Found 8 collections related to Tchaikovsky%2C Peter Ilich%2C 1840-1893

Under the name of his birth Hans Wohlmuth, John Wolmut was a stage director for City Center Opera ca. 1945. He emigrated from Austria in 1938 and taught at Mannes and Curtis Institute before going to the Midwest in 1947. Four published piano-vocal scores of operas with Wolmut's holograph stage directions interleaved and with mounted typescript notes and markings by Wolmut. less

Original set designs, working drawings and sketches, blueprints and notes by Mstislav Dobuzhinskiĭ for the following productions: Anne of England by Mary Cass Canfield and Ethel Borden adapted from Viceroy Sarah by Norman Ginsbury (1941); Boris Godunov opera by Modest Mussorgsky (n. d.); Don Giovanni music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte (1952); Das Dreimaderlhaus (House of the Three Girls) adapted into English language versions as Blossom Time and Lilac Time is a Viennese pastiche 'operetta' with music by Franz Schubert rearranged by Hungarian Heinrich Berte and a libretto by Alfred Maria Willner and Heinz Reichert (n. d.); Emilia Plater (Lithuanian National Theatre) (1939); Enough Stupidity in Every Wise Man by Alexander Ostrovski (1953); Eugene Onegin (opera) by P. Tchaikovsky (different productions 1923-1953); The Fair at Sorochinsk book by Nicolai Gogol, music by Modest Mussorgsky (1942); The Four Ruffians by Edward J. Dent adapted from I Quattro Rusteghi by Goldoni music by Ermanno Wolf-Ferrari (1951); Die Geburt der Salome (1944); Happy Endings by A. Chekhov (n.d.); Khovanshina by M. Mussorgsky (1948-1950); Love for three oranges (1949); Masked Ball music by G. Verdi (1940); A Month in the Country (1909); Queen of Spades by P. Tchaikovsky (1925-1931); Radvila Perkunas by Jurgis Karnavicius (1936); Wozzeck opera music by Allen Berg (1952). There are also a few designs for unidentified productions. Most of the designs and sketches are signed. less

The collection contains non-commercial recordings of live and recorded performances and interviews of Jan Peerce spanning the years 1938-1983. The collection also features performers such as: singers Zinka Milanov, Roberta Peters, Leonard Warren, Cesare Siepi, Robert Merrill, Lawrence Tibbett, Virginia Raye and Viola Philo ; conductors Arturo Toscanini, Fausto Cleva, Harry Horlick and David Rubinoff ; and interviewers Ed Sullivan, Johnny Carson and Mike Douglas. Radio and television (audio only) programs included are: The A & P Gypsies, Radio City Music Hall On the Air, Carnegie Hall, The Chevrolet Hour, The Ed Sullivan Show, The Mike Douglas Show, and The Tonight Show. Works featured are selections from operas such as "La boheme," "I pagliacci," "Don Giovanni," "Cavalleria Rusticana," "La traviata," "Lucia di Lammermoor" and "Rigoletto" ; musicals such as "Fiddler on the Roof" ; and songs by Handel and Schubert, among others. less

Weekly 30-minute NBC radio broadcasts, featuring classical and light classical music, which began on Apr. 29, 1940 and continued until 1958. In September, 1959, the Bell Telephone Hour made its television debut as a monthly musical special. It remained a regular television program until April 26, 1968. Library's holdings incomplete. Broadcasts chiefly originated from New York City, sponsored by the Bell Telephone Company (American Telephone and Telegraph). Each 30-minute program generally features a guest singer or instrumentalist, with the Bell Telephone Hour Orchestra, conducted by Donald Voorhees, and the Bell Telephone Hour Chorus. Frequent guest artists include Marian Anderson, Robert Casadesus, Nelson Eddy, Josef Hofmann, Fritz Kreisler, Oscar Levant, James Melton, Grace Moore, Ezio Pinza, Lily Pons, Bidú Sayão, Gladys Swarthout, John Charles Thomas, Helen Traubel, and Eileen Farrell. Chief announcer: Floyd Mack. less