Scope and arrangement
The Walter Terry slides, dating from the 1940s to 1981, incorporate his professional reference and lecture photographs. The color and black-and-white slides reproduce images of ballet and modern dance companies and dancers, as well as various folk and traditional dances from the late 19th and early 20th centuries. Most dancers performed with companies based in Western Europe and the United States. Some slides have handwritten annotations identifying dancers, dance companies, ballet and dance titles, but most do not.
The bulk of the slides appear to be copies of rehearsal, performance, and portrait photographs created by dance companies for production programs or publicity purposes. Dancers are often depicted on stage or in a studio performing in costume. Ballet dancers Alicia Markova, Anton Dolin, Violette Verdy, Alicia Alonzo, Rudolf Nureyev; ballet companies New York City Ballet and American Ballet Theatre; modern dance companies Ted Shawn and His Male Dancers, Denishawn Dancers, Alvin Ailey American Dance Theater, Dance Theater of Harlem, Martha Graham Dance Company; and modern dancers Merce Cunningham, Pearl Lang, and Loie Fuller are well represented in the collection. Slides of Ruth St. Denis, Ted Shawn, and the Denishawn Dancers, recount the choreographers' cultural appropriation of the movements, dress, and music of East Indian, Spanish, American Indian, Arab, Sri Lankan, Japanese, and Egyptian cultures. A few slides detail drawings from textbooks illustrating various folk and traditional dances, including the Juba dance and clogging. The slides also feature headshots of Terry from the 1970s and candid shots of an unidentified woman.
Arrangement
The collection is arranged alphabetically by lecture, dancer, dance company, or type of dance.