Found 146 collections related to Theater -- United States

Philburn (Phil) Friedman (1921-1988) was an American stage manager. Friedman managed numerous Broadway and West Coast theater productions, many of them musicals, including Kismet (1953), How to Succeed in Business Without Really Trying (1961), Pippin (1972), Chicago (1975), and Dancin' (1978). He worked with director, writer, and choreographer Bob Fosse for nearly 15 years, and played the part of the stage manager in Fosse's 1979 autobiographical film, All That Jazz. He also worked extensively with directors Cy Feuer and Abe Burrows. The Phil Friedman papers (1805-1979) document Friedman's general interest in theater and to some extent, his work as a stage manager. The collection holds programs, telegrams, photographs, biographical material, and scrapbooks containing images of stage actors from the early 1900s. less

Zero Mostel (1915-1977) was an American artist and actor of stage and screen, well known for his portrayal of Tevye in Fiddler on the Roof. The Zero Mostel scores contain Mostel's personal copies of published sheet music both related and unrelated to his acting career, as well as sheet music from Jim Brochu's play Zero Hour, a tribute to Mostel produced after his death. less

Emily Ann Wellman was an American stage actress in the early 20th century. In 1921, she toured with the Shubert Vaudeville, starring in a flash drama (or ten-minute play) she also wrote and directed, titled The Actor's Wife. The Emily Ann Wellman scrapbook contains clippings of reviews, advertisements, and feature articles about Wellman's performances on tour and in New York City from 1921 to 1923. Some programs are also included. The scrapbook documents the productions The Actor's Wife, Suspended Sentence, and The Wasp. less

Ewald Schindler (1891-1948) was a German-born actor, director, and producer of theatre and opera. After fleeing to Czechoslovakia and Italy during the rise of the Nazis, he immigrated to the United States in 1941, where he became director of the King-Smith Playhouse in Washington, D.C. and founded The Playhouse Studio, a school of drama, with Norwegian dancer Liljan Espenak. Additions to the Ewald Schindler papers date from 1899 to 1947 and contain letters, photographs, scrapbook pages, and personal ephemera that document Schindler's family and professional life. Scrapbook pages with clippings, photographs, and a program document Schindler's direction of The Green Cockatoo at the King-Smith Playhouse, dated 1942 to 1943. Correspondence is with Kurt Schindler, Liljan Espenak, and Mary Wigman, discussing family and professional issues. Photographs include individual portraits of the Schindler family as well as a cabinet card depicting Czech opera singer Emmy Destinn. Personal ephemera consists of a recitation book and Schindler's social security card. Correspondence and the recitation book are in German. less

The Theatre Guild, established in 1919 by Theresa Helburn, Lawrence Langner, Philip Moeller, and Helen Westley, is an American theatrical association. Since its inception, the Theatre Guild has produced over 200 original theatrical productions, many of which have become Broadway classics. The Theater Guild records (1949-1952) document the Theatre Guild's administrative activities during the planning and execution of the production of Carousel at the Stoll Theatre in London in 1950, and Oklahoma! for the 1951 Berlin Arts Festival. less

C.K. Alexander (1923-1980) was an Egyptian actor, director, and composer. The C.K. Alexander papers date from 1943 to 1980 and document Alexander's acting career in the United States, and to some extent, his work as a director. The collection holds photograph albums and scrapbooks, scripts, and professional files. less

Anna Minot Warren (1918-2007) was a stage, screen, and television actress who performed under her maiden name, Anna Minot. Joseph Warren (1916-1993) was a stage, screen, and television actor. Both were self-described "journeyman actors." The collection (1931-2006) contains material related to their acting careers. The papers contain production files, photographs, posters, scrapbooks, scripts, and a sound recording. There is also a small amount of files related to Minot's work as a professional reader for the Theatre Guild and the Play of the Month Guild. less

John Mangano was a stage director, actor, writer, stage manager and theater administrator. The John Mangano papers, dating from around the 1940s to 1988, document Mangano's life and career through scripts, photographs, correspondence, art, writings, and programs. less

Robert Benchley, humorist, critic, actor, writer and director was born in 1889 in Worcester, Massachusetts. His writing career began as early as his college days as president of the LAMPOON, in which he wrote many articles. His reputation as a humorist grew when he became editor of the New York Tribune's Sunday Magazine. During the 1920's he was the dramatic editor for both Life Magazine and the New Yorker. His career also included writing, acting and directing for MGM. The Robert Benchley Papers consist of correspondence, photographs, clippings, scrapbooks, programs and reviews and document both the careers of him and his son, Nathaniel. less

The papers document the careers of Robert C. Schnitzer and Marcella Cisney, actors, producers, administrators, and educators. The American National Theatre and Academy (ANTA), The University of Michigan, The Theatre Guild American Repertory Company, and the University Resident Theatre Association are among their major affiliations represented in this collection. less

St. Clair Bayfield (John St. Clair Roberts), a character actor known for his many Shakespearean roles, was born August 2, 1875 in Cheltenham, England. After Mr. Bayfield died on May 19, 1967, his widow, Kathleen Bayfield, helped to establish an annual award in his name. The award, administered by Actors Equity Association, is given to an actor or actress in a non-featured role in a Shakespearean production. The St. Clair Bayfield collection contains clippings, correspondence, photographs, a poster, programs, scripts and other material that document Mr. Bayfield's acting career and the St. Clair Bayfield awards. less

Sandy M. Campbell, a professional actor from the mid-1940s through the end of the 1950s, knew and worked with a number of prominent stage and screen actors of the period, and corresponded with many of them. The Sandy M. Campbell correspondence spans 1939-1980, but the bulk of the material dates from the 1940s through the 1950s, the period when Mr. Campbell was active in the theater. Most of the correspondence consists of brief letters to him, though there is one letter written by him to Sarah Marshall. The strength of the collection is a large group of letters from actor Herbert Marshall (1890-1966) to his daughter, actress Sarah Marshall (Mrs. Karl Held), written between 1948 and 1959. Mrs. Held had these letters xeroxed, bound, and privately printed in 1980, and presented copies to family members and friends, including Sandy Campbell, to whom she inscribed a copy. Herbert Marshall is best known as the star of such films as ACCENT ON YOUTH (1935), FOREIGN CORRESPONDENT (1940), and THE LITTLE FOXES (1941), and his letters cover a variety of topics. less

The Shepperd Strudwick Papers is composed of correspondence, newspaper clippings, programmes, memorabilia, scripts, and other material relating to the career of Shepperd Strudwick. The papers document in detail the rise of Strudwick's career from "The Carolina Playmakers'' to his nomination for a Tony award for TO GRANDMOTHER'S HOUSE WE GO. Included are financial statements and contracts giving salary information for the years 1952 to 1978. The collection also contains information about accusations by the Onandaga County American Legion that Strudwick was a communist and his reaction to those statements. Insight into his acting technique and his teaching career at the University of Detroit is also included. There is also information about the acting career of his third wife Margaret O'Neill. less

The Dalrymple Papers primarily consist of correspondence with individuals and organizations (financial and theatre related agencies) connected with both proposed and produced productions at City Center venues, the Brussels World’s Fair, the New York’s World Fair and with New York City Center staff. Documents that illustrate the practical business of running a theater company such as box office reports, requisitions, and guidelines, as well as a significant amount of production related material including casting information, production reports, programs, general publicity and clippings (most in scrapbook format) can be found within this collection. less

English character actor J. P. Wilson, known to friends and family as Josh, began his stage career in England where he toured for six years with Sir Frank Benson, and later appeared in a number of plays in the United States. Among J. P. Wilson's American stage credits were THE MERCHANT OF VENICE with Walter Hampden and Ethel Barrymore, ESCAPE with Leslie Howard, THE LAKE with Katharine Hepburn, MAGGIE THE MAGNIFICENT with James Cagney and Joan Blondell, and PYGMALION with Gertrude Lawrence and Raymond Massey. Consists primarily of letters to actor J. P. Wilson. Two letters to Wilson were written by Sir Frank Benson, with whom he toured England in his early professional days. Actor Walter Hampden, with whom Wilson had worked on stage, wrote him on June 5, 1955, six days prior to Hampden's own fatal stroke. Hampden speaks of his role in the new Lana Turner film DIANE at MGM, a role which was taken by Cedric Hardwicke after Hampden's death. Hampden's widow Mabel thanks Wilson for his condolence note. Also includes a few photographs, a menu, and a program for a 1901 cricket match. less

Jack Curtis was a theatrical manager. The Jack Curtis contracts date from autumn 1937, and consist of sixteen copies of the same 'standard minimum' contract for actors. There are thirteen contracts for the play BORN IN A TRUNK, and three contracts for Aurania Rouverol's play PLACES PLEASE, each signed by a different actor. There is also a brief contract offering BORN IN A TRUNK star Lillian Emerson a bonus contingent upon the play's box office performance. less

The Higgins Family papers consist of correspondence, contracts, photographs and hanging plots and document this family's career in the theater. The bulk of the collection is correspondence to Thomas R. Higgins from his friend actress Evelyn Russell who entertained in and wrote soldier shows for Special Services in Europe from 1945-1948. Letters (mostly from Germany) give insight into itineraries and experiences of soldier show performers. In a letter dated August 8, 1947, Russell recreates for Higgins the skits and lyrics for a show called "Who's On First". Also included are autographed photographs of Russell from the 1940s and headshots from the 1960s. Her letters dated 1960-1971 reflect her stage and television career and her life with her husband director/choreographer Joe Layton. less

Hallett Thompson (1871?-1938) was an actor and playwright, active from the late nineteenth century until well into the twentieth. While based in his hometown of Gloucester, Mass., during 1898-1900, Thompson was touring the Eastern United States with a repertory company, and he later toured the Vaudeville circuit in one-act plays. His Broadway acting credits include MISTRESS NELL (1900), directed by and starring Henrietta Crosman, EXTRA (1923) with Chester Morris, and MOVE ON (1926). Hallett Thompson also tried his hand as a playwright, and his works include A CAPTAIN OF INDUSTRY and THE HOUSE OF RENAUD (1905). Hallett Thompson committed suicide in his New York apartment on Aug. 13, 1938, at the age of 67. Thompson's widow Irma La Pierre (1880-1951) was an actress who later rented out apartments in New York City. The Hallett Thompson papers consist of some correspondence, holiday cards, and two tablets of hand-written drafts of untitled plays, presumably by Hallett Thompson. It is unclear whether these drafts were ever completed or staged. One tablet is dated March 1906, but neither play is identified. There is a small address book which belonged to Hallett Thompson while he lived in Gloucester, Mass., and a date-book covering the theatrical seasons of 1898-99 and 1899-1900, with titles of plays in which Thompson's troupe performed, cities visited, etc. Thompson also used the book as a checking account ledger. There are a number of holiday cards to Thompson from his daughter Helen. Most of the correspondence dates from 1949-50, and pertains to Mrs. Irma Thompson's occupation as landlady of a building at 255 West 108th Street in Manhattan. Copies of two leases are included. less

The Harold Clurman papers contain notebooks and journals, director's annotated scripts, manuscript drafts and annotated typescripts of Clurman's books, and photograph scrapbooks documenting his career as a director, critic and writer. The materials span from 1935 through 1978 and give an interesting look at Clurman's work and thought process as a director. Notebooks contain his ideas on plot and character development, as well as casting notes and ideas for plays which he directed, while the scripts contain his director's annotations and compliment the notebooks for research and study of Clurman's techniques as a director. Drafts and typescripts of Mr. Clurman's three books: On Directing; All People Are Famous; and Ibsen show these works as they evolved. Finally, the photograph scrapbooks give a pictorial representation of specific plays including AWAKE AND SING and foreign productions of THE ICEMAN COMETH and LONG DAY'S JOURNEY INTO NIGHT. less

Harriet Ford (1868-1949) was an American playwright in New York City. Collection consists of letters to Ford from people prominent in the theatre and in literature, letters by Ford to others, autographs, poems, Christmas cards, a play entitled "Cupid and Psyche," and clippings. Correspondents include Winthrop Ames, David Belasco, Mary Johnston, Elisabeth Marbury, Sinclair Lewis, Chauncey Olcott, Otis Skinner, Laurette Taylor, and Walker Whiteside. less