Found 88 collections related to Black author

Lyonel C. Florant, an African American economist, was employed by the Carnegie Corporation's "Study of the Negro in America" project. Florant authored several documents for the project, and he, along with others, completed the report, "Negro Population Movements, 1860 to 1940: In Relation to Social and Economic Factors". The Lyonel C. Florant papers consist of reports and some research files Florant prepared and gathered primarily regarding African American migration and population studies across the country, mostly for the Negro in America study. less

The Harlem Writers Guild was established in 1950 and is the oldest organization of African-American writers in the United States. Originally founded as the Harlem Writers Club by John Henrik Clarke, Rosa Guy and John Oliver Killens, it was created as a forum for emerging African-American writers in New York City who felt alienated from the white literary mainstream. The Guild helped nurture African-American literary talent since its inception. Prominent members include Maya Angelou, Amiri Baraka, Terry McMillan, and Louise Meriwether. The Harlem Writers Guild Press was established in 2000 as an imprint to publish the literary works of its members. The Harlem Writers Guild Records collection consists of the work of two Guild members, Grace F. Edwards and K.C. Washington. The collection contains nine manuscripts of published books and unpublished material, including three annotated manuscripts, spanning circa 1998 to 2009. Edwards is the author of the popular Mali Anderson Mystery series. The collection contains three annotated manuscripts: A Toast Before Dying (1998), Do or Die (2000), and The Viaduct (2003). It also includes the manuscript for No Time to Die (The Cereal/Serial Killer) (1999). The collection also includes a manuscript of Washington's debut novel Mourning Becomes Her, which was first published by Harlem Writers Guild Press in 2006, as well as two unpublished manuscripts: "Beauty" (2009) and "Mad River" (2000-2005). less

The Black Consciousness Movement emerged as a political trend in South Africa in the late 1960s, in the decade after the banning of the African National Congress and the Pan Africanist Congress by the South African regime. The collection documents a primarily youth-based radical critique of the apartheid system, of the ANC's Freedom Charter and its moderate leadership in negotiating a transition to white rule in South Africa. The South Africa Black Consciousness Movement Collection consists primarily of interviews, speeches, organizational materials and printed matter documenting the politics and activities of Black Consciousness organizations in and outside of South Africa from 1983 to 1991. It comprises interviews and speeches by BCM leaders Itumeleng J. Mosala, Ishmael Mkhabela and Lybon Mabasa; interviews with black South African exiles, and anti-apartheid activists within South Africa; leaflets, declarations and factsheets of the Azanian People's Organization and the Black Consciousness Movement of Azania (BCM (A)); miscellaneous files on the New Unity Movement, the Pan Africanist Congress and other non BCM organizations; and subject files on churches, trade-unions, white organizations inside South Africa, and the State of Emergency declared by the South African government in 1985. An organization file for Indaba, a Durban-based experiment in power-sharing, and a collection of essays entitled "War Stories" by an independent American journalist, Michael Slate, are also included. less

The Gay Men of African Descent, Inc. records (1986 - 1998) document the development of the largest black, gay-run, educational, social and political organization in the United States. Records include board of directors materials, a fairly comprehensive collection of newsletters, and information on GMAD's funding sources. Documentation on the organization's earliest years are augmented by transcripts of oral history interviews with both early and active members. less

The New Heritage Theatre Group records consists of playbills, broadsides, flyers, playscripts, correspondence and printed matter relating to the organization's productions and events from 1965-2015. Of particular note are original playscripts and production materials for the South African musical "Sarafina!" (1988-1991) and flyers and announcements for a play reading series entitled "Voices of Griots" (1991-1996). There is also a biographical file for Roger Furman. less

The Craig G. Harris Papers, 1986-1993, document his life as a gay, HIV-positive African-American, his work as an AIDS activist, and his prolific writing career. The collection consists of biographical information, personal correspondence, obituaries and memorial material, as well as original manuscripts of his speeches, essays, articles and poems. less

The Maxine Sullivan Papers document her career as a jazz performer. The papers contain correspondence from both professional and personal contacts, legal contracts, newspaper clippings, performance flyers, posters, and programs, sheet music, and some financial and organizational membership records. Some materials pertain to her third husband, Cliff Jackson. less

Anthony Horton was an African-American man who for a period of his life was homeless and lived in the tunnels beneath the subway trains. Together with author/artist Youme Landowne, Horton wrote and illustrated "Pitch Black: Don't be Skerd" (2008) which tells the story of how the two met, his background and his life underground. Horton worked with the Theater of Oppressed NYC, frequently playing the role of a police officer in the troupe's performances. He died in a fire that ripped through his underground home. The Anthony Horton Collection consists of a mock-up for the book he and Youme Landowne wrote and illustrated together, "Pitch Black: Don't be Skerd," about Horton's life in the tunnels under the New York City subway system, and letters he wrote to his co-author/friend from 2009-2010. The letters discuss their friendship and his thoughts; most were written while he was an inmate in Downstate Correctional facility in Fishkill, New York. According to Landowne, he was incarcerated because of possession of an antique knife that he wanted to sell. There are additional writings along with original artwork and illustrations. less

Born Yves Francois Lubin in Haiti in 1957, Assotto Saint was a New York-based gay activist, poet, and performance artist who edited two anthologies of black gay poets in the early 1990s. He founded a publishing house, Galiens Press, which published his book of poems Stations and the anthologies Here to Dare and The Road Before Us. In addition, Saint also wrote and produced several theater pieces, including Risin' to the Love We Need and New Love Song. Saint was the founder and artistic director of Metamorphosis Theater and the lead singer of the rock band Xotica. He died of HIV-related diseases in 1994. The Assotto Saint papers consist of correspondence and writings by Saint, manuscripts and letters from authors featured in his anthologies as well as other gay writers, printed matter, and some personal papers. less

Rietta Hines Herbert (1940-1969) (also Rietta May Herbert) was an African American social worker in New York City from 1935-1965. She spent most of her career as a social investigator and supervisor of child welfare in the Harlem offices of the Department of Welfare. less

Robert H. Beecher was a Panamanian-born educator who worked as a high school teacher, administrator, and community liason in the Bronx, then as an adjunct associate professor in the Department of Education Foundations at Hunter College. The Robert H. Beecher papers contain personal papers, correspondence, writings and research materials relating to education in the Panama Canal Zone and the education of minorities in the United States. less

Thomas Sinclair, Jr., was an African-American lawyer, director of the Upper Manhattan Rent Commission, Chairman of the Housing Committee of the Harlem Neighborhoods Association, and a New York City Housing Court judge. The Thomas Sinclair collection consists of biographical data, some letters and speeches, minutes and other documents of Community Boards 10 and 11 regarding urban renewal in Harlem in the 1960s, and some legal files, one of which concerns the proposed installation of Stuart H. Merriam as minister of Harlem's Broadway Presbyterian Church (1961-1962). less

The J. Alfred Smith, Sr. Papers primarily document Smith's roles as author, pastor of the Allen Baptist Temple Church (ATBC) and his activities with the Progressive National Baptist Convention, Inc (PNBC) as well as other church organizations. Over half of the papers document Smith's career during the 1970s and '80s as pastor of ATBC and president of the PNBC. Smith's papers include very little documentation on his career and professional activities during the 1950s and '60s, his vice presidency and presidency of the Progressive State Baptist Convention of California and Nevada headquartered in Los Angeles, or his first and second vice presidencies of the PNBC. less

Myran E. Haley (My Haley) is the third wife of the well-known writer Alex Haley. They were married in 1977 although they were legally separated at the time of his death in 1992. Myran Haley claimed she assisted Alex Haley in finishing "Roots," published in 1976. She also stated in court documents that she was a collaborator on at least three of his unpublished works: "Queen," (the story of his Caucasian ancestry), "Madame C. J. Walker," and "Henning," a collection of stories about Haley's boyhood summers at his grandmother's home in western Tennessee. The Myran E. Haley Legal Documents relate to the suit filed by Myran Haley against George Haley (Alex Haley's brother), and the Haley Estate regarding ownership of three literary works Haley was working on at the time of his death: "Merging" aka "Queen," "Madam C. J. Walker," and "Henning." She claimed co-ownership of these works and the right to complete the manuscripts. A compromise judgment was rendered giving her partial (15%) ownership rights. Documents include photocopies of Mryan Haley's complaint, her affidavit, Alex Haley's will, their prenuptial agreement, and the partial compromise judgment. less

Ted Poston was the first full-time African-American reporter for the New York Post, where he worked from 1936 covering many major black-oriented news stories, until his retirement in 1972. The Ted Poston Research Collection consists of biographical information about Poston and a transcript of an interview that Professor Luther P. Jackson did with Ted Poston on "interracial reporting" in October 1968. Most of the collection consists of typescripts of articles and columns written by Poston (1927-1971) collected and prepared by the donor, Kathleen Hauke. less

Emmett "Babe" Wallace is a singer, composer, actor and writer. He has performed in cabarets, musical revues, films and the theater. As a composer and writer, he has produced a voluminous body of musical compositions, poetry essays and journals. Music, songs, poetry, prose, daybooks, scripts, personal papers, printed material, and other papers, relating to Wallace's career in cabarets, musical revues, films, and theater in the United States, Canada, France, and Israel. Themes in his creative work include personal life, civil rights, religion, and politics. less

The T. Thomas Fortune Scrapbook consists primarily of clippings of Fortune's articles from the "New York Age," 1890-1898, in which he discussed events and issues affecting African Americans nationwide as well as overseas. There are also articles from other newspapers such as the "Evening Telegram, the "New York Sun," the "Texas Morning News, the "Galveston Daily" and the "Brooklyn Daily Eagle," some of which he authored, and articles written about him by fellow journalists, 1889-1904. less

Alphonso H. Johnson, a Harlem resident, was a sleeping car porter with the Pullman Company and a member of the Brotherhood of Sleeping Car Porters. The Alphonso H. Johnson Papers contain personal letters primarily from female friends who lived in Montreal and along the Eastern Seaboard of the U.S., and correspondence relating to his employment with the Pullman Company. There is also some documentation for the Brotherhood of Sleeping Car Porters. less

African-American arts aficionado Robert LaPrince was known primarily as the founder and president of the National Council for Culture and Art (NCCA), a non-profit, charitable, educational public service and artist support organization. NCCA's two touchstone programs, the Monarch Awards and Opening Night, honored and featured a variety of established upcoming people of color in the performing arts. Prior to founding NCCA, LaPrince obtained his Ph.D. from the University of Pittsburgh (1976) in sociology, and worked for the National Council of Negro Women. As an educator, he worked as an adjunct professor at Hunter College, Medgar Evers College, York College and the University of Pittsburgh in the 1970s and 1980s. LaPrince was also a social worker and teacher for the New York City Board of Education in the 1980s. The Robert LaPrince/National Council on Culture and Art (NCCA) Records are divided into two series, Personal and Professional. The bulk of the collection consists of the records of the NCCA and includes board agendas, minutes, reports and correspondence; planning files for the Monarch Awards and Opening Night programs, correspondence, contracts, financial records, fliers, grant proposals, artist information files, and news clippings. less

Personal papers, family and general correspondence, writings, field notes and research materials, working papers, office files and printed matter documenting Ralph Bunche's personal life and professional career, from his enrollment at the University of California to his retirement in 1971. less

William Haywood Burns was a civil rights activist, lawyer, educator and dean of the City University of New York Law School at Queens College. He is the author of The Voices of Negro Protest in America, published in 1963. A graduate of Harvard College and Yale Law School, Burns served as legal counsel to the NAACP Legal Defense and Education Fund Inc., from 1967-1969. He was one of the founding members and became the first director (1970-1973) of the National Council of Black Lawyers (NCBL), an organization that helped to acquit Angela Davis of murder and kidnapping charges that also represented other black political activists, including Black Panther members and Vietnam War resisters. Highly recognized for his work with the Attica prison uprising in 1971, Burns spent much of his career working tirelessly to recruit more people of color into the legal field, and was committed to educating lawyers about the complexities of representing underserved communities for the public good. Also active in the anti-apartheid for a quarter of a decade, Burns was a member of the International Association of Democratic Lawyers. During one of his trips to South Africa, he was killed by a speeding lorry. The Haywood Burns Papers is organized into seven series: Personal, Correspondence, Legal, Writings, City University of New York (CUNY), Subject Files and Organizations. The majority of the Papers represent Burns' legal work and the various organizations with which he was connected including the National Council of Black Lawyers, Association of the Bar of the City of New York, Community Service Society of New York, Lawyers Committee for Human Rights, National Lawyers Guild, ACLU's National Prison Project, New World Foundation, Twenty-First Century Foundation, and the Vera Institute of Justice. less

The Charles H. "Chiz" Schultz collection documents film and television projects, either created by or featuring black artists which Schultz produced or considered for production. The collection also documents Schultz's employment with Belafonte Enterprises Inc., as well as his own production companies: Chiz Schultz Inc. and Fireside Entertainment Corporations. less

Uriah Gittens was the Executive Secretary of the New York Local of the Universal Negro Improvement Association (UNIA) during the 1920s. He appears to have assumed this position some time prior to the imprisonment of Marcus Garvey, founder and president of UNIA, in 1925. A collection of 24 letters (1925-1929) primarily written by Uriah Gittens, the Executive Secretary, New York Local of the United Negro Improvement Association (UNIA). The Gittens' letters detail the factionalism and infighting that plagued the UNIA at all levels and contributed significantly to the demise of the New York Local, as well as the creation of the Garvey Club. The letters are addressed to Marcus Garvey during his imprisonment in the Federal Prison in Atlanta, Georgia and later in Jamaica, West Indies following his deportation. Correspondents include George A. Weston, Vice-President of the New York Local-UNIA and William Sherrill, Acting President General, UNIA-Parent Body, relating to Weston's attempt to remove Gittens from the position of executive secretary of the New York Local. less

The Cyril D. Tyson Papers consist of documents Tyson compiled for the publication of his three monographs. The first of the books is "The 'Unconditional War' on Poverty and the Use of Computer Technology by Community Action Agencies, 1965-1972. As this book covers the use of computer technology by community action agencies between 1965 and 1972 in New York City, Boston, Hartford, St. Louis, Missouri, Harris County in Texas, the Ozarks in Missouri, and Wisconsin, the files pertain to these geographic localities. Included are interviews, many case study drafts, correspondence with administrators from other agencies during the period Tyson served as the deputy administrator of Community Relations in New York City's Human Resources Administration, reports he prepared, and office memoranda, 1970-1972. less

The Angela Davis Legal Defense Collection is comprised of legal documents and other materials associated with the legal and political campaign to have Davis acquitted of all charges against her. The bulk consists of documents which reflect the legal actions taken prior to the change of venue from Marin County to San Jose, California. The rest of the collection relates to the activities mounted by various defense committees and other supporters to generate publicity and support for Davis. In addition, there is information on the Soledad Brothers, political prisoners and prisons in the United States. less