Found 70 collections related to Manuscripts

Organized into 11 series: Series 1: Works by Laura Riding Jackson; Series 2: Correspondence; Series 3: Diaries; Series 4: Book reviews of Laura Riding Jackson’s works; Series 5: Criticism of Laura Riding Jackson’s works; Series 6: Photographs; Series 7: Documents; Series 8: Awards, bibliographies obituaries; Series 9: Ephemera; Series 10: Clippings; Series 11: Writings by others. less

In 1995, Philip Levine received the Pulitzer Prize for Poetry (for The Simple Truth) ; over the course of his career he has also won three National Endowment for the Arts grants in poetry, two Guggenheim fellowships in poetry, the Award of Merit from the National Society of Arts and Letters, the American Book Award, the Frank O'Hara Memorial Prize, and the Ruth Lilly Poetry Prize. He has taught at Fresno State University, New York University, Tufts University, and Vanderbilt University. He has been a visiting writer at the University of Cincinnati, Princeton University, Columbia University, Vassar College, Brown University, the University of Alabama, and the University of California, Berkeley, and also served as writer in residence at the National University of Australia at Canberra. In 2011, he was appointed Poet Laureate Consultant in Poetry to the Library of Congress. less

The Piri Thomas Papers document several areas of Thomas' professional activities including his writings and his work with and involvement in social justice organizations from 1957 to 1982. The collection consists primarily of manuscripts for his books, films and plays, in addition to correspondence with and files on a variety of organizations focusing on artistic, social justice and educational issues. less

The Melvin Dixon papers consist primarily of manuscripts, correspondence, notes, and journals reflecting his experiences as a black gay writer. Most of the collection is comprised of manuscript drafts of Dixon's published works "Trouble the Water," "Vanishing Rooms," "Ride Out the Wilderness," "Change of Territory," as well as drafts for incomplete novels and stories, the fiction he called "works in progress," and short stories, poetry and plays, both published and unpublished. In addition, there are drafts and other material for Dixon's translations of "The Collected Poetry by Leopold Sedar Senghor," Genevieve Fabre's "Drumbeats, Masks and Metaphors," and works by the Haitian writer Jacques Roumain. Some essays and academic papers he presented are also included in collection. less

Annie Proulx is a novelist, short fiction writer, historian, and essayist. She was born in Norwich, Connecticut, in 1935, to Lois Nellie Gill Proulx, a painter and amateur naturalist, and George N. Proulx, the vice-president of a textile mill. Her first collection of short fiction, Heart Songs and Other Stories, was published in 1988. In 1990, she completed her debut novel, Postcards, for which she won the 1993 PEN / Faulkner Award for Fiction. Her second novel, The Shipping News, won the Pulitzer Prize, the National Book Award, the Irish Times International Fiction Prize, and the Heartland Award for Fiction. Accordion Crimes, her third novel, was published in 1996. In 1997, she was awarded the Dos Passos Prize for Literature. In 1998, her story “Brokeback Mountain” won the National Magazine Award, The New Yorker Award for fiction, and the O. Henry Prize. It was adapted, in 2005, for a Paramount Pictures film by Larry McMurtry and Dianna Ossana, and was directed by Ang Lee. Her second collection of short fiction, Close Range: Wyoming Stories, was published in 1999; the lead story, “The Half-Skinned Steer,” was selected by John Updike for the Best American Stories of the Century (1999). In 2000, Proulx’s short story collection Close Range: Wyoming Stories won The New Yorker Award for fiction. Her fourth novel, That Old Ace in the Hole, was published in 2002. This was followed by two collections of short stories: Bad Dirt: Wyoming Stories 2 (2004) and Fine Just the Way It Is: Wyoming Stories 3 (2008). In 2008, she also published and edited Red Desert: A History of a Place, a collection of 38 essays of which she wrote 10. Bird Cloud: A Memoir, was published in 2011, and is named for the painstakingly designed and hand-crafted home she had built for herself in Wyoming, on a 640-acre nature preserve through which runs the North Platte River. Organized into 23 series: Series 1: Writings by Annie Proulx ; Series 2: Artwork by Annie Proulx ; Series 3: Correspondence ; Series 4: Research ; Series 5: Other Projects Series 6: Works by Others ; Series 7: Photographs ; Series 8: Genealogical Papers ; Series 9: Personal Records ; Series 10: Address Books and Monthly Planners ; Series 11: Ephemera ; Series 12: Material related to the estate of Lois Gill Proulx ; Series 13: Publisher’s Artwork and Promotional Material ; Series 14: Material Related to Scheduled Literary Events ; Series 15: Awards ; Series 16: Property Records ; Series 17: Publishing and Other Contracts ; Series 18: Miscellaneous Printed ; Series 19: Electronic Records ; Series 20: Audio Cassettes, VHS, DVDs, CDs ; Series 21: Restricted Material ; Series 22: Realia ; Series 23: Financial Papers. less

Julie Mathilde Lippman (1864-1952) was an author of novels and plays and a political activist, who knew many of the prominent literary and political figures of her day. Best known for her novel MARTHA-BY-THE-DAY (1914) which she successfully adapted to the stage in 1919, Julie Mathilde Lippman came to know Louisa May Alcott while still a teenager, and later became friends with Mark Twain, Charles Dudley Warner, actor and playwright William Gillette, and other writers of the late nineteenth and early twentieth centuries. Among Lippman's books were SWEET P'S (1905), MARTHA AND CUPID (1914), and FLEXIBLE FERDINAND (1919), while her works for the stage included COUSIN FAITHFUL (1908), THE FACTS IN THE CASE (1912), and A FOOL AND HIS MONEY (1913). Lippmann was a fervent supporter of Theodore Roosevelt, took part in the womens' suffrage movement, and also wrote propaganda for the Allied cause during the First World War. After many years of residence in New York City Julie Mathilde Lippman moved to Cincinnati, Ohio, at the age of eighty-five, to live with her niece, and died in that city three years later. Typed manuscript, called "AUNTIE" : REMINISCENCES OF JULIE M. LIPPMANN on title page, undated but written after Julie Mathilde Lippmann's death in 1952, with occasional corrections in blue ink in the author's hand. Memoir written by Julie Morrow DeForest (1882-1979), an artist and niece of Julie Mathilde Lippmann, who records personal impressions of her aunt as well as several other relatives, but provides little specific information about her aunt's literary or theatrical career, or her famous friends. Of special note is the author's description of a women's suffrage march and related activities in New York circa 1915. less

The Beeks family papers consist mainly of personal correspondence. Also included are manuscripts, a commonplace book, a few photographs, and other personal miscellany. The bulk of the material dates between 1899-1928, and includes a letterpress copybook documenting the law practice of James Beeks between 1899-1901; correspondence written to his wife, Sarah Jane Brackinridge Beeks during his business trip to Cuba in 1902; and the correspondence of his eldest son, Edward Beeks, while living in Shanghai from 1911-1928. Other correspondents include Beeks' children McCary W. Beeks, Gertrude Beeks Easley, Helen Beeks Lounsbury, and various members of the extended family less

The André Emile Begeleus Literary Collection (1967-1974) consists of unedited handwritten and typescript drafts of poems, essays, short stories and a short novel. His writings express his views about the survival of African Americans in the 1970s. Eight of his handwritten poems were published in his volume of poetry. less

Kenneth Koch was an American poet, playwright, essayist, screenwriter, novelist, and short-story writer. The Kenneth Koch papers document the personal and professional activities of the writer, Kenneth Koch. Holograph and typescript drafts comprise the bulk of the collection. The papers contain holograph manuscripts and typescripts of the author's published and unpublished work (in every genre, including plays, "comics," and games), notes and other material related to the works, Koch's correspondence, photographs, collaborations, material related to his work with children, miscellaneous personal documents, printed material, ephemera, scrapbooks, press cuttings and photocopied reviews of his books, and holograph manuscripts and typescripts of works by other writers (especially Frank O'Hara and John Ashbery). Also included in the papers are 9 boxes of unsorted printed ephemera, and 3 boxes of journals, magazines, and newspapers. The correspondence in the collection is mostly made up of incoming material, of which there are three categories: personal, professional, and fan mail. The personal and professional correspondence is arranged alphabetically by author; within each author's folder letters are arranged by date. Of the personal correspondence and works by others, the most substantial holdings are by "New York School" artists such as Frank O'Hara, John Ashbery, James Schuyler, Larry Rivers, Harry Mathews, Fairfield Porter, and Jane Freilicher. Also noteworthy are letters and works by Koch's former students, Ron Padgett, Frank Lima, Tony Towle, David Shapiro, and Jordan Davis. Also present are publishing contracts and royalty statements for several of Koch's books. less

During the 1950s and 1960s, John Kardoss, an author and journalist affiliated with The Sun of Sydney, Australia, wrote about world theater. The John Kardoss papers consist primarily of his undated manuscript draft of A Short History of Korean Theatre, in two parts with bibliography, in addition to a small collection of correspondence dating from Kardoss' career in Sydney, Australia, in the late 1950s and early 1960s. The book on Korean theater appears not to have been published, but presumably served as the basis for Kardoss' lecture on the history of Korean Drama delivered at C. W. Post College of Long Island University in December 1966. less

Chiefly comprised of two notebooks (ms., ink). The first is entitled "Lecture on radium" by Loie Fuller (59 leaves); also includes a draft letter to a friend (20 p. at end of vol.), signed and dated Jan. 24, 1911, including mention of the success of Anna Pavlova and Vaslav Nijinsky in Paris. The second contains a draft of the lecture on radium (25 leaves) and extensive notes (25 leaves) about visiting Thomas Edison in his laboratory, light, phosphorescence, radium, Madame Curie's discovery of radioactive matter, stage lighting, the work of the English scientist William Crookes, barefoot dancing, the problem of deformed feet, etc., 1911. less

The Emmett Grogan Papers is an archive of manuscripts and typescripts, comprising, articles, manifestos, screenplays, ideas for films, short stories, and poems by Emmett Grogan, accompanied by a group of similar writings by him and others that appeared in The Digger Papersa collective publication published by the Diggersboth parts of the archive spanning the years 1965-1968. Grogans papers document his journey from a young writer, aspiring filmmaker, and actor with the San Francisco Mime Troupe, to his central role, with Peter Berg, as the Diggers leading theoretician and activist. The archive contains early writings by Grogan from his time in Rome, Dublin, and London, and includes several of his most important Digger manifestos, some of them written with his boyhood friend and fellow New Yorker, Billy Murcott. Much of it bears his autograph annotations and corrections. less

Liljan Espenak (1905-1988) was a dancer, instructor, dance therapist and author. Espenak was born in Norway. During the 1920s, she moved to Berlin to study under Mary Wigman. Espenak established her own dance school in Berlin. In the 1930s, Espenak left Germany due to pressure from the Nazis to become a collaborative artist. Espenak eventually established herself in the United States and resumed her career. She opened a dance studio and developed a second career as a dance therapist in New York City. The collection spans her multiple careers. The files, 1920s-1988, contain correspondence from family, friends, and colleagues. less

Betty Comden, lyricist and part of the creative team of Comden and Green, wrote lyrics for many Broadway shows from 1940 until 1990. The collections consists of vocal scores, parts and sketches for musicals of which Comden and Green were part of the creative team. less

Writings consisting of manuscripts for his book, GARVEY: THE STORY OF A PIONEER BLACK NATIONALIST; miscellaneous typescript essays and printed articles, 1946-1974; numerous examples of Fax's art such as magazine illustrations and book jackets, 1936-1962; and photocopies of some correspondence. Also, programs, invitations, broadsides, book reviews, and news clippings concerning Fax's career. less

This bulk of the collection consist of manuscript copies, printed scores, parts, writings and correspondence belonging to the composer Erich Itor Kahn and his late wife Frida Kahn, who was a music teacher and a translator. Erich Itor Kahn was known for his use of difficult techniques of counterpoint and harmony less

Papers covering Smythe's professional career centering upon research, writing, and university teaching in the fields of sociology and anthropology, with special emphasis on East Asian and African studies. Correspondence including that written about his fieldwork in Nigeria. Smythe's manuscripts for articles, books, book reviews, and speeches pertaining to Africa, Nigeria, Japan, and race relations in the United States. Preliminary data relates to Hugh and Mabel Smythe's book, THE NEW NIGERIAN ELITE (1960). Material relating to Smythe's professional interests and activities includes syllabi, bibliographies, and lecture notes pertaining to his teaching at Yamaguchi National University (Yamaguchi Daigaku) in Japan and Brooklyn College. Also included is material illustrating Smythe's extra-academic interests including United Nations affairs, Crossroads Africa, and civil rights activities. The papers of Mabel Smythe (Hugh Symthe's wife) include a scrapbook, manuscripts, and some correspondence. Of particular interest is her research material on segregation in education, which was used by the National Association for the Advancement of Colored People legal staff in the 1954 Supreme Court decision in Brown v. Board of Education barring segregation in public schools. Also, manuscripts of articles and speeches, and some correspondence by W.E.B. Du Bois including "Economic Illiteracy," 1947, and "Race Relations in the U.S.," 1948. less

The Katharine Wolfe Papers primarily document the work of the Seattle Public Schools dance teacher and administrator on an unpublished dance history book, The Concert Dance, begun during the summer of 1942 and completed in 1960. less