Found 384 collections related to Scripts

Frank Hogan (1916-1997) was a New York City-based playwright, editor, and radio promoter. The Frank Hogan theatre papers date from 1969 to 1997 and document three of Hogan's stage and film works: Finn MacKool, That Nice Mister Grant, and Lillian Gish and the Movies. The file for Finn MacKool consists of transcribed letters from Hogan to Ethel Huffman discussing his insights and reflections after writing the play, as well as its production potential. Reviews and correspondence regarding the development of Lillian Gish and the Movies are present, and the film's script includes edits and annotations to the text less

Stage, screen and television actor, Roland Young (1887-1953), was born in London and performed in England and the United States. One of his most notable films was Topper (1937). Young became a U.S. citizen in 1918; he died at home in his sleep in New York City in 1953. Roland Young's scrapbook and originals consist primarily of his original drawings and artwork, personal and professional photographs, scripts and poetry (several written by Young himself), a few pieces of correspondence, contracts, financial papers, and some personal ephemera, all documenting Young's life and acting career. There are some photographs of caricatures by Jean Negulesco. Stage and film productions included in the photographs are the film, The Great Lover (1949) with Bob Hope, the stage production, Perfect Pitch (Montclair Theatre, New Jersey, 1948) with Buddy Ebsen; Actors Cary Grant and Henry Daniell are in 2 candid photographs. less

Richard Foreman (1937- ), American director, designer and playwright, founded the Ontological-Hysteric Theatre company in New York in 1968 in order to present his avant-garde plays. Beginning in 1979, he co-produced his work with the New York Shakespeare Festival, the Music Theatre Group/Lenox Art Center and the Wooster Group. Foreman's plays include TOTAL RECALL (1970), PANDERING TO THE MASSES (1975), PENGUIN TOUQUET (1981), FILM IS EVIL: RADIO IS GOOD (1987), MY HEAD WAS A SLEDGEHAMMER (1994), and BAD BOY NIETZSCHE! (2000). The Richard Foreman papers span 1973-1987, and consist of two notebooks, handwritten notes and a typescript of his play NEGATIVES, and two articles about Richard Foreman's work, one in French and the other in Italian. less

Positive Youth Troupe was organized in 1982 in the Bronx, New York and is a part of Mind-Builders Creative Arts Center, a non-profit arts and education program. From November through January, the Positive Youth Troupe members, ages 13-21, attend weekly workshops for professional training in dance, music, and theater. From February through June, they tour junior and senior high schools and community centers in the New York, New Jersey and Connecticut area. The Positive Youth Troupe Collection consists of correspondence, touring itineraries, choreographic notes, and the script and lyrics to songs featured in the original musical the troupe performed, "No Laughing Matter." Written by H. Sefus Henderson and Will Halsey, the musical tells the story of an African-American prep school student and the peer pressure he faces upon returning to his community. Also in the collection are three programs documenting the troupe's performance of this musical at City College, Staten Island Teen Pregnancy Network, Inc., and at Mind-Builders Creative Arts Center. less

Morton DaCosta (born Tecosky), stage and film director and actor, was born 7 March 1914 in Philadelphia. A graduate of Temple University, Mr. DaCosta began his career as an actor and director in regional theatre in 1937. He made his acting debut on Broadway in 1942 in THE SKIN OF OUR TEETH and his New York directing debut in 1949 with a revival of SHE STOOPS TO CONQUER. Among his many productions are PLAIN AND FANCY (1955), NO TIME FOR SERGEANTS (1955), AUNTIE MAME (1956) with which he made his film directing debut in 1958, and THE MUSIC MAN (1957). Mr. DaCosta died in 1989. The Morton DaCosta Papers consist of scripts and promptbooks, production materials, correspondence and personal papers documenting his life and career as a director and actor of stage and film. The papers span the years 1929 to 1978 and include such productions as THE MUSIC MAN, SARATOGA, NO TIME FOR SERGEANTS and AUNTIE MAME, among others. less

The Melvin Dixon papers consist primarily of manuscripts, correspondence, notes, and journals reflecting his experiences as a black gay writer. Most of the collection is comprised of manuscript drafts of Dixon's published works "Trouble the Water," "Vanishing Rooms," "Ride Out the Wilderness," "Change of Territory," as well as drafts for incomplete novels and stories, the fiction he called "works in progress," and short stories, poetry and plays, both published and unpublished. In addition, there are drafts and other material for Dixon's translations of "The Collected Poetry by Leopold Sedar Senghor," Genevieve Fabre's "Drumbeats, Masks and Metaphors," and works by the Haitian writer Jacques Roumain. Some essays and academic papers he presented are also included in collection. less

"Billy" Butler was a musical arranger, conductor, violinist and travel editor of the "Pittsburgh Courier." A graduate of Chicago Musical College, Butler worked with J. Rosamond Johnson, Eubie Blake and other prominent African-American musicians of the period. He also conducted several musical revues including Lew Leslie's "Blackbirds of 1939," "Rhapsody in Black" and Sissle and Blake's "Shuffle Along." In 1947 Butler started "Travelguide," a directory of public accommodations in the United States which catered to people of African descent. The list was later expanded to include foreign countries. Butler was also co-owner of King Travel Organization, Inc., a New York City agency which specifically catered to travelers of African descent. Papers include correspondence and printed material relating to Butler's musical career, articles by Butler on African-American music and musicians, a scrapbook containing reviews of the Lew Leslie musicals in which he appeared, orchestral parts for "Blackbirds of 1939" and "Rhapsody in Black," holograph scores by Butler, a folder of lyrics and a playscript by Butler entitled "Let's Forget Papa.". less

Cy Young wrote the book, music and lyrics for The Glorious Age, originally titled, Extraordinary Behavior of the Common Crowd. The collection consists of production notes, two annotated scripts, a promptbook, financial records concerning investment in the show, the program and a few clippings of reviews. less

The Shepperd Strudwick Papers is composed of correspondence, newspaper clippings, programmes, memorabilia, scripts, and other material relating to the career of Shepperd Strudwick. The papers document in detail the rise of Strudwick's career from "The Carolina Playmakers'' to his nomination for a Tony award for TO GRANDMOTHER'S HOUSE WE GO. Included are financial statements and contracts giving salary information for the years 1952 to 1978. The collection also contains information about accusations by the Onandaga County American Legion that Strudwick was a communist and his reaction to those statements. Insight into his acting technique and his teaching career at the University of Detroit is also included. There is also information about the acting career of his third wife Margaret O'Neill. less

Charles Ludlam, actor, director, and playwright, was born April 12, 1943. He began his career in 1966 with the PlayHouse of the Ridiculous, both as a performer and playwright. Artistic differences caused Ludlam to leave and form his own company, The Ridiculous Theatrical Company, which achieved international recognition. Ludlam's three most successful plays were BLUEBEARD, STAGE BLOOD, and CAMILLE. Although the company attracted grant funding, it was always on the edge of the avant-garde and finances were uncertain. The company made its final tour with Ludlam in the first months of 1980 and then disbanded. Ludlam died on May 28, 1987. The collection consists of diaries, notebooks, scripts, set and costume designs, clippings, transcripts of interviews, and manuscript pages from a published collection of Ludlam's plays. This material was collected as research material for The Complete Plays of Charles Ludlam. The material provides valuable insight into every stage of Ludlam's playwriting process from the development of an idea to its realization on stage. Since Ludlam relied so heavily on improvisation, the information contained in the notebooks and plot outlines in this collection cannot be found anywhere else. less

Actor and comedy writer, Joey Faye was born Joseph Anthony Palladino in New York City in 1910. He made his debut in vaudeville and performed in burlesque, 1931-1938. He went on to appear in plays, movies, radio, television and night clubs, had his own television show, the 54th St. Revue on CBS, and was the author of the Floogle Street sketch and other comedy pieces. Collection consists of typescript photocopies of 34 burlesque skits by Faye who also performed in them. Includes Floogle Street. less

Clifford Smyth was a literary critic and editor of the New York Times Book Review. The nature of Smyth's relationship to American actress, dramatist, and poet Anna Cora Ogden Mowatt Ritchie is unknown. Smyth's papers consist of letters from William Dean Howells, Percy MacKaye, Richard Le Gallienne, and Upton Sinclair dating between 1914-1931. The papers also include a collection of commonplace books, prompt books, scripts, and other material belonging to Anna Cora Ogden Mowatt Ritchie dating from the 1820s through the 1860s. less

The correspondence consists largely of personal letters written by Richard Barstow to his friend Morgan James, as well as some business related correspondence and documents related to litigation. Also includes a script entitled THE RAINBOW YEARS, dated January 30, 1958, for a performance marking the twentieth anniversary of the National Foundation for Infantile Paralysis, i.e. the "March of Dimes." The script features material written for celebrity performers such as Lillian Gish, Eddie Cantor, Don Ameche, and Rudy Vallée. less

The Workshop was founded in 1973 by playwright/director Garland Lee Thompson, along with famed actor/director Morgan Freeman, director/actress Billie Allen and journalist Clayton Riley, as a living memorial to the late actor, director, teacher and producer, Frank Silvera (1914-1970). The Workshop has been based in the heart of Harlem, New York, for the past 26 years. The Workshop has built a long time-honored and prestigious reputation as a nationally and internationally renown playwrights development theatre for up-coming and established artists of all colors, sizes and shapes. Records contain administrative files, production files, including contracts and set designs, and more than one thousand play scripts from the Writers/Directors series and the Larry Neal Memorial Seminar Series. Scripts are chiefly unpublished and unproduced and were written by members of the workshop. Among playwrights included are Mari Evans, Billy Graham, A. Marcus Hemphill, Larry Neal, Vinnette Carroll, Ruby Dee, Owen Dodson, Charles Gordone, Charles Fuller, Laurence Holder, James De Jongh, Clifford Mason, Ntozake Shange, Ed Shockley, Garland Lee Thompson, Richard Wesley, and Samm-Art Williams. less

The bulk of the Charles Gordone Collection pertains to the author's Pulitzer-prize winning play "No Place to Be Somebody," which includes several versions of the play script, programs, letters, playbills, flyers, posters, production and showcase materials, press, and two files for awards Gordone received from the Pulitzer Prize and the National Institute of Arts and Letters in 1970 and 1971, respectively. less

Collection consists of eighteen play scripts and one film script. With the exception of one play which was published in Paris, in French, all plays are unpublished. Titles for three act plays include: "Leedsville," 1951 (carbon copy, with minor corrections); two versions of "The end of the search" (one of the copies lacks the t.p., the date is unknown, and bears handwritten corrections, alterations, and additions. The second copy is dated 1953. Ultimately this play was rewritten as a novel); "A star for Bella," 1956; two copies of "Sounds in the alley," 1964 (the typewritten draft of the play with handwritten corrections, and its final typewritten version); two versions of "God takes the late train," 1964 (carbon copy draft with handwritten alterations, and its final typewritten version); "Not a single blade of grass," 1966 (carbon copy); "The blood of the starches," 1969. less

The John Marriott Papers reflect Marriott's acting career in theater, movies and television commercials. The Personal Papers series, 1940-1977, consists of biographical information, news clippings, obituaries, personal correspondence from friends, and certificates. less

John Wesley De Kay, author and financier, wrote ca. twenty books and several plays, amassed and lost a number of fortunes, and pursued by charges of fraud for various financial deals, spent many years dodging extradition proceedings across Europe. Born in Iowa, he began his career in ranching and newspaper publishing in South Dakota, but by 1910 had achieved international business prominence as president of the Mexican National Packing Company which he had founded in 1902. In 1914 his play, Judas, starring Sarah Bernhardt, was produced at the London Coliseum. Collection consists of an unannotated typescript of De Kay's play, Judas, outlines and partial scripts with some handwritten changes for a few unproduced works, and an author's preface. less

The Leopold Badia papers consist of a variety of materials reflecting a long acting career, including contracts, salary stubs, portions of scripts, sheet music, some correspondence, and a complete radio script from 1945. Contracts for stock productions make up the bulk of Leopold Badia's papers, but there are also several "sides" representing his character's lines from plays, including SPEAK EASY and THE GENTLEMAN FROM ATHENS, and brief notes from colleagues such as José Ferrar, Fredric March, and Sam Levene. The radio script is from a series called ONE MAN'S DESTINY, celebrating the lives of prominent people. This episode is devoted to New York Mayor Fiorello La Guardia. less

The Ira De Augustine Reid papers consist primarily of published and unpublished writings and are divided into personal and professional papers, research notes, writings, Haverford College, subject file and writings by other authors. Included are a small amount of professional correspondence, a diary of a West Indian trip Reid took in 1939, and a few research notebooks. His writings date from his 1925 Master's thesis ("The Negro in the Major Industries and Building Trades of Pittsburgh") through 1966. A few of the many manuscripts are "Negro Immigration to the United States" (1940), "Africans, Black: A Study in Negro Immigration," "A Research Memorandum on the Negro in the American Economic System" (1940), "Survey of Negro Life in New Jersey" (1932), and play scripts including "John Henry: A Comedy in One Act" (1936). Examples of his numerous reports are "The Negro Baptist Ministry" (1951), "State Commission Against Discrimination: An Analysis of its Operations" (1957), "Report of the Commission Appointed by the Governor to Investigate Charges of Excessive Use of Force by Police in Chester, Pennsylvania" (1964) and "Cultural Deprivation and the Schools of Chester, Pennsylvania (1965). less

Lex Monson (Elexendre Remus Monson) was an actor, singer, chorus director and producer. He studied at the Detroit Institute of Music and Drama, and the Robert Nolan School of Music and was a member of the School's famed choir. Monson changed his name to Lex Monson after he moved to New York City. He appeared in the original Broadway production of Vinette Carroll's "Trumpets of the Lord," in 1969. Among the other productions Monson appeared in were the European productions of "Trumpets of the Lord," "Macbeth," "Keyboard," "The Orchard," "God's Trombones," "Joe Turner Come and Gone," and "Driving Miss Daisy.". The Lex Monson collection consists primarily of printed matter. There are also letters from a friend (1980-1986) serving in the military. Programs and reviews of Monson's work over the years make up the bulk of the collection and have been organized chronologically. There are also play scripts for "Grassi's Lute" (2 versions): "Gassire's Lute" and "Gassire's Luter" (for speaking chorus adapted by Lex Monson, translated by Alta Jablow); and "True Colors: The Beat Goes On" by Linda M. Yearwood. less

Arthur David Morse (1920-1971) was an author and television producer for the Columbia Broadcasting System. Typescripts of Morse's published and unpublished articles, speeches, and books; scripts of his television programs "Yesteryear" and "See it Now;" and press clippings, reviews, and other printed matter. Includes page proofs, research notes, and other papers relating to the pubication of Morse's book, WHILE SIX MILLION DIED: A CHRONICLE OF AMERICAN APATHY (1968). Material about the War Refugee Board. Also, other writings concerning nutrition, health, and education. less

E.Y. "Yip" Harburg, Academy Award winning lyricist, created the lyrics for the Academy Award winning film The Wizard of Oz, as well as the Broadway shows Finian's Rainbow, Bloomer Girl, and Flahooley . Among his principal collaborators were Harold Arlen, Vernon Duke, Burton Lane, Arthur Schwartz and Jerome Kern. He died in Los Angeles in 1981. The papers consists mainly of scripts, correspondence, music, lyrics, clippings, notes, speeches, biographies, and articles. less

The collection consists mainly of materials from Billie Burke's career, which include her play, radio, and film scripts, and a relatively small amount of clippings, photographs, and business papers. Materials relating to her career predominate, but there is material relating to Ziegfeld's later career as well. less