Scope and arrangement
Annie Proulx's papers date from 1839 to 2023, and chronicle her career as an author, historian, and journalist. The papers document Proulx's evolution as a writer; her enduring ecological, sociological, and historical research interests; how those interests inform her work; and the publishing industry as seen from an author's perspective.
The collection is arranged into six series that cover Proulx's written works, both published and unfinished; artwork done by Proulx, friends, and family members; correspondence; research materials, including Proulx's research library; press and publicity materials; and personal materials, including genealogical research into the Proulx family.
Of particular note are the earliest drafts of works such as Postcards, The Shipping News, and "Brokeback Mountain." Drafts, galleys, correspondence, awards, travel itineraries, and written interview notes are all present.
The collection includes some born-digital drafts of works and correspondence, as well as materials related to Dead-Line Limited, Proulx's business entity. Some commercial media, including a sizable portion of Proulx's collection of albums, are included. Other audio and video recordings include interviews, radio recordings, and recorded educational materials related to Proulx's research and her works.
Materials related to Fen, Bog, and Swamp: A Short History of Peatland Destruction and Its Role in the Climate Crisis, published in 2022, are not present in the collection.
The E. Annie Proulx papers are arranged in six series:
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1964-202347.54 linear feet (172 boxes). 3.7 gigabytes (2,565 computer files). 6 audio recordings. 1 moving image recording
Series I is dated from 1964 to 2023, and covers Proulx's trajectory as an author, historian, and journalist. The series illustrates her work on novels, short stories, essays, book reviews, and speech transcripts, as well as her working relationships with literary agents, editors, and translators. Novels and short story collections make up the bulk of this series.
The series traces Proulx's work through the traditional publication process, from initial drafts to final production. Materials related to commissioned work published before 1988's Heart Songs include project proposals, book outlines, and drafts. The series also details Proulx's professional relationship with literary agents, editors, designers, translators, publicists, and other authors through multiple iterations of annotated drafts and correspondence.
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1955-20096.83 linear feet (26 boxes, 2 folders)
Series II spans from 1955 to 2009, and holds sketchbooks, loose sketches and drawings, small mixed media sculptures, mail art, and assemblages done by Proulx and others.
Proulx's artwork consists of pen or graphite sketches and watercolor paintings, mainly of landscape and people. Some portraits of Proulx are also present in this series.
Artwork by others includes works by Proulx's mother, painter and amateur naturalist Lois Nellie Gill Proulx; her children Gillis and Morgan; two movable mixed media works by Willy Matthews inspired by Proulx's short stories "The Bunchgrass at the End of the World" and "Blood Bay;" mail art by Robert Warner, also inspired by several works by Proulx; and sample work by book artist Claire Van Vliet's press, Janus Press, for an unrealized collaborative project between Van Vliet and Proulx.
Some artwork by Lois Gill Proulx was removed from this series and is housed with materials in Subseries V.A.
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1968-202326.04 linear feet (88 boxes, 1 tube). 6.2 megabytes (538 computer files)
The Correspondence series (1968 to 2023) chronicles Proulx's professional and personal relationships through letters, emails, postcards, holiday cards, and notes. Fan letters are also present.
Some individuals Proulx corresponded with include Larry McMurtry, Francisco Goldman, David Plante, Nan Graham, Susan Swan, David Nash, Sydney Lea, Aidan Higgins, Ivan Doig, Skip Gorman, Tim Gautreaux, and Joel Conarroe.
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1839-201821.25 linear feet (76 boxes, 183 volumes, 1 folder). 136.7 megabytes (104 computer files). 5 moving image recordings
Research materials for all of Proulx's works, as well as general research files, are held in Series IV. Proulx's extensive research files include maps and guides organized by region; project files with articles organized by subject; hundreds of research photographs, many organized by place; newspaper and magazine clippings; holograph and typescript notes; research articles and essays; and copies of local, state, and federal statutes and legislature.
Subjects include horticultural research, the history of logging and illegal logging, ecology, horticulture, extreme weather, the fishing industry, ranching, rare books and special collections, small presses, and American western vernacular. Many miscellaneous subjects are also present, including a folder of newspaper clippings and obituaries about odd and unusual deaths; research for an unrealized work about volcanoes; and Internet strangers. Original folder names have been maintained wherever possible.
Research files for Accordion Crimes, Barkskins, Bird Cloud: A Memoir, Post Cards, Red Desert, and That Old Ace in the Hole are all present in this series.
Proulx's 161-volume library is also held with the research materials. Many of these volumes include academic work about the cultural, geological, and ecological history of the American West, in particular Wyoming; independently published histories of cattle ranching regions and frontier settlements; cowboys; and collections of folk stories and songs. Many contain annotations by Proulx in the margins, holograph notes, bookmarks, and other inserts. Inserts have been removed from the volumes to corresponding folders.
Additional research materials can be found in Series VI: Photographs.
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1969-202115.42 linear feet (48 boxes, 2 folders). 8.1 megabytes (105 computer files). 11 audio recordings. 2 moving image recordings
Series V, dated from 1969 to 2021, holds interviews, promotional materials, book design mockups and cover drafts, reviews, and works about Proulx or her work, written by others. Series V illuminates the process of moving a book through drafting to final publication from a business perspective.
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1895-202316.37 linear feet (60 boxes, 2 folders). 440.6 megabytes (659 computer files). 43 audio recordings. 12 moving image recordings
Series VI dates from 1895 to 2023 and holds photographs, book contracts, royalty statements, documents related to various properties owned or rented by Proulx, and writings by Proulx's friends. Some correspondence is also present in this series. Photographs are primarily of Proulx's family, friends, and portraits of Proulx.