Nathaniel Buchwald (1890-1956), drama critic, teacher, and authority on Yiddish theater, was also a co-founder of the Artef Players Collective, a Yiddish dramatic group, active in New York from the late 1920's to 1940. Born in the Ukraine,...
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Nathaniel Buchwald (1890-1956), drama critic, teacher, and authority on Yiddish theater, was also a co-founder of the Artef Players Collective, a Yiddish dramatic group, active in New York from the late 1920's to 1940. Born in the Ukraine, Nathaniel Buchwald came to the U.S. as a young man and studied at the University of Georgia, Brooklyn Polytechnic Institute and New York University, where he earned a Bachelor of Science degree in Chemistry. He became a journalist, contributing pieces in Yiddish to the Jewish Daily Forward of New York, then co-founded the Morning Freiheit in 1922. Mr. Buchwald became the Morning Freiheit's drama critic, and also wrote a theater column for the monthly Jewish Life. In 1925, he and several like-minded colleagues formed the Artef Players Collective, a drama troupe dedicated to performing "plays of social import," supported by subscribers and by the players themselves. The collective staged its first production in 1927, and prospered during the Depression, but eventually experienced financial and other difficulties resulting in a two-year hiatus, 1937-9. The group resumed work with Louis Miller's CLINTON STREET in autumn 1939, but despite positive notices and popular support they disbanded in February 1940. In 1943 Nathaniel Buchwald published a book on Yiddish theater in America. He died in 1956. The Nathaniel Buchwald papers and lecture notes span 1927-1940 and consist of lecture notes, a five page ballet synopsis, a program and a handbill relating to the life and career of Nathaniel Buchwald, a critic and co-founder of the Artef Players Collective. The bulk of the collection consists of lecture notes, some encased in mylar, which date from 1927 to 1937 and pertain to the study of drama. There is also an unsigned, undated synopsis for a "proposed Purim ballet," suggested by the folk festival Purim, based on narrative material by Sholem Aleichem. Also included is a program and a handbill for a revue written by Nathaniel Buchwald, LEBEDIK UN FREILACH.
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