Found 7 collections related to Pavlova, Anna, 1881-1931

The papers of Felia Doubrovska cover the period from c.1919 to the year of her death, 1981, and pertain to both her family and personal life and her professional career. The bulk of the collection consists of correspondence: approximately 43 letters and notes from Doubrovska, and 266 letters, cards, notes, telegrams to Doubrovska, with a small part of the correspondence to her mother (Valentina Dlouzhnevska) and to Vladimiroff. Of interest are 42 letters or notes from Mathilde Kshessinska and her husband the Grand Duke André, and 12 letters from Iurii (Yuri) Bakhrushin. less

The Amata B. Grassi Papers document the personal life and professional career of the early twentieth-century dancer. The collection contains correspondence and personal papers; performance notes; newspaper and magazine clippings; two of her personal diaries; and personal and professional photographs, including some negatives and slides. The focus of the collection covers her dancing years. less

Contains approximately 50 letters from various correspondents mostly concerning Paget-Fredericks' collection of Anna Pavlova memorabilia. Of particular interest are letters from John Hayes, Assistant Keeper of the London Museum, regarding the Anna Pavlova Commemorative Exhibition, September 1-December 31, 1956. Other correspondents include: Jacques Cartier, Malo Brown, Leonard Boucher, and Renée Renouf Hall. less

Dance historian Lynn Garafola gathered the materials for this collection while in the process of writing a biography about Stowitts. The majority of the collection consists of copies of his correspondence, articles, exhibition guides, photographs and other materials, as well as her accompanying research notes. less

Jacques Rouché (1862-1957) was a French theater patron who managed the Théâtre des Arts (now Theatre Hébertot) and Paris Opera. He is recognized for his contributions in modernizing French theater and dance in the 20th century. The Jacques Rouché collection primarily documents Rouché's tenure at the Théâtre des Arts with articles about productions he staged, with emphasis on ballet. The collection also traces Rouché's career as manager of the Paris Opera, as well as activity at the Alhambra Theatre in London. less