Found 368 collections related to Clippings

En Garde Arts, Inc., was a New York-based theater company that specialized in "site specific" productions, staging both classics and new works in specially designated, nontraditional architectural or outdoor spaces. Founded in 1985 by former performance artist Anne Hamburger, En Garde Arts distinguished itself by setting plays in unusual public spaces such as warehouses, factories, street corners, piers, and parks. The 1989 production AT THE CHELSEA consisted of three one-act plays set at the Chelsea Hotel on West 23rd Street, each staged in a different room at the hotel itself. In 1990 the troupe presented Mac Wellman's CROWBAR in the dilapidated Victory Theatre on 42nd Street, the first play produced there in over fifty years. In 1993 En Garde Arts staged Charles L. Mee's adaptation of Euripides' ORESTES at an abandoned railroad switching station at 59th Street and 12th Avenue. In 1995 the company staged Jonathan Larson's J.P. MORGAN SAVES THE NATION at the intersection of Wall Broad streets in the heart of Lower Manhattan's financial district. En Garde Arts disbanded at the conclusion of the 1998-1999 season. The En Garde Arts ephemera consists of clippings, photocopies, reviews, programs, fliers, production photographs, press releases, financial papers, and other documents pertaining to En Garde Arts. less

Actor Richard Barthelmess formed Inspiration Pictures to make Tol'able David (1921). He founded the Inspiration Company along with Charles H. Duell and Henry King. Inspiration Pictures was located in Los Angeles, California. Collection consists of 96 albums of black and white photographs and press books of clippings for films produced by Inspiration Pictures in the 1920s. The amateur gentleman (ca. 1926), The bond boy (ca. 1922), The bright shawl (ca. 1923), Fury (ca. 1923), Ranson's folly (ca. 1926), Romola (1924), and The white sister (1923) are especially well-documented. There is also one press book of material on actress Lillian Gish, who appeared in The white sister (1923) and Romola (1924), produced by Inspiration Pictures. less

Alfred Kazin (1915-1998) was an American literary and cultural critic, essayist and historian. He was one of the most influential of New York intellectuals in the second half of the twentieth century, and belonged to the circle of writers and thinkers associated with the Partisan Review. Kazin's best-known work of criticism was On Native Grounds (1942), his seminal study of American prose and fiction of the period 1890-1940, and is also wel-known for his three memoirs, A Walker in the City (1951), Starting Out in the Thirties (1965), and New York Jew (1978). In 1996 he was awarded the first Truman Capote Lifetime Achievement Award in Literary Criticism. As of 2014, the only other award winner was George Steiner. The archive contains typescripts of Kazin's essays, books, unpublished biographical sketches, and lectures; more than 75 personal and literary journals; 13 literary notebooks; personal, literary and financial correspondence; two commonplace notebooks; extensive subject and biography research files (including especially extensive files on Herman Melville, the Civil War, Harriet Beecher Stowe, slavery, and African-American literature); examinations and reading lists for undergraduate courses taught by Kazin; research files on a large number of American literary figures; page proofs; photographs; correspondence from over 60 persons (excluding fan mail), including writers, critics, cultural notables, intimate friends, and family members; and correspondence from Kazin to over 250 recipients, including over 60 letters to Judith Dunford (Kazin's third wife), dating from 1977 to 1982. less

Anonymous ms. poem addressed to Minna Planer as Sena in Solomon's Judgment, 1833 Feb. 14 ; 15 ALS, including 2 from Anton Hübsch of Königsberg, offering engagements at various theaters in Germany, 1833 Dec. 23 - 1836 March 6 ; 1 ALS from Minna Planer, Magdeburg, 1833 Dec. 27, to an unspecified theater director stating her conditions ; contract between Minna Planer and Anton Hübsch of the Königsberg Theater, 1836 March 28 ; newspaper, Unterhaltungsblätter, Königsberg, 1836 Nov. 5, containing an article on Minna Planer as an actress. A draft letter for Minna Planer in the hand of Richard Wagner is cataloged separately (NYPW91-A75). A ms. stagebook with Minna Planer's silent part in Auber's Die Stumme von Portici has been cataloged separately in the Books File (NYPG91-B1045). less

The Nuyorican Poets Cafe was founded by Miguel Algarín in 1974. The original "cafe" was located in Algarín's own apartment, but by the late 1970s he had found a space on East 6th Street between Avenues B and C for poetry readings, music, live radio broadcasts, readings of plays and screenplays, and other performances. The cafe closed for renovations for several years in the mid-1980s, but reopened and found new popularity, especially after being featured in a cover story in the New York Times Magazine and a segment on MTV's Unplugged program, both in 1993. Plays performed at the cafe include Amiri Baraka's MEETING LILLIE, Rome Neal's JULIUS CAESAR SET IN AFRICA, Wesley Brown's LIFE DURING WARTIME, and Ishmael Reed's HUBBA CITY. The Nuyorican Poets Cafe ephemera consists of clippings, fliers, and programs. In addition to the documents, the collection includes photographs of playwrights Amiri Baraka and Vinie Burrows, and two production photographs from Baraka's play MEETING LILLIE. less

Artec Consultants, Inc., provides interdisciplinary consulting services for buildings for the performing arts, and basic design services for theatres, opera houses, concert halls, recital halls and related facilities. Drawings for the Philadelphia Orchestra Hall project by acoustician Russell Johnson of Artec Consultants, Inc. less

Lincoln Center for the Performing Arts is an arts complex comprising more than a dozen institutions between 62nd St. and 66th St. on Broadway in New York City. Philharmonic Hall (later named Avery Fisher Hall) opened Sept. 24, 1962. Clippings, programs, correspondence, and other papers relating to functions such as Tea with Tina, a fashion show by designer Tina Leser at the Hotel Pierre, Jan. 23, 1962, and other events concluding with The Fashion Gala '63 held at Philharmonic Hall, Jan. 6, 1963. Much of the correspondence is from and to Mrs. William Stewart ("Sue," later Susan N. Thomas) and includes copies of letters between her and Jacqueline Kennedy, in whose honor a seat was endowed by her classmates of Miss Porter's School, and who in turn endowed a seat in honor of her father. less

Robert Benchley, humorist, critic, actor, writer and director was born in 1889 in Worcester, Massachusetts. His writing career began as early as his college days as president of the LAMPOON, in which he wrote many articles. His reputation as a humorist grew when he became editor of the New York Tribune's Sunday Magazine. During the 1920's he was the dramatic editor for both Life Magazine and the New Yorker. His career also included writing, acting and directing for MGM. The Robert Benchley Papers consist of correspondence, photographs, clippings, scrapbooks, programs and reviews and document both the careers of him and his son, Nathaniel. less

Georg Herwegh, a German poet, was a friend of composer Richard Wagner. Clipping of a poem which deals humorously with Wagner's Munich experiences. The former owner Mrs. Burrell dates it as of 1865. The article, in an unidentified publication, states that the poem is quoted from the Vienna National-Zeitung. less

Nada, founded as Theater Club Funambules and later known as Todo con Nada, was a Manhattan theater company that staged experimental work for twelve years until it closed in 2000. Aaron Beall, Tim Carryer and Babs Bailey began Theater Club Funambules in 1988 in a small space on Ludlow Street in New York's East Village. After Carryer and Bailey departed in 1991, Beall changed the names of the company and its theater to Nada. Other venues operated by the company included two midtown spaces, Nada 45 on 45th Street, and Nada Show World in a former strip club near the Port Authority bus terminal. The Nada company was known for festivals of works by such playwrights as Richard Foreman and Charles Ludlam, and for festivals that consisted entirely of unconventional adaptations of HAMLET and FAUST. Veterans of Nada include playwright Kirk Wood Bromley. The company was evicted from its Ludlow Street space in November 2000 for nonpayment of back rent. The Nada ephemera consists of clippings, fliers, postcards, and other documents pertaining to the theatrical company Nada, also known as Theater Club Funambules and Todo con Nada. The clippings include reviews of individual productions as well as general feature stories about the Nada company, its history, and its artistic director Aaron Beall. Nada was a co-sponsor of the First Annual New York International Fringe Festival in 1997, and a program for that festival is included. less

Morton DaCosta (born Tecosky), stage and film director and actor, was born 7 March 1914 in Philadelphia. A graduate of Temple University, Mr. DaCosta began his career as an actor and director in regional theatre in 1937. He made his acting debut on Broadway in 1942 in THE SKIN OF OUR TEETH and his New York directing debut in 1949 with a revival of SHE STOOPS TO CONQUER. Among his many productions are PLAIN AND FANCY (1955), NO TIME FOR SERGEANTS (1955), AUNTIE MAME (1956) with which he made his film directing debut in 1958, and THE MUSIC MAN (1957). Mr. DaCosta died in 1989. The Morton DaCosta Papers consist of scripts and promptbooks, production materials, correspondence and personal papers documenting his life and career as a director and actor of stage and film. The papers span the years 1929 to 1978 and include such productions as THE MUSIC MAN, SARATOGA, NO TIME FOR SERGEANTS and AUNTIE MAME, among others. less

Correspondence; memoranda; reports; minutes of meetings; press releases; drafts and final copies of articles, speeches, and statements; awards and certificates; diaries; photographs; magazines; clippings; pamphlets and papers; programs; posters; and scrapbooks. Correspondents include: Samuel Barber, Jacques Barzun, William Bergsma, Leonard Bernstein, Aaron Copland, Agnes DeMille, David Diamond, Antal Dorati, Morton Gould, Martha Graham, Frank Loesser, Otto Luening, Peter Mennin, Eugene Ormandy, Vincent Persichetti, Frederik Prausnitz, Andre Previn, Josef Raieff, Claire Reis, Richard Rodgers, Isaac Stern, Risë Stevens, Anthony Strilko, Roman Totenberg, Edgard Varèse, and Hugo Weisgall; representatives of organizations with which he has been associated and of other orchestras, foundations, educational institutions, and publishers. less

Violet Strathmore (whose name was sometimes spelled "Violette"), was a stage actress active in musical comedy, especially from the era of the First World War into the 1920s. The collection consists of clippings and photographs devoted to the career of Violet Strathmore. Stage productions featuring Violet Strathmore described in clippings and depicted in photographs include ARTISTS AND MODELS OF 1924, HIS LITTLE WIDOWS (1917), AS YOU WERE (1920), and LADY GODIVA (n.d.). less

The Wooster Group was formed in the mid-1970s by members of the Performance Group, a New York-based theatrical troupe devoted to experimental work. The Performance Group was founded by Richard Schechner in 1967 and counted among its members Spalding Gray and Elizabeth LeCompte. After Schechner left in 1975, LeCompte became director of the company, which was renamed for its space's location, 33 Wooster Street. The Wooster Group became known for avant garde "deconstructions" of such familiar texts as OUR TOWN, THE THREE SISTERS, and Arthur Miller's THE CRUCIBLE, although use of excerpts from the latter play in a work called L.S.D. provoked legal action from Miller and forced the show to close. Prominent actors in the Wooster Group include Spalding Gray, Willem Dafoe, Steve Buscemi, and Kate Valk. Other notable Wooster productions include NORTH ATLANTIC, ROUTE 1 & 9, and Vawter's one-person show ROY COHN/JACK SMITH. The Wooster Group ephemera consists of clippings, magazine articles, fliers, and other documents related to the activities of the troupe. In addition to the documents, there are two photographs of Ron Vawter performing his one-person show, ROY COHN/JACK SMITH. less

The Stead Collection gives a comprehensive depiction of the English theater. $bThe collection consists primarily of playbills, programs, clippings and prints, but also contains manuscript material consisting of letters, photographs, legal and financial documents, and ephemera. less

The Sombrero Playhouse, founded in Phoenix, Arizona, in 1949, was for many years a popular venue for touring productions featuring prominent performers, including a number of Hollywood luminaries. Founded by artistic director Richard Charlton, the Sombrero Playhouse became during its heyday perhaps the major performing arts center between Dallas and Los Angeles, attracting celebrity players such as Groucho Marx, Tallulah Bankhead, Ginger Rogers, Gloria Swanson, Bob Cummings, Celeste Holm, Shelley Winters, Margaret O'Brien, ZaSu Pitts, Pat O'Brien, Walter Pidgeon, John Raitt, and others. These actors usually toured in established works, but new plays were occasionally tried out at the Sombrero, such as William Inge's NATURAL AFFECTION, which premiered in Phoenix in 1962, a year prior to its Broadway run. The Sombrero Playhouse papers consist mostly of clippings from Arizona newspapers and magazines dated between 1961 and 1964, but primarily from 1962 and 1963, concerning current productions at the Sombrero Playhouse. Much of the material consists of feature stories on the star performer of the current show, usually including biographical information about the performer along with excerpts from a recent, local interview. There is also general information about the theater and its founding artistic director Richard Charlton, about the Galaxy Gallery, an art gallery adjacent to the theater operated by Richard's wife Helen Charlton, and the Backstage Club, a restaurant in the same complex which began as a club for actors appearing in Sombrero productions. The material from 1964 speaks of plans to build a new Phoenix Performing Arts Center. less

The Soho Repertory Theatre, commonly known as Soho Rep, was founded in the fall of 1975 by Marlene Swartz and Jerry Engelbach at 19 Mercer Street, in the storefront of a loft building. Opening with a revival of Maxwell Anderson's KEY LARGO, Soho Rep has distinguished itself as a producer of adaptations, classics such as Shakespeare's TWELFTH NIGHT and Ibsen's THE MASTER BUILDER, and revivals of rarely staged plays, including John Osborne's INADMISSIBLE EVIDENCE and Frank Marcus' THE KILLING OF SISTER GEORGE. Like other Off-off Broadway troupes, Soho Rep has struggled with rising real estate costs and in the mid-1980s had to leave its original home, eventually moving to 46 Walker Street in 1991. Actors appearing in Soho Rep productions have included Kathleen Turner, Kevin Spacey, and Tim Blake Nelson. The Soho Repertory Theatre ephemera consists of clippings, programs, fliers, photocopies, newsletters, and other documents related to the company. less

Correspondence, clippings, and ephemera relating to the Carnival Caravan, a non-profit cultural initiative created by Barbara Mather Chapin to bring art, literature, music, and drama to children in small communities and rural areas using a dedicated truck caravan less

Papers of Roland T. Ely, professor of Latin American hstory and economics at Rutgers University, including proposals for a "Project to Further Inter-American Friendship and Understanding;" academic papers (uncredited); and material relating to an honorary decoration bestowed on Ely by the government of Argentina less

The miscellany chiefly contains letters to and from American editor, educator, author, and civic leader John Huston Finley. Outgoing letters stem mainly from Finley's term as editor-in-chief of the New York Times, though the tone of the correspondence is chiefly social, often relating to books or writings sent or received by Finley. Also included are autographs, clippings, and a certificate of honor from the Leonardo da Vinci Art School less

Dame Myra Hess (1890-1965) was an English pianist. During the Second World War she organized and performed in hundreds of lunch time concerts at the National Gallery which had been emptied because of the threat of air raids. Marjorie Yates, a pianist and friend of Myra Hess, was born in England and moved in 1926 to the United States, where she taught music until 1968. Henriette Michelson was a piano teacher at The Juilliard School in New York City during the 1930's and 1940's, and later a resident of Jerusalem. Tobias Matthay (1858-1945) was an English piano teacher, author of works on piano technique, and composer. Photographic portraits of Myra Hess, Marjorie Yates, and Henriette Michelson; reproduction of a drawing of Mendelssohn by Varges; texts of speeches by Myra Hess about wartime concerts and about her teacher Tobias Matthay; programs, reviews, clippings, and other material about Myra Hess; clipping of obituary of Marjorie Yates. less

A violinist and conductor, Max Pollikoff was born in Newark, N.J., in 1904, and died in New York City in 1984. He organized Music in Our Time, a concert series which ran from 1954 to 1974 at the 92nd St. YMHA, New York. Published and unpublished music by various composers with markings by Pollikoff, scrapbook, programs, clippings, photographs, poster, receipts, checks, contracts, brochures, pamphlets, periodicals, address books, appointment books, memorabilia, and correspondence including letters relating to Music In Our Time. less

Dr. Victor Hugo Paltsits (1867-1952) was an archivist, librarian, and New York State Historian who served as Keeper of Manuscripts for the New York Public Library from 1914 to 1941. Collection consists of correspondence of both a professional and personal nature; greeting cards to and from Paltsits; a certificate from the Upper Missouri Historical Expedition; drafts of an address on public records; drafts of writings; clippings and biographical material; a typescript copy of his address, "The Beginnings of Presbyterianism in Albany," and related ephemera. The professional correspondence largely relates to his work as New York State historian, 1909 to 1911. less

Letters sent to George J. Coombes at the Astor Library and John Shaw Billings at the New York Public Library by S. Millington Miller, a serials dealer and notable forger, largely pertaining to sales of serials and periodicals to the libraries, as well as a clipping from the Savannah Morning News describing an altercation between Miller and Georgia librarian William Harden stemming from Harden's accusations of "literary fraud" against Miller. less

Miscellaneous material by or relating to Lithuanian-born pedagogue, journalist, and Zionist Isaac Goldberg who worked mainly in Lodz, Poland. including letters, both original and transcriptions; a memorial poem; and newspaper clippings. In English, German, and Hebrew less

Letters (1932-1926) of Arthur M. Rupp, Robert Reidt, Margaret W. Rowen, and others, relating to religious activities, and to a prophecy of the destruction of New York City in 1926. Also includes circular letters, clippings, and flyers relating the Adventists of Long Island, New York, and Hollywood, California less

Collection consists mainly of correspondence between British-born American painter John William (J.W.) Hill and various friends and family members, including Gordon Lester Ford and his wife, Emily Ellsworth (Fowler) Ford. Letters discuss social and family matters, as well as the creation and sale of his work. Also included are canceled checks, receipts, order slips from the Brooklyn Art Association, a biographical note, and clippings, largely related to Hill's death in 1879 less

Since its founding in 1977, the American Composers Orchestra has devoted itself exclusively to American orchestral repertoire of the 20th century. Dennis Russell Davies is its principal conductor. 35 programs and 15 brochures, comprising the complete set for the American Composers Orchestra through 1986 ; reproductions of 5 articles about the orchestra and its conductor Dennis Russell Davies. less