Found 3 collections related to Straight, Beatrice

Michael Chekhov was an actor, director, author, and teacher, whose theories on acting and directing continue to be influential. Born in St. Petersburg, Russia, on Aug. 29, 1891, Michael Chekhov was the nephew of author and playwright Anton Chekhov. He showed early promise as an actor, and in 1912 he was invited by Constantin Stanislavsky to join the Moscow Art Theatre. After sixteen years with the group, during which he worked as both an actor and director, Chekhov left Russia and worked in Germany, France, Latvia, and Lithuania. In 1935 at the invitation of actress Beatrice Straight, Chekhov established the Chekhov Theatre Studio at Dartington Hall in Devonshire, England, assisted by Deirdre Hurst du Prey, an acting student who helped him learn English. In 1939 the war forced the studio to move overseas to Ridgefield, Connecticut. The group eventually disbanded in 1942, when many of its actors were drafted into the armed forces. Chekhov moved to California and continued to teach, lecture, and act in motion pictures such as Alfred Hitchcock's SPELLBOUND (1945), ABIE'S IRISH ROSE (1946), and RHAPSODY (1954). He wrote a book TO THE ACTOR: ON THE TECHNIQUE OF ACTING, later revised. Michael Chekhov died on Sep. 30, 1955, in Beverly Hills, California, at the age of 64. In 1962 MICHAEL CHEKHOV'S TO THE DIRECTOR AND PLAYWRIGHT was published, based on lecture notes. Deirdre Hurst du Prey edited two additional books based on his ideas. Consists of thirty-two folders of typescript, compiled by Deirdre Hurst du Prey from notes taken between 1936 and 1942, during the active years of the Chekhov Theatre Studio in Devonshire, England, and in Ridgefield, Connecticut. According to Deirdre Hurst du Prey, her record of Michael Chekhov's discussions of acting technique is verbatim and unabridged, and reflects the evolution of his ideas in light of the Studio's theater experiments and productions. A few emendations have been made by hand. Mrs. du Prey's notes served as the basis for Michael Chekhov's book TO THE ACTOR which he completed in 1942. This book was first published in the 1950s in a heavily edited edition, then in a more comprehensive edition in 1991. The source material was copyrighted in 1977. In the Appendices are several related items, including a photocopy of a 1948 letter of reference written by Michael Chekhov on behalf of Deirdre Hurst du Prey, a copy of a 1969 letter to Deirdre Hurst du Prey from Michael Chekhov's widow Xenia, two typescript memoirs of Michael Chekhov, each five pages, written in 1976 by Beatrice Straight and Deirdre Hurst du Prey, a 1926 essay by Chekhov entitled "The Path of the Actor" translated from the original Russian into English in 1936, the transcript of an interview with Deirdre Hurst du Prey conducted in spring 1999 when she was 93 years old, and other documents pertaining to Michael Chekhov and his studio classes. less

Beatrice Straight was an American actor who worked in theater, film, and television. The Beatrice Straight papers (1922-1987) document Straight's personal and professional life through correspondence, clippings, publications, legal records, photographs, and writings. The bulk of the material dates from 1968 to 1986. less

The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Her affiliations with Circle in the Square, Circle Repertory Company, Goodspeed Opera House, Yale Repertory Theatre, and other companies are documented in the organization files. less