Found 17 collections related to Musical sketches

Ernst Bacon, 1898-1990, was an American composer, pianist, conductor, and teacher. 1 ALS, 1962, and 30 ALS, 1972-1976, to John Edmunds discussing the Bacon-Edmunds collaboration on a radio skit, Watergate (performed 11-2-72 on Station KPFA, Berkeley) and other works including the ballets Jehovah and the Ark and A Parliament of Fowls (also entitled Court of Rooks), and Bacon's collaborations with Cornel Lengyel; and a collection of manuscript material relating to Watergate and its other versions as musical comedy variously entitled Nixie's Party, Nixie's Circus, Nixie, Watergates, and Waterbuggers, sometimes with subtitle A Political Burlesque, and sometimes pseudonymously attributed to N.O. Cable and J. Heron. This material includes a notebook with script and lyrics (in ink and pencil), 2 versions of script, lyrics, words and music (photocopies with emendations in ink and pencil); first-draft notes, early versions and musical sketches, (typescript, ink, some photocopies); and 1 TL (photocopy) from Bacon and Edmunds to Sargent Shriver suggesting the broadcast. 1 ALS is written on the program of the premiere of A Parliament of Fowls, May 6, 1975. less

Heddy Baum's late husband Morton Baum (1905-1968) was a performing arts administrator involved with New York's City Center for Music and Drama from its beginnings in 1943 until his death. Her friend Hans Werner Henze (b. 1926) is a German composer. The first installment consists of 2 distinct collections: papers concerning Morton Baum, and papers concerning Hans Werner Henze. The Morton Baum materials include a typescript history of City Center from 1945-1956, including inserted clippings and letters to Morton Baum from Leonard Bernstein, William Grant Still, Jose Ferrer, and others; clippings about City Center, 1965 and about Morton Baum's selection as board chairman for City Center, 1966; program and clippings about a memorial concert for Morton Baum, 1969; and a letter to Heddy Baum from Lincoln Kirstein, 1973. The Hans Werner Henze materials include 82 items of correspondence (chiefly ALS) from Henze to Heddy Baum, 1973-1990; 3 ALS from Henze to Gert and Hilde von Gontard, 1974-1975, with an enclosed copy of a letter from Henze to Mr. Oppenheimer, 1975; pencil holograph of Henze's Piano sonata; and a portfolio published by the Frankfurt Feste '86 containing 5 portraits of Henze by his friend Renzo Vespignani, an essay on Vespignani by Henze, and 5 facsimiles of sketches of Henze's compositions. These last 2 items have also been cataloged in the RLIN Scores file. A portrait by Fritz Wolff of Polish violinist Bronislaw Huberman has been separated from the collections and transferred to the Music Division's iconography collection: PhD 2546. less

The Robert Chesley Scores contains music composed by Chesley, in the form of manuscript scores and sketches. Personal papers which pertain to his work as a composer include correspondence, reviews and programs, and publications of the Society of Gay and Lesbian Composers based in San Francisco, California less

Renzo Viola, born Lorenzo Viola in Sicily in 1889, was a piano teacher and composer in New York City and in Lindenhurst, Long Island. He composed music for the silent movie, The Trifling Woman ; invented an educational toy piano named Alice in Musicland ; founded the Long Island Harmony Band and the L.I. Drum Corps ; and wrote songs for the Rotary Club. Manuscript scores of Renzo Viola's compositions (including more than 25 songs for which he wrote both words and music, and more than 35 piano pieces), arrangements, sketches, and exercises ; 2 published scores ; brochures, clippings, biographical sketch by Viola V. Joy. less

The Edith Evans Braun Collection highlights the history of American music in the early and mid twentieth century. The collection shows various details of the lives and careers of notable music figures of the period through the memoirs and diaries of Edith Evans Braun, a pianist and director at the Curtis Institute of Music in Philadelphia. Of strong interest in the collection are the music manuscript sketches by emerging composers (Deems Taylor, Samuel Barber) of the period, and signed and dedicated published scores. There are also letters and photographs from Taylor, Barber, Gian Carlo Menotti, Josef Hoffman, and others. The period covered in the collection is from 1916 to 1971. less