Apolinar, Danny
Billy Rose Theatre Division | *T-Mss 1995-027
12 linear feet (15 boxes)
The Danny Apolinar Papers document the career of Danny Apolinar, lyricist, composer, pianist, nightclub entertainer and illustrator. The materials date from 1946-2000 (bulk dates 1957-1993) and include professional correspondence, legal and...
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The Danny Apolinar Papers document the career of Danny Apolinar, lyricist, composer, pianist, nightclub entertainer and illustrator. The materials date from 1946-2000 (bulk dates 1957-1993) and include professional correspondence, legal and financial papers, production and promotional materials, scripts, photographs, scores, scrapbooks, clippings, programs, and posters designed by Danny Apolinar. There are no personal records in the collection.
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Oenslager, Donald, 1902-1975
Billy Rose Theatre Division | *T-Mss 1976-007
4.5 linear feet (8 boxes)
The Donald Oenslager Collection of Edward Gordon Craig is an artificial collection containing correspondence and artwork created by the noted theatrical designer and graphic artist, Edward Gordon Craig. Although born and raised in England, Craig...
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The Donald Oenslager Collection of Edward Gordon Craig is an artificial collection containing correspondence and artwork created by the noted theatrical designer and graphic artist, Edward Gordon Craig. Although born and raised in England, Craig moved to the continent in 1904 where he continued to work; the impact of his radical innovations in stage design were international in scope. Craig’s colleague, Donald Oenslager, an American stage designer and longtime faculty member of the Yale School of Drama, whose own work had been profoundly influenced by Craig, amassed the selection of letters and prints that form this collection.
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Stead, Hiram
Billy Rose Theatre Division | *T-Mss 1933-001
<600 portfolios>
The Stead Collection gives a comprehensive depiction of the English theater. $bThe collection consists primarily of playbills, programs, clippings and prints, but also contains manuscript material consisting of letters, photographs, legal and...
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The Stead Collection gives a comprehensive depiction of the English theater. $bThe collection consists primarily of playbills, programs, clippings and prints, but also contains manuscript material consisting of letters, photographs, legal and financial documents, and ephemera.
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Boyt, John
Billy Rose Theatre Division | *T-Vim 2010-024
2 lnear feet (4 boxes)
Designer, producer and writer, John Boyt (1921-1983) was born in Newark, New Jersey. From the 1940s to the early 1980s, Boyt designed costumes, sets, and occasionally lighting, for theater, dance, opera, television, and film. His credits include...
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Designer, producer and writer, John Boyt (1921-1983) was born in Newark, New Jersey. From the 1940s to the early 1980s, Boyt designed costumes, sets, and occasionally lighting, for theater, dance, opera, television, and film. His credits include Broadway, off-Broadway, and regional theater productions, as well as New York City Ballet and New York City Opera. Original costume designs by John Boyt and a few pages of notes for three Broadway productions: 12 designs for J. M. Synge's The playboy of the western world (1946) with Burgess Meredith; 36 designs for William Shakespeare's Antony and Cleopatra (1947) with Katharine Cornell and Charlton Heston; and 37 designs for The lovers by Leslie Stevens (1956) with Morris Carnovsky and Joanne Woodward. A number of the sketches have notes written on the versos.
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Nichols, Josephine
Billy Rose Theatre Division | *T-Mss 1996-001
1.25 linear feet (3 boxes)
Josephine Nichols was an actress and a teacher of theater. This collection contains her papers from her long career, 1948-1990. The papers are business related, including programs, contracts and clippings.
Craig, Edward Gordon, 1872-1966
Billy Rose Theatre Division | *T-Vim 1964-006
1 portfolio (10 prints), 21 x 26 cm; 1 portfolio (10 prints), 21 x 26 cm
Influential English artist of the theater, Edward Gordon Craig was a designer, director, actor and author. Designs for Shakespeare's Hamlet are unmounted woodcut prints, in black and white, 8 on rice paper, 2 on board.
Strange, Michael, 1890-1950
Billy Rose Theatre Division | *T-Mss 1994-009
The Michael Strange papers consist primarily of 218 autographed letters, many more then 2 pages in length, from her second husband John Barrymore. These span the years 1917-1925 and coincide with the end of her marriage to Leonard Thomas, as well...
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The Michael Strange papers consist primarily of 218 autographed letters, many more then 2 pages in length, from her second husband John Barrymore. These span the years 1917-1925 and coincide with the end of her marriage to Leonard Thomas, as well as Barrymore's and Strange's courtship, marriage and divorce. Michael Strange was John Barrymore's second wife and the correspondence gives insight to the stormy nature of their relationship. Most of the correspondence is love letters which use personal terms of endearment and are almost always affectionate and sometimes sexually explicit.
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Evans, Maurice, 1901-1989
Billy Rose Theatre Division | *T-Mss 1979-001
31.5 linear feet.; 97 boxes
The Maurice Evans papers contain correspondence, production materials, photographs, programs and scripts that document his role as an actor, director and production.
Macquoid, Percy, -1925
Billy Rose Theatre Division | *T-Vim 1990-022
26 drawings (in 1 box) : color ; 29 x 37 cm
Percy Macquoid, costume designer. Costume designs in ink, watercolor and pencil were for David Belasco's production of The Merchant of Venice at the Lyceum Theatre in New York which opened in December 1922. 21 are on board and 5 are on tracing paper.
Billy Rose Theatre Division | *T-Vim 2010-035
31 drawings : watercolor ; 36 x 26 cm. or smaller. 2 drawings : pencil and ink ; 33 x 24 cm. or smaller. 26 x 19 cm. or smaller, 2 photomechanical prints (26 x 19 cm. or smaller)
Performer, director, producer, and writer, E.H. Sothern (1859-1933) was born in New Orleans into a theatrical family. Educated in England, he worked for some ten years (until 1898) as an actor in Daniel Frohman's company at New York's Lyceum...
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Performer, director, producer, and writer, E.H. Sothern (1859-1933) was born in New Orleans into a theatrical family. Educated in England, he worked for some ten years (until 1898) as an actor in Daniel Frohman's company at New York's Lyceum Theatre in comedic and romantic roles. After winning acclaim in his own production of Hamlet (1900), Sothern and his second wife, Julia Marlowe, starred in their productions of Shakespeare and a few modern plays for almost 20 years. He died in New York City of pneumonia. 31 watercolor scenes from various Shakespearean plays, and several sketches (1879 and n.d.) done by actor-producer E. H. Sothern, as well as costume and property designs by Tony Binder and H. A. Ogden for plays in which Sothern and his wife, actress Julia Marlowe, appeared. The 3 costume designs by H. A. Ogden are for The cavalier (1897) and If I were king by Justin Huntly McCarthy (ca. 1901); 2 costume designs by Tony Binder are for an unidentified play; there is also a design for a bed by Mawers, Ltd., and 2 published images of paintings by Antonius Van Dyck, possibly intended as costume designs.
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Motley, pseud
Billy Rose Theatre Division | *T-VIM 2012-003
2 boxes (93 drawings) : col ; 51 x 41 cm. or smaller
Motley is the corporate name of sisters Margaret Harris (1904-2000) and Sophie Harris (1900-1966), and Elizabeth Montgomery Wilmot (1902-1993), who designed sets and costumes for theatre, opera, ballet and motion pictures from 1932 to 1976 in...
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Motley is the corporate name of sisters Margaret Harris (1904-2000) and Sophie Harris (1900-1966), and Elizabeth Montgomery Wilmot (1902-1993), who designed sets and costumes for theatre, opera, ballet and motion pictures from 1932 to 1976 in England and the United States. Their first designs, for London productions by John Gielgud and Michel Saint-Denis, were very successful, and in 1936 Saint-Denis founded The London Theatre Studio (1936-1939), a radical new theatre school which incorporated courses in theatre design taught by the Motleys. In 1940, Margaret Harris and Elizabeth Montgomery went to New York and remained there until the end of World War II, designing for numerous productions on Broadway. In 1946, Margaret Harris returned to London, while Elizabeth stayed, married the writer and journalist Patrick Wilmot (1904-1960), and continued to design for plays, musicals, operas, and ballets in New York until 1966. Original color costume designs on paper, tracing paper, or board, possibly created by Elizabet (Montgomery) Wilmot, one of the three women who designed under the pseudonym Motley. Includes drawings for Miss Liberty (1949); Paint your wagon (1951); The tempest (1945); and Tovarich (1963), as well as designs for Laurence Olivier (Henry II) in Becket (1961); Richard Burton (Philip the Bastard) in King John (1953); and Michael Redgrave (Warbeck) in The witch of Edmonton (1936).
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Jones, Robert Edmond, 1887-1954
Billy Rose Theatre Division | *T-Vim 2010-030
2 boxes (ca. 66 drawings) : col ; 40 x 50 cm. or smaller
Robert Edmond Jones was born in Milton, New Hampshire and attended Harvard University. Jones became an innovative force in modern set design for the American theatre. He also designed for opera and dance and was named Radio City Music Hall's first...
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Robert Edmond Jones was born in Milton, New Hampshire and attended Harvard University. Jones became an innovative force in modern set design for the American theatre. He also designed for opera and dance and was named Radio City Music Hall's first art director in 1932. Jones died at his birthplace at the age of 67. Primarily original costume designs, but also several set designs, sketches, and portrait drawings by designer, producer and writer Robert Edmond Jones for stage productions including some operas. Among the productions are: The barber of Seville (opera) by Gioacchino Rossini, 1941; Percy Mackaye's Caliban by the yellow sands, for the New York Tercentenary Celebration, 1916; Carmen (opera) music by Georges Bizet, 1932; The Cenci by Percy Bysshe Shelley, undated; The devil and Daniel Webster by Stephen Vincent Benet, 1939; The fountain by Eugene O'Neill, 1925; Die gluckliche hand (opera) by Arnold Schoenberg, n.d.; Mary of Scotland by Maxwell Anderson, 1933; The merchant of Venice by William Shakespeare, ca. 1914; A midsummer night's dream by William Shakespeare, n.d.; Night over Taos (previously titled City forgotten) by Maxwell Anderson, 1932; Orpheus (opera) by C.W. Gluck for Central City Opera House, Colorado, 1941; Othello by William Shakespeare, 1943; Susanna, don't you cry (musical with Stephen Foster songs) by Sarah Newmeyer, 1939; and the Tuskegee Choir for Radio City Music Hall, 1932. Many of the costume designs include swatches. There are 3 unidentified portrait drawings (1 for which the actor Irving Pichel was possibly the model) and 2 caricatures (1 of which is unidentified). There are worksheets attached to 2 of the 3 costume designs for a night club scene from an unidentified 1932 production (possibly for Radio City Music Hall).
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Sobotka, Ruth
Billy Rose Theatre Division | *T-VIM 2012-005
2 boxes (ca. 71 drawings) : col ; 50 x 38 cm. or smaller
Designer, dancer and actress, Ruth A. Sobotka, was born in Vienna in 1925. She emigrated to the United States with her family when she was 14. Sobotka attended the University of Pennsylvania and Carnegie Institute of Technology. She also studied...
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Designer, dancer and actress, Ruth A. Sobotka, was born in Vienna in 1925. She emigrated to the United States with her family when she was 14. Sobotka attended the University of Pennsylvania and Carnegie Institute of Technology. She also studied ballet at the School of American Ballet and was a dancer for Ballet Society and New York City Ballet. Sobotka designed costumes for both theater and dance. She appeared as "The girl" in Man Ray's segment of the Hans Richter avant-garde film, Dreams that money can buy (1947) and later worked on several films in various capacities. In 1955, she married film director Stanley Kubrick; they divorced in 1961. After retiring from dancing, Sobotka focused on acting and designing. She died after a brief illness at Flower and Fifth Avenue Hospital in June1967, at the age of 42. Approximately 71 original color costume and set designs (mostly costume designs) by Ruth Sobotka. Aladdin and the wonderful lamp is the only play represented in the collection that was actually produced (Unit Theatre Group, 1966); there are also index cards with notes and swatches for this show. Sobotka's costume and set designs for Bathsheba by Jacques Deval (1947), Ladies in retirement by Edward Percy and Reginald Denham (ca. 1944), The merchant of Venice by William Shakespeare (ca. 1944), Twelfth night by William Shakespeare (ca. 1944), a Passion play (ca. 1944), and a Shakespearean production (ca. 1944), were never executed, or were Carnegie Institute of Technology schoolwork.
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Ffolkes, David
Billy Rose Theatre Division | *T-Vim 2010-027
4 boxes (ca. 110 drawings) : some col ; 59 x 39 cm. or smaller
Costume and set designer David Ffolkes (1912-1966) was born in West Hagley, England and designed costumes and sets for numerous theatre productions and films. He served in the Royal Artillery during World War II and was a prisoner of war in Siam...
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Costume and set designer David Ffolkes (1912-1966) was born in West Hagley, England and designed costumes and sets for numerous theatre productions and films. He served in the Royal Artillery during World War II and was a prisoner of war in Siam for over three years. Ffolkes received a 1947 Tony award for his set designs for King Henry VIII. He died of a heart attack in 1966. Primarily original costume designs by costume and set designer David Ffolkes for the theatrical productions All Gaul is divided by John McGiver, 1947; Hamlet by William Shakespeare, 1939; King Henry VIII by William Shakespeare, 1946; Man and superman by George Bernard Shaw, 1947; and What every woman knows by James M. Barrie, 1947. Many of the designs include swatches and samples, and several designs are for wigs. There is also 1 color backdrop design for the musical Seventeen, music by Walter Kent; lyrics by Kim Gannon; book by Sally Benson; based on the novel by Booth Tarkington; the production opened 1951; the design is dated 1950.
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Rumbold, Hugo
Billy Rose Theatre Division | *T-Vim 1990-023
36 drawings (1 box); : color ; 28 x 32 cm
Hugo Rumbold, Percy Anderson and Viola Tree, costume designers. Costume designs in ink, watercolor and pencil, unsigned, were for the production of The Tempest which opened at the Aldwych Theatre in London on January 28, 1921 with Henry Ainley,...
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Hugo Rumbold, Percy Anderson and Viola Tree, costume designers. Costume designs in ink, watercolor and pencil, unsigned, were for the production of The Tempest which opened at the Aldwych Theatre in London on January 28, 1921 with Henry Ainley, Joyce Carey and Viola Tree. Sixteen are drawn on board. Includes cast list.
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Mielziner, Jo, 1901-1976
Billy Rose Theatre Division | *T-Vim 1996-011
1 drawing : col ; 51 cm x 34 cm
Jo Mielziner, theatrical designer. Consists of one original costume design for the role of Ophelia in HAMLET, in pencil and watercolor, signed "To Lillian Gish from Jo Mielziner." Includes fabric swatches.
Powell, Gabriel M., 1902-
Billy Rose Theatre Division | 8MWEZ+++29440
7 paintings : watercolor ; 35 x 45 cm. or smaller
Gabriel M. Powell, artist and designer was born in 1902. His early career, in the 1930's, was in dance where he worked as a dancer and designer for the Gluck-Sandor Ballet Theatre. Among the company were such noted dancers as Klarna Pinska, Jose...
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Gabriel M. Powell, artist and designer was born in 1902. His early career, in the 1930's, was in dance where he worked as a dancer and designer for the Gluck-Sandor Ballet Theatre. Among the company were such noted dancers as Klarna Pinska, Jose Limon and Jerome Robbins. By 1936, however, he was a designer of theatrical sets, and created the set for OUTWARD BOUND at the Forrest Theatre. Later productions included work on the musicals of Rodgers and Hammerstein and Irving Berlin. In his later years, Mr. Powell concentrated on his career as an easel artist. The Gabriel M. Powell Theatrical Designs consist of both costume and set designs for productions throughout his career.
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Hepburn, Katharine, 1907-2003
Billy Rose Theatre Division | *T-Mss 2007-009
30 linear feet (65 boxes)
The Katharine Hepburn papers consist of correspondence, scripts, photographs, scrapbooks, programs, contracts, financial papers, production materials, notebooks, and clippings documenting the theatrical career of the legendary actress. A few items...
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The Katharine Hepburn papers consist of correspondence, scripts, photographs, scrapbooks, programs, contracts, financial papers, production materials, notebooks, and clippings documenting the theatrical career of the legendary actress. A few items from radio, television, and motion picture performances are also included. There are also a number of materials from her files relating to the theater, such as books, programs for performing arts events she attended, and memorabilia relating to 19th and early 20th century actors.
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Frueh, Alfred Joseph, 1880-1968
Billy Rose Theatre Division | *T-Vim 2010-028
ca. 34 linocuts : some col ; 46 x 36 cm. or smaller. 15 boxes (ca. 530 drawings) : some col ; 75 x 60 cm. or smaller
Caricaturist, cartoonist and illustrator, Alfred Frueh, was born in Lima, Ohio in 1880. In his early career, he worked at the St. Louis post-dispatch and the New York world. From 1908 to 1909, Frueh studied art in Europe. In 1925, Frueh joined the...
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Caricaturist, cartoonist and illustrator, Alfred Frueh, was born in Lima, Ohio in 1880. In his early career, he worked at the St. Louis post-dispatch and the New York world. From 1908 to 1909, Frueh studied art in Europe. In 1925, Frueh joined the staff of the New Yorker magazine, which published his work until 1962. Frueh died in Sharon, Connecticut in 1968. Black and white original caricatures and color linocuts of theatrical productions and personalities. Many of the caricatures of theatrical productions appeared in the New Yorker magazine between 1925 and 1962. Productions depicted include: The children's hour by Lillian Hellman, 1934 and 1953; Porgy and Bess by George Gershwin, 1942 and 1953; Romeo and Juliet by William Shakespeare, 1923 and 1935; Twentieth century by Ben Hecht and Charles MacArthur (based on a play by Charles Bruce Milholland), 1933 and 1951; and the 1934 and 1936 editions of the Ziegfeld follies. Also included are 2 caricatures of the motion picture, City lights, 1931, with Charlie Chaplin, and 1 caricature of the Ziegfeld Theatre exterior, depicting the tower of the building as a woman's leg and foot, 1929.
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Benney, Robert, 1904-2001
Billy Rose Theatre Division | *T-Mss 1984-005
The Robert Benney research materials include photographs, clippings, posters, playbills, and ephemera relating to his career as a portraitist of stage and screen personalities. The bulk of the material spans 1926 to 1947, and consists of...
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The Robert Benney research materials include photographs, clippings, posters, playbills, and ephemera relating to his career as a portraitist of stage and screen personalities. The bulk of the material spans 1926 to 1947, and consists of photographs, and clippings of Benney's work depicting New York stage performers in their roles. Many photographs and clippings depict entire stage scenes, and, in addition to stage actors, there are photographs and clippings of musicians, dancers, comics, and radio personalities, and a small number of items relating to films of the period.
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Belasco, David, 1853-1931
Billy Rose Theatre Division | *T-Mss 1931-001
Actor, manager, playwright, director, producer and theater owner, David Belasco was one of the outstanding personalities of the American theater at the turn of the century. He is most notable for his exotic stage productions, famous for their...
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Actor, manager, playwright, director, producer and theater owner, David Belasco was one of the outstanding personalities of the American theater at the turn of the century. He is most notable for his exotic stage productions, famous for their lavishness and scenic realism, and his discovery and training of actors such as Mrs. Leslie Carter, Blanche Bates, David Warfield and Frances Starr. He made good use of the mechanical inventions of his day including innovations in the use of lighting, was involved in the fight against the Theatrical Syndicate, and wrote plays of his own, mostly collaborations and adaptations of sentimental melodrama. The collection contains Belasco correspondence with actors and others, 53 scrapbooks of photographs by White Studio and Byron Studio of Belasco productions [1898-1930], and 30 rolls of microfilm of scrapbooks of clippings [1898-1930] (*ZAN-*T-279).
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Abel, Walter, 1898-1987
Billy Rose Theatre Division | *T-Mss 1993-050
The papers of Walter Abel consist primarily of correspondence, contracts, speeches, and clippings documenting his work as an actor. The professional correspondence is not extensive: the bulk is single letters received from a wide variety of...
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The papers of Walter Abel consist primarily of correspondence, contracts, speeches, and clippings documenting his work as an actor. The professional correspondence is not extensive: the bulk is single letters received from a wide variety of individuals, much of it letters of thanks. A few outgoing letters discuss proposed productions. Correspondents include John Golden, Robert Edmond Jones and Eugene Ormandy. The contracts file is incomplete. Speeches, for the most part lectures on Shakespeare, theater history, and the psychology of acting, reflect his tireless work promoting the theater to college students and others. Clippings consist of production reviews and interviews with Abel. Production materials are mostly miscellaneous single items such as call sheets and schedules from films in which Abel appeared. Organizational work consists of minutes and correspondence pertaining to his work with ANTA, the Hollywood Victory Committee and other war service organizations. The collection also contains personal material on his family, awards, and a few scrapbooks of photographs.
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Barnes, Kay
Billy Rose Theatre Division | *T-Mss 1996-020
The Kay Barnes papers consist of correspondence, a scrapbook and ephemera documenting her career, as well as aspects of the career of her father, James R. Barnes. The correspondence includes a few letters from John Philip Sousa to Kay Barnes'...
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The Kay Barnes papers consist of correspondence, a scrapbook and ephemera documenting her career, as well as aspects of the career of her father, James R. Barnes. The correspondence includes a few letters from John Philip Sousa to Kay Barnes' mother, letters from Ivah Wills Coburn and some cards and letters from Charles Coburn. The ephemera contains materials from Kay Barnes' work with the Mrs. Fiske Company. Her scrapbook contains clippings, telegrams and letters documenting her career from 1919. Productions include OH, MY DEAR, APPLE BLOSSOMS, ENTER MADAME and THE BAT, among others.
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Brent, Romney, 1902-1976
Billy Rose Theatre Division | *T-Mss 1998-011
The Romney Brent papers document his career and contain correspondence, photographs and two scrapbooks. The collection is incomplete in that it contains only correspondence from his later years and photographs and scrapbooks from his early career....
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The Romney Brent papers document his career and contain correspondence, photographs and two scrapbooks. The collection is incomplete in that it contains only correspondence from his later years and photographs and scrapbooks from his early career. Correspondents include: Ilka Chase, Helen Hayes, Lillebil Ibsen, Alfred Lunt, Armina Marshall, Mary Martin, Cornelia Otis Skinner, Emlyn Williams and Peggy Wood. There is a large gap in the materials for the 1940s and 1950s. Some production photographs were separated to the Theatre Collection photo files. The photographs remaining in the collection are special appearances, the State Department sponsored tours and personal photographs.
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Row, Arthur William, 1878-1961
Billy Rose Theatre Division | *T-Mss 1953-003
The collection consists primarily of correspondence (bulk late 1950s) concerning Row's writings, especially his book on Sarah Bernhardt; and the writings themselves, mostly theatrical reminiscences, in typescript and note form. As well as...
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The collection consists primarily of correspondence (bulk late 1950s) concerning Row's writings, especially his book on Sarah Bernhardt; and the writings themselves, mostly theatrical reminiscences, in typescript and note form. As well as Bernhardt, Row wrote laudatory personal accounts of the Barrymores, John Gielgud, Richard Mansfield, Paul Muni, Cornelia Otis Skinner, Ellen Terry and Blanche Yurka, among others. The collection also contains some personal biographical material, publicity for Row's book, clippings of play reviews, and some material, mostly publicity, for The Afternoon Theatre under Row's direction.
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Gish, Lillian, 1893-1993
Billy Rose Theatre Division | *T-Mss 1996-011
The Lillian Gish papers (75 lf.) span the years 1909-1992 and consist of correspondence including letters from friends, family, fans and business associates, personal papers, business, legal and financial documents, scripts, writings, photographs...
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The Lillian Gish papers (75 lf.) span the years 1909-1992 and consist of correspondence including letters from friends, family, fans and business associates, personal papers, business, legal and financial documents, scripts, writings, photographs including early D.W. Griffith silent film photographs both candid shots taken during shooting and film stills, portraits by famous photographers, personal and family photographs, publicity and production photographs and snapshots, scrapbooks on the careers of both Dorothy and Lillian Gish, programs for early silent films and theatrical productions, clippings and ephemera that document the life and career of Lillian and Dorothy Gish from the early 1900's until Lillian's death in 1993.
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Mielziner, Jo, 1901-1976
Billy Rose Theatre Division | *T-Vim 1993-002
Jo Mielziner, set and lighting designer, theater architect and consultant. The collection consists of set and costume designs, technical drawings, elevations and whiteprints documenting the work of Jo Mielziner.
Crawford, Cheryl, 1902-1986
Billy Rose Theatre Division | *T-Mss 1973-004
Cheryl Crawford, producer and director. Her papers include correspondence, production files, scripts, photographs, ephemera, ledgers, financial materials and scrapbooks documenting her career.
Roche, Emeline Clark, 1902-1995
Billy Rose Theatre Division | *T-Mss 1996-016
The Emeline Roche Collection (1815-1988) consists of the Emeline Roche Papers (1815-1988) and the Jane Cowl Papers (1884-1949). The collection came in two installments: first after 1950 from Emeline Roche, the rest after her death from her...
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The Emeline Roche Collection (1815-1988) consists of the Emeline Roche Papers (1815-1988) and the Jane Cowl Papers (1884-1949). The collection came in two installments: first after 1950 from Emeline Roche, the rest after her death from her executor and friend, Henry Grady.
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