions between New York and various Indian tribes. These items include propositions from the Onondaga and Cayuga tribes (August 2, 1684); letters among Governor Dogan, the British Lords of Trade, and the Governor of Canada; articles of peace proposed on December 13, 1665; and the civil lists of New York (1693) less

This item documents the West Side and Yonkers Patent Railroad Company, which created the first elevated train in New York City, the Ninth Avenue Line in 1868. The volume contains subscription lists for bonds and capital subscribers, and provides the names of contributors and amounts subscribed or assigned less