Scope and arrangement
The collection consists of mostly black and white negatives (8 x 10" and 120 film) and some prints depicting the repertoire, ballet dancers and choreographers of Ballet Caravan, Ballet Society, Ballet Theatre, and later New York City Ballet and American Ballet Theatre, from approximately 1933 to 1955.
Ballets well-represented in the collection include Billy the Kid (1938-1950), The Cage (1951-1953), Cakewalk (1951), Filling Station (1937-1953), Jones Beach (1950), Orpheus (1948-1950), Orpheus and Eurydice (1936), Symphony in C (1948), and La Valse) (1951). The collection contains two color transparencies: Billy the Kid (1938) and The Firebird (1949).
There are also numerous studio photographs of ballet notables such as George Balanchine, Alexandra Danilova, André Eglevsky, Nora Kaye, Tanaquil Le Clercq, Nicholas Magallanes, Alicia Markova, Francisco Moncion, Jerome Robbins, and Maria Tallchief.
Among many others also included are Martha Graham (1936) and Ram Gopal (1938), New York City Ballet corps members (1951-1952), and School of American Ballet (circa 1941-1948) with Edward Villella among the students.
Arrangement
Alphabetical.