Found 302 collections related to Programs

En Garde Arts, Inc., was a New York-based theater company that specialized in "site specific" productions, staging both classics and new works in specially designated, nontraditional architectural or outdoor spaces. Founded in 1985 by former performance artist Anne Hamburger, En Garde Arts distinguished itself by setting plays in unusual public spaces such as warehouses, factories, street corners, piers, and parks. The 1989 production AT THE CHELSEA consisted of three one-act plays set at the Chelsea Hotel on West 23rd Street, each staged in a different room at the hotel itself. In 1990 the troupe presented Mac Wellman's CROWBAR in the dilapidated Victory Theatre on 42nd Street, the first play produced there in over fifty years. In 1993 En Garde Arts staged Charles L. Mee's adaptation of Euripides' ORESTES at an abandoned railroad switching station at 59th Street and 12th Avenue. In 1995 the company staged Jonathan Larson's J.P. MORGAN SAVES THE NATION at the intersection of Wall Broad streets in the heart of Lower Manhattan's financial district. En Garde Arts disbanded at the conclusion of the 1998-1999 season. The En Garde Arts ephemera consists of clippings, photocopies, reviews, programs, fliers, production photographs, press releases, financial papers, and other documents pertaining to En Garde Arts. less

The Nuyorican Poets Cafe was founded by Miguel Algarín in 1974. The original "cafe" was located in Algarín's own apartment, but by the late 1970s he had found a space on East 6th Street between Avenues B and C for poetry readings, music, live radio broadcasts, readings of plays and screenplays, and other performances. The cafe closed for renovations for several years in the mid-1980s, but reopened and found new popularity, especially after being featured in a cover story in the New York Times Magazine and a segment on MTV's Unplugged program, both in 1993. Plays performed at the cafe include Amiri Baraka's MEETING LILLIE, Rome Neal's JULIUS CAESAR SET IN AFRICA, Wesley Brown's LIFE DURING WARTIME, and Ishmael Reed's HUBBA CITY. The Nuyorican Poets Cafe ephemera consists of clippings, fliers, and programs. In addition to the documents, the collection includes photographs of playwrights Amiri Baraka and Vinie Burrows, and two production photographs from Baraka's play MEETING LILLIE. less

The 1920's are represented by photocopies of programs from The Flutist (magazine) and later decades by some original programs and some photocopies, with a complete set for the 1980's and early 1990's only. Supplementary material includes the Certificate of Incorporation, 1920; membership lists; material about exhibit and related concert, 1980; material about A Tribute to Otto Luening, 1985; material about The First New York Flute Club Fair, 1994, and the 1995 New York Flute Club Fair; newsletters, 1989-1995. less

Lincoln Center for the Performing Arts is an arts complex comprising more than a dozen institutions between 62nd St. and 66th St. on Broadway in New York City. Philharmonic Hall (later named Avery Fisher Hall) opened Sept. 24, 1962. Clippings, programs, correspondence, and other papers relating to functions such as Tea with Tina, a fashion show by designer Tina Leser at the Hotel Pierre, Jan. 23, 1962, and other events concluding with The Fashion Gala '63 held at Philharmonic Hall, Jan. 6, 1963. Much of the correspondence is from and to Mrs. William Stewart ("Sue," later Susan N. Thomas) and includes copies of letters between her and Jacqueline Kennedy, in whose honor a seat was endowed by her classmates of Miss Porter's School, and who in turn endowed a seat in honor of her father. less

Nada, founded as Theater Club Funambules and later known as Todo con Nada, was a Manhattan theater company that staged experimental work for twelve years until it closed in 2000. Aaron Beall, Tim Carryer and Babs Bailey began Theater Club Funambules in 1988 in a small space on Ludlow Street in New York's East Village. After Carryer and Bailey departed in 1991, Beall changed the names of the company and its theater to Nada. Other venues operated by the company included two midtown spaces, Nada 45 on 45th Street, and Nada Show World in a former strip club near the Port Authority bus terminal. The Nada company was known for festivals of works by such playwrights as Richard Foreman and Charles Ludlam, and for festivals that consisted entirely of unconventional adaptations of HAMLET and FAUST. Veterans of Nada include playwright Kirk Wood Bromley. The company was evicted from its Ludlow Street space in November 2000 for nonpayment of back rent. The Nada ephemera consists of clippings, fliers, postcards, and other documents pertaining to the theatrical company Nada, also known as Theater Club Funambules and Todo con Nada. The clippings include reviews of individual productions as well as general feature stories about the Nada company, its history, and its artistic director Aaron Beall. Nada was a co-sponsor of the First Annual New York International Fringe Festival in 1997, and a program for that festival is included. less

Diary of operas seen during Brady's European trip in 1901. The longest section, on Germany, consists of mounted programs for and comments in ink about Der Barbier von Bagdad, Cavalleria Rusticana, Der Afrikanerin, Bastien und Bastienne, Der Entfürung aus dem Serail, Der Prophet, Rigoletto, Mignon, Falstaff, Rienzi, Der Mikado, Siegfried, Götterdämmerung, and Carmen. A shorter section on Florence Italy, March 1901, discusses Aida, Mefistofele, Un Ballo in Maschera, Il Trillo del Diavolo (Falchi), Tosca, La Traviata, and the Geisha ; it includes only one program, laid in, for Il Trillo. A final short section, on Paris, discusses Astarte, L'Ouragan, Mireille, La Basoche, Lakmé, Le Chalet, Les Noces de Jeannette, and Carmen ; it includes no programs. Brady's criticism touches on the compositions, but concentrates chiefly on the singing. less

Nathaniel Buchwald (1890-1956), drama critic, teacher, and authority on Yiddish theater, was also a co-founder of the Artef Players Collective, a Yiddish dramatic group, active in New York from the late 1920's to 1940. Born in the Ukraine, Nathaniel Buchwald came to the U.S. as a young man and studied at the University of Georgia, Brooklyn Polytechnic Institute and New York University, where he earned a Bachelor of Science degree in Chemistry. He became a journalist, contributing pieces in Yiddish to the Jewish Daily Forward of New York, then co-founded the Morning Freiheit in 1922. Mr. Buchwald became the Morning Freiheit's drama critic, and also wrote a theater column for the monthly Jewish Life. In 1925, he and several like-minded colleagues formed the Artef Players Collective, a drama troupe dedicated to performing "plays of social import," supported by subscribers and by the players themselves. The collective staged its first production in 1927, and prospered during the Depression, but eventually experienced financial and other difficulties resulting in a two-year hiatus, 1937-9. The group resumed work with Louis Miller's CLINTON STREET in autumn 1939, but despite positive notices and popular support they disbanded in February 1940. In 1943 Nathaniel Buchwald published a book on Yiddish theater in America. He died in 1956. The Nathaniel Buchwald papers and lecture notes span 1927-1940 and consist of lecture notes, a five page ballet synopsis, a program and a handbill relating to the life and career of Nathaniel Buchwald, a critic and co-founder of the Artef Players Collective. The bulk of the collection consists of lecture notes, some encased in mylar, which date from 1927 to 1937 and pertain to the study of drama. There is also an unsigned, undated synopsis for a "proposed Purim ballet," suggested by the folk festival Purim, based on narrative material by Sholem Aleichem. Also included is a program and a handbill for a revue written by Nathaniel Buchwald, LEBEDIK UN FREILACH. less

Alpha Kappa Alpha Sorority, Incorporated (AKA) is the first African American Greek Sorority. It was founded in 1908, by nine college students on the campus of Howard University in Washington, D.C. AKA currently has members in graduate and undergraduate chapters across the world. Their mission is to encourage high scholastics and ethical standards, promote sisterhood, and help young girls and women to improve their social stature. The Alpha Kappa Alpha Sorority Collection consists of historical sketches and other related materials for several New York State chapters, including Delta Mu Omega, Delta Rho Omega, Epsilon Phi Omega, Theta Iota Omega, Xi Chi Omega, and Zeta Nu Omega Chapter. In addition there are letters, news articles, flyers, and programs. less

The Stead Collection gives a comprehensive depiction of the English theater. $bThe collection consists primarily of playbills, programs, clippings and prints, but also contains manuscript material consisting of letters, photographs, legal and financial documents, and ephemera. less

The Soho Repertory Theatre, commonly known as Soho Rep, was founded in the fall of 1975 by Marlene Swartz and Jerry Engelbach at 19 Mercer Street, in the storefront of a loft building. Opening with a revival of Maxwell Anderson's KEY LARGO, Soho Rep has distinguished itself as a producer of adaptations, classics such as Shakespeare's TWELFTH NIGHT and Ibsen's THE MASTER BUILDER, and revivals of rarely staged plays, including John Osborne's INADMISSIBLE EVIDENCE and Frank Marcus' THE KILLING OF SISTER GEORGE. Like other Off-off Broadway troupes, Soho Rep has struggled with rising real estate costs and in the mid-1980s had to leave its original home, eventually moving to 46 Walker Street in 1991. Actors appearing in Soho Rep productions have included Kathleen Turner, Kevin Spacey, and Tim Blake Nelson. The Soho Repertory Theatre ephemera consists of clippings, programs, fliers, photocopies, newsletters, and other documents related to the company. less

Dame Myra Hess (1890-1965) was an English pianist. During the Second World War she organized and performed in hundreds of lunch time concerts at the National Gallery which had been emptied because of the threat of air raids. Marjorie Yates, a pianist and friend of Myra Hess, was born in England and moved in 1926 to the United States, where she taught music until 1968. Henriette Michelson was a piano teacher at The Juilliard School in New York City during the 1930's and 1940's, and later a resident of Jerusalem. Tobias Matthay (1858-1945) was an English piano teacher, author of works on piano technique, and composer. Photographic portraits of Myra Hess, Marjorie Yates, and Henriette Michelson; reproduction of a drawing of Mendelssohn by Varges; texts of speeches by Myra Hess about wartime concerts and about her teacher Tobias Matthay; programs, reviews, clippings, and other material about Myra Hess; clipping of obituary of Marjorie Yates. less

Opera director, concert singer, teacher, conductor and impresario, Dawson was the founder, president and general manager of the National Negro Opera Company. Formed in 1941 due to Dawson's concern regarding the lack of opportunity for Afro-Americans in opera because of racial discrimination, for over 20 years the Company presented such productions as Verdi's Aida and La Traviata, and C.C. White's Ouanga. Among the featured opera singers were Minto Cato, Lillian Evanti, Muriel Rahn, Edward Boatner and Robert Mc Ferrin. Ms. Dawson also founded the Cardwell School of Music and the prize winning Cardwell-Dawson Chorus. At the time of Dawson's death in 1962, her proteges were appearing in the great opera houses of the world. Collection of documents relating to Dawson and the National Negro Opera Company. Collection includes a booklet describing the history and activities of the Company, biographical data on Dawson, and several certificates commending Dawson for her achivements and contributions to various organizations. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

Pauline Oliveros is an American avant-garde composer and performer. Born in 1932, she initially studied with her mother and grandmother, eventually studying composition at the University of Houston (1949-52), San Francisco State College (1954-56), and privately with Robert Erickson. She was codirector of the San Francisco Tape Music Center (1961-65) and director when it became the Mills Tape Music Center (1966-67). From 1967-81 she taught at the University of California, San Diego. In 1981 she became consulting director fo the Creative Music Foundation at West Hurley, New York. The Pauline Oliveros papers contains the composer's correspondence files through the year 1994. less

Costume and set designer Carl Michna Michel was born April 3, 1928. A former resident of Canyon, Texas, he was a graduate of Yale University School of Drama and also studied in Europe. Michel designed and executed costumes for theatre productions, later gravitating to designing costumes almost exclusively for the ballet. Michel designed costumes for some 17 ballets for Dance Theatre of Harlem from 1973 to 1990, also designing sets for a number of them; Michel also co-authored (with Arthur Mitchell) the scenario for the company's production of Giselle (1984). He became production supervisor for Dance Theatre of Harlem in 1985. Michel designed costumes for over 15 other ballet companies and was a member of the International Brotherhood of Painters and Allied Trades and United Scenic Artists. He died Nov. 12, 2004. Collection includes approximately 750 original designs, primarily costume designs, but also set designs, photographs, blueprints, and set model pieces by Carl Michel, for over 50 ballets and 8 theater productions. Many of the designs are for works by Dance Theatre of Harlem from 1973 to 1995. Their stage and television productions of Giselle (1984 and 1987) are especially well documented and include Michel's extensive research papers, in addition to his costume and set designs, and set models. The Joplin dances (Dance Theatre of Harlem, 1995) and various productions of The Nutcracker and Swan Lake are also well represented. Dancers for whom Michel designed include Mikhail Baryshnikov, Erik Bruhn, William Cratty, Gelsey Kirkland, Patricia McBride, Peter Martins, Natalia Makarova, Violette Verdy, Edward Villella, and other performers such as opera singers Galina Vishnevskaya and Klara Barlow. There are also numerous costume designs for Hartford Ballet Company productions. less

Opened on April 9, 1705 in the Haymarket as the Queen's Theatre in honor of Queen Anne, the theater went through various name changes (King's Theatre) with the changing of monarchs. Rather large for drama, it became the first English opera house. In the 1830-1850 period, it was famous as the Italian Opera House for its productions of opera with international stars and for its association with romantic ballet. With the accession of Queen Victoria, it was called Her Majesty's Theatre. Jenny Lind made her English debut here on May 4, 1847. The theater was closed in 1890 and demolished in 1891, though a new theater was built on the site. Printed programs for operas and ballets presented during the 1847 season at Her Majesty's Theatre and bound together into a single volume. less

Since its founding in 1977, the American Composers Orchestra has devoted itself exclusively to American orchestral repertoire of the 20th century. Dennis Russell Davies is its principal conductor. 35 programs and 15 brochures, comprising the complete set for the American Composers Orchestra through 1986 ; reproductions of 5 articles about the orchestra and its conductor Dennis Russell Davies. less

The 29th Street Repertory Theater was founded in 1988 by Tim Corcoran, David Mogentale, and a core group of actors and directors including Leo Farley and Paula Ewin. The company's best known productions include Tracy Letts' KILLER JOE and Bill Nave's BIBLE BURLESQUE, which featured actor Edward Norton. The 29th Street Repertory Theater ephemera consists of clippings, programs, fliers, postcards, photographs and other documents pertaining to the 29th Street Repertory Theater. The clippings include reviews of individual productions, especially Tracy Letts' play KILLER JOE. There are also feature stories about actor/director Leo Farley, a founding member of the troupe, and playwright-in-residence Bill Nave. less

Alexander Smallens was a Russian-born American conductor. He accompanied the Anna Pavlova Ballet Company on a tour to South America (1915-1916) and worked on the staffs of the Boston Opera, Chicago Opera, Philadelphia Opera, and Philadelphia Orchestra. From 1947 to 1950 he was music director of Radio City Music Hall, New York. For many summers he conducted concerts at Lewisohn Stadium, New York. He conducted the premiere of Gershwin's Porgy and Bess in Boston in 1935 and later took it on tour in the United States and Europe. Papers relating to Smallens' career as a conductor include correspondence, programs and flyers, photographs, clippings, complete issues of Broun's Nutmeg 1939 May 27-Sept. 30, and musical scores including arrangements by Smallens and scores with performance markings. Some scores have also been cataloged separately in the Scores file. Correspondents include Marc Blitzstein, Frederick Jacobi, and Leopold Stokowski (each represented by 20 or more letters); George Antheil, Norman Bel Geddes, Alfredo Casella, Aaron Copland, Henry Cowell, Olin Downes, Ira Gershwin, Morton Gould, Werner Josten, Darius Milhaud, Serge Prokofieff, Pitts Sanborn, William Schuman, Roger Sessions, Virgil Thomson, Eugen Zador, and Maria Gay Zenatello (each represented by 5 or more letters); and many other composers and conductors; there is 1 letter from Anton Webern. Series III has been cataloged separately in the VIM file as Photographs from the Alexander Smallens papers. less

The Betty Wharton Papers contain photographs, programs, scrapbooks and correspondence documenting the careers of Ms. Wharton and her husband. Ms. Wharton's papers include photographs, scrapbooks and programs from 1917-1947. The papers of her husband, John F. Wharton, include business correspondence and papers from 1962-1978, and a theatrical scrapbook from 1921-1922. less

Eva Gauthier, a mezzo-soprano, was born in Ottawa. Her pupil Karel Weiss, of Baltimore, was 20 years old in 1947. 12 ALS from Eva Gauthier to Karel Weiss, 1947-1954; 2 ALS from Eva Gauthier to Weiss's mother, 1948 and 1956; 1 TL from Eva Gauthier recommending Weiss for "a Berkshire season", 1947; clipping, flyer, and programs for concerts by or relating to Eva Gauthier, 1951-1966; prospective, minutes, and by-laws for organization which became The Eva Gauthier Society for Living Song, 1959-1960; musical scores of songs by Mario Castelnuovo-Tedesco, E.T. Cone, Ned Rorem, and Hugo Weisgall, accompanied by ALS from Castelnuovo-Tedesco (1966) and Weisgall (1948), and typed postcard from Rorem (1947), all mentioning Eva Gauthier. less

Auguste Kolar was a Bohemian pianist active in Prague and Vienna from about 1859 to 1874. Born in Prague, she studied there with Josef Proksch. In 1865 she performed a 2-piano work in a concert with Clara Schumann. After her marriage to Dr. Heinrich Auspitz in 1868, she took the name Auguste Auspitz-Kolar. During the summers of 1869 and 1870, she performed in London. Scrapbook of concert programs and clippings of reviews, 1858-1874; letters, chiefly between Auguste Kolar and Heinrich Auspitz, 1865-1866, bound in 2 volumes; about 225 photographs (mostly unlabeled, the last dated 1902) in 2 scrapbooks; small scrapbook of pressed leaves from the graves of composers and poets; small scrapbook of "Erinnerung" 1863-1872; literary works by Auguste Kolar including 2 volumes of poetry, a long prose poem, a play, and "Vom Klavierspielen"; book of poems by Gustav Schlicht; Auguste Kolar's copy (probably in her hand) of "Die Lehre von der Melodie," by Josef Proksch. less

Beatrice Laufer is an American composer. The first installment consists of the full score and vocal score of the opera, Ile, based on a play by Eugene O'Neill ; reproduction of the program of a performance of Ile at the Eugene O'Neill Festival, Shanghai, 1988 ; and photocopies of production photographs of Ile, 1988. A videotape of Ile (Shanghai Opera, 1988) and an audiotape of Ile (Yale School of Music, 1980) have been transferred to the Rodgers and Hammerstein Archives of Recorded Sound. Musical scores have also been cataloged separately in the Scores file. less

Bruce Hungerford was an American pianist and Egyptologist. Programs, clippings, and reviews of concerts and phonograph records; letters from Hungerford chiefly to Dr. and Mrs. George Dinsmore Stoddard; letters to Stoddard about Hungerford from other persons; and brochures and correspondence about an audio-visual series by Hungerford on Egyptology. less

Edmond Pauker (ca. 1880-1962) was a Hungarian-born literary agent and play broker in New York who represented European, especially Hungarian, playwrights, as well as some American authors. Collection consists of Pauker's personal and business papers. Personal papers contain correspondence, 1926-1959; legal and financial documents; telephone books and calendar notes; and papers of Honora and Yolan Pauker (Edmund Pauker's sister and his wife.) Business papers include correspondence, 1926-1959, of Edmond Pauker Inc.; correspondence, 1923-1946, with prominent authors, playwrights, movie studios, theatre organizations, and agents. Also, correspondence regarding plays and scripts, advertising, copyright, and related topics; legal and financial documents including cash books, ledgers and journals; writings by authors; printed matter, such as programs and playbills; and photographs of playwrights and play. less