Found 151 collections related to Theater -- United States

The Peninsula Circuit Stock Company, co-managed by Burton Mallory and Frank E. Craig, was a theatrical company formed during the summer of 1926 in order to tour the Eastern Shore states of Delaware, Maryland and Virginia. Burton Mallory was born in 1883, and worked as an actor for many years, appearing in twelve Broadway productions. Mallory's credits include the premiere of George S. Kaufman and Moss Hart's ONCE IN A LIFETIME (1930), the 1950 staging of Shakespeare's AS YOU LIKE IT which starred Katharine Hepburn, and the 1950-51 revival of TWENTIETH CENTURY featuring Gloria Swanson and Jose Ferrer. Burton Mallory died in 1962. The Peninsula Circuit Stock Company papers consist mostly of correspondence from theater managers of Delaware, Maryland, and Virginia concerning Burton Mallory's proposed tour for the 1926-27 theater season. Included are two detailed letters from Burton Mallory setting his terms for the tour, a map of the Eastern Shore area, a list of the towns on the Eastern Shore and their approximate populations, a list of the major newspapers of the area, and a list of plays that may have been performed on the tour or were at least considered for performance, including UP IN MABEL'S ROOM, THE BAT, SO THIS IS LONDON and THE CAT AND THE CANARY. less

The Bronson Howard Papers consist primarily of correspondence, but also include financial and legal documents. Bronson Howard corresponded with a wide circle of family, friends and professional associates. The family correspondence documents Mr. Howard's personal life, family business and social interactions. Correspondence with associates, including actors, managers and writers, gives information about Mr. Howard's activities and theater of the period. A number of letters discuss the Civil War. less

The Schindler papers consist of correspondence, photographs, newspaper clippings, pencil drawings, programmes, production schedules, and other material related to the career of Ewald Schindler. The collection includes extensive correspondence between Schindler and Liljan Espenak as well as photographic material, covering both Schindler's life and many of his dramatic roles. less

Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in vaudeville in a skit called OUT OF LUCK. He went on to play juvenile leads for various stock companies in such shows as MRS. WIGGS OF THE CABBAGE PATCH and THE LITTLE SPITFIRE through the 1910s and 1920s. His Broadway credits include WHAT PRICE GLORY?, SKIDDING with Glenda Farrell, THE NIGHT BEFORE with Franchot Tone, and MARCHING MEN (1930) with Leon Ames. Cherry also acted in radio drama. After a period of retirement, he returned to the stage for a role in the Off-Broadway production of Sean O'Casey's RED ROSES FOR ME (1961), then appeared in O'Casey's MOON SHINES ON KYLENAMOE and in Nikolai Evreinov's THE CHIEF THING (1963), his last professional credit. Ewing Cherry died in New York City on March 30, 1969. The Ewing Cherry papers span 1916 to 1962, and consist of letters to Ewing Cherry from employers and friends, a number of contracts securing Mr. Cherry's services as an actor for various stock companies between 1917 and 1927, three booklets (1920-23) introducing the members of the Gene Lewis-Olga Worth stock company, photographs of Ewing Cherry in a variety of characterizations, playbills for a dozen plays in which Ewing Cherry appeared, press releases, fliers, telegrams to and from Ewing Cherry, and clippings of reviews which mention his performances. less

American actress on stage and film, Fannie Ward was probably most famous for her apparently successful efforts to appear forever young. Born circa 1868, she made her stage debut in 1890, was in Hollywood films 1915-1919, and called the perennial flapper, played teenagers and even a child in late middle age. Her jewelry and her social life were also of note. Collection consists of five scrapbooks of clippings and photographs of Fannie Ward, arranged chronologically, and one scrapbook of typed research notes by Glendon R. Good on her career. less

The papers of Mike Kellin document his personal life and acting career from the late 1940's to the early 1980's. The collection includes correspondence, biographical materials, scripts he wrote, awards, photos, TV and news releases, writings, scripts of performances he acted in, speeches, poems and newsclippings. Newsclippings, photographs, and scripts of his performances make up the bulk of the collection. less

Dorothy Hayes Stickney, actress and writer, was born in Dickinson, ND, on June 21, 1900, the daughter of Victor Hugo and Margaret (Hayes) Stickney. On August 13, 1927, Miss Stickney married Howard Lindsay. Miss Stickney is a member of Actors Equity Association, Screen Actors Guild, and the American Federation of Television and Radio Artists. Miss Stickney belongs to the Actors Fund of America and the Cosmopolitan Club. She was a theatre representative for Zonta International. She was voted in the Theatre Hall of Fame in New York in 1985. She is presently retired. The Dorothy Stickney Papers contain material concerning the careers of Dorothy Stickney, and her husband, actor, playwright, and producer, Howard Lindsay. The papers consist of correspondence, photographs, scrapboks, clippings and reviews. less

Collection of autographs of prominent stage figures from the late 19th and early 20th centuries, as well as a few famous individuals from other walks of life. Some of the autographs are appended to brief notes, others are written on the backs of calling cards, while a few have been snipped from larger documents. They have been arranged in folders in alphabetical order. Autographs include: Ethel Barrymore (1904), Billie Burke, Andrew Carnegie, John Drew, Maxine Elliott, Charles Frohman, Clyde Fitch, James Montgomery Flagg, Lew Fields, William Gillette, Raymond Hitchcock, Anna Held, May Irwin, Elsie Janis (1907), Joseph Jefferson, Maxfield Parrish, Blanche Ring, Lillian Russell, Otis Skinner (1910), and Fred Stone. less

Richard Mansfield, actor, was born in Berlin in 1854. He began his career on the London stage but by 1882 he had migrated to the United States and was appearing in the New York theater. Mansfield was instrumental in introducing the works of George Bernard Shaw to the American stage. In his last theatrical performance he played the title role of PEER GYNT in the first English language production of that play. Three letters written by Richard Mansfield to a W. W. Blackmer of Boston. Also includes 8 images. All materials are glued onto pages that appear to have been removed from a scrapbook. less

Robert Benchley, humorist, critic, actor, writer and director was born in 1889 in Worcester, Massachusetts. His writing career began as early as his college days as president of the LAMPOON, in which he wrote many articles. His reputation as a humorist grew when he became editor of the New York Tribune's Sunday Magazine. During the 1920's he was the dramatic editor for both Life Magazine and the New Yorker. His career also included writing, acting and directing for MGM. The Robert Benchley Papers consist of correspondence, photographs, clippings, scrapbooks, programs and reviews and document both the careers of him and his son, Nathaniel. less

The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory Company, and the University Resident Theatre Association are among their major affiliations represented in this collection. less

The Romney Brent papers document his career and contain correspondence, photographs and two scrapbooks. The collection is incomplete in that it contains only correspondence from his later years and photographs and scrapbooks from his early career. Correspondents include: Ilka Chase, Helen Hayes, Lillebil Ibsen, Alfred Lunt, Armina Marshall, Mary Martin, Cornelia Otis Skinner, Emlyn Williams and Peggy Wood. There is a large gap in the materials for the 1940s and 1950s. Some production photographs were separated to the Theatre Collection photo files. The photographs remaining in the collection are special appearances, the State Department sponsored tours and personal photographs. less

Lester Polakov, set and costume designer, was born in 1916. He began his career designing sets in summer stock from 1936-1940. From 1938-1941 he worked on Broadway shows as an assistant to designers such as Harry Horner, Boris Aronson, and Albert Johnson. In 1973 he designed the sets for Robert Wilson's play THE LIFE AND DEATH OF JOSEPH STALIN. His other works include: THE EMPIRE BUILDERS; MUCH ADO ABOUT NOTHING; THE WINNER; and RIGHT YOU ARE, among others. He has also created designs for industrial stage shows, exhibitions, and films. From 1955-1958 he taught theatrical design at Columbia University, and from 1958 to the present he has been the director of the Lester Polakov Studio of Stage Design, now known as the Studio and Forum of Stage Design. The Lester Polakov Papers and Designs consist of papers, photographs, set designs, and technical drawings regarding his set designs for numerous productions. less

St. Clair Bayfield (John St. Clair Roberts), a character actor known for his many Shakespearean roles, was born August 2, 1875 in Cheltenham, England. After Mr. Bayfield died on May 19, 1967, his widow, Kathleen Bayfield, helped to establish an annual award in his name. The award, administered by Actors Equity Association, is given to an actor or actress in a non-featured role in a Shakespearean production. The St. Clair Bayfield collection contains clippings, correspondence, photographs, a poster, programs, scripts and other material that document Mr. Bayfield's acting career and the St. Clair Bayfield awards. less

Sandy M. Campbell, a professional actor from the mid-1940s through the end of the 1950s, knew and worked with a number of prominent stage and screen actors of the period, and corresponded with many of them. The Sandy M. Campbell correspondence spans 1939-1980, but the bulk of the material dates from the 1940s through the 1950s, the period when Mr. Campbell was active in the theater. Most of the correspondence consists of brief letters to him, though there is one letter written by him to Sarah Marshall. The strength of the collection is a large group of letters from actor Herbert Marshall (1890-1966) to his daughter, actress Sarah Marshall (Mrs. Karl Held), written between 1948 and 1959. Mrs. Held had these letters xeroxed, bound, and privately printed in 1980, and presented copies to family members and friends, including Sandy Campbell, to whom she inscribed a copy. Herbert Marshall is best known as the star of such films as ACCENT ON YOUTH (1935), FOREIGN CORRESPONDENT (1940), and THE LITTLE FOXES (1941), and his letters cover a variety of topics. less

The Shepperd Strudwick Papers is composed of correspondence, newspaper clippings, programmes, memorabilia, scripts, and other material relating to the career of Shepperd Strudwick. The papers document in detail the rise of Strudwick's career from "The Carolina Playmakers'' to his nomination for a Tony award for TO GRANDMOTHER'S HOUSE WE GO. Included are financial statements and contracts giving salary information for the years 1952 to 1978. The collection also contains information about accusations by the Onandaga County American Legion that Strudwick was a communist and his reaction to those statements. Insight into his acting technique and his teaching career at the University of Detroit is also included. There is also information about the acting career of his third wife Margaret O'Neill. less

The American Theatre Association (1936-1986) was a theatre advocacy group that promoted community theatre and theatre education. The American Theatre Association records hold administrative records, office files, and presidential files from 1947 to 1980. less

The Amy Lynn collection contains clippings, correspondence, contracts, financial records and statements, programs, production notes and other material. The material documents Mrs. Lynn's theatrical career first as a stage manager with the North Shore Summer Drama Festival, then as associate producer of PRESCRIPTION: MURDER and finally as co-producer of LORD PENGO and THE RIGHT HONOURABLE GENTLEMAN. less

The Alexander Scourby Papers document the professional career of the prolific actor and narrator through contracts, correspondence, photographs, scripts, and other material. Although he had a long and varied career as an actor and narrator on stage, screen, and radio, Alexander Scourby considered his most important work to be the performances he gave as a voice actor in the Talking Books recordings he made for the American Foundation for the Blind. less

Bernard Adolph Reinold (1860-1940) was an actor and a soldier, a member of several theatrical social organizations, and an administrator of the Actors' Fund of America. The career of Bernard A. Reinhold, whose stage name was Adolph Bernard, alternated between the stage and the military. On stage, Reinold played opposite such luminaries as Lawrence Barrett, Rose Coghlan, James O'Neill, Lionel Atwill, and Helen Hayes. Reinold also acted in a few silent movies, including THE HEADLESS HORSEMAN (1922) starring Will Rogers. Reinold was an adventurer from an early age, having run off to sea as a teenager. In the 1880s he fought as a mercenary in the Belgian Congo, then, back in the United States, against Indians. During the Spanish-American War in 1898 Reinold signed up as a Rough Rider under the command of Theodore Roosevelt. When America entered the World War in 1917, Reinold, now in his late 50s, sought and was granted special permission to serve as a Captain of the Quartermaster Corps in France. Bernard Reinold died on March 19, 1940, at the age of 80. At the time of his death he was chairman of the board of the Actors' Fund of America. Consists of letters and cards written to Bernard A. Reinold by colleagues and family members, with several notes from the writer/director Rupert Hughes. Most of the family correspondence was written to Captain (later Major) Reinold during the First World War, including a Valentine greeting written by one of Reinold's children, which, according to an inscription, was "picked up off the coast of Ireland, August 1918, in mail bag from torpedoed ship." The other correspondence includes two notes from California Rep. Julius Kahn, a former actor, and two notes from actor/manager Joseph Jefferson. less