Found 17 collections related to Financial records

Josef Lhévinne was a Russian pianist who lived in the United States after 1919. Lists of receipts for concert tours, in North America, 1908-1910, and in Europe, 1920 and 1922 ; and accounts of transactions with Steinway & Sons, which sponsored the tours. less

The Martin Kalmanoff Papers document the career of an American composer of operas, musicals, choral works, religious services and popular song. The papers consist of scores, correspondence, financial and business papers, writings, notes, concert programs, photographs and media clippings. less

The Aston Magna Foundation for Music Records consist of office files that document the first years of the Foundation, a pioneering American organization for the study and promotion of early music. Established in 1972 by Albert Fuller and Lee Elman, in Great Barrington, Massachusetts, the Foundation was created to serve as a center for the study and performance of seventeenth and eighteenth century music, and continues today to build upon its original mission. less

The Conductors Guild Records document the history and activities of the Guild, a non-profit organization that advocates for the conducting profession. The collection contains board and member correspondence, financial and membership records, publication history, and information about the Guild’s annual conferences and workshops. less

The National Association for American Composers and Conductors, Inc. (NAACC) was founded by Henry K. Hadley in 1933. It was an organization dedicated to the task of fostering American Music. The collection contains correspondence, legal and financial statements, minutes of meetings, programs, bulletins, clippings, photographs, reports, membership records, plots and wood block prints. less

Teresa Sterne, a pioneering producer of classical music recordings, was director of Nonesuch Records from 1965 to 1979. The Papers include material related to Sterne's tenure in charge of Nonesuch Records, as well as her childhood career as a performing pianist. The bulk of the material dates from 1969-1979, and includes production files, clippings, photographs, scrapbooks and scores. less

The Bohemians (New York Musicians' Club) is an organization made up of distinguished New York City musicians and music lovers that organizes dinners and chamber concerts for its members, supports young artists, and honors notable musicians. The collection consists of bylaws, membership lists, letters, financial records, meeting minutes, photographs, programs, and menus for the club spanning 1907 to 2008. Also present are some items documenting the Musicians Foundation Inc., an affiliated tax-exempt charitable organization that provides support to professional musicians in need. less

Established in 1927 by Leopold Prince the City Symphony Orchestra of New York, a non-profit organization comprised mostly of amateur musicians, gave free concerts throughout New York. The collection contains board minutes, correspondence, financial documents, programs, and ephemera that highlight the organization and financial operations of the orchestra. less

The Cyma Rubin papers document the producer's two Broadway productions: a revival of No, No, Nanette (1971), and an original musical, Doctor Jazz (1975). They contain scores, correspondence, production files, business records, publicity material, and photographs. less

The Dessoff Choirs is a Manhattan-based amateur choral group founded by Margarete Dessoff. The choirs encompass both a symphonic choir and a chamber choir, and perform a broad repertory of classical music from Renaissance to contemporary compositions. This collection documents the choirs' administrative activities and performance history through administrative files, correspondence, financial records, programs, and scrapbooks. less

Vincent Persichetti, American composer, educator and author, studied the piano with Olga Samaroff and composition with Paul Nordoff at the Philadelphia Conservatory, and conducting with Fritz Reiner at the Curtis Institute. In 1941 he was appointed to teach at the Philadelphia Conservatory, and in 1947 he joined the faculty of the Juilliard School. From 1952 he also served as Editorial Director for Elkan-Vogel. In 1961, Persichetti’s Twentieth Century Harmony: Creative Aspects and Practice was published by W.W. Norton and was immediately viewed as the definitive book on modern compositional techniques. Over the course of his career, he received commissions from the Philadelphia Orchestra, the Louisville Philharmonic Society, the Naumberg Foundation, the Samaroff Foundation, the Serge Koussevitzky Music Foundation, the American Guild of Organists, universities and individual performers. less

The Meredith Monk Archive documents the art of Meredith Monk and the history of The House Foundation For The Arts, Monk’s management and production company. The Archive contains correspondence, media clippings, concert programs, publicity material, writings, piece and project files, scores, business and financial papers, photographs and drawings, posters, and books. less

Born in 1945, Jack Briece was an American composer, organist and pianist, video artist, educator, and author, whose creative output was original and inventive. Most of this collection contains Briece’s diary, written on index cards and documenting his personal study of astrology, planetary movements, and the I-Ching, which informed every aspect of his life and inspired much of his output as an artist. However, of particular interest are the music series and the records surrounding Briece’s travels in Finland. The music materials demonstrate Briece’s use and personal development of conventional as well as modern and experimental orchestration techniques. The materials related to Finland represent a particularly active and creative time for the composer, his involvement with the newly developing videotape medium, and the culmination of much of his work up until his untimely death in 1988. less