Found 10 collections related to Telegrams

Ewing Cherry was an American stage actor with years of touring experience. Born in Des Moines, Iowa, Ewing Cherry (sometimes billed as V. E. Cherry) made his stage debut in WITHIN THE LAW in Chicago in 1916. Soon afterwards Cherry was working in vaudeville in a skit called OUT OF LUCK. He went on to play juvenile leads for various stock companies in such shows as MRS. WIGGS OF THE CABBAGE PATCH and THE LITTLE SPITFIRE through the 1910s and 1920s. His Broadway credits include WHAT PRICE GLORY?, SKIDDING with Glenda Farrell, THE NIGHT BEFORE with Franchot Tone, and MARCHING MEN (1930) with Leon Ames. Cherry also acted in radio drama. After a period of retirement, he returned to the stage for a role in the Off-Broadway production of Sean O'Casey's RED ROSES FOR ME (1961), then appeared in O'Casey's MOON SHINES ON KYLENAMOE and in Nikolai Evreinov's THE CHIEF THING (1963), his last professional credit. Ewing Cherry died in New York City on March 30, 1969. The Ewing Cherry papers span 1916 to 1962, and consist of letters to Ewing Cherry from employers and friends, a number of contracts securing Mr. Cherry's services as an actor for various stock companies between 1917 and 1927, three booklets (1920-23) introducing the members of the Gene Lewis-Olga Worth stock company, photographs of Ewing Cherry in a variety of characterizations, playbills for a dozen plays in which Ewing Cherry appeared, press releases, fliers, telegrams to and from Ewing Cherry, and clippings of reviews which mention his performances. less

Anderson Lawler was a stage and screen actor, later a producer. Born in Russellville, Alabama, in 1902 (some sources say 1904), Anderson Lawler acted in several stage plays in the 1920s, went to Hollywood in 1929, and acted in a number of films over the next ten years, including BE YOURSELF! (1930) with Fanny Brice, George Cukor's GIRLS ABOUT TOWN (1931), Frank Capra's AMERICAN MADNESS (1932), RIPTIDE (1934) with Norma Shearer, and EVER SINCE EVE (1937) with Marion Davies. Lawler also worked as a talent scout, and after 1939 he gave up acting and served as an associate producer for 20th Century Fox, for whom he produced Joseph L. Mankiewicz' SOMEWHERE IN THE NIGHT (1946). Returning to New York in the 1950s he produced several plays, including OH MEN, OH WOMEN. Anderson Lawler died of a heart attack on April 6, 1959. The Anderson Lawler correspondence spans 1927-1959, and consists mostly of telegrams, most of them from Lawler to his mother sending best wishes on various holidays and other occasions, and sometimes giving updates on his career. In addition to the notes from Lawler, there are brief messages and invitations from such Hollywood notables as George Cukor, Janet Gaynor, and Tallulah Bankhead. A late 1920s program from the Mayfair Club of Los Angeles displays two pencilled caricatures of actress Lupe Velez. less

This scrapbook is comprised of condolence letters, cards, and telegrams sent to Gertrude Lawrence's husband Richard Aldrich after the actress's sudden death in 1952. Included are remembrances from friends, former colleagues, and admirers. Also present are sympathy letters that were not inserted into the scrapbook less

The Leon Danielian Papers document the career of the American ballet dancer and teacher through an extensive set of photographs, as well as a more limited selection of correspondence, clippings, financial records, and teaching materials. Danielian, a native New Yorker of Armenian ancestry, enjoyed an especially varied career as a performer, but is best known for his long association with the Ballet Russe de Monte Carlo. Following his retirement from the stage, Danielian taught ballet for nearly thirty years at the American Ballet Theatre School and the University of Texas at Austin. less

The Leonard Warren Papers document the professional career of the American baritone. Warren was a leading performer with the Metropolitan Opera for over twenty years, whose significant accomplishments have been overshadowed by his dramatic death onstage during a performance. Much of the collection is comprised of clippings and scrapbooks, as well as some promotional materials, such as broadsides and posters. It also contains numerous condolence cards, letters, and telegrams sent in the wake of the singer's untimely death. less

La Meri was a dancer of ethnic dances, a teacher of ethnic dance and a writer of poetry. She taught Mexican and Spanish and East Indean dance. She established small companies that both toured and performed at festivals. La Meri's school during the 1940s and 1950s was named ethonoligic Dance Center. She taught at Jacob's Pillow during the 1960s. less

The Claudia & Ralph Morgan Papers contain the certificates, contracts, correspondence, scripts, telegrams and miscellaneous material relating to the acting careers on stage, in motion pictures and with professional organizations (e.g. Screen Actors Guild) for this father and daughter collection. less

Sender and recipient are both American composers. They collaborated in composing a 2-piano work, Coal scuttle blues. 17 signed autograph letters, 30 signed typed letters, 1 telegram, and 1 postcard from Otto Luening to Ernst Bacon; 1 signed autograph letter from Edwin Gerschefski to Ernst Bacon; promotional material for Luening's autobiography ([1] leaf); and 2 scores of Coal scuttle blues / by Ernst Bacon and Otto Luening. New York : Associated Music Publishers, c1944. less

Philburn (Phil) Friedman (1921-1988) was an American stage manager. Friedman managed numerous Broadway and West Coast theater productions, many of them musicals, including Kismet (1953), How to Succeed in Business Without Really Trying (1961), Pippin (1972), Chicago (1975), and Dancin' (1978). He worked with director, writer, and choreographer Bob Fosse for nearly 15 years, and played the part of the stage manager in Fosse's 1979 autobiographical film, All That Jazz. He also worked extensively with directors Cy Feuer and Abe Burrows. The Phil Friedman papers (1805-1979) document Friedman's general interest in theater and to some extent, his work as a stage manager. The collection holds programs, telegrams, photographs, biographical material, and scrapbooks containing images of stage actors from the early 1900s. less