Found 12 collections related to Othello

Gladys Vaughan (1924-1988) was an American theater director and the first woman to direct a play for the New York Shakespeare Festival. The collection dates from 1931 to 1988 and contains production files, professional files, programs, clippings, scores, and a small amount of biographical materials. less

The Uta Hagen/Herbert Berghof papers document the lives and careers of actress, master teacher, and author Uta Hagen and her husband--actor, director, and master teacher Herbert Berghof. The papers consist of correspondence, personal and family papers, diaries, scripts and manuscripts, production materials, blueprints, photographs, scrapbooks, posters, clippings, ephemera, and oversized material. There are also a number of papers relating to the HB Studio and HB Playwrights Foundation, the school and developmental theater founded by Berghof. less

Claire Luce (1903 -1989) was an American stage and screen actress and dancer. The Claire Luce papers hold correspondence, theater and film files, scripts, photographs, writings, art, scrapbooks and memorabilia documenting the actress's career in dance, theater, film, and radio. less

Architect, stage designer, and writer Claude Fayette Bragdon (1866-1946) worked as an architect in Rochester, New York City, and Buffalo, before moving to New York City in 1923, where he worked primarily as stage designer. Bragdon designed for several shows produced by actor and theatrical manager Walter Hampden. Bragdon was also the author of several books on architecture, design, and theosophy. 88 original designs and 4 prints, for 11 productions on which Claude Bragdon collaborated with Walter Hampden from 1923-1938. Includes a doorway design by Bragdon, and his own signs and captions for an exhibition of his scene and costume designs in 1938. less

Robert Edmond Jones was born in Milton, New Hampshire and attended Harvard University. Jones became an innovative force in modern set design for the American theatre. He also designed for opera and dance and was named Radio City Music Hall's first art director in 1932. Jones died at his birthplace at the age of 67. Primarily original costume designs, but also several set designs, sketches, and portrait drawings by designer, producer and writer Robert Edmond Jones for stage productions including some operas. Among the productions are: The barber of Seville (opera) by Gioacchino Rossini, 1941; Percy Mackaye's Caliban by the yellow sands, for the New York Tercentenary Celebration, 1916; Carmen (opera) music by Georges Bizet, 1932; The Cenci by Percy Bysshe Shelley, undated; The devil and Daniel Webster by Stephen Vincent Benet, 1939; The fountain by Eugene O'Neill, 1925; Die gluckliche hand (opera) by Arnold Schoenberg, n.d.; Mary of Scotland by Maxwell Anderson, 1933; The merchant of Venice by William Shakespeare, ca. 1914; A midsummer night's dream by William Shakespeare, n.d.; Night over Taos (previously titled City forgotten) by Maxwell Anderson, 1932; Orpheus (opera) by C.W. Gluck for Central City Opera House, Colorado, 1941; Othello by William Shakespeare, 1943; Susanna, don't you cry (musical with Stephen Foster songs) by Sarah Newmeyer, 1939; and the Tuskegee Choir for Radio City Music Hall, 1932. Many of the costume designs include swatches. There are 3 unidentified portrait drawings (1 for which the actor Irving Pichel was possibly the model) and 2 caricatures (1 of which is unidentified). There are worksheets attached to 2 of the 3 costume designs for a night club scene from an unidentified 1932 production (possibly for Radio City Music Hall). less

Caricaturist, cartoonist and illustrator, Alfred Frueh, was born in Lima, Ohio in 1880. In his early career, he worked at the St. Louis post-dispatch and the New York world. From 1908 to 1909, Frueh studied art in Europe. In 1925, Frueh joined the staff of the New Yorker magazine, which published his work until 1962. Frueh died in Sharon, Connecticut in 1968. Black and white original caricatures and color linocuts of theatrical productions and personalities. Many of the caricatures of theatrical productions appeared in the New Yorker magazine between 1925 and 1962. Productions depicted include: The children's hour by Lillian Hellman, 1934 and 1953; Porgy and Bess by George Gershwin, 1942 and 1953; Romeo and Juliet by William Shakespeare, 1923 and 1935; Twentieth century by Ben Hecht and Charles MacArthur (based on a play by Charles Bruce Milholland), 1933 and 1951; and the 1934 and 1936 editions of the Ziegfeld follies. Also included are 2 caricatures of the motion picture, City lights, 1931, with Charlie Chaplin, and 1 caricature of the Ziegfeld Theatre exterior, depicting the tower of the building as a woman's leg and foot, 1929. less

The Canada Lee Papers document two of the careers of this multi-talented man: his profession as an actor and his career as a boxer. The papers consist principally of personal and professional correspondence; speeches; and contracts, correspondence and other material generated during the production of a play or movie in which he performed. A significant part of the collection is newsclippings and other material housed in a series of scrapbooks. Also included are financial records, and a few artifacts. less

This collection contains the records of HB Playwrights Foundation and the personal and professional papers of its founders, actors Herbert Berghof and Uta Hagen. The Foundation was formed in New York City in 1964 to allow a space for playwrights, actors, directors, and designers to develop their plays in an experimental environment free from commercial limitations. Material relating to the HB Playwrights Foundation includes extensive production material and a small amount of administrative files. Files relating to Berghof and Hagen consist of correspondence, appointment books, diaries, photographs and photo albums, production files, scrapbooks, and a small amount of personal material. less