Scope and arrangement
The Morgan and Marvin Smith photographs contain prints and negatives related to the Smith brothers' careers as photographers and artists. Photographs in the collection are primarily from the 1930s through the 1950s and capture the Harlem nightclub scene, social and political events, street scenes, and the activities of Harlem residents. Also present are photographs of the Smith family from the 1890s to 2003.
The collection contains images and reproductions of the Smiths' artwork, including paintings, sculptures, and textile works. The collection also holds photographs of other artists' work.
The Smiths' personal lives are illustrated through photographs with friends and family. There are pictures of the Smith brothers as children, as well as their extended family in Kentucky in the 1890s through the 1920s. Also present are photographs Marvin took while stationed in the Navy, many in the South Pacific.
While the Smiths were working photographers in the 1930s and 1940s, they photographed many prominent Black figures, especially in the Harlem area. The images of personalities include professional portraits as well as candid images. Individuals the Smiths photographed include Nat King Cole, Duke Ellington, Ella Fitzgerald, W. C. Handy, Eartha Kitt, Adam Clayton Powell Jr., and the boxer Joe Louis. Individuals are listed in the container list.
Photojournalism includes images the Smiths took during through the 1930s and 1950s when they covered events and neighborhoods in New York City. The images depict performances and audience of the Apollo Theater and the Harlem nightclub scene in general. They were also interested in documenting Black workers and organizations, including the first Black policeman, first Black woman juror, and the first Black woman streetcar driver.
The photographs filed with the Smiths' professional work include commercial and fashion shoots, nature, television and film sets, weddings, and publicity shots of the brothers working in the M. Studio.
The studio portraits comprise professional portraits that the Smiths took in New York City, particularly Harlem. While some of the people depicted are identified, the majority of these studio portraits are of unidentified Black families and individuals.
Arrangement
Photographs are arranged topically into artworks, friends and family, personalities, photojournalism, professional work, and studio portraits.