Found 7 collections related to Lecture notes

Nathaniel Buchwald (1890-1956), drama critic, teacher, and authority on Yiddish theater, was also a co-founder of the Artef Players Collective, a Yiddish dramatic group, active in New York from the late 1920's to 1940. Born in the Ukraine, Nathaniel Buchwald came to the U.S. as a young man and studied at the University of Georgia, Brooklyn Polytechnic Institute and New York University, where he earned a Bachelor of Science degree in Chemistry. He became a journalist, contributing pieces in Yiddish to the Jewish Daily Forward of New York, then co-founded the Morning Freiheit in 1922. Mr. Buchwald became the Morning Freiheit's drama critic, and also wrote a theater column for the monthly Jewish Life. In 1925, he and several like-minded colleagues formed the Artef Players Collective, a drama troupe dedicated to performing "plays of social import," supported by subscribers and by the players themselves. The collective staged its first production in 1927, and prospered during the Depression, but eventually experienced financial and other difficulties resulting in a two-year hiatus, 1937-9. The group resumed work with Louis Miller's CLINTON STREET in autumn 1939, but despite positive notices and popular support they disbanded in February 1940. In 1943 Nathaniel Buchwald published a book on Yiddish theater in America. He died in 1956. The Nathaniel Buchwald papers and lecture notes span 1927-1940 and consist of lecture notes, a five page ballet synopsis, a program and a handbill relating to the life and career of Nathaniel Buchwald, a critic and co-founder of the Artef Players Collective. The bulk of the collection consists of lecture notes, some encased in mylar, which date from 1927 to 1937 and pertain to the study of drama. There is also an unsigned, undated synopsis for a "proposed Purim ballet," suggested by the folk festival Purim, based on narrative material by Sholem Aleichem. Also included is a program and a handbill for a revue written by Nathaniel Buchwald, LEBEDIK UN FREILACH. less

The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and notes, sketches, and swatches; production notes, schedules, and contact lists; costume and research photographs and slides; correspondence, contracts and financial records, as well as a substantial number of scripts. The collection also includes professional papers such as correspondence, coursework and lecture notes, research materials, and theatrical vendor brochures. There are no personal papers in this collection. less

The Dalrymple Papers primarily consist of correspondence with individuals and organizations (financial and theatre related agencies) connected with both proposed and produced productions at City Center venues, the Brussels World’s Fair, the New York’s World Fair and with New York City Center staff. Documents that illustrate the practical business of running a theater company such as box office reports, requisitions, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, general publicity and clippings (most in scrapbook format) can be found within this collection. less

Samuel Leve (1910-1999) was a New York-based scenic designer. The Samuel Leve design files date from the 1930s to 1994 and contain designs, photographs and slides, scenic and rigging plots, course materials, correspondence, clippings, programs, and newsletters. less