Found 35 collections related to Van Vechten%2C Carl%2C 1880-1964

The Philip Sterling Research Materials on Bert Williams primarily contain clippings, correspondence, notes, and other research materials compiled by Philip Sterling, a writer and public relations executive for CBS, mainly between the years, 1959-1962. Sterling began conducting research on Williams during the late 1950s in the hope of writing a biography, which, apparently never was completed. He performed extensive research at a number of libraries and interviewed some of Williams's surviving relatives, as well as other individuals with firsthand memories of Williams, including Andy Razaf and Carl Van Vechten. less

The Carl Van Vechten Theatre Photographs contain over 300 black and white mounted prints of photographs taken by Carl Van Vechten, mostly at his studio from 1932 to 1943, principally of famous theatre artists, but also of renowned performers and figures in the arts, performing arts and literary world. less

This collection documents the creation of the film The Ten Year Lunch. Slesin acquired significant materials from numerous sources about the core group of the Round Table including Marc Connelly, Dorothy Parker, Alexander Woollcott, Harold Ross, Robert Benchley, Ruth Gordon, and Edna Ferber, as well as satellite figures. Types of materials in this collection include photographs (both originals and copies), personal correspondence and ephemera, telegrams, sound recordings, a script, theatre programs, posters, and bound volumes. Includes the work of notable photographers such as James Abbe, Alfred Eisenstaedt, Nickolas Muray, and Carl Van Vechten. Slesin's production notebook includes a descriptive listing of 702 items that she consulted during her research, most of which are in this final collection. The final script for the film is accompanied by a promotional poster illustrated with a drawing by Al Hirschfeld of the Round Table members. less

The Lillian Gish papers (75 lf.) span the years 1909-1992 and consist of correspondence including letters from friends, family, fans and business associates, personal papers, business, legal and financial documents, scripts, writings, photographs including early D.W. Griffith silent film photographs both candid shots taken during shooting and film stills, portraits by famous photographers, personal and family photographs, publicity and production photographs and snapshots, scrapbooks on the careers of both Dorothy and Lillian Gish, programs for early silent films and theatrical productions, clippings and ephemera that document the life and career of Lillian and Dorothy Gish from the early 1900's until Lillian's death in 1993. less

Carl Van Vechten (1880-1964) was a writer, promoter of African-American artists during the Harlem Renaissance, patron of the arts, and photographer. After he graduated from the University of Chicago in 1930, he entered upon a career as a reporter for newspapers that included The American in Chicago and within a few years The New York Times. At the latter he served as an overseas correspondent in Paris and subsequently as an assistant to the music critic Richard Aldrich in New York City. Van Vechten moved to New York City in 1906 with his first wife Anna Elizabeth Snyder, a teacher. After his divorce in 1912, Van Vechten met and married the stage actress Fania Marinoff. Marinoff made her stage debut at the age of eight in a stock company, and eventually developed a successful stage career. Van Vechten's novels include The Blind-Bow Boy, Interpreters and Interpretations, Nigger Heaven, Peter Whiffle, Tiger By the Tail, and The Tattooed Countess. Van Vechten promoted the careers of many authors' works by writing introductions to their monographs. In his second successful career as a photographer, he had the opportunity to photograph, and to have himself photographed, with many literary figures, stage and screen stars and others. Papers reflect Van Vechten's social life and professional career as a writer, photographer and patron of the arts; they also document Van Vechten's literary and artistic circle of friends and colleagues. An avid collector, Van Vechten retained the letters of prominent individuals who corresponded with him including Ralph Barton, James Branch Cabell, Arthur Davidson Ficke, F. Scott Fitzgerald, Donald Gallup, Langston Hughes, Edward Jablonski, Klaus Jonas, James Weldon Johnson, Mabel Dodge Luhan, Bruce Kellner, Saul Mauriber, H. L. Mencken, Georgia O'Keeffe, Alfred Stieglitz, Florine Stettheimer, and Henrietta Stettheimer. Papers are also rich in Van Vechten's photographs of prominent individuals, and in 19th century photographs of his family in Iowa. Multiple editions of Van Vechten's monographs and the monographs of others add to the diversity of the papers. Many of the monographs have been autographed by the author. less