Found 82 collections related to Actors

The Ilka Chase Papers consist of correspondence, photographs, newspaper clippings, scripts, scrapbooks and other material related to the career of Ilka Chase. There is also considerable material related to the career of her mother, Edna Woolman Chase, and to "Vogue" magazine. There is a large amount of personal correspondence, especially between Ilka Chase and her mother. The collection also contains the entire run of scripts from a radio program hosted by Ilka Chase from January 1951 to October 1951 and a complete run of articles for a syndicated newspaper column from 1955 to 1964. The photograph collection contains photos of Ilka Chase both in her professional career and private life, Edna Woolman Chase, and other celebrities, including Mr. and Mrs. Eugene O'Neill. less

Burl Ives was a singer, an author and a film, television and theater actor from the late 1930s through the 1980s. This collection contains material from 1913 through 1975, but the majority of the materials are from the 1950s and 1960s. The materials in the collection cover the various aspects of Ives’ professional career. less

The Schindler papers consist of correspondence, photographs, newspaper clippings, pencil drawings, programmes, production schedules, and other material related to the career of Ewald Schindler. The collection includes extensive correspondence between Schindler and Liljan Espenak as well as photographic material, covering both Schindler's life and many of his dramatic roles. less

The Steppenwolf Theatre Company Grapes of Wrath production files contain scripts, schedules, administrative records, research material, correspondence, programs, reports, contracts, plans, notebooks, clipppings, photographs, and ephemera relating to the Chicago, San Diego, London, New York, and television productions of the play. less

Richard Mansfield, actor, was born in Berlin in 1854. He began his career on the London stage but by 1882 he had migrated to the United States and was appearing in the New York theater. Mansfield was instrumental in introducing the works of George Bernard Shaw to the American stage. In his last theatrical performance he played the title role of PEER GYNT in the first English language production of that play. Three letters written by Richard Mansfield to a W. W. Blackmer of Boston. Also includes 8 images. All materials are glued onto pages that appear to have been removed from a scrapbook. less

St. Clair Bayfield (John St. Clair Roberts), a character actor known for his many Shakespearean roles, was born August 2, 1875 in Cheltenham, England. After Mr. Bayfield died on May 19, 1967, his widow, Kathleen Bayfield, helped to establish an annual award in his name. The award, administered by Actors Equity Association, is given to an actor or actress in a non-featured role in a Shakespearean production. The St. Clair Bayfield collection contains clippings, correspondence, photographs, a poster, programs, scripts and other material that document Mr. Bayfield's acting career and the St. Clair Bayfield awards. less

The Alexander Scourby Papers document the professional career of the prolific actor and narrator through contracts, correspondence, photographs, scripts, and other material. Although he had a long and varied career as an actor and narrator on stage, screen, and radio, Alexander Scourby considered his most important work to be the performances he gave as a voice actor in the Talking Books recordings he made for the American Foundation for the Blind. less

Charles Ludlam, actor, director, and playwright, was born April 12, 1943. He began his career in 1966 with the PlayHouse of the Ridiculous, both as a performer and playwright. Artistic differences caused Ludlam to leave and form his own company, The Ridiculous Theatrical Company, which achieved international recognition. Ludlam's three most successful plays were BLUEBEARD, STAGE BLOOD, and CAMILLE. Although the company attracted grant funding, it was always on the edge of the avant-garde and finances were uncertain. The company made its final tour with Ludlam in the first months of 1980 and then disbanded. Ludlam died on May 28, 1987. The collection consists of diaries, notebooks, scripts, set and costume designs, clippings, transcripts of interviews, and manuscript pages from a published collection of Ludlam's plays. This material was collected as research material for The Complete Plays of Charles Ludlam. The material provides valuable insight into every stage of Ludlam's playwriting process from the development of an idea to its realization on stage. Since Ludlam relied so heavily on improvisation, the information contained in the notebooks and plot outlines in this collection cannot be found anywhere else. less

Charlotte Stevenson created numerous Judy Garland scrapbooks. This collection contains 13 scrapbooks referencing periods of Judy Garland's life and career. The scrapbooks hold original and reproduced press clippings, postcards, pamphlets, programs, photographs and typewritten copies of articles from magazines and newspapers. less

First Mexican-American actor to win an Academy Award, Anthony Quinn's most notable film roles were the title character in Zorba the Greek for which he received his fourth Oscar nomination and the circus strongman in Fellini's La Strada. He had a prolific career on film playing especially villains and a wide variety of ethnic types. On Broadway he replaced Marlon Brando in A Streetcar Named Desire and played opposite Laurence Olivier in Thomas Becket. Quinn was also a painter and writer. Lengthy letters by Quinn to his literary agent Bertha Case focus on the writing of his autobiography, but also discuss his busy film career. Also includes a few photos of Quinn including Christmas card portraits with his family and a published copy of his The Original Sin: A self-portrait, inscribed to Case. less

J. Edward Bromberg, actor, director, and producer, was part of the Civic Repertory Theatre, the Group Theatre, and the Actors' Laboratory Theatre as well as a leading character actor in motion pictures. His papers contain scripts, correspondence, playbills, press releases, and clippings that document his career. less

James Barton (1890-1962) was an American actor, singer, dancer and comedian in vaudeville, theatre, film and television. The James Barton papers document the career and personal life of James Barton through production files, scripts, sheet music, photographs, scrapbooks, contracts, publicity materials, correspondence, and personal ephemera. less

The A'Becket Family Diaries and Prompt Books include handwritten memoirs and daily notations regarding the life and career of Thomas A'Becket, Sr. from 1844 to 1890. The diaries show the extent of A'Becket's theatrical activities. The diaries of his son, Thomas A'Becket, Jr. are primarily music related. These diaries span the years 1862 to 1880. The scripts and prompt books are sometimes annotated and sometimes unmarked and belonged to Thomas A'Becket, Sr. They span his career and some give information on the theater and year of the production. The collection appears to be a useful research source for detailing the life of a stock actor, writer and musician of the 19th century. A'Becket includes information on his work schedule and his travel schedule in the circuit theaters. Information as well, regarding his family, friends and acquaintances can be found in the diaries. less

The John Gielgud correspondence consists of letters, postcards and Christmas cards sent by Gielgud to Katharine Cornell, Guthrie McClintic, and Nancy Hamilton between the years 1958 and 1982. The letters and cards are handwritten, with closings that frequently convey the well-wishes of both Gielgud and his long-time companion Martin. The collection also contains seven photographs - six of Gielgud and one of Martin's Pekingese named Caesar. less

John Gielgud, actor, was born 14 April 1904 in London, England. Since his first theatrical appearance in 1921 he has had a distinguished career on stage, in films and on television. John Gielgud died in 2000. The John Gielgud letters to Howard Turner consist of notes and letters sent by Gielgud between the years 1946 and 1994. The letters are handwritten, with references to his work on the stage, screen and television. less

The diaries of Judith Malina include personal reflections, a history of many aspects of The Living Theatre, and a view of the avant-garde cultural life of New York in the 1940's and 1950's. Malina documents her own struggles as a young woman and artist and also the struggle, together with Julian Beck, to create The Living Theatre. Among their contemporaries and collaborators were James Agee, John Cage, Joseph Campbell, Merce Cunningham, Dorothy Day, Richard Edelman, Paul Goodman, Lou Harrison, Alan Hovhaness, Lester Schwartz and Philip Smith. Malina discusses her work on various productions including: THE AGE OF ANXIETY, DR. FAUSTUS LIGHTS THE LIGHTS, THE IDIOT KING, PHEDRE, AND TONIGHT WE IMPROVISE. Personally, Malina discusses her relationships, her family, her views of the world of the 1950's and her commitment to pacifism. Her involvement as a pacifist, and her imprisonment with Dorothy Day and others, is described in some detail. The final years of the diary (Feb. 1956-June 1959) are incomplete. They relate to the search for and renovation of the 14th Street theater, which opened in 1959. These entries are written by several people who are not identified. less

Katharine S. Brown, Glenna Tinnin and Jane Ogle of Tinnin, Brown, Inc. were actors' managers whose clients included E. H. Sothern and his wife, Julia Marlowe. Marlowe and Sothern first appeared together as Romeo and Juliet in 1904 and reigned for a decade or more as America's foremost Shakespearian players. In the late 1920s Sothern gave dramatic readings around the country and Marlowe was retired from the stage. The collection is primarily letters by Sothern to his managers on his recital bookings. The frequent letters (there are over 200), document the hardships and successes of life on the lecture circuit. There is also one folder of letters and Christmas cards by Marlowe, many written while she was traveling, most to Katharine Brown. Typed transcriptions accompany every letter. less

Actor Richard Barthelmess, who went straight from Trinity College to silent films, gave two outstanding performances for D. W. Griffith in BROKEN BLOSSOMS (1919) and WAY DOWN EAST (1920), both with Lillian Gish. With his innocent, unsophisticated image, he was a popular leading man through the 1920s, notably TOL'ABLE DAVID (1921). With the advent of sound, he moved to supporting roles. His later films included THE DAWN PATROL (1930) and ONLY ANGELS HAVE WINGS (1939). Barthelmess retired in 1942. The collection consists of four letters by Barthelmess to his friend Edward D. McDonald, a professor of English at Drexel University. The letters are mostly on personal matters though there is some mention of his films. less

The papers of Walter Abel consist primarily of correspondence, contracts, speeches, and clippings documenting his work as an actor. The professional correspondence is not extensive: the bulk is single letters received from a wide variety of individuals, much of it letters of thanks. A few outgoing letters discuss proposed productions. Correspondents include John Golden, Robert Edmond Jones and Eugene Ormandy. The contracts file is incomplete. Speeches, for the most part lectures on Shakespeare, theater history, and the psychology of acting, reflect his tireless work promoting the theater to college students and others. Clippings consist of production reviews and interviews with Abel. Production materials are mostly miscellaneous single items such as call sheets and schedules from films in which Abel appeared. Organizational work consists of minutes and correspondence pertaining to his work with ANTA, the Hollywood Victory Committee and other war service organizations. The collection also contains personal material on his family, awards, and a few scrapbooks of photographs. less