Found 4 collections related to Ford Foundation

Jo Mielziner, set and lighting designer, theater architect and consultant. The collection consists of personal papers, personal and professional correspondence, production materials, office and financial files, writings, professional appearance and exhibition files, photographs, scrapbooks and subject files documenting the life and career of Jo Mielziner. less

The Richard Barr-Clinton Wilder Papers contain a great deal of documentation on the working aspects of the collaboration between Barr, Wilder and Edward Albee whose various producing units helped to establish a number of important American playwrights in the 1960s. In addition they document the work that Barr did with Charles Woodward, Jr. after Wilder left the Playwrights Unit as well as the work done by Barr and Wilder before they formed their partnership. The Administrative Files and Production series contain correspondence; production files, such as contracts, agreements, cast and crew lists, inventories, schedules, costume plots, and lighting plots; some scripts; programs; legal papers; business papers and clippings. The bulk of the documents, however, are financial records including royalty statements, box office statements, ledgers, bank statements, invoices and receipts. The more personal papers in the collection including writings, photographs and ephemera document Richard Barr's life and work. There are no similar items documenting the life of Clinton Wilder. The scrapbooks document the work of the Playwrights Unit, mostly through clippings; they appear to have been put together by Barr. less

The New York Shakespeare Festival records (1954-1992) measure approximately 850 linear feet and consist of scripts, correspondence, inter-office memoranda, production materials, reports, financial records, photographs, and memorabilia. The records reflect the origin and activities of the New York Shakespeare Festival, its general administration, and the staging of its productions, including their creation, management, booking, and promotion. The files of the Casting Office, except in the form of carbon copies in other series, are not included in this archive. There are also gaps in the files of the Associate Producer. Contracts were removed and require special permission of the curator to access. Oral history materials in Series I and some correspondence in Series V are restricted until the year 2043 in order to protect the privacy of individual persons. Series XIV (Oversized Materials) is not fully processed and is currently unavailable for research. less