Found 4 collections related to Dorati, Antal

The major part of this collection consists of correspondence to and from Irving Deakin primarily in relation to his association with Hurok Attractions and as General Manager of the San Francisco Civic Ballet in 1947-48 and in relation to his personal and professional associations with Adolf Bolm, Anton Dolin, and Antal Dorati. The collection falls into a natural chronological arrangement that gives a broad view of Deakin's associations with the Ballet Russe de Monte Carlo, the Original Ballet Russe, the beginnings of Ballet Theatre, the WQXR Music and balletradio program, the San Francisco Civic Ballet, and the first American tour of the Sadler's Wells Ballet. less

Correspondence; memoranda; reports; minutes of meetings; press releases; drafts and final copies of articles, speeches, and statements; awards and certificates; diaries; photographs; magazines; clippings; pamphlets and papers; programs; posters; and scrapbooks. Correspondents include: Samuel Barber, Jacques Barzun, William Bergsma, Leonard Bernstein, Aaron Copland, Agnes DeMille, David Diamond, Antal Dorati, Morton Gould, Martha Graham, Frank Loesser, Otto Luening, Peter Mennin, Eugene Ormandy, Vincent Persichetti, Frederik Prausnitz, Andre Previn, Josef Raieff, Claire Reis, Richard Rodgers, Isaac Stern, Risë Stevens, Anthony Strilko, Roman Totenberg, Edgard Varèse, and Hugo Weisgall; representatives of organizations with which he has been associated and of other orchestras, foundations, educational institutions, and publishers. less

The Radford Bascome collection contains over 8,600 negatives that documents dance from 1954 through 1958 with the majority of the collection representing New York City Ballet. Other companies included are American Ballet Theatre and Ballet Russe de Monte Carlo, as well as performances from Jacob's Pillow Dance Festival. Also included are Bascome's commercial and advertising work as well as some personal photographs. Brief biographies of Bascome's subjects are provided throughout the collection as well as correspondence from dancers whom he photographed. less

The collection consists of noncommercial recordings primarily of opera performances from 1936 to 1981 by major American and European houses, collected and in many cases recorded by Richard McGuinn. Opera houses represented include the Bayreuth Festival, Covent Garden, La Scala, Lyric Opera of Chicago, Metropolitan Opera, Salzburg Festival, San Francisco Opera, and the Vienna State Opera. The recordings were privately made in-house or from radio broadcasts. less