Found 33 collections related to Clippings (information artifacts)

The Rhoda Levine Papers document the career of the opera director, mainly through files on each of the many stage and opera productions on which she worked as dancer, choreographer or director. The papers contain annotated scores and libretti; costume, stage and set designs; choreographic, rehearsal and performance notes; programs; clippings; photographs; and audio/visual recordings. less

Joel Feigin (1951- ) is an American composer who studied with Roger Sessions and Nadia Boulanger. The Joel Feigin papers, dating from 1958 to 2010, document his career and education. They hold scores, professional and professional files, and education files. less

The Carol Baron research papers on Stefan Wolpe document Baron's research toward a never-completed biography of the composer. The papers hold correspondence from Wolpe, interview transcripts, notes, photographs, score and lecture manuscripts, clippings, and concert programs. less

Walter Trampler (1915-1997) was an American violist of German origin. One of the defining figures of his instrument, he performed with the Beaux Arts Trio; the Budapest, Juilliard, and Guarneri String Quartets; and was a founding member of the New Music String Quartet. He was also a renowned teacher. His papers document his life and career, mainly from the early 1950s to the mid-1990s. They contain correspondence, photographs, concert programs, scrapbooks, subject files, clippings, promotional material, a file on Trampler's memorial service, and Trampler's annotated and autographed scores. less

Jack Diether (1919-1987) was a journalist and musicologist best known for his expertise in and promotion of the music of Gustav Mahler and Anton Bruckner. The Jack Diether papers, dating from 1941 to 2006, hold correspondence, research files, and writings. less

David Amram (born 1930) is an American composer, conductor, and multi-instrumentalist active in classical, jazz, and folk music. The David Amram papers, dating from 1937 to 2011, most strongly represent his career path from the 1950s through the early 2000s, documenting his compositions, performances, conducting, writings, and business matters. They also evidence Amram's relationships with musicians and writers, including Jack Kerouac and other "Beat generation" figures. less

William Mayer (1925-2017) was an American composer and former trustee of the Composers Recordings, Inc. record label. The William Mayer papers date from 1956 to 2016 and contain scores composed by Mayer, correspondence and meeting minutes documenting his involvement with Composers Recordings, Inc., and clippings. less

The Bohemians (New York Musicians' Club) is an organization made up of distinguished New York City musicians and music lovers that organizes dinners and chamber concerts for its members, supports young artists, and honors notable musicians. The collection consists of bylaws, membership lists, letters, financial records, meeting minutes, photographs, programs, and menus for the club spanning 1907 to 2008. Also present are some items documenting the Musicians Foundation Inc., an affiliated tax-exempt charitable organization that provides support to professional musicians in need. less

Jane Jarvis (1915-2010) was a jazz pianist, also known for her work as the organist for the New York Mets, and as a programming executive for Muzak. The Jane Jarvis papers (1896-2004) contain correspondence, scores, photographs, contracts, notes, scrapbooks, and personal materials that document Jarvis's career as a performer and composer. less

The League of Composers / International Society for Contemporary Music records contain the papers of the League's co-founder and first Executive Director, Claire Raphael Reis; the records of both the League of Composers and the United States section of the ISCM before their 1954 merger; and the post-1954 records of the combined League/ISCM. less

The Cleveland String Quartet records, dating from 1965 to 2001, document the formation and evolution of the ensemble; its performances, recordings, tours, and other activities; and its critical reception. They also evidence the careers of Paul and Martha Strongin Katz. They hold correspondence; contracts; itineraries; photographs; publicity files; contracts; repertoire lists; programs; clippings; management files; and datebooks. less

Symphony Space, founded in 1978, is a multidisciplinary performing arts center located on the Upper West Side of Manhattan in New York City. The Symphony Space records (1978-2016) document the history, operation, and programming activity of the organization through Administrative Files, Programming Files, and Photographs. less

Richard Hundley (1931-) is an American composer of vocal music. The Richard Hundley papers, dating from the early 1900s to 2014 (bulk dates 1950s-2014), document the composer's career through scores, subject files, performance files, photographs, letters, and datebooks. less

Henry Grimes (1935-2020) was an American jazz double bassist who performed with some of the leading jazz performers of the 1950s and 1960s including Sonny Rollins, Gerry Mulligan, Thelonious Monk, Cecil Taylor, Albert Ayler, Joe Henderson, and many others. The Henry Grimes papers (1950-2018) document his life as a performer through sound and video recordings, notebooks, business files, correspondence, photographs, notated music, and artwork. less

Larry Bell (born 1952) is an American composer and pianist. The Larry Bell papers, dating from 1965 to 2013, document the composer's career through published scores, sketches, programs, clippings, correspondence, subject files, writings, and photographs. less

Gary Miller (born 1946) served as the first director of the New York City Gay Men's Chorus (NYCGMC) from 1980 to 1998. During his tenure, the Chorus performed at Carnegie Hall and Lincoln Center, toured Europe multiple times, and commissioned dozens of compositions. The collection chronicles Miller's administrative and creative involvement with the chorus from 1980 to 2015 via audiovisual recordings, clippings, correspondence, newsletters, photographs, playbills, programs, and scores. less

Marga Richter (1926-2020) was a Long Island-based American composer and pianist who had a long and productive career, with her work performed by many notable ensembles and soloists. Her papers, dating from 1924-2020, strongly document the composer's music and working life, mostly from the early-1940s until her death in 2020. The papers consist of scores; subject files; business and personal correspondence; programs; clippings; information on compositions and performances; photographs; and sound and video recordings. less

New Music for Young Ensembles (NYME), founded in 1974 by Claire Rosengarten, was an organization which fostered musical composition of ensemble music for intermediate level players. The organization's main activities centered around an annual composition competition, and an annual concert of music which would include the competition winner and other contemporary music. The New Music for Young Ensembles records consist of a variety of materials, including correspondence, photographs, administrative records, concert programs, and scores documenting the entire history of NMYE from 1974 until 2004, as well as materials detailing the assembly of this archive. less

Christian Wolff (born 1934) is an American composer and literary scholar closely associated with John Cage, Morton Feldman, David Tudor, Earle Brown, Frederic Rzewski, Alvin Lucier, Cornelius Cardew, and other mid- to late-20th century modernists. The Christian Wolff papers, dating from 1947 to 2017, document his music and professional life, primarily through scores and letters. The collection also holds audio and moving image recordings, programs, clippings, and writings by Wolff and others. less

The Leon Kirchner papers document the career of the composer, conductor and pianist from the 1950s to the early 2000s. They include scores and sketches, correspondence with important musical figures, writings, programs, clippings, photographs and posters. less

The Richard Maltby Sr. papers hold scores, correspondence, business papers, photographs, clippings, and scrapbooks. The vast majority of the collection consists of scores and parts for arrangements and compositions by Maltby as well as by his staff arrangers (primarily Al Muller and Red Bone), most of which are for jazz big band. less

The Dorian Wind Quintet is one of the longest continually-active chamber music groups in the world. The Dorian Wind Quintet records (1954-2012) document the first four decades of the group's existence through programs; scrapbooks; sound recordings; photographs; clippings; subject, touring, and management files; datebooks; files of the Dorian Wind Quintet Foundation; and posters. The largest components of the collection are sound recordings and programs. less

Lesley Gore (1946-2015) was an American popular singer and songwriter who had major hit singles in the early to mid-1960s, including the songs "It's My Party," "You Don't Own Me," "Judy's Turn To Cry," "Maybe I Know," and "She's A Fool," among others. The Lesley Gore papers, dating from 1900 to 2017 (bulk dates from 1946 onward), document her life and career through audio and moving image recordings; notated music and lyrics; personal files of photographs, writings, clippings, posters, and scrapbooks; and business files. less

Conductor, radio host, and music educator David Randolph (1914-2010) was an active member of the New York classical music community. He served as musical director of the Randolph Singers, the Masterwork Chorus, and The St. Cecilia Chorus and was a longtime WNYC radio host of “Music for the Connoisseur,” later called “The David Randolph Concerts.” The collection contains letters, diaries, writings, concert programs, photographs, and annotated scores, documenting Randolph’s career. less

The records of the Composers' Forum document the history of the organization from 1935 to 2002. They hold correspondence, concert programs, press releases, clippings, grant applications and other development files, board meeting minutes and correspondence, photographs, membership files, concert production files, concert discussion transcripts, historical essays and scrapbooks. less

Lois Kirschenbaum (1932-2021) was widely recognized in the opera world as an enthusiastic and long-standing fan who was a constant presence at performances of the Metropolitan Opera for nearly 50 years. She was a regular backstage visitor who befriended many vocalists. The Lois Kirschenbaum papers, dating from 1955 to 2010 (bulk dates 1955-1965), document operatic, instrumental, dance, and dramatic performances in New York City through autographed and annotated programs and photographs. The bulk of the collection pertains to the Metropolitan Opera. less

Maryanne Amacher (1938-2009) was an experimental sound artist, musician, and composer best known for her site-specific sound installation work and audio research. Amacher's collection dates from the 1890s to 2009 (bulk dates 1960s-2009), and contains her working files, as well as sound and video recordings related to her installations, music compositions, and sound research. The collection details the entirety of Amacher's five-decade music career, illustrating her creative process, research methods, and expansive musical output. less