Zipprodt, Patricia, 1925-1999
Billy Rose Theatre Division | *T-Vim 1999-001
85 linear feet (126 boxes)
Patricia Zipprodt won three Tony Awards throughout her long career as a costume designer (and was nominated for eleven). She is best remembered for her most famous productions: Fiddler on the Roof (1964), more
Patricia Zipprodt won three Tony Awards throughout her long career as a costume designer (and was nominated for eleven). She is best remembered for her most famous productions:
Fiddler on the Roof (1964),
Cabaret (1966),
Zorba (1968),
Chicago (1975),
Sweet Charity (1987) and the film
The Graduate (1967). The collection includes many original designs and sketches, as well as costume bibles, costume research, photographs, and productions materials.
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Oenslager, Donald, 1902-1975
Billy Rose Theatre Division | *T-Mss 1996-015
71 linear feet (103 boxes)
Donald Oenslager was a set and lighting designer, teacher, lecturer, writer and collector. The collection consists of set and costume designs, technical drawings, elevations, manuscripts and correspondence with other prominent theater designers.
Goslar, Lotte
Jerome Robbins Dance Division | (S) *MGZMD 163
17 linear feet (27 boxes)
Lotte Goslar, a clown-mime, was known for her eccentric and whimsical comedy. She performed throughout Europe and the United States. Her most famous solo was Grandma Always Danced.
Enters, Angna, 1897-1989
Jerome Robbins Dance Division | (S) *MGZMD 158
158 boxes
Angna Enters was a dancer and mime, a painter and writer. She developed nearly 300 separate characters for her touring
Theater of Angna Enters from 1928-1960. She was a well-known artist and sculptor. Enters designed and...
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Angna Enters was a dancer and mime, a painter and writer. She developed nearly 300 separate characters for her touring
Theater of Angna Enters from 1928-1960. She was a well-known artist and sculptor. Enters designed and executed all the costumes and props for her performances, and she illustrated several of the books she wrote on her life and work.She died in 1989.
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Rabb, Ellis, 1930-1998
Billy Rose Theatre Division | *T-Mss 1998-020
32 linear feet (65 boxes)
The Ellis Rabb Papers document the life and career of actor, director, producer, and author Ellis Rabb and the repertory company he founded in 1960, the Association of Producing Artists (APA).
Burnside, R. H. (Robert Hubberthorne), 1873-1952
Billy Rose Theatre Division | *T-Mss 1952-002
34.4 linear feet (76 boxes)
Showman R.H. Burnside (1870-1952) was born in Glasgow to a theatrical family. His career began at London's Savoy Theatre in the 1880's where he worked backstage for the D'Oyly Carte Opera Company on its original productions of Gilbert and Sullivan...
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Showman R.H. Burnside (1870-1952) was born in Glasgow to a theatrical family. His career began at London's Savoy Theatre in the 1880's where he worked backstage for the D'Oyly Carte Opera Company on its original productions of Gilbert and Sullivan operettas. After moving to America, Burnside staged over 200 shows during his career, including many musicals for which he wrote music, libretti and lyrics. He was most closely identified with his direction of the popular musical extravaganzas at N.Y.'s Hippodrome Theatre between 1908-1923.
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Cambria, Frank, 1883-1966
Billy Rose Theatre Division | *T-Vim 2014-180
1.25 linear feet (3 boxes)
This collection includes original drawings and renderings for costume designs for various theatrical productions created by Vincente Minnelli for the Balaban Katz and Paramount-Publix theatre companies, under the art direction of Frank Cambria....
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This collection includes original drawings and renderings for costume designs for various theatrical productions created by Vincente Minnelli for the Balaban Katz and Paramount-Publix theatre companies, under the art direction of Frank Cambria. All designs are works on paper, in a variety of media. More than half the collection are finished drawings; the remainder are unfinished sketches. Only two productions are clearly identified:
Alice in Wonderland (Chicago, 1925) and
Oliver Twist. Additionally, there are two portrait photographs taken by Minnelli of Cambria family members and a 1928 letter from Minnelli to Cambria describing his proposed designs for a Paramount-Publix production.
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Cohen, Alexander H., 1920-2000
Billy Rose Theatre Division | *T-Mss 1969-001
189.75 linear feet (396 boxes)
The papers primarily document the career of theater and television producer Alexander H. Cohen and include some personal papers, as well as a number of materials by and about Cohen's wife and professional partner, Hildy Parks.
Morley, Ruth
Billy Rose Theatre Division | *T-Mss 1998-024
38 linear feet (70 boxes)
The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and...
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The Ruth Morley Papers document the career of Ruth Morley, costume designer for theater, opera, motion pictures and television. The materials date from 1940-1990 (bulk years 1925-2005) and include production materials such as costume plots and notes, sketches, and swatches; production notes, schedules, and contact lists; costume and research photographs and slides; correspondence, contracts and financial records, as well as a substantial number of scripts. The collection also includes professional papers such as correspondence, coursework and lecture notes, research materials, and theatrical vendor brochures. There are no personal papers in this collection.
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Englund, Richard, 1931-1991
Jerome Robbins Dance Division | (S) *MGZMD 94
13.80 linear feet (28 boxes)
The Richard Englund Papers cover the professional career of Richard Englund (1931-1991), a noted American dancer, choreographer, director, and teacher. Englund served as the director of several small dance companies, including the pioneering...
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The Richard Englund Papers cover the professional career of Richard Englund (1931-1991), a noted American dancer, choreographer, director, and teacher. Englund served as the director of several small dance companies, including the pioneering regional ballet company, Birmingham Civic Ballet, and training companies for both American Ballet Theatre and the Joffrey Ballet. The largest part of the collection documents the choreographic works that made up the repertory of the companies with which Englund was connected.
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Hayes, Helen, 1900-1993
Billy Rose Theatre Division | *T-Mss 1990-026
29 linear feet (42 boxes)
The Helen Hayes papers span the years 1817–1963 and consist of correspondence, the majority from friends and colleagues; speeches and writings, including drafts and handwritten index cards of speeches; clippings from her earliest days in theater...
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The Helen Hayes papers span the years 1817–1963 and consist of correspondence, the majority from friends and colleagues; speeches and writings, including drafts and handwritten index cards of speeches; clippings from her earliest days in theater and covering her work in film, television, and radio; programs for theatrical productions and awards ceremonies; awards and ephemera including her honorary degrees, appointments to committees, and citations for her charitable work; designs including costume designs for theatrical productions and artwork created by friends and colleagues; photographs, including family photographs, candid shots and professional portraits from childhood, production stills and publicity from theater, film, and radio, and portraits by famous photographers; and scrapbooks, some dedicated to particular theatrical productions and others that cover all aspects of her career and life.
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Rychtarik, Richard, 1894-1982
Billy Rose Theatre Division | *T-Vim 2003-026
24 drawings in 1 portfolio
Richard Rychtarik, costume and set designer. Consists of 24 watercolor drawings, mostly costume designs, for a 1922 production of ANNE PEDERSDOTTER at The Play House in Cleveland, Ohio. Some of the drawings have notes in pencil on character, actor...
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Richard Rychtarik, costume and set designer. Consists of 24 watercolor drawings, mostly costume designs, for a 1922 production of ANNE PEDERSDOTTER at The Play House in Cleveland, Ohio. Some of the drawings have notes in pencil on character, actor and costume specifics; others are unidentified. Also includes three set designs and a playbill.
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Greco, José
Jerome Robbins Dance Division | *MGZEB 04-3673
6.25 linear feet (13 boxes)
José Greco (1918-2000) created a unique hybrid of Spanish dance from the regional, flamenco and gypsy forms. This photographic collection not only visualizes the distinct style of the José Greco Dance Company, but it also contains some personal...
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José Greco (1918-2000) created a unique hybrid of Spanish dance from the regional, flamenco and gypsy forms. This photographic collection not only visualizes the distinct style of the José Greco Dance Company, but it also contains some personal imagery of the famed dancer and teacher.
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Sznajderman, Marius, 1926-
Billy Rose Theatre Division | *T-Vim 2011-204
5 linear feet (5 boxes)
Marius Sznadjerman was born in Paris in 1926. He escaped to Spain with his parents in 1942, moving to Venezuela where he attended the School of Fine Arts in Caracas. After moving to the United States in 1949, Sznajderman studied at Columbia...
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Marius Sznadjerman was born in Paris in 1926. He escaped to Spain with his parents in 1942, moving to Venezuela where he attended the School of Fine Arts in Caracas. After moving to the United States in 1949, Sznajderman studied at Columbia University with scenic designer Woodman Thompson and printmaker Hans Mueller, receiving both a B.F.A. and M.F.A. He served in the U.S. Army from 1953-1955 and has taught at several universities, including New York University, School of Visual Arts and Fairleigh Dickinson University. Sznajderman has also had numerous exhibitions of his work over several decades. Over 350 original designs, principally for sets (mostly color), floor plans, and studies created by Marius Sznajderman for Circle in the Square Theatre and the French Art Theatre in the 1950s. The collection also contains production and research notes, as well as publicity material and posters. There are also some publicity materials for Circle in the Square, programs, fliers, and postcards for individual productions, blueprints, elevations, as well as a number of black and white photographs. Also included are costume designs (possibly for The firebrand, ca. 1924), several sketches, a sketchbook with notes, ca. 1918-ca. 1924, by noted stage designer Woodman Thompson, perhaps related to Sznajderman's research for the play Ludus Coventriae. In addition to Sznajderman's set designs, studies, floor plans, and production notes for the French Art Theatre, New York City (Eve Daniel, director), there are subscription letters and 7 posters, ca. 1951-1958.
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Boyt, John
Billy Rose Theatre Division | *T-Vim 2010-024
2 lnear feet (4 boxes)
Designer, producer and writer, John Boyt (1921-1983) was born in Newark, New Jersey. From the 1940s to the early 1980s, Boyt designed costumes, sets, and occasionally lighting, for theater, dance, opera, television, and film. His credits include...
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Designer, producer and writer, John Boyt (1921-1983) was born in Newark, New Jersey. From the 1940s to the early 1980s, Boyt designed costumes, sets, and occasionally lighting, for theater, dance, opera, television, and film. His credits include Broadway, off-Broadway, and regional theater productions, as well as New York City Ballet and New York City Opera. Original costume designs by John Boyt and a few pages of notes for three Broadway productions: 12 designs for J. M. Synge's The playboy of the western world (1946) with Burgess Meredith; 36 designs for William Shakespeare's Antony and Cleopatra (1947) with Katharine Cornell and Charlton Heston; and 37 designs for The lovers by Leslie Stevens (1956) with Morris Carnovsky and Joanne Woodward. A number of the sketches have notes written on the versos.
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Urban, Joseph, 1872-1933
Billy Rose Theatre Division | *T-Vim 1937-001
Designs used in the 1914 production of The Garden of Paradise based on The Little Mermaid by Hans Christian Anderson.
Malinka, Bella
Jerome Robbins Dance Division | (S) *MGZMD 143
3 linear feet (5 boxes)
This collection documents the teaching career of Bella Malinka, dance educator, choreographer and dancer, who taught at New York’s School of the Performing Arts from 1949 to 1981.
Bilinsky, Boris Konstantinovitch, 1900-1948
Billy Rose Theatre Division | *T-Vim 2000-045
.1 linear feet (10 slides in 1 portfolio)
Consists of ten slides with accompanying documentation: a detailed listing in English and an article about the fate of Bilinsky's designs by René Clémenti Bilinsky in French from CinemAction (no. 97, 2000). Slides consist of a set design for the...
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Consists of ten slides with accompanying documentation: a detailed listing in English and an article about the fate of Bilinsky's designs by René Clémenti Bilinsky in French from CinemAction (no. 97, 2000). Slides consist of a set design for the movie MONTE-CRISTO (France, 1929), a costume design for the opera PELLÉAS ET MÉLISANDE at the Royal Opera of Covent Garden in London (1937), set and costume designs for the movie AMORE IMPERIALE (Italy, 1941), set design for the movie SENZA CIELO (Italy, 1941), costume design for the play IL TENENTE VIRGOLA at the Odeon Theatre in Milan (1941), set design for the play SAINT JOAN at the Argentina Theatre in Rome (1943), and two women's costume designs from unidentified productions.
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Bernstein, Aline, 1881-1955
Billy Rose Theatre Division | *T-Vim 2010-026
6 linear feet (8 boxes)
Aline Bernstein (1882-1955), New York City designer for theater, opera and dance performances from 1920s to 1950s, began her career designing for productions at the Neighborhood Playhouse, and later on for Broadway, operas and dance productions....
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Aline Bernstein (1882-1955), New York City designer for theater, opera and dance performances from 1920s to 1950s, began her career designing for productions at the Neighborhood Playhouse, and later on for Broadway, operas and dance productions. Her credits include The little clay cart (1924), The game of love and death (1929), The happy time (1950), and Regina (1949), an opera for which Bernstein's designs won a Tony Award in 1950. Bernstein was also the author of 3 books: two novels, Three blue suits (1933) and The journey down (1938); and An actor's daughter (1941), an autobiography of her early life. Original costume and set designs, notes and correspondence of Aline Bernstein. Includes ca. 135 color designs and 306 preliminary pencil sketches, many with swatches attached. The correspondence mostly covers letters of appreciation by readers of Bernstein's two novels. The collection includes some 1929-1930 letters and postcards by author Thomas Wolfe (1900-1938), with whom Bernstein had a relationship in 1925-1930.
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Colt, Alvin
Billy Rose Theatre Division | *T-Vim 2002-020
3.75 linear feet (14 boxes)
Alvin Colt is an award-winning costume and scenic designer that has worked in film, television and theater. The collection consists mainly of costume designs for television productions from the 1970s and 1980s, but also includes scenic designs for...
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Alvin Colt is an award-winning costume and scenic designer that has worked in film, television and theater. The collection consists mainly of costume designs for television productions from the 1970s and 1980s, but also includes scenic designs for stage productions drawn early in his career (1935-1947).
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Campbell, Patton
Billy Rose Theatre Division | *T-Vim 2003-037
20.75 linear feet (31 oversized boxes)
Patton Campbell studied design at Yale University under Donald Oenslager, then designed costumes for opera and the Broadway stage. His Yale projects and several opera productions are represented here.
Morrison, Paul, 1906-1980
Billy Rose Theatre Division | *T-VIM 1981-010
5.2 linear feet (11 boxes)
Paul Morrison (1906-1980), whose prolific theatrical career began in New York with the Theatre Guild and Group Theatre, designed sets, lighting and costumes for more than 60 Broadway productions, often working in multiple capacities. This...
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Paul Morrison (1906-1980), whose prolific theatrical career began in New York with the Theatre Guild and Group Theatre, designed sets, lighting and costumes for more than 60 Broadway productions, often working in multiple capacities. This collection includes many of his scenic and lighting designs and a few costume designs, as well as notes and sketches.
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Merry-Go-Rounders (Company)
Jerome Robbins Dance Division | (S) *MGZMD 211
6 linear feet (9 boxes)
The Merry-Go-Rounders Records follow the activities of the Merry-Go-Rounders children’s theater group from 1944 to 1974. This collection includes administration files, production materials, music scores, and photographs of the Merry-Go-Rounders....
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The Merry-Go-Rounders Records follow the activities of the Merry-Go-Rounders children’s theater group from 1944 to 1974. This collection includes administration files, production materials, music scores, and photographs of the Merry-Go-Rounders. The majority of content consists of materials from the company’s productions. Notable productions are
Ballet Charades,
Dr. Fasolati’s Dilemma,The Goops,A Love for Three Oranges, and
The Snow Queen.
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Heeley, Desmond
Billy Rose Theatre Division | *T-Vim 2016-022
5.81 linear feet (8 boxes, 1 oversized folder, 12 tubes)
Desmond Heeley (1931-2016) was a British-born costume and set designer for theater, ballet, and opera who worked internationally. Through original sketches, prints, production bibles, reference files, photographs, and correspondence, the Desmond...
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Desmond Heeley (1931-2016) was a British-born costume and set designer for theater, ballet, and opera who worked internationally. Through original sketches, prints, production bibles, reference files, photographs, and correspondence, the Desmond Heeley designs and production files primarily document the North American portion of Heeley's career.
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Edwards, Ben, 1916-1999
Billy Rose Theatre Division | *T-Vim 2015-022
26.52 linear feet (47 boxes, 3 volumes, 33 oversized folders, 20 tubes)
Ben Edwards (1916-1999) was an American scenic designer and art director, and occasional lighting designer, costume designer, and producer, working in theatre, industrial shows, film, and television. The Ben Edwards designs and papers (1884-1999,...
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Ben Edwards (1916-1999) was an American scenic designer and art director, and occasional lighting designer, costume designer, and producer, working in theatre, industrial shows, film, and television. The Ben Edwards designs and papers (1884-1999, bulk dates: 1938-1999) document his career and personal life with designs, drawings, research files, letters, and other files.
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Billy Rose Theatre Division | *T-Vim 2010-056
0.5 linear feet (2 boxes, 2 boxes) : approximately 101 drawingsapproximately 101 drawings ; 39 x 50 cm. or smaller.39 x 50 cm. or smaller.
Alice Lewisohn Crowley was born in New York City in 1883, a daughter of Leonard Lewisohn. With her sister Irene Lewisohn, she established the Neighborhood Playhouse on Grand Street in 1915, a theater and teaching facility for dance and drama. By...
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Alice Lewisohn Crowley was born in New York City in 1883, a daughter of Leonard Lewisohn. With her sister Irene Lewisohn, she established the Neighborhood Playhouse on Grand Street in 1915, a theater and teaching facility for dance and drama. By 1920, professional actors had replaced the amateur troupe of children and adults, and the Playhouse became known for its avant-garde productions. The neighborhood theater closed in 1927. In 1928, Alice Lewisohn Crowley, Irene Lewisohn and Rita Wallach Morgenthau established The Neighborhood Playhouse School of the Theatre, still in operation in New York City. Crowley died in 1972 in Zurich at the age of 88. The designs are primarily costume designs, with a few set designs, for theatrical productions including Everybody's husband by Gilbert Cannan, 1919; Harlequinade by Harley Granville-Barker and Dion Calthrop, 1921; The mummer's revel and The masque of the apple, music by Kurt Schindler, 1931 with costume designs possibly by Esther Peck; Night at an inn by Lord Dunsany, 1916; Pinwheel by Francis Edward Faragoh, 1927 with sketches and notes by Donald Oenslager; and The player queen by William Butler Yeats, 1923 with costume designs probably by Alexander Koiransky. Ballets represented in the collection are La boutique fantasque, music by Ottorino Respighi, 1920 with costume designs probably by Esther Peck; Petrouchka, music by Igor Stravinsky, 1916; Royal fandango by Gustavo Morales, 1921 with costume designs and 1 set design by Ernest de Weerth; and 1 costume design for Le tricorne, 1922 "after Picasso's design for a costume for the ballet." There is 1 set design by Jo Davidson of the Wailing Wall for the symphonic drama Israel by Ernest Bloch, 1928. There are also several unidentified costume and set designs.
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Living Theatre (New York, N.Y.)
Billy Rose Theatre Division | *T-VIM 2011-253
4 boxes (ca. 346 drawings) : some col ; 76 x 46 cm. or smaller
The Living Theatre, founded by Judith Malina and Julian Beck in 1947, produced avant-garde plays performed in New York theaters until 1963, when they were shut down by the IRS for failing to pay taxes. After a worldwide tour, the Living Theatre...
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The Living Theatre, founded by Judith Malina and Julian Beck in 1947, produced avant-garde plays performed in New York theaters until 1963, when they were shut down by the IRS for failing to pay taxes. After a worldwide tour, the Living Theatre settled in Berlin in 1965. The company toured the United States in 1968. After touring Brazil and Europe, the Living Theatre came back to New York in May 1989 where it has its present home. Mostly color and black and white costume designs, set designs and sketches for productions (1948-1967) by the Living Theatre, many by founders Julian Beck and Judith Malina. Also includes hand drawn floor plans, several designs for fliers and posters, and ephemera. There are a few color snapshots for Aria da capo and R.U.R. There are also several sketches by Julian Beck for a dance by James Waring, Dances before the wall, Mar. 1958.
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Jones, Robert Edmond, 1887-1954
Billy Rose Theatre Division | *T-Vim 2010-030
2 boxes (ca. 66 drawings) : col ; 40 x 50 cm. or smaller
Robert Edmond Jones was born in Milton, New Hampshire and attended Harvard University. Jones became an innovative force in modern set design for the American theatre. He also designed for opera and dance and was named Radio City Music Hall's first...
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Robert Edmond Jones was born in Milton, New Hampshire and attended Harvard University. Jones became an innovative force in modern set design for the American theatre. He also designed for opera and dance and was named Radio City Music Hall's first art director in 1932. Jones died at his birthplace at the age of 67. Primarily original costume designs, but also several set designs, sketches, and portrait drawings by designer, producer and writer Robert Edmond Jones for stage productions including some operas. Among the productions are: The barber of Seville (opera) by Gioacchino Rossini, 1941; Percy Mackaye's Caliban by the yellow sands, for the New York Tercentenary Celebration, 1916; Carmen (opera) music by Georges Bizet, 1932; The Cenci by Percy Bysshe Shelley, undated; The devil and Daniel Webster by Stephen Vincent Benet, 1939; The fountain by Eugene O'Neill, 1925; Die gluckliche hand (opera) by Arnold Schoenberg, n.d.; Mary of Scotland by Maxwell Anderson, 1933; The merchant of Venice by William Shakespeare, ca. 1914; A midsummer night's dream by William Shakespeare, n.d.; Night over Taos (previously titled City forgotten) by Maxwell Anderson, 1932; Orpheus (opera) by C.W. Gluck for Central City Opera House, Colorado, 1941; Othello by William Shakespeare, 1943; Susanna, don't you cry (musical with Stephen Foster songs) by Sarah Newmeyer, 1939; and the Tuskegee Choir for Radio City Music Hall, 1932. Many of the costume designs include swatches. There are 3 unidentified portrait drawings (1 for which the actor Irving Pichel was possibly the model) and 2 caricatures (1 of which is unidentified). There are worksheets attached to 2 of the 3 costume designs for a night club scene from an unidentified 1932 production (possibly for Radio City Music Hall).
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Packard, Albert
Billy Rose Theatre Division | *T-Vim 1993-036
355 designs in 3 boxes : gouache ; 38 x 54 cm. or smaller
Albert Packard was the business manager of the costume shop for both the Roxy Theatre and Radio City Music Hall from 1930 until 1982. The Roxyettes/Rockettes, a precision chorus line marked by synchronized high kicking, began as the Missouri...
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Albert Packard was the business manager of the costume shop for both the Roxy Theatre and Radio City Music Hall from 1930 until 1982. The Roxyettes/Rockettes, a precision chorus line marked by synchronized high kicking, began as the Missouri Rockets in 1925. After moving to New York City, they becoming the resident performers at the Roxy Theatre and were renamed the Roxyettes. The Roxyettes were part of the opening show at Radio City Music Hall in 1932, stayed on and were renamed the Rockettes in 1934. Both theaters had a ballet corps as well as the precision dancers. The Roxy Theatre and Radio City Music Hall costume design drawings executed in gouache provide detailed and colorful documentation of many Roxyette and Rockette performances. Most of the materials are unsigned, undated and lack titles though some character names are given making the stories recognizable for Alice in Wonderland, Hansel and Gretel, Madame Butterfly, and Scheherazade among others. Some designs are labelled for the Christmas or Easter shows. It appears that most productions were assigned a number which is written on the back of the designs. The lower numbers are for costumes for the Roxyettes and the higher are for the Rockettes. The collection also includes costumes for individual featured performers such as Patricia Bowman and for the Radio City Corps de Ballet. The designs have penciled notations on fabric type, and sometimes, the names of the chorus line performers. Some have fabric swatches attached. Marco Montadoro drew the designs for Alice in Wonderland and some others.
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Mann, Theodore
Billy Rose Theatre Division | *T-Mss 2005-005
457.73 linear feet (754 boxes)
Documenting the history of the Off-Broadway theater company Circle in the Square and two of its founders, Paul Libin and Theodore Mann, this collection consists of material relating to Circle in the Square's produced works, development material...
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Documenting the history of the Off-Broadway theater company Circle in the Square and two of its founders, Paul Libin and Theodore Mann, this collection consists of material relating to Circle in the Square's produced works, development material for unproduced works and abandoned projects, correspondence, administrative documents, financial and legal records, personal and office papers belonging to Libin and Mann, photographs, and other material relating to the day-to-day operation of a not-for-profit theatrical company.
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